Trivia: Next to Liv Tyler, Angelina Jolie is the only actress of her generation who can thank her famous father for the lips that have become her trademark. The actress was born Angelina Jolie Voight to the pillow-lipped Jon Voight and actress Marcheline Bertrand on June 4, 1975, in Los Angeles.Raised mostly by her mother after her parents divorced while she was still a baby, Jolie moved around a lot with her mother and brother. She also did a fair amount of traveling as a professional model, living in such places as London, New York, and Los Angeles before settling for a time in New York as a student at the Lee Strasberg Theatre Institute and New York University, where she first started acting in theater productions. The fledgling actress soon moved on to film with a small role in 1993's Cyborg 2, followed in 1995 by her turn as a computer hacker in the more widely seen Hackers. The film gave her her first taste of recognition, as well as an introduction to Trainspotting's Jonny Lee Miller, to whom she was married for a short time.After appearing in a number of mediocre films, Jolie finally hit it big in 1997 with her Golden Globe-winning performance as George Wallace's wife in the highly acclaimed TV movie George Wallace. The role, coupled with her Emmy-nominated performance in the title role of HBO's Gia, provided Jolie with a new level of professional respect and recognition. She was soon appearing on talk shows and in magazines, answering questions about everything from her multiple tattoos to her famous father to her brief marriage.She was also netting roles in high-profile projects: In 1998 Jolie headlined an ensemble cast that included Sean Connery, Gena Rowlands, Anthony Edwards, Gillian Anderson, Ryan Phillippe, and Madeline Stowe in Playing By Heart. The following year, she was part of another high-voltage cast in Mike Newell's Pushing Tin, co-starring alongside John Cusack, Billy Bob Thornton, and Cate Blanchett. Although the film was neither a critical nor a financial success, it did little to diminish the rapid ascent of the career of the actress, who was in hot demand for projects that would further elevate her already rising star. In 2000, Jolie's star received one of its greatest boosts to date when the actress won an Academy Award for Best Supporting Actress for her portrayal of a volatile mental patient in Girl, Interrupted. Later that year, her personal life also got a boost in the form of her April marriage to Billy Bob Thornton.Onscreen, Jolie was hard to miss in 2000. She starred in a number of films, including the crime thriller Gone in Sixty Seconds, in which she co-starred as a car thief alongside Nicolas Cage, and Original Sin, a thriller that featured her as the bad-seed bride of a Cuban tycoon (Antonio Banderas). If she was hard to miss in 2000, Jolie was impossible to escape in 2001 with her turn as shapely video-game adventuress Lara Croft in the long anticipated film adaptation of the popular Tomb Raider video-game franchise. Carrying on the tradition of video-game movies that are light on plot but heavy on the action, Tomb Raider (2001) and Lara Croft Tomb Raider: Cradle of Life (2003) scored with summer audiences and quickly shot to number one at the box office despite disparaging reviews citing an incoherent story line, unlike Life or Something Like It, the 2002 romantic comedy-drama that critics and audiences alike would rather not have seen. On July 18th, 2002, Jolie filed for divorce from Thornton, claiming that their priorities no longer meshed after having adopted a Cambodian son, Maddox. Though the famously quirky couple were no longer, Angelina's film schedule remained hectic. In 2003 she would play a rich-girl-turned-humanitarian in Beyond Borders, while 2004 saw a host of parts for Jolie, including a role in Oliver Stone's Alexander, an epic biography of Alexander the Great starring Colin Farrell, as well as a turn alongside fellow Oscar-winner Gwyneth Paltrow in Sky Captain and the World of Tomorrow, and a role as a tough FBI agent in the thriller Taking Lives. Finally, Jolie closed out the year by lending her voice to Dreamworks' animated kid-flick Shark Tale.While the Jolie-starring Mr. and Mrs. Smith proved one of Summer 2005's biggest money-makers, the actress's name fell on the lips of gossip-mongers for most of the year not for the film itself, but rather for Jolie's relationship with costar Brad Pitt. Though the couple long shirked and denied rumors of an affair, the paparazzi regularly caught them together in public, and Pitt eventually filed for divorce from wife Jennifer Aniston. Subsequently, they not only conceived a child in fall 2005 (whom they named Shiloh Nouvel Jolie-Pitt, but became foster parents to two adopted children, Maddox and an Ethiopian girl, Zahara Marley. Jolie delivered Shiloh in Namibia, via caesarian section, as May 2006 wrapped, and the couple flew an ob-gyn in from Los Angeles to assist with the birth. By mid-2006, Jolie - as an actress, personality, and sex symbol - claimed an almost