Trivia: An international star of extraordinary, almost otherworldly beauty, French actress Juliette Binoche was born March 9, 1964, in Paris. The daughter of a sculptor/theater director and an actress, Binoche studied acting at the National School of Dramatic Art of Paris. After graduation, she followed in her mother's footsteps and became a stage actress, occasionally taking small parts in French feature films. Binoche first earned recognition in 1985 for playing a modernized, teenaged version of the Virgin Mary in Jean-Luc Godard's controversial Je Vous Salue, Marie (Hail Mary). The actress became a bona fide French star the same year with an acclaimed performance in André Téchiné's Rendez-Vous. Though she was the darling of the 1985 Cannes Film Festival, Binoche did not gain true international acclaim until she played Tereza in Philip Kaufman's The Unbearable Lightness of Being in 1988.In the meantime, Binoche become involved with Leos Carax, a then-hot young filmmaker who cast her in a lead role in his chilling Mauvais Sang (Bad Blood). While involved with Carax, Binoche appeared in his Les Amants du Pont-Neuf (Lovers on the Bridge), a film they began in 1988 but did not finish until 1991 due to financial difficulties. She and Carax parted ways two years later after Binoche's great success starring opposite Jeremy Irons in Louis Malle's Damage (1992). The same year, the actress appeared with future English Patient co-star Ralph Fiennes in a new film version of Wuthering Heights, and followed that with the lead role in Krzysztof Kieslowski's Blue (1993). (She also appeared briefly in the trilogy's other installments, Red and White.) Following her work in that acclaimed film, Binoche took time off to have a son and did not return to her career until 1995 with Le Hussard sur le Toit (The Horseman on the Roof). In 1996, Binoche earned further international recognition with a Best Supporting Actress Oscar (as well as a host of other awards) for her role in The English Patient. Returning to her native France amidst a golden haze of critical acclaim, Binoche appeared in the same year's Un Divan à New York (A Couch in New York), a romantic comedy in which she starred opposite William Hurt. In 1998, she again collaborated with director Téchiné, this time on the romantic drama Alice et Martin.Revered as near royalty by the French press (who often simply refer to her as "La Binoche") and a beloved star worldwide, Binoche's remarkable second wind found her popularity soaring and her screen presence more powerful than ever. Binoche's daring and intense performance as 19th-century literary icon George Sand in the misguided drama The Children of the Century (1999) indeed impressed audiences and critics, though the film itself failed to live up to expectations. Of course, it wouldn't take long before Binoche was cast in a film whose quality would match her ample talent, and The Widow of Saint-Pierre (2000) would serve as just that cinematic endeavor. Not only did the redemption-themed drama perform smashingly at the international box office, but it also found its star honored with a César nomination for Best Actress. A collaboration with notorious feel-bad filmmaker Michael Haneke resulted in the intersecting lives drama Code Unknown (2000), though that role was ultimately overshadowed by Binoche's captivating performance in that same year's arthouse hit Chocolat. Cast opposite Johnny Depp as the free-spirited owner of a chocolate shop located in a small French town, the dedicated actress actually prepared for the role by learning to make chocolate at a popular Paris sweetshop. The film was an international runaway hit, and the beloved starlet was nominated for best actress awards across the globe. Following a lighthearted performance opposite French icon Jean Reno in the romantic comedy Jet Lag (2002), Binoche appeared with American star Samuel L. Jackson in director John Boorman's politically oriented drama Country of My Skull in 2004. Binoche maintained her status as one of the most respected actresses in the world by appearing in the well-regarded thriller Cache. She also co-starred with Richard Gere in the drama Bee Season. In 2006 she would appear alongside other stars as Jude Law, Robin Wirght Penn, and Ray Winstone in Anthony Minghella's drama Breaking & Entering.Binoche took on a starring role as Suzanne, a voice actress in a puppet theater and mother to a young boy in the award-winning drama Flight of the Red Balloon (2007), and found success once more with a co-starring part in filmmaker Peter Hedges' comedy Dan in Real Life (2007). The actress played another mother figure in 2008's Paris, a critically lauded romantic drama following a group of friends who find themselves at a crossroads in matters of love, health, and career. Binoche played yet another starring role Certified Copy, which followed the relationship between a British author and a French art-gallery owner (Binoche). 2012 found Binoche co-starring with Paul Giamatti and Keira Knightly for David Cronenberg's sci-fi thriller Cosmopolis, and in another lead role for the drama Open Heart.

