Trivia: Chameleon-like British actor Ben Kingsley has proven he can play just about anyone, from Nazi war criminals to Jewish Holocaust survivors to quiet British bookshop owners. For many viewers, however, he will always be inextricably linked with his title role in Gandhi, a film that won him an Oscar and the undying respect of critics and filmgoers alike.Of English, East Indian, and South African descent, Kingsley was born Krishna Bhanji on December 31, 1943 in Snaiton, Yorkshire, England. The son of a general practitioner, Kingsley started out in amateur theatricals in Manchester before making his professional debut at age 23. In 1967 he made his first London appearance at the Aldwych theater and then joined the Royal Shakespeare Company, devoting himself almost exclusively to stage work for the next 15 years (with the exception of two obscure films, Fear Is the Key [1972] and Hard Labour [1973]). When asked about his favorite stage roles, he listed Hamlet, The Tempest's Ariel, and Volpone's Mosca.American audiences first saw Kingsley in 1971, when he made his Broadway debut with the Royal Shakespeare Company. In 1982, actor and director Richard Attenborough selected Kingsley for the demanding title role in the epic Gandhi. The film swept the international awards that year, earning the 39-year-old actor overnight success. Among the several awards he was honored with, Kingsley won a Best Actor Oscar. Adamantly refusing to recycle the same roles, Kingsley spent the next decade playing a wide spectrum of characters. Among his more notable parts were an Arab potentate in Harem (1985), an introverted bibliophile and "social rebel" in Turtle Diary (also 1985), a spy of little import in Pascali's Island (1988), an incorruptible American vice president in Dave (1992), New York gangster Meyer Lansky in Bugsy (1992), a Jewish bookkeeper in Schindler's List (1993), and a suspected Nazi war criminal in Death and the Maiden (1994). So many of his characters have been either taciturn or downright villainous that, upon being cast in a good-guy role in the escapist sci-fier Species (1995), Kingsley publicly expressed his relief in several widely circulated magazine articles.In the latter half of the 1990s, Kingsley continued to embrace a variety of eclectic roles, with turns as the Fool in Trevor Nunn's 1996 film adaptation of Twelfth Night, a media mogul in the 1997 made-for-HBO satire Weapons of Mass Distraction, and the barbarous barber Sweeney Todd in John Schlesinger's 1998 The Tale of Sweeney Todd. Kingsley also took Broadway by storm with his one-man show Edward Kean (later taped for cable), which was directed by his wife, Alison Sutcliffe. Though Kingsley had retained the variety in his career that he had so diligently pursued, the ever-sharp actor remained as focused as ever heading into the new millennium. For his role as a manipulative criminal with a strong power for persuasion in Sexy Beast (2001), Kingsley earned both a Golden Globe nomination and a third Oscar nomination. His fourth Academy nod would come just 2 years later with his role as a proud Arab-American patriarch in The House of Sand and Fog. Along with the Best Actor Oscar nomination, the role also netted Kingsley Golden Globe and Screen Actor's Guild nominations. Kingsley lost his Oscar bid for House to Sean Penn, who collected the statue for his contribution to Clint Eastwood's Mystic River. Over the next several years, Sir Ben Kingsley's acting choices often demonstrated the degree of difficulty that A-listers may encounter when seeking multilayered roles in respectable films, with solid scripts and direction; like many of his contemporaries, the magnificent thespian Kingsley turned up in more than one schlocky Hollywood stinker after House of Sand and Fog -- from Jonathan Frakes's ugly Thunderbirds revamp (2004) to Uwe Boll's horrendous, gothic fx-extravaganza BloodRayne (2006) (as evil ruler Lord Kagan). If anyone could ferret out the creme-de-la-creme of roles, however, Kingsley could, and he simultaneously proved it with contributions to the interesting 2005 biopic Mrs. Harris (as the ill-fated Scarsdale Diet Doctor) and the wondrous documentary I Have Never Forgotten You: The Life and Legacy of Simon Rosenthal (2007).2007 marked a banner year for Kingsley - his most active in quite some time, with contributions to no less than seven key pictures. In the most prominent, the John Dahl-directed crime comedy You Kill Me, Kingsley plays Frank Falenczyk, an alcoholic hit man who travels to Los Angeles to dry out, takes a job in a morgue, and strikes up a relationship with a relative of one of his victims. That same year, Kingsley re-projected his innate ability to essay ethnic roles convincingly, with his turn as one of two Russian police offers investigating an espionage case on a train, in Brad Anderson's thriller Trans-Siberian.Later that same year, Kingsley appeared opposite lead Dan Fogler in English director Chase Palmer's Number Thirteen - a period drama about Alfred Hitchcock's ill-fated attempt to realize one of his first movie projects.

Trivia: Michael Madsen, who admits to being more interested in delivering a good performance than the perks of fame, formerly worked as a gas station attendant in his hometown of Chicago, IL. The older brother of actress Virginia Madsen, Michael's first acting experience took place inside of Chicago's Steppenwolf Theatre, where he studied under the direction of fellow actor John Malkovich. This stage training provided him with the background needed to land a host of small roles, beginning with a bit part in the 1983 film WarGames. After relocating to Los Angeles, Madsen made several television and film appearances, including NBC's Emmy-winning Special Bulletin (1983), and The Natural (1984), director Barry Levinson's celebrated sports drama. Madsen continued to build credibility, gradually going on to land larger parts. Though his profile was raised substantially after appearing in the 1991 film Thelma & Louise, it was his 1989 performance as a psychotic killer in John Dahl's Kill Me Again that caught the attention of Quentin Tarantino, who would later give Madsen his true breakthrough opportunity in 1992's Reservoir Dogs. This ear-splitting performance earned Madsen critical acclaim, as well as further cementing his reputation for playing psychopathic murderers. Sure enough, Madsen would go on to perform in several decidedly evil roles. From the kitten-loving sociopath in The Getaway (1994), to mafia tough guy Sonny Black in Donnie Brasco, Madsen proved himself more than capable of playing a good bad guy. Rather than allowing himself to be typecast, however, Madsen readily accepted the role of a loving foster parent in Free Willy (1993), a seasoned alien assassin in Species (1995), and CIA Agent Damon Falco in director Lee Tamahori's Die Another Day (2002). Over the course of the next decade, however, the veteran actor largely stuck to his tough-guy image, though his reflective role in Quentin Tarantino's Kill Bill films displayed a sense of depth that most filmmakers fail to coax out of him.

Trivia: The son of a Spanish waiter and an Italian housekeeper, Molina was born in London on May 24, 1953. Educated at London's Guildhall School of Music and Drama, he began his career as one half of a street-corner comedy team but then turned to acting. While most thesps start at the bottom and ascend the ladder, Molina is an anomaly: he began at the top of the heap, first earning professional credibility (and his pedigree) as a member of the Royal Shakespeare Company, and debuting cinematically in no less than Steven Spielberg's Raiders of the Lost Ark (1981), as the devious South American guide who leaves Harrison Ford for dead in an ancient temple before meeting his own end, courtesy of a particularly nasty booby trap. His subsequent resume for the rest of that decade reads like a "best of 1980s International Film": supporting roles in Mike Leigh's Meantime (1981), Peter Yates's Eleni (1985) , Richard Donner's Ladyhawke (1985),Chris Bernard's Letter to Brezhnev and Dusan Makavejev's Manifesto (1989), to name only a few. His contribution to Chris Bernard's gently underplayed, low-budget comedy Brezhnev (1985) (which, like Raiders, takes advantage of his slightly dark, Mediterranean complexion) is particularly a standout. He plays a Russian sailor who picks up Margi Clarke's Liverpool blue-collar worker Teresa King during leave, and whose only comprehensible line gives the film its biggest laugh: "Leeverpool. Bittles... Ahhhhh." Molina would spend the next several years appearing in a number of films, like An Education, as well as a number of TV projects like Harry's Law, Law & Order: L.A., and Roger & Val Have Just Got In.But Molina's most impressive contribution to cinema came in 1986, when he joined two fellow Brits, director Stephen Frears and actor Gary Oldman - and turned everyone's head in the process - in Prick Up Your Ears. That film, adapted from eccentric playwright Joe Orton's autobiography, casts Molina as Kenneth Halliwell, Orton's homosexual lover and eventual murderer, opposite Oldman. Practically unrecognizable as the bald, severely unhinged Halliwell, Molina is at once terrifying and pathetic, and gleaned a number of positive notices for his performance, though, for some odd reason, it was criminally overlooked at awards ceremonies and failed to earn Molina any acting laurels. A few years later, Molina joined the cast of Not Without My Daughter (1990). In this true-life account (adapted from Betty Mahmoody's memoir), he plays Moody, a Persian husband who takes his American wife (Sally Field) and daughter to Iran under the guise of "vacation," and virtually imprisons them, forcing her to plot escape. The role (and film) gleaned some controversy for its portrayal of Islam, but (the bearded) Molina glistened with dark, brooding intensity characteristic of the actor's finest work. Molina offered more sympathetic portrayals in such films as Mike Newell's Enchanted April (1992), Species (1995), and Mira Nair's The Perez Family (1995), as a Cuban immigrant struggling to make a new life for himself in Miami. In Paul Thomas Anderson's Boogie Nights, Molina evoked a deranged playboy precariously teetering on the edge of insanity - a role that further evinced boundless courage. 1999's ridiculous Dudley-do-Right, however (in which Molina) played the villain), didn't serve him as well; neither he, nor Brendan Fraser, nor Sarah Jessica Parker managed to rise above the silly script. Far more impressive (albeit smaller in scope) was the actor's sophomore collaboration with Anderson, that year's Magnolia, in a fleeting role as Solomon Solomon, the owner of the electronics shop where William H. Macy's Donnie Smith works. During 1999 and thereafter, Molina attempted to break into television sitcoms (1999's Ladies Man, 2002's Bram and Alice), but none of these efforts panned out. He continued to garner positive notices during this period, however, for his roles in such films as 2000's Chocolat and 2002's Frida. Molina earned a Screen Actors Guild Award nomination (finally!) in the latter, for his portrayal of chronically unfaithful painter Diego Rivera. In 2004, the actor traveled to megaplexes again, as the infamous Doc Oc in the critically-acclaimed box-office smash Spider-Man 2, and although ostensibly a defiantly commercial piece of Hollywood fluff, the film performed well on all fronts - critically and commercially. Considered by some to be the greatest example of the superhero genre ever produced, no small amount of the rave reviews given to the film were directed at Molina for his spot-on portrayal of the maniacal comic-book villain; The Los Angeles Times's Kenneth Turan rhapsodized, "As played by Alfred Molina with both computer-generated and puppeteer assistance, Doc Ock grabs this film with his quartet of sinisterly serpentine mechanical arms and refuses to let go."That same year (albeit in a much different cinematic arena and catering to a much different audience --- such is the magic of Molina's versatility), the actor played opposite John Leguizamo as Victor Hugo Puente, a sensationalism-hungry news anchor willing to do almost anything for ratings, in Sebastian Cordero's well-received psychological thriller Crónicas. Molina highlighted the cast of no less than six features throughout 2005 and 2006, but his highest-profile film from this period was Ron Howard's The Da Vinci Code, in which he plays the obese Bishop Aringarosa This May '06 release (adapted from Dan Brown's bestseller) sharply divided critics (most found it average). That same year, Molina contributed to two films by major directors: Kenneth Branagh drew on his background as a trained RSC member by casting Molina as Touchstone in his screen adaptation of Shakespeare's comedy of errors As You Like It, and he receives second billing (after Richard Gere) in Lasse Hallstrom's docudrama The Hoax. The picture tells the early-1970s story of Clifford Irving's (Gere) attempt to write and market a phony autobiography of Howard Hughes, with the assistance of right-hand man Richard Susskind (Molina). Molina married British actress Jill Gascoine (Northern Exposure, BASEketball) in 1985, who is sixteen years his senior. They have two sons.

Trivia: Forest Whitaker attended college on a football scholarship, then, interested in Opera, transferred to U.S.C. on two more scholarships to study Music and Theater. He landed small roles on television and in two films, beginning with Fast Times at Ridgemont High (1982). He got his big break when he appeared in Oliver Stone's Platoon and Martin Scorsese's The Color of Money (both 1986). After a few more supporting roles, Whitaker got his first lead in Clint Eastwood's Bird (1988), in which he played the title role -- heroin-addicted jazz great Charlie Parker, a performance which won him the 1988 Cannes Film Festival Best Actor award. Although now better-known as an lead actor, he was unable to greatly capitalize on his success and remained primarily a supporting player in films. He is the older brother of actor Damon Whitaker.

Trivia: Best known for her television work, Marg Helgenberger started acting in college theatrical productions while studying speech at Northwestern University. A native of Omaha, NE, where she was born on November 16, 1958, Helgenberger moved to New York after graduating from college and landed a role as a tough young policewoman on the soap opera Ryan's Hope. During her four-year tenure on the show, she also maintained her ties with the theater through her involvement with TADA, the Children's Theater Company.Following a move to Southern California, Helgenberger began guest starring on such television series as Matlock, thirtysomething, and HBO's Tales From the Crypt. She co-starred on the short-lived series Shell Game (1987) before getting her big break with the role of K.C., a tough prostitute, on the distinguished drama China Beach in 1988. Helgenberger's role won her two Emmy nominations and one win in 1990. Following the series' demise in 1991, Helgenberger returned to television guest-star status on ER, where she had a four-episode-long recurring role, and in the miniseries The Tommyknockers.A presence on the big screen since 1989, when she made her feature-film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000). Helgenberger would continue to appear in films like In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene Investigation.

Trivia: Model-turned-actress Natasha Henstridge first earned fame -- to say nothing of notoriety -- as Sil, the human-alien clone with a deadly need to mate and reproduce in Species (1995). Due to the strenuous demands of her character, the blonde, willowy Henstridge was required to spend much of the film naked, something that inspired plenty of testosterone-laced men's magazine profiles but little chance for critical respect. However, the actress persevered, gradually finding work in films that focused on her verbal skills rather than her ability to shed her clothing.Originally hailing from Springdale, Newfoundland, Henstridge grew up in Fort McMurray, Alberta, Canada. Leaving home at 14 to pursue a modeling career, she moved to Paris, eventually becoming successful enough to grace the cover of French Cosmopolitan when she was only 15. Henstridge also appeared in ads for Oil of Olay and Lady Stetson, but she soon realized that she was meant for a more creatively stimulating calling. Whether her starring role in Species could be deemed creatively stimulating is arguable, but it did provide Henstridge with her breakthrough. Unfortunately, she next opted for near-nonentity status in such critical missteps as the Jean-Claude Van Damme vehicle Maximum Risk (1996) and Species II (1998), which was nowhere near as commercially successful as its predecessor. Henstridge broke into new territory with the romantic comedy Dog Park (1998), co-starring alongside Janeane Garofalo and Luke Wilson. She continued to flex her comedic muscles in 2000 with The Whole Nine Yards, sharing the screen with a cast that included Matthew Perry, Bruce Willis, and Michael Clarke Duncan. Later that year, she appeared in Bounce, a romantic drama about a man (Ben Affleck) who falls in love with the widow (Gwyneth Paltrow) of the plane crash victim to whom he had given his seat on a doomed airplane. In 2001 Henstridge replaced an injured Courtney Love in John Carpenter's Ghosts of Mars, and over the course of the following decade she became increasingly active on the small screen, appearing in She Spies, Commander in Chief, Eli Stone, and The Secret Circle before turning up in the dubious sequel Raging Bull II in 2012.

Trivia: As semi-reformed bad girl Jennifer Lindley on Dawson's Creek, actress Michelle Williams garnered a certain type of notoriety unavailable to her more morality-inclined co-stars. In spite of this notoriety--or perhaps because of it--the role provided Williams with a wealth of opportunities, making her one of the foremost teen stars of the late 1990s. Born September 9, 1980 in small-town Kalispell, Montana and raised there until she was ten, Williams started acting after her family moved to San Diego. Beginning with roles in community theatre productions, she was soon shuttling back and forth to Los Angeles for auditions. Williams made her film debut in 1994 with Lassie, and then had a small but memorable part as the young version of the nubile and bloodthirsty alien in Species (1995). After the dismal and virtually unseen Timemaster (1995), Williams moved on to more auspicious fare with Jocelyn Moorhouse's A Thousand Acres (1997). Williams was cast as Michelle Pfeiffer's daughter, and the film's small-town setting must have given her some context for her next role, that of Jenn in Dawson's Creek. The show, which premiered in January of 1998, gave Williams her break-out role, and in short time she was besieged with movie offers and a stream of interviews.Williams' first film to exploit her newfound Dawson's fame was Halloween: H2O (1998), in which she starred opposite Jamie Lee Curtis. The film opened to poor reviews but a strong box office performance, and paved the way for her to star in future films, including 1999's thoroughly weird political satire Dick. The film, which looks at the Watergate scandal from the point of view of two teenage girls (played by Williams and Kirsten Dunst), provided Williams with a chance to expand her range beyond the constraints of her Dawson's Creek character. As the new millennium began, Williams found herself more and more comfortable exploring independent film, participating in smaller but often extremely influential projects like Perfume (2001), The Station Agent (2003) and Prozac Nation (2003). In 2005, Williams signed on to appear in the groundbreaking Ang Lee film Brokeback Mountain. The critical acclaim surrounding the movie was overwhelming, bringing Williams a new level of notoriety. Her popularity was also bolstered when the public learned that she and costar Heath Ledger had become involved during filming. The two became engaged and had a daughter together, Matilda, in 2005, and though they would later separate in 2007, they remained close for the well being of their daughter. Tragically, Ledger was found dead of an accidental overdose the following year. The heartbreaking loss for both Williams and her daughter forced the actress to deal with additional public scrutiny at a time when she was most vulnerable, but she coped with the grief as best she could, by investing more energy in her work. In 2008 alone she would appear in numerous films, including the drama Incendiary with Ewan McGregor and the highly anticipated Charlie Kaufman directorial debut Synecdoche, New York.Williams persisted in working with very good directors, as well as indie helmers who could offer her challenging work. She earned strong reviews for her starring role in Kelly Reichardt's Wendy and Lucy, and they worked together again on the western Meek's Cutoff. In addition, she worked with Martin Scorsese in his adaptation of Shutter Island.She also continued to earn awards for a steady string of impressive work including Blue Valentine, where her work as the female half of a failing marriage scored her Oscar, Golden Globe, and Independent Spirit nominations for Best Actress. Then in 2011 she took on the challenge of playing Marilyn Monroe in My Week With Marilyn, and was rewarded with rave reviews as well as Oscar, BAFTA, Golden Globe, and Screen Actors Guild nominations for Best Actress.

Trivia: Character actress, onscreen from the '80s. She was married to actor Will Geer.

Trivia: Possessing a drama degree from the Catholic University of America, Washington D.C., and having undergone six weeks of special training for production interns at Walt Disney Pictures in Burbank, Marilese Schneider became a staff coordinator for Buena Vista Pictures distribution. Schneider earned her first credit as a co-producer on Disney's outdoor adventure White Fang (1991). After working briefly with another production company, Schneider teamed with Roger Donaldson and worked on features such as The Getaway (1994) and Dante's Peak (1997).

Trivia: Supporting and occasional lead actor Whip Hubley (born Grant Hubley) made his film debut in St. Elmo's Fire (1985). He has gone on to appear in feature films and television films. His sister, Season Hubley, is an actress.