matchless status in Hollywood popularity, rivaled only by Jennifer Aniston, ironically. That year saw Jolie claim a supporting role in Robert De Niro's The Good Shepherd, and announce her forthcoming role in Beowulf. By late 2007, talk had begun to swirl in the trades regarding Jolie's enlistment in a high-budget action franchise based on the life and adventures of U.S. intelligence operative Kathi Lynn Austin. In 2007, her portrayal of Marianne Pearl in Michael Winterbottom's adaptation of A Mighty Heart earned her strong reviews and nominations for Best Actress from a number of organizations including the Screen Actors Guild. Although Oscar snubbed her for that performance, she landed in the big race the following year with her work in Clint Eastwood's The Changeling. As a mother searching for her kidnapped son, Jolie again garnered nominations from the Hollywood Foreign Press, and the Screen Actors Guild, as well as securing her first Oscar nod since winning years earlier for Girl, Interrupted. For her next several projects, Jolie kept things upbeat and intense, starring in action movies like Wanted, The Tourist, and most notably, 2010's Salt, in which Jolie's performance as the title character Evelyn Salt had many reviewers calling her the female James Bond. Jolie would also provide the voice of Tigress in the childrens' animated film Kung Fu Panda and its sequel, before taking on her next big hurdle: stepping behind the camera.Never timid when it comes to new challenges, Jolie dove into her new role full force, directing as well as producing the 2012 war drama In the Land of Blood and Honey, a tragic love story that takes place during the Bosnian War. The film's uncompromising depiction of the war atrocities that marked the conflict caused some stir in Bosnia, Serbia, and Croatia, but her choices were largely celebrated by Bosnians, as well as most critics in the U.S. and Europe.Jolie returned to acting in 2014, playing the title character in Disney's Maleficent, which would prove to Jolie's biggest live-acting hit, passing the box office totals for Mr. & Mrs. Smith, taking in $600 million.

Trivia: A handsome supporting player whose occasional leap into the lead has resulted in some interestingly varied performances, actor Iain Glen has appeared in everything from low-budget indies to high-profile Hollywood blockbusters -- frequently holding his own opposite such screen heavies as Harvey Keitel (The Young Americans) and Billy Connolly (Gabriel & Me). A native of Edinburgh, Scotland, who studied at Edinburgh Academy and the University of Aberdeen before honing his craft at the Royal Academy of Dramatic Art, the talented Shakespearian actor would go on to impress audiences in such stage works as Macbeth and Henry V. In 1985, the ascending stage talent made a successful transition to the screen with a small role in an episode of the popular U.K. mystery series Taggart, and after making the leap to the big screen with a supporting role in the 1987 feature Will You Love Me Tomorrow, Glen returned to television the next year for a role in the series The Fear. In the years that followed, Glen's big-screen career gained notable momentum thanks to solid performances in Gorillas in the Mist (1988) and Rosencrantz and Guildenstern Are Dead (1990), with his early years coming to a peak when he took home a Best Actor award from the Berlin International Film Festival for his turn as a convicted killer in the 1990 film Silent Scream. That same year, Glen also received accolades for his portrayal of real-life explorer Lt. John Hanning Speke in Mountains of the Moon, though the remainder of the decade would find him sticking mainly to U.K. television (occasionally taking the lead, as in 1992's Frankie's House). Following an endearing turn as a sports reporter whose one-night fling leads him to come to terms with his tragic past in Glasgow Kiss, Glen received notable international exposure with a high-profile role opposite Angelina Jolie in Lara Croft: Tomb Raider. Though Glen's shattering performance as a father suffering terminal lung cancer in the drama Gabriel & Me (screenwriter Lee Hall's follow-up to Billy Elliot) ultimately failed to gel with audiences, Glen's horrific turn as a seemingly possessed father in Darkness offered the talented actor at his manic best. By this point, Glen seemed to be growing increasingly comfortable alternating between more independent-minded features and more large-scale productions, taking the role of noted psychiatrist Carl Jung in the 2003 romantic drama The Soul Keeper before taking a more epic turn as an anthropologist who hunts and captures pygmies in order to study them and prove a link between man and ape in 2005's Man to Man. He appeared in Ridley Scott's epic Kingdom of Heaven, as well as Resident Evil: Extinction. In 2008 he had a major part in a retelling of The Diary of Anne Frank for the BBC, and followed that up with a part in the Michael Caine vehicle Harry Brown. In 2011 he acted in the Oscar winning biopic The Iron Lady.