Trivia: Initially known as a teen idol thanks to his role on 21 Jump Street and tortured pretty-boy looks, Johnny Depp survived the perils of adolescent heartthrob status to earn a reputation as a respected adult actor. His numerous collaborations with director Tim Burton, as well as solid performances in a number of critically acclaimed films, have allowed Depp to carve a niche for himself as a serious, if idiosyncratic performer, a real-life role that has continuously surprised critics intent on writing him off as just another photogenic Tiger Beat casualty.Born in Kentucky and raised in Florida,Depp had the kind of upbringing that would readily lend itself to his future portrayals of brooding lost boys. After his parents divorced when he was 16, he dropped out of school a year later in the hopes of making his way in the world as a musician. Depp fronted a series of garage bands; the most successful of these, the Kids, was once the opening act for Iggy Pop. During slack times in the music business, Depp sold pens by phone. He got introduced to acting after a visit to L.A. with his former wife, who introduced him to actor Nicolas Cage, who encouraged Depp to give it a try. The young actor made his film debut in 1984's A Nightmare on Elm Street (years after attaining stardom, Depp sentimentally played a cameo in the last of the Elm Street series), and his climb to fame was accelerated in 1987, when he replaced Jeff Yagher in the role of Officer Tom Hanson, a cop assigned to do undercover duty by posing as a student in crime-ridden Los Angeles-area high schools, in the Canadian-filmed Fox TV series 21 Jump Street (1987-90). Biding his time in "teen heartthrob" roles, Depp was first given a chance to exhibit his exhausting versatility in the title role of Tim Burton's fantasy Edward Scissorhands (1990).Following the success of Edward Scissorhands, the actor made a conscious effort never to repeat himself. He continued to gain critical acclaim and increasing popularity for his work, most notably in Benny & Joon (1993), What's Eating Gilbert Grape, Ed Wood and Dead Man. Depp continued to ascend the Hollywood ranks. He would continue to play quirky character roles, starring turn as Hunter S. Thompson's alter ego in Terry Gilliam's trippy adaptation of Fear and Loathing in Las Vegas (1998), and teaming with Burton again to play a decidedly mincing Icabod Crane in Sleepy Hollow. Depp's charm still made him a natural romantic lead, however, as he proved in Chocolat.In what was perhaps his most surprising departure since Fear and Loathing in Las Vegas, Depp shed his oftentimes angst-ridden persona for a role as flamboyant pirate Jack Sparrow in 2003's Pirates of the Caribbean. Essaying the crusty role in the manner of a drunken, debauched rock star -- Depp publicly admitted Keith Richards was his inspiration -- the actor added a dose of off-kilter fun to an above-average summer thrill ride, and found himself with his biggest hit and first Oscar nomination ever.The role effectively made Depp both a character actor and full-fledged leading man, and he would continue to appear in several films over the coming years that allowed him to star in large scale productions, playing decidedly quirky characters. Films like Secret Window, Finding Neverland, Charlie and the Chocolate Factory, Sweeney Todd, Public Enemies, and a slew of massively successful Pirates of the Caribbean sequels would prove again and again how taken audiences were with the star, always playing the hero, but with an unconventional twist.Despite this massive success (or maybe as a result), Depp's career suffered a downswing after a string of critical and commercial flops. Films like The Tourist (opposite Angelina Jolie), Dark Shadows (a rare misstep with Tim Burton) and The Lone Ranger failed to connect with audiences and critics alike and left many to wonder when Depp's career would recover. He continued to have a strong presence in the film industry, though, and in 2016, reprised his role as the Mad Hatter in Alice Through the Looking Glass and began work on a fourth Pirates movie.

Trivia: Exhibiting both grit and steely, almost otherworldly beauty, Canadian actress Carrie-Anne Moss rapidly ascended from obscurity to international stardom as the latex-clad cyber warrior Trinity in the Wachowski brothers' The Matrix. Moss' striking performance led many viewers to question where she had been all these years; like many other fledgling Hollywood actresses, she had done time as a model and an actress in second-rate films while waiting for her big break.Born in Vancouver, British Columbia, on August 21, 1967, Moss decided that she wanted to be an actress at an early age. The youngest of two children raised by a single mother, she grew up taking acting classes, and at the age of 20, she left Canada to pursue a career as a model. During a modeling stint in Spain, Moss managed to land a role on the TV serial Dark Justice. Upon her return to North America, she moved to L.A. and was cast on the Aaron Spelling series Models, Inc.After making her film debut in 1996's Sabotage, Moss continued to do TV work (most notably on the Toronto-based F/X: The Series) and appeared in fairly obscure films. Thanks to her starring role in The Matrix in 1999, Moss was soon in great demand. In 2000 alone, she could be seen in no less than four films, including the action comedy The Crew, Red Planet, and as a bartender with questionable motives in director Christopher Nolan's unconventional breakthrough, Memento. Subsequently taking another stab at sci-fi opposite Val Kilmer in Red Planet, Moss would next appear in Lasse Hallstrom's romantic drama Chocolat before stepping back into her vinyl bodysuit for The Matrix Reloaded and The Matrix Revolutions (both 2003).With the Matrix sequels behind her, Moss next starred opposite Aaron Eackhart in the serial-killer thriller Suspect Zero, a film that failed to excite either audiences or critics. Over the next three years, Moss could primarily be seen in supporting roles in small indie films like Mini's First Time and Fido. And while those films largely failed to garner audience attention, Moss received high marks for the Canadian drama Snow Cake. Also starring Alan Rickman and Sigourney Weaver, the film netted several 2007 Genie Award nominations, but only won one: Best Supporting Actress, which went to Moss.2007 also gave Moss her first taste of financial success since the Matrix films with the surprise-hit thriller Disturbia, a thinly-veiled teenage retread of Alfred Hitchcock's masterpiece Rear Window. The actress followed this up with the gently tragic, slice-of-life drama Fireflies in the Garden (2008), joining Julia Roberts, Ryan Reynolds and Emily Watson in the story of family members who grapple with their feelings of love and commitment to one another when a devastating crisis occurs. In the years to come, Moss would remain a force on screen, appearing in movies like Love Hurts, and on TV series like Chuck and Vegas.

