Trivia: An icon of machismo and Hollywood action heroism, Sylvester Stallone is responsible for creating two characters who have become a part of the American cultural lexicon: Rocky Balboa, the no-name boxer who overcame all odds to become a champion, and John Rambo, the courageous soldier who specialized in violent rescues and revenge. Both characters are reflections of Stallone's personal experiences and the battles he waged during his transition from a poor kid in Hell's Kitchen to one of the world's most popular stars. According to Stallone, his was not a happy childhood. On July 6, 1946, in the aforementioned part of Manhattan, Sylvester Enzio Stallone was born to a chorine and an Italian immigrant. A forceps accident during his birth severed a facial nerve, leaving Stallone with parts of his lip, tongue, and chin paralyzed. In doing so, the accident imprinted Stallone with some of the most recognizable components of his persona: the distinctively slurred (and some say often nearly incomprehensible) speech patterns, drooping lower lip, and crooked left eye that have been eagerly seized upon by caricaturists. To compound these defects, Stallone was a homely, sickly child who once suffered from rickets. His parents were constantly at war and struggling to support Stallone and his younger brother, Frank Stallone (who became a B-movie actor). The elder brother spent most of his first five years in the care of foster homes. Stallone has said that his interest in acting came from his attempts to get attention and affection from those strangers who tried to raise him. When he was five, his parents moved their family to Silver Spring, MD, but once again spent their time bickering and largely ignored their children. Following his parents' divorce in 1957, the 11-year-old Stallone remained with his stern father. The actor's teen years proved even more traumatic. As Stallone seemed willing to do just about anything for attention, however negative, he had already been enrolled in 12 schools and expelled several times for his behavior problems. His grades were dreadful and his classmates picked on him for being different. Stallone coped by becoming a risk taker and developing elaborate fantasies in which he presented himself as a brave hero and champion of the underdog. At age 15, Stallone moved to Philadelphia to be with his mother and her new husband. By this time, he had begun lifting weights and took up fencing, football, and the discus. He also started appearing in school plays. Following graduation, Stallone received an athletic scholarship for the American College of Switzerland. While there he was a girls' athletic coach and in his spare time starred in a school production of Arthur Miller's Death of a Salesman. The experience inspired him to become an actor and after returning stateside, he started studying drama at the University of Miami until he decided to move to New York in 1969. While working a variety of odd jobs, Stallone auditioned frequently but only occasionally found stage work, most of which was off-Broadway in shows like the all-nude Score and Rain. He even resorted to appearing in the softcore porn film, Party at Kitty's and Studs, which was later repackaged as The Italian Stallion after Stallone became famous. Stallone's face and even his deep voice were factors in his constant rejection for stage and film roles. He did nab a bit role in Woody Allen's Bananas (1971), but after he was turned down for The Godfather (1971), Stallone became discouraged. Rather than give up, however, Stallone again developed a coping mechanism -- he turned to writing scripts, lots of scripts, some of which were produced. He still auditioned and landed a starring role in Rebel (1973). During his writing phase, he married actress Sasha Czack in late 1974 and they moved to California in the hopes of building acting careers. His first minor success came when he wrote the screenplay for and co-starred in the nostalgic Lords of Flatbush (1974) with Henry Winkler. The film's modest success resulted in Stallone's getting larger roles, but he still didn't attract much notice until he penned the screenplay for Rocky. The story was strong and well written and studios were eager to buy the rights, but Stallone stipulated that he would be the star and must receive a share of the profits. Producers Irwin Winkler and Robert Chartoff accepted Stallone's terms and Rocky (1976) went on to become one of the biggest movie hits of all time. It also won several Oscars including ones for Best Picture, Best Director for John Avildsen, and a Best Actor nomination for Stallone. Suddenly Stallone found himself on Hollywood's A-list, a status he has largely maintained over the years. In addition to writing four sequels to Rocky, he penned three Rambo films (First Blood, Rambo: First Blood Part II, and Rambo 3) and F.I.S.T. (1979). Stallone made his directorial debut with Paradise Alley, which he filmed in Hell's Kitchen. He also wrote and directed but did not appear in the sequel to Saturday Night Fever, Staying Alive (1983). In addition, Stallone has continued to appear in the films of other directors, notably Demolition Man (1993), Judge Dredd (1995), and Copland (1997), a film in which he allowed himself to gain 30 pounds in order to more accurately portray an aging sheriff. Occasionally, Stallone has ventured out of the action genre and into lighter fare with such embarrassing efforts as Stop! Or My Mom Will Shoot (1992) and Oscar (1991), which did not fare well at the box office. Following these missteps, Stallone found greater success with the animated adventure Antz (1998), a film in which his very distinctive voice, if not his very distinctive physique, was very much a part. Stallone was back in shape for the 2000 remake of Get Carter and hit the race tracks in the following year in the CART racing thriller Driven. Though the early 2000s found his career sputtering along with such forgettable duds as D-Tox and Avenging Angelo, Stallone took his career into his own hands by returning to the director's chair to resurrect two of his most iconic characters. Lacing his boxing gloves up once again for Rocky Balboa, the veteran action star proved he still had some fight left in him, and venturing into the jungles of Burma as John Rambo just two years later, he proved that hard "R" action could still sell in the era where most filmmakers were playing it "PG-13"safe. That trend continued with Stallone's all-star action opus The Expendables in 2010, with the success of that film leading to a sequel (with Simon West taking over directorial duties) featuring even more action icons in 2012. Incredibly, not even a broken neck suffered during production of The Expendables proved capable of slowing Stallone down, and 2013 found him teaming with Walter Hill for Bullet to the Head -- which followed a cop and a killer as they teamed up to take down a mutual enemy. In 2015, Stallone returned to Rocky Balboa once more, but this time as a supporting character in the spin-off film Creed. He earned rave reviews and an Oscar nomination for Best Supporting Actor, making him only the sixth performer to be nominated for playing the same character in two separate films.

Trivia: American actor Richard Crenna started out as a radio performer at age 11, demonstrating an astonishing range for one so young. The momentum of his career was unaffected by an army hitch and time spent earning an English degree at the University of Southern California. But even though he was by then in his twenties, Crenna found himself still playing adolescents, notably squeaky-voiced high schooler Walter Denton on the radio comedy Our Miss Brooks. That he was able to play characters of virtually any age was overlooked by movie and TV casting directors, who could see Crenna only in callow-juvenile roles. After making an excellent impression as ballplayer Daffy Dean in the 1953 film Pride of St. Louis, for example, Crenna wasn't cast in another film until the 1955 movie version of Our Miss Brooks--in which, at 29, he was Walter Denton once more. The following year, Crenna decided "to sorta let Walter Denton die," and took a decidedly mature role in the sleazy exploitation film Over-Exposed (1956). It was a fully grown Crenna who took on the role of Luke McCoy on the Walter Brennan TV series The Real McCoys, which ran from 1957 through 1963 and which gave Crenna his first opportunities as a director. After McCoys, Crenna found himself facing potential career standstill again, since it seemed that now he was typed as the rubeish Luke McCoy. This time, however, the actor had impressed enough producers with his dogged work ethic and the range displayed in guest-star appearances. In 1964, Crenna was cast in a prestigious TV drama For the People as assistant DA David Koster, and though the program lasted only one season, Crenna was firmly established as a compelling dramatic actor. Still, and despite solid Richard Crenna film performances in The Sand Pebbles (1966), Body Heat (1981) and The Flamingo Kid (1985), the actor has never completely escaped the spectre of Walter Denton. Crenna was able to conjure up the old adenoidal Denton voice on talk shows of the 1980s and 1990s, and in the action-film spoof Hot Shots: Part Deux, the actor, with an absolute straight face, portrayed Colonel Denton Walters!