Trivia: The son of a Czech-American golf pro, Jon Voight was active in student theatricals in high school and at Catholic University. In 1960 he began studying privately with Neighborhood Playhouse mentor Sanford Meisner, and made his off-Broadway debut that same year in O Oysters, receiving a daunting review which opined that he could "neither walk nor talk." Fortunately, Voight persevered, and in 1961 took over the role of "singing Nazi" Rolf in the Broadway hit The Sound of Music (his Liesl was Laurie Peters, who became his first wife).Blessed with handsome, Nordic features, Voight kept busy as a supporting player on such TV series as Gunsmoke, Coronet Blue, and NYPD, and in 1966 spent a season with the California National Shakespeare Festival. The following year, he won a Theatre World Award for his stage performance in That Summer, That Fall. Thus, by the time he became an "overnight" star in the role of wide-eyed hustler Joe Buck in Midnight Cowboy (1969), he had nearly a decade's worth of experience under his belt. The success of Midnight Cowboy, which earned Voight an Oscar nomination, prompted a fast-buck distributor to ship out a double feature of two never-released mid-'60s films: Fearless Frank, filmed in 1965, starred Voight as a reluctant superhero, while Madigan's Millions was a 1968 turkey featuring Voight's Cowboy co-star (and longtime friend) Dustin Hoffman.Entering the 1970s with dozens of producers clamoring for his services, Voight refused to accept roles that banked merely on his youth and good looks. Instead, he selected such challenging assignments as crack-brained Army officer Milo Minderbinder in Catch 22 (1970), a political activist known only as "A" in The Revolutionary (also 1970), reluctant rugged individualist Ed Gentry in Deliverance (1972), and real-life teacher/novelist Pat Conroy in Conrack (1974). In 1978, he won both the Oscar and the Cannes Film Festival award for his portrayal of paraplegic Vietnam veteran Luke Martin in Hal Ashby's Coming Home. The following year, he earned additional acclaim for his work in the remake of The Champ.Devoting increasing amounts of time to his various sociopolitical causes in the 1980s and 1990s, Voight found it more and more difficult to fit film roles into his busy schedule. A reunion project with Ashby, on the godawful gambling comedy Lookin' to Get Out (produced 1980, released 1982), failed dismally, with many reviewers complaining about Voight's terrible, overmodulated performance, and the paper-thin script, which the actor himself wrote. Voight weathered the storm, however, and enjoyed box-office success as star of the 1983 weeper Table for Five. He also picked up another Oscar nomination for Andrei Konchalovsky's existential thriller Runaway Train (1985), and acted in such socially-conscious TV movies as Chernobyl: The Final Warning (1991) and The Last of His Tribe (1992). He also produced Table for Five and scripted 1990's Eternity. Voight kept busy for the remainder of the decade, appearing in such films as Michael Mann's Heat (1995), Mission: Impossible (1996), and The General, a 1998 collaboration with Deliverance director John Boorman, for which Voight won acclaim in his role as an Irish police inspector. During the same period of time, a bearded Voight also essayed a wild one-episode cameo on Seinfeld - as himself - with a scene that required him to bite the hand of Cosmo Kramer from a parked vehicle. In 1999, Voight gained an introduction to a new generation of fans, thanks to his role as James Van Der Beek's megalomaniacal football coach in the hit Varsity Blues, later appearing in a handful of other films before teaming onscreen with daughter Angelina Jolie for Tomb Raider in 2001. After essaying President Roosevelt later that same year in Pearl Harbor, Voight went for laughs in Ben Stiller's male-model comedy Zoolander, though his most pronounced role of 2001 would come in his Oscar nominated performance as iconic newsman Howard Cosell in director Michael Mann's Mohammad Ali biopic, Ali.Taken collectively, all of Voight's aformentioned roles during the mid-late 1990s demonstrated a massive rebound, from the gifted lead of '70s American classics to a character actor adept at smaller and more idiosyncratic character roles in A-list Hollywood fare ( the very same transition, for instance, that Burt Reynolds was wrongly predicted to be making when he signed to do Breaking In back in 1989). To put it another way: though Voight rarely received first billing by this point, his volume of work per se soared high above that of his most active years during the '70s. The parts grew progressively more interesting as well; Voight was particularly memorable, for instance, in the Disney comedy-fantasy Holes, as Mr. Sir, the cruel, sadistic right-hand-man to camp counselor Sigourney Weaver, who forces packs of young boys to dig enormous desert pits beneath the blazing sun for a mysterious reason. Voight then signed for a series of parts under the aegis of longtime-fan Jerry Bruckheimer, including the first two National Treasure installments (as John Patrick Henry) and - on a higher-profiled note - the audience-rouser Glory Road (2005), about one of the first all-black basketball teams in the U.S.; in that picture, Voight plays Adolph Rupp, the infamous University of Kentucky coach (nicknamed 'Baron of the Bluegrass') with an all-white team vying against the competitors at the center of the story.In 2007, Voight tackled roles in two very different high-profile films: he played one of the key characters in Michael Bay's live-action extravaganza Transformers, and portrayed a Mormon bishop who perishes in a Brigham Young-instigated massacre, in the period drama September Dawn, directed by Christopher Cain (Young Guns. He appeared in 24: Redemption, and became a part of that show's regular cast for its seventh season. Voight is the father of Angelina Jolie, and has often been the subject of tabloid coverage because of their occasionally fraught public bickering.

Trivia: British actor Daniel Craig grew up in Liverpool before moving to London and studying at the Guildhall School of Music and Drama. He made his film debut in The Power of One, directed by John G. Avildsen. A few made-for-TV movies followed before his role of Master Kane in the Disney adventure A Kid in King Arthur's Court. Returning to the U.K., he starred in the miniseries Our Friends in the North, the four-part series Moll Flanders, and the TV mystery The Ice House. In 1997 he worked with German director Peter Sehr on Obsession where he met his future girlfriend, German actress/VJ Heike Makatsch. His first leading role in the U.K. came in 1998 with his portrayal of George Dyer, the intimate friend of painter Francis Bacon (played by Derek Jacobi) in John Maybury's Love Is the Devil. Other leading roles followed in the U.K. films Love & Rage, The Trench, Some Voices, and Hotel Splendide. In Hollywood, he had smaller roles in I Dreamed of Africa, Lara Croft: Tomb Raider, and Road to Perdition. In 2002, he played the German physicist Werner Heisenberg in the BBC historical drama Copenhagen. His first mainstream leading role came in 2003 as Ted Hughes, the partner of Sylvia Plath (played by Gwyneth Paltrow) in Christine Jeffs' Sylvia. In 2004, he can be seen in the U.K. films Layer Cake and Enduring Love.

Trivia: Appearing to be a blend of Steve Buscemi and Nick Cave, Noah Taylor made his name playing Danny Embling, a young man juggling inner torment and sexual anxiety in John Duigan's The Year My Voice Broke (1987) and Flirting (1991). In 1996, he gained further international recognition and respect for his role as the younger version of piano prodigy David Helfgott in Scott Hicks' Shine. The son of journalists, Taylor was born in Melbourne, Australia, on September 4, 1969. Although he spent his early years wanting to be a spy or a commando, he began his acting career at the age of 16 when he left school and joined the city's St. Martin's Youth Theatre. His work with the theater led to his casting as Danny Embling in The Year My Voice Broke. Following the critical success of both Year and its sequel, Flirting, Taylor became known as one of his country's most promising actors. His widely praised performance in Shine further solidified this status, and he was able to do steady work in a number of diverse projects both at home and abroad. In 1998, Taylor starred in Ben Hopkins' acclaimed period drama Simon Magus, and the following year he starred alongside Daniel Auteuil in Michel Blanc's Mauvaise Passe and won a coveted role in Cameron Crowe's Almost Famous, the semi-autobiographical tale of an aspiring teen rock journalist. Taylor would work again with Crowe the very next year, taking a role in the director's remake of Alejandro Amenábar's Open Your Eyes, entitled Vanilla Sky. Heading into action territory with the high-profile video game-to-screen adaptation Lara Croft: Tomb Raider in 2001, Taylor straddled the line between big-budget excess and independent credibility with an appearance in the little seen but curiously titled He Died With a Felafel in His Hand that same year. In 2002, Taylor gained notable media attention for his controversial portrayal of Adolf Hitler in the independent drama Max. The film presented an intimate view of the future Nazi leader as a young aspiring artist, leading numerous groups to protest its humanization of such a feared and monstrous figure. Though the reviews of the film itself were generally fairly positive, Max soon disappeared from arthouse screens with Taylor's performance going largely unseen. If audiences had missed Taylor in Max, however, they would no doubt have a chance to catch him on the screen the very next year in the Tomb Raider sequel Lara Croft Tomb Raider: The Cradle of Life. Taylor next showed up in the anticipated Wes Anderson adventure comedy The Life Aquatic alongside an all-star cast, including Bill Murray, Cate Blanchett, Owen Wilson, Anjelica Huston, and Willem Dafoe.

Trivia: Character player, onscreen from 1936.

Trivia: British supporting and sometimes lead actor Richard Johnson studied acting at the Royal Academy of Dramatic Art as a teen, gained experience in John Gielgud's repertory company, and served in the British Royal Navy during WWII before becoming a professional actor. Dark and handsome, Johnson found steady employment on-stage, in films, and on television in the U.K. and the U.S. He often works with the Royal Shakespeare Company.