Trivia: One of Britain's most respected and popular actresses, Judi Dench can claim a decades-old career encompassing the stage, screen, and television. A five-time winner of the British Academy Award, she was granted an Order of the British Empire in 1970 and made a Dame of the British Empire in 1988.Born in York, England, on December 9, 1934, Dench made her stage debut as a snail in a junior school production. After attending art school, she studied acting at London's Central School of Speech and Drama. In 1957, she made her professional stage debut as Ophelia in the Old Vic's Liverpool production of Hamlet. A prolific stage career followed, with seasons spent performing with the likes of the Royal Shakespeare Company and the National Theatre. Dench broke into film in 1964 with a supporting role in The Third Secret. The following year, she won her first BAFTA, a Most Promising Newcomer honor for her work in Four in the Morning. Although she continued to work in film, Dench earned most of her recognition and acclaim for her stage work. Occasionally, she brought her stage roles to the screen in such film adaptations as A Midsummer Night's Dream (1968) and Macbeth (1978), in which she was Lady Macbeth to Ian McKellen's tormented king. It was not until the mid-'80s that Dench began to make her name known to an international film audience. In 1986, she had a memorable turn as a meddlesome romance author in A Room with a View, earning a Best Supporting Actress BAFTA for her tart portrayal. Two years later, she won the same award for her work in another period drama, A Handful of Dust.After her supporting role as Mistress Quickly in Kenneth Branagh's acclaimed 1989 adaptation of Henry V, Dench exchanged the past for the present with her thoroughly modern role as M in GoldenEye (1995), the first of the Pierce Brosnan series of James Bond films. She portrayed the character for the subsequent Brosnan 007 films, lending flinty elegance to what had traditionally been a male role. The part of M had the advantage of introducing Dench to an audience unfamiliar with her work, and in 1997 she earned further international recognition, as well as an Oscar nomination and Golden Globe award, for her portrayal of Queen Victoria in Mrs. Brown.While her screen career had taken on an increasingly high-profile nature, Dench continued to act on both television and the stage. In the former medium, she endeared herself to viewers with her work in such series as A Fine Romance (in which she starred opposite real-life husband Michael Williams) and As Time Goes By. On the stage, Dench made history in 1996, becoming the first performer to win two Olivier Awards for two different roles in the same year. In 1998, Dench won an Oscar, garnering Best Supporting Actress honors for her eight-minute appearance as Queen Elizabeth in the acclaimed Shakespeare in Love. Her win resulted in the kind of media adulation usually afforded to actresses one-third her age. Dench continued to reap both acclaim and new fans with her work in Tea with Mussolini and another Bond film, The World is Not Enough. For her role as a talented British writer struggling with Alzheimer's disease in Iris (2001), Dench earned her third Oscar nomination. Sadly, that same year Dench's husband died of lung cancer at the age of 66.The prophetic artist continued to act in several films a year, wowing audiences with contemporary dramas like 2001's The Shipping News and period pieces like 2002's Oscar Wilde comedy The Importance of Being Earnest. She reprised the role of M again that same year for Brosnan's last Bond film Die Another Day, before appearing in projects in 2004 and 2005 such as The Chronicles of Riddick, Pride & Prejudice, and an Oscar- and Golden Globe-nominated performance as a wealthy widow who shocks 1930s audiences by backing a burlesque show in Mrs. Henderson Presents. In 2006, she followed the Bond franchise into a new era, maintaining her hold on the role of M as Brosnan retired from playing the title character and Daniel Craig took over. Casino Royale was the first Bond movie to be based on an original Ian Fleming 007 novel in 30 years, and it was a great success. In 2008, Dench rejoined the Bond franchise for Quantum of Solace.Dench shared the screen with Cate Blanchett for the critical smash Notes on a Scandal (2006). The film's emotional themes ran the gamut from possession and desire to loathing and disgust, and Dench rose to the challenge with her usual strength and grace, earning her a sixth Oscar nomination and seventh Golden Globe nomination.Dench joined the cast of 2011's Pirates of the Carribean: On Stranger Tides, as well as taking on the pivotal role of Mrs. Fairfax in Cary Fukunaga's adaptation of Jane Eyre. The actress also joined Leonardo DiCaprio to play the intimidating mother of J. Edgar Hoover in J. Edgar (2011). In 2012, Dench starred alongside fellow film great Maggie Smith in The Best Exotic Marigold Hotel, a compassionate comedy-drama following a group of senior citizens' experience with a unique retirement program in India.

Trivia: The son of a Spanish waiter and an Italian housekeeper, Molina was born in London on May 24, 1953. Educated at London's Guildhall School of Music and Drama, he began his career as one half of a street-corner comedy team but then turned to acting. While most thesps start at the bottom and ascend the ladder, Molina is an anomaly: he began at the top of the heap, first earning professional credibility (and his pedigree) as a member of the Royal Shakespeare Company, and debuting cinematically in no less than Steven Spielberg's Raiders of the Lost Ark (1981), as the devious South American guide who leaves Harrison Ford for dead in an ancient temple before meeting his own end, courtesy of a particularly nasty booby trap. His subsequent resume for the rest of that decade reads like a "best of 1980s International Film": supporting roles in Mike Leigh's Meantime (1981), Peter Yates's Eleni (1985) , Richard Donner's Ladyhawke (1985),Chris Bernard's Letter to Brezhnev and Dusan Makavejev's Manifesto (1989), to name only a few. His contribution to Chris Bernard's gently underplayed, low-budget comedy Brezhnev (1985) (which, like Raiders, takes advantage of his slightly dark, Mediterranean complexion) is particularly a standout. He plays a Russian sailor who picks up Margi Clarke's Liverpool blue-collar worker Teresa King during leave, and whose only comprehensible line gives the film its biggest laugh: "Leeverpool. Bittles... Ahhhhh." Molina would spend the next several years appearing in a number of films, like An Education, as well as a number of TV projects like Harry's Law, Law & Order: L.A., and Roger & Val Have Just Got In.But Molina's most impressive contribution to cinema came in 1986, when he joined two fellow Brits, director Stephen Frears and actor Gary Oldman - and turned everyone's head in the process - in Prick Up Your Ears. That film, adapted from eccentric playwright Joe Orton's autobiography, casts Molina as Kenneth Halliwell, Orton's homosexual lover and eventual murderer, opposite Oldman. Practically unrecognizable as the bald, severely unhinged Halliwell, Molina is at once terrifying and pathetic, and gleaned a number of positive notices for his performance, though, for some odd reason, it was criminally overlooked at awards ceremonies and failed to earn Molina any acting laurels. A few years later, Molina joined the cast of Not Without My Daughter (1990). In this true-life account (adapted from Betty Mahmoody's memoir), he plays Moody, a Persian husband who takes his American wife (Sally Field) and daughter to Iran under the guise of "vacation," and virtually imprisons them, forcing her to plot escape. The role (and film) gleaned some controversy for its portrayal of Islam, but (the bearded) Molina glistened with dark, brooding intensity characteristic of the actor's finest work. Molina offered more sympathetic portrayals in such films as Mike Newell's Enchanted April (1992), Species (1995), and Mira Nair's The Perez Family (1995), as a Cuban immigrant struggling to make a new life for himself in Miami. In Paul Thomas Anderson's Boogie Nights, Molina evoked a deranged playboy precariously teetering on the edge of insanity - a role that further evinced boundless courage. 1999's ridiculous Dudley-do-Right, however (in which Molina) played the villain), didn't serve him as well; neither he, nor Brendan Fraser, nor Sarah Jessica Parker managed to rise above the silly script. Far more impressive (albeit smaller in scope) was the actor's sophomore collaboration with Anderson, that year's Magnolia, in a fleeting role as Solomon Solomon, the owner of the electronics shop where William H. Macy's Donnie Smith works. During 1999 and thereafter, Molina attempted to break into television sitcoms (1999's Ladies Man, 2002's Bram and Alice), but none of these efforts panned out. He continued to garner positive notices during this period, however, for his roles in such films as 2000's Chocolat and 2002's Frida. Molina earned a Screen Actors Guild Award nomination (finally!) in the latter, for his portrayal of chronically unfaithful painter Diego Rivera. In 2004, the actor traveled to megaplexes again, as the infamous Doc Oc in the critically-acclaimed box-office smash Spider-Man 2, and although ostensibly a defiantly commercial piece of Hollywood fluff, the film performed well on all fronts - critically and commercially. Considered by some to be the greatest example of the superhero genre ever produced, no small amount of the rave reviews given to the film were directed at Molina for his spot-on portrayal of the maniacal comic-book villain; The Los Angeles Times's Kenneth Turan rhapsodized, "As played by Alfred Molina with both computer-generated and puppeteer assistance, Doc Ock grabs this film with his quartet of sinisterly serpentine mechanical arms and refuses to let go."That same year (albeit in a much different cinematic arena and catering to a much different audience --- such is the magic of Molina's versatility), the actor played opposite John Leguizamo as Victor Hugo Puente, a sensationalism-hungry news anchor willing to do almost anything for ratings, in Sebastian Cordero's well-received psychological thriller Crónicas. Molina highlighted the cast of no less than six features throughout 2005 and 2006, but his highest-profile film from this period was Ron Howard's The Da Vinci Code, in which he plays the obese Bishop Aringarosa This May '06 release (adapted from Dan Brown's bestseller) sharply divided critics (most found it average). That same year, Molina contributed to two films by major directors: Kenneth Branagh drew on his background as a trained RSC member by casting Molina as Touchstone in his screen adaptation of Shakespeare's comedy of errors As You Like It, and he receives second billing (after Richard Gere) in Lasse Hallstrom's docudrama The Hoax. The picture tells the early-1970s story of Clifford Irving's (Gere) attempt to write and market a phony autobiography of Howard Hughes, with the assistance of right-hand man Richard Susskind (Molina). Molina married British actress Jill Gascoine (Northern Exposure, BASEketball) in 1985, who is sixteen years his senior. They have two sons.

Trivia: Lithe, intense Swedish leading lady of Hollywood and international films, Olin's parents were both actors. Her father Stig starred in several early Ingmar Bergman films. She has long been a member of the Royal Dramatic Theater in Sweden, where she has made outstanding appearances in work ranging from Shakespeare and Strindberg to contemporary plays. While still in drama school, Olin made her Swedish film debut in Karleken (1980). Two of her next three films were made by Bergman: Fanny and Alexander (1983) and After the Rehearsal (1984); her part in the latter was created for her by Bergman. She also did a four-hour Swedish TV film, Hebriana. Her English-language film debut was in The Unbearable Lightness of Being (1988). For her second English-language role, that of a survivor of a Nazi death camp in Paul Mazursky's Enemies, A Love Story (1989), Olin received a New York Film Critics award and an Oscar nomination. She is the only Swedish actress to have made an impact in Hollywood since Ingrid Bergman.

Trivia: With a cool stoic gaze suggesting unmentionable thoughts lurking somewhere deep behind those deep, blank eyes, popular character actor Peter Stormare offered American audiences slightly discomforting comic relief in Joel and Ethan Coen's popular dark comedy Fargo (1996), though his versatility and adaptability have since led him to roles in everything from major Hollywood blockbusters to the stripped-down Dogma 95 efforts of eccentric Danish director Lars von Trier's Dancer in the Dark (2000). Born Peter Rolf Stormare in Arbra, Sweden, on August 27th,1953, the dynamic Nordic actor began his career with an 11-year stint with the Royal National Theater of Sweden. Aside from appearing in such productions as Don Juan and The Curse of the Starving Class, Stormare would pen such original plays as El Paso and The Electric Boy. Later earning positive critical reception in such classic Shakespearian productions as King Lear, the actor made his big-screen debut, and began a 15-year association with legendary Swedish director Ingmar Bergman, with a brief appearance in Fanny and Alexander in 1982. Later earning positive critical reception for his role in the legendary filmmaker's stage adaptation of Shakespeare's Hamlet in 1988, Stormare continued to gain career trajectory with numerous memorable stage and film roles in his native country. In 1990, Stormare became the Associate Artistic Director at the Tokyo Globe Theatre and made his American screen debut as a neurochemist who questions Robin Williams' experimental medical tactics in the touching Awakenings. Subsequently appearing in numerous international films (Freud's Leaving Home [1991] and Damage [1992]), Stormare hit his stateside stride with his chilling turn as a woodchipper-happy kidnapper in Fargo. Though he would continue to make appearances in such Swedish efforts as Ett Sorts Hades and Bergman's In the Presence of a Clown (1996 and 1997 respectively), his Hollywood star was on the rise with memorable roles in such increasingly mega-budgeted efforts as The Lost World: Jurassic Park (1997) and Armageddon (1998). Equally adept in comparatively low-budget efforts such as director George Romero's Bruiser (2000) and the aforementioned Dancer -- two roles which couldn't possibly be more polar opposites -- Stormare branched out into sitcom territory with his turn as Julia Louis-Dreyfuss' enamored superintendent in the ill-fated Watching Ellie in 2002. It wasn't long before Stormare was back on the silver screen, and with the same year potential blockbuster triple threat of The Tuxedo, Windtalkers, and Minority Report, it appeared as if Stormare's unique talents were as in-demand as ever. 2002 also found the established actor branching out with his role as producer of the romantic comedy The Movie Nut and His Audience.In 2005 he joined the cast of The Brothers Grimm in the role of an interogator, and took on a regular role in the television drama Prison Break. Stormare made guest appearances on a variety of television stand-outs throughout the 2000s, among them including Weeds, Monk, Entourage, and Hawaii Five-0.

Trivia: The sort of performer for whom the term "gaminlike" was coined, Leslie Caron was prepared for a performing career by her American mother, a former dancer. Training from childhood at the Paris Conservatoire, Caron was 16 when she was selected to dance with the Ballet de Champs Elysses. After three years with this prestigious troupe, she was discovered by Gene Kelly, who cast her as the ingénue in his 1951 film An American in Paris. This led to a long-term MGM contract and a string of films in which Caron's dancing and singing skills were showcased to the utmost: Lili (1953), The Glass Slipper (1954), Gaby (1956), and Gigi (1958). During this period, she was loaned out to co-star with Fred Astaire in 20th Century-Fox's Daddy Long Legs (1955), and was seen on the Paris stage in Jean Renoir's Ornet. As musicals slowly went out of fashion, Caron sought to alter her screen image, successfully doing so with her portrayal of a pregnant, unmarried woman awaiting an abortion in The L-Shaped Room (1962), a performance that won her the British Film Academy award (she had previously been nominated for a BFA, and an Oscar, for Lili). Her later film assignments included Father Goose (1965), in which she received an image-shattering slap in the face from Cary Grant; Ken Russell's Valentino (1977), in the role of silent-screen legend Alla Nazimova; and Louis Malle's Damage (1992). The first of Caron's three husbands was George Hormel, of the famous American meat-packing family. Her second marriage was to British director Peter Hall, and husband number three was producer Michael Laughlin, whom she wed in 1969. Though not quite as starry-eyed and apple-cheeked as she was in An American in Paris, Caron has retained her beauty and vivacity into her sixties. Among the many awards and honors bestowed upon Leslie Caron was the title of Jury President at the 1989 Berlin Film Festival.Caron would continue to appear on screen over the coming years, appearing in films like Chocolat and Le Divorce.

Trivia: Citizen of United States, France and Spain Translator for the French Chamber of Commerce, the Canadian Embassy, and for the film industry Played the part of Françoise "Fuffi" Drou in the film, Chocolat Received the 2017 International Book Award in Poetry for Life in Suspension Has authored 7 books as of 2019

Trivia: British actor John Wood attended Oxford, where he served as president of the university's Dramatic Society. After serving as a lieutenant in the Royal Horse Academy, Wood joined the Old Vic in 1954, then spent several seasons with the Royal Shakespeare Company. In 1967, he made his Broadway bow as the glib Guildenstern in Tom Stoppard's Rosencrantz and Guildenstern Are Dead. He went to star in such Atlantic-crossing stage productions as Sherlock Holmes (in the title role), Travesties (for which he won a Tony Award), Tartuffe, Deathtrap, and Amadeus. His infrequent film roles include the reclusive computer whiz Stephen Falken in WarGames (1983) and the Bishop in Ladyhawke (1985). John Wood was seen as the heroine's chauffeur father in Sabrina (1995) and the forbidding Lord Brocklehurst in Jane Eyre (1996).. He died of natural causes at age 81 in 2011.