Trivia: After majoring in history at Columbia University, brawny Brian Dennehy (born July 9, 1938) took a string of odd jobs to pay his way through Yale Drama School, and to afford private acting lessons. His first professional break came with the Broadway production Streamers. In films and TV from 1977, Dennehy is a most versatile actor, at home playing Western baddies (Silverado), ulcerated big-city cops (F/X), serial killers (John Wayne Gacy in the made-for-TV To Catch a Killer), by-the-book military types (General Groves in Day One, another TV movie), and vacillating politicos (Presumed Innocent). One of his most rewarding film assignments was as dying architectural genius Stourley Kracklite in Peter Greenaway's The Belly of an Architect (1987).In addition to his many TV-movie roles (one of which, good-old-boy Chuck Munson in 1993's Foreign Affairs, won him a Cable Ace Award), Dennehy has starred in the weekly series Big Shamus, Little Shamus (1977), Star of the Family (1981), and Birdland (1994), as well as the sporadically produced Jack Reed feature-length mysteries. It was in one of the last-mentioned projects, Jack Reed: A Search for Justice (1994), that Dennehy made his directorial debut. Aside from his work in film and television, Dennehy has also had considerable success on the stage, particularly with his Tony-winning portrayal of Willy Loman in the 1998 Broadway revival of Death of a Salesman.The actor continued to show his range in the 1995 comedy Tommy Boy (starring David Spade and the late comedian Chris Farley), in which he became well known for his role as Big Tom Callahan, and for a voice role in Ratatouille (2007) as Django, the father of rat and aspiring chef Remy.Dennehy joined Robert DeNiro and Al Pacino in Righteous Kill, a 2008 police drama, and worked alongisde Russell Crowe in the 2010 suspense film The Next Three Days. In 2011, Dennehy played the pivotal role of Clarence Darrow in Alleged, a romantic drama set during the infamous Scopes Monkey Trial.

Trivia: Starting out as an actor and production assistant in basement-budget cycle flicks like Angels from Hell, Jack Starrett matriculated into a director of exploitation and blaxploitation features. Starrett is the "auteur" of such low-cost money-spinners as Slaughter (1972), Cleopatra Jones (1973) and Final Chapter: Walking Tall (1977). In the late seventies, he was one of the principal directors of TV's Starsky and Hutch. Starrett's TV directorial credits include the 1979 miniseries Mr. Horn, in which he assigned himself the supporting role of General Crook. He briefly returned to full-time acting with a featured role in Sylvester Stallone's First Blood (1982). Jack Starrett died of renal failure at the age of 52.

Trivia: Character actor and screenwriter Chris Mulkey is best remembered for his convincing portrayal of creepy former convict Hank Jennings in David Lynch's innovative television series Twin Peaks. A five-year veteran of the Children's Theatre Company of Minnesota, Mulkey, who had previously studied theater at the University of Minnesota, made his feature film debut in the comedy Loose Ends (1975). He made his screenwriting debut in 1988, with Patti Rocks.

Trivia: He was born John Williams, but there already was a John Williams in show business (several of them, in fact), so the Canadian-born actor selected John McLiam as his professional moniker. McLiam's man-on-the-street countenance could be molded into a vast array of characterizations, ranging from a cockney low-life (My Fair Lady) to a Southern redneck (Cool Hand Luke). The actor's bland normality was a key factor in his being cast as real-life murder victim Herbert Clutter in 1967's In Cold Blood. John McLiam accepted more TV guest-star assignments than can possibly be listed here; he was also a regular on the weekly series Men From Shiloh (1970) and Two Marriages (1983).

Trivia: Mainstream America got its first taste of David Caruso when he appeared in a nationally syndicated mid-'70s coffee commercial as a stock boy in a general store run by Margaret Hamilton. In those days, Caruso would pick up extra cash by appearing in lineups for the New York police department, where his street-urchin style made him fit right in. This same street-tough quality won Caruso his first semi-regular TV series role in 1981, as the Irish-American gang leader "Shamrock" on Hill Street Blues. Building up his resumé, he continued to take supporting roles like the "washout" aviation candidate in An Officer and a Gentleman (1982) and assistant to Judd Nelson's quest for revenge in Blue City (1986). 1984 proved a busy year as he divorced wife Cheri Maugans and married Rachel Ticotin, with whom he had a daughter, Greta, later that year. More supporting roles paid Caruso's bills throughout the '80s, as well as a starring TV gig on a short-lived 1990 cop series called H.E.L.P. A much more important law enforcement role still lay ahead, however, in the form of a hot new series called NYPD Blue that premiered in 1993. Playing the role of Detective John Kelly on the series made Caruso an overnight star. The show was produced by his old Hill Street Blues boss Steven Bochco, and Caruso had the groundbreaking drama to thank for his transformation from working actor to sought-after star -- yet he remained with the monumentally successful show for only 26 episodes. After a very public series of disagreements with producers, Caruso left NYPD Blue in 1994, hoping to use his new celebrity to invigorate a film career. He returned to audiences in 1995, starring the crime thriller Kiss of Death. Unfortunately, Kiss of Death was a critical and box-office failure, as were his successive suspense thrillers Jade, Cold Around the Heart, and Body Count. Though he walked down the isle a third time in 1995, the actor's wedding seemed to be the only happy news associated with his name. By the end of the '90s, Caruso's decision to leave NYPD Blue was considered one of the most infamous career blunders in history, landing him on the C-list and making a joke of the inflated ego that some said put him there. In 1997, the first episode of the outrageous animated media satire South Park seemed to summarize the actor's status with a gag in which the two-year-old character Ike is persuaded to jump from a spaceship and fall several feet to the ground when his brother yells "Do your impression of David Caruso's career!" Many actors find themselves remembered as cinematic or TV one-hit wonders, and this was how Caruso was already being recorded in pop-culture history. The new millennium, however, would find the actor defeating the Hollywood laws of physics with a resurrection on a par with that of John Travolta. In 2002, the hit procedural prime-time crime drama CSI: Crime Scene Investigation was launching a spin-off, CSI: Miami, and in the starring role of Lieutenant Horatio Caine was none other than David Caruso. The spin-off proved to be just as successful as its predecessor, and almost ten years after his first shot at fame with NYPD Blue, Caruso was back in the game. While cynics predicted that he would grow too big for his britches and leave the series in a disastrous repetition of history, Caruso remained loyal to the show, even making cameo appearances on the other CSI series. Though 2005 brought a divorce, it also saw the birth of a son with girlfriend Liza Marquez.

Trivia: Canadian character actor Bruce Greenwood spent the 1970s working in regional Vancouver theater, and appeared in many Canadian TV shows during the '80s. His first American film was a walk-on role in Rambo: First Blood. In the U.S., he fared much better with television pilots, miniseries, and made-for-TV movies. His first big role was Dr. Seth Griffin on St. Elsewhere from 1986-1988. Other TV projects included The FBI Murders, The Servants of Twilight, and Summer Dreams: The Story of the Beach Boys. By the '90s, he had found a home for himself on television. Greenwood played Pierce Lawson in 1991 on the evening soap opera Knots Landing, earned a Gemini (the Canadian Emmy) nomination for The Little Kidnappers, and then took home an award for his role in Road to Avonlea. He also starred as Thomas Veil on the UPN dramatic series Nowhere Man and guest starred as Roger Bingham on the HBO comedy series The Larry Sanders Show. He did quite well on NBC, as well, appearing in many TV movies (including Naomi & Wynonna: Love Can Build a Bridge) and starring in the sci-fi mystery show Sleepwalkers as Dr. Nathan Bradford.Greenwood made the leap to the big screen with a fellow Canadian, Egyptian-born filmmaker Atom Egoyan. In Exotica, he played the troubled Francis, a tax collector obsessed with a stripper. The film was a hit at the Cannes Film Festival, and Greenwood re-teamed with the director for his next film, The Sweet Hereafter, which won a special jury prize at Cannes, while Greenwood was nominated for a Genie award for his supporting role of mourning father Billy Ansell. By contrast, he played bad guys in mainstream thrillers in the '90s, with starring roles in Disturbing Behavior, Hide and Seek, Double Jeopardy, and Rules of Engagement He may be most well known, however, for playing President John F. Kennedy during the Cuban Missile Crisis in the political thriller Thirteen Days, for which he won a Golden Satellite Award. With this role under his belt, Greenwood moved into more dramatic territory with the A&E miniseries The Magnificent Ambersons as well as a dual role in Egoyan's Ararat. In 2003, he produced fellow Canadian Deepa Mehta's film The Republic of Love and appeared in the action comedy Hollywood Homicide and the sci-fi thriller The Core. He continued to work steadily in a variety of projects including I, Robot, Racing Stripes, Capote, Déjà vu, and had a small part in Todd Haynes' 2007 idiosyncratic Bob Dylan biopic I'm Not There. That same year he played the president in the hit sequel National Treasure: Book of Secrets. He had a brief but memorable turn as Captain James T. Kirk's father in J.J. Abrams Star Trek, and played a bad guy in the comedy Dinner for Schmucks. He had a major role in the arty western Meek's Cutoff, and reteamed with Abrams when he appeared in the Spielberg homage Super 8.