Trivia: With her regal and elegant visage, Aussie actress Cate Blanchett broke through the mob of aspiring actors and instantly ascended the ranks to Hollywood stardom with her Academy Award-nominated turn as Elizabeth I in Shekhar Kapur's Elizabeth (1998). Her concomitantly poignant and fierce portrayal won admiration from critics and filmgoers, but she had maintained a low enough profile in years prior (and her celebrity materialized so quickly) that the Elizabeth triumph appeared to pull the heretofore unseen actress from out of thin air and caught just about everyone off guard. Born in Melbourne on May 14, 1969, Catherine Elise Blanchett entered the world as the daughter of an Australian mother and a Texas-born American father, with two siblings. Her dad died of a heart attack when she was ten; her mother subsequently raised her. Blanchett studied economics and fine art at the University of Melbourne, but -- reeling from ennui and dissatisfaction -- she set off in search of an alternate vocation and traveled for a period of time, perhaps in search of herself. Blanchett ultimately landed in Egypt, where a chance bit part in an Arabic boxing film introduced her to a newfound love of acting. Taking this as a firm cue, Blanchett harkened back to Sydney, where she enrolled in (and ultimately graduated from) the highly esteemed National Academy of Dramatic Art. Blanchett later joined the Sydney Theatre Company, where she earned positive notices in a production of Caryl Churchill's Top Girls. A subsequent role in Timothy Daley's musical Kafka Dances won Blanchett a 1993 New Comer Award from the Sydney Theatre Critics Circle, an honor doubled that same year when she gleaned a Rosemont Best Actress Award for her performance opposite future Elizabeth co-star Geoffrey Rush in David Mamet's Oleanna. The considerable prestige that accompanied these theatrical triumphs led Blanchett to the small screen, where she appeared in various programs for the Australian Broadcasting Corporation, including the drama Heartland and the cop series Police Rescue. Her television performances caught the attention of director Bruce Beresford, who cast her in his 1997 POW drama Paradise Road as a shy Australian nurse, opposite Glenn Close and Frances McDormand. 1997 proved to be a busy year as it also found her staring in the comedy Thank God He Met Lizzie, for which she netted an Australian Film Institute Best Actress Award. By the end of the year she had an even bigger event than any successful acting gigs as she was married in December to British film technician Andrew Upton. With the considerable amount of praise and recognition Blanchett was receiving in her native country and a partner in her personal life to share it with, it was only a matter of time and opportunity before she became known to a wider audience. Her opportunity arrived that very same year, with her role in Gillian Armstrong's adaptation of Peter Carey's novel Oscar and Lucinda. Opposite Ralph Fiennes, Blanchett won almost uniform praise for her performance in a tepidly received film. Blanchett came first-billed in the following year's Elizabeth. The film drew swift and unequivocal praise, and Blanchett's portrayal of the queen turned her into Los Angeles' newest cause célèbre. A plethora of awards greeted Kapur's feature and Blanchett's performance, including a Best Actress Academy Award nomination and eight additional Oscar nods. The actress won a Golden Globe and British Academy Award, in addition to a host of critics' circle awards. With that experience under her belt, Blanchett starred opposite Angelina Jolie, John Cusack, and Billy Bob Thornton in the Mike Newell comedy Pushing Tin (1999). Although the film dive-bombed at the box office, critics singled out Blanchett's fine performance as a Long Island housewife. The same year, she played another domestic, albeit one of an entirely different stripe, in Oliver Parker's adaptation of Oscar Wilde's An Ideal Husband. Despite a uniformly strong cast including Jeremy Northam, Rupert Everett, and Julianne Moore, the film divided critics, although Blanchett herself again earned favorable notices.Blanchett maintained a busy schedule after the Newell project, appearing in a plethora films throughout the early 2000s. She joined Johnny Depp and Christina Ricci with her role as a kindhearted albeit materialistic showgirl in The Man Who Cried, then starred as a fortune-teller who holds the key to a mysterious murder in director Sam Raimi's The Gift, an unwitting accomplice in the crime comedy Bandits, a British schoolteacher in Tom Tykwer's Kieslowski update Heaven, and Galadriel, Queen of Lothlórien, in Peter Jackson's Lord of the Rings trilogy. Blanchett also appeared in 2001's The Shipping News (as Petal) and director Gillian Armstrong's Charlotte Gray as the title character. That same year, she gave birth to her first son, Dashiell John.Blanchett's appeared as ill-fated Irish journalist Veronica Guerin in director Joel Schumacher and producer Jerry Bruckheimer's eponymously titled 2003 biopic. The film drew very mixed reviews and died a quick death in cinemas during its late-autumn run, but those reviewers who did respond favorably again singled out the actress' stunning interpretation of the role. The following year, Blanchett appeared in Wes Anderson's quirky film The Life Aquatic with Steve Zissou alongside Bill Murray and Owen Wilson. Blanchett wore a prosthetic belly in the film for her role as a seven months pregnant journalist and, interestingly enough, she later found that she was actually pregnant during filming. She gave birth to her second son, Roman Robert, later that same year. First, however, she effortlessly lit up the screen with a performance as film legend Katharine Hepburn in director Martin Scorsese's lavish Howard Hughes epic The Aviator. If The Aviator's Best Picture loss to Million Dollar Baby proved somewhat disappointing to Scorsese fans when the Oscars were handed out, Blanchett landed her greatest triumph that evening: she won the Best Supporting Actress award for her turn as Hepburn. Perhaps despairing the paucity of solid scripts in Hollywood, Blanchett went global after the Scorsese affair. She returned to her native Australia for a low-key follow-up, Rowan Woods' harrowing and skillful Little Fish (2005). 2006's multi-national production Babel, directed by Alejandro González Iñárritu, won the Best Director Award at Cannes; one of the narrative strands in its array of subplots featured Blanchett and Brad Pitt as husband and wife, grieving over the death of a child, and thrust into a desperate situation. Babel turned out to be a major critical success, as did another film Blanchett appeared in that same year, Notes on a Scandal. In the film, Blanchett played a mother and schoolteacher who becomes deeply embroiled in a maze of power and deception when she betrays her job and family by carrying on an affair with a student. The tautly suspenseful and intimate film also starred Judi Dench as Blanchett's friend and confidant, who soon becomes a source of emotional blackmail. The actresses were each praised for their performances, and each received both Golden Globe and Oscar nominations for their work in the film. Blanchett went on to play Lena Brandt in The Good German, Steven Soderbergh and Paul Attanasio's tale of a man (George Clooney) searching for his former mistress (Blanchett) in post-WWII Berlin. She also signed on for Poison helmer Todd Haynes' I'm Not There: Suppositions on a Film Concerning Dylan, slated for release in 2007. The eccentric bio of the pop singer co-starred Richard Gere, Julianne Moore, Adrien Brody, and Charlotte Gainsbourg with numerous varied performers playing the musician in different sequences. Also set for release in 2007 was Blanchett's return to one of her greatest triumphs as Elizabeth I in The Golden Age, Shekhar Kapur's sequel to his 1998 arthouse hit Elizabeth, which would take place later in the Virgin Queen's reign. Geoffrey Rush agreed to reprise his role as Sir Francis Walsingham, and the film would also feature Clive Owen as Sir Walter Raleigh, establisher of the first New World colony and controversial figure of the Elizabethan court. Blanchett also agreed to join the cast of the David Fincher-directed fantasy The Curious Case of Benjamin Button -- a critically acclaimed hit of 2008 -- before moving on to play a nefarious baddie in the unique thriller Hanna in 2012. Soon, the actress was reprising the role of elvin queen Galadriel for the Lord of the Rings prequel, The Hobbit. In 2013, she won her second Academy Award, this time for Lead Actress, for her portrayal of an unhinged socialite in Woody Allen's Blue Jasmine. In 2015, Blanchett played the evil stepmother in the live-action version of Cinderella, took on a supporting role in Terrence Malick's Knight of Cups and earned her seventh Oscar nomination for Todd Haynes' Carol.

Trivia: From lamebrained teenage time traveler to metaphysical sci-fi Superman, Keanu Reeves has portrayed just about every character type imaginable in his sometimes wildly fluctuating career. Frequently lambasted by critics and often polarizing audiences suspicious of his talent's true extent, Reeves has nevertheless managed to maintain his lucrative career by balancing his lesser efforts with intermittent direct hits at the box office.Born Keanu Charles Reeves in Beirut, Lebanon, on September 2, 1964, and named for the Hawaiian word that means "cool breeze over the mountains," the future actor was a world traveler by the age of two, thanks to his father's career as a geologist. His mother, Patricia Taylor, worked as a showgirl and later a costume designer of film and stage, and after his parents divorced, Reeves followed his mother and sister to live in New York; the trio would later relocate to Toronto -- where Reeves' interest in ice hockey and acting took a substantial precedence over academics. His formidable presence in front of the goal eventually earned Reeves the nickname "The Wall," and it wasn't long before all interest in school waned and the talented goalie decided to pursue acting.Later working as a manager in a Toronto pasta shop, Reeves soon began turning up in small roles on various Canadian television programs, making his feature debut in the 1985 Canadian film One Step Away before American audiences got their first good look at him in the 1986 Rob Lowe drama Youngblood. Subsequently going back to television and garnering favorable notice for his role in 1986's Young Again, it was the release of Tim Hunter's The River's Edge later that year that would provide Reeves with his breakthrough role. A harrowing tale of teen apathy in small town America, The River's Edge provided Reeves with a perfect opportunity to display his dramatic range, and the film would eventually become a minor classic in teen angst cinema.Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers' romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock). In 2009, the actor was praised for his role as a bitter divorcee in the critically acclaimed comedy drama The Private Lives of Pippa Lee.Reeves soon pulled back from acting to focus more on behind-the-camera work, as a producer and director. He produced and starred in the limited release Henry's Crime (2010) and released his directorial debut, Man of Tai Chi, in 2013 (he also starred in the film). In 2014, Reeves executive produced and starred in John Wick, playing a retired hitman. He also produced a series of documentaries, Side by Side, about filmmaking in the digital and film world.Famously playing bass for the band Dogstar in his cinematic down time, Reeves' other personal interests include motorcycles, horseback riding, and surfing. When he's not filming, Reeves maintains an everpresent residence in Toronto, Ontario, Canada.

Trivia: Born Kate Noelle Holmes on December 18, 1978 in Toledo, OH, Katie Holmes shot to fame as angst-ridden tomboy Joey Potter on the WB network's Dawson's Creek. Holmes grew up as part of a close-knit family in Toledo and first acted in high-school productions. Participation in a national model and talent convention landed her a trip to Los Angeles when she was 16, and it was there that Holmes auditioned for a role in Ang Lee's The Ice Storm. The film, which was released in 1997, won critical acclaim, and Holmes' role caught the attention of Kevin Williamson. Williamson, known for his screenplays for such movies as Scream and I Know What You Did Last Summer, was casting roles for his new TV series, Dawson's Creek. Holmes was asked to audition, and did so via videotape. She won the part of Joey Potter, and the series, which premiered in January of 1998, met with a positive reception from both critics and television viewers. Soon the series' young stars were in hot demand, with Holmes in particular receiving attention for her measured and insightful performance as Joey.It was not long before Holmes appeared in more filmns, like 1998's teen thriller Disturbing Behavior, and 1999's Go. In 2000, Holmes made high-profile turns in Curtis Hanson's Wonder Boys and Sam Raimi's The Gift. The actress would play both teen and adult roles during this period, with films like Abandon, Phone Booth, and First Daughter, but the actress caught more press than ever in 2005, when her five year relationship with actor Chris Klein came to an end and the actress began dating Tom Cruise. Cruise had recently become publicly outspoken about his beliefs in Scientology, making volatile statements about the use of anti-depressants, and making several eratic public apperances that caused the media to question his mental stability, stirring speculation about cult-like themes in Scientology. These ideas were greatly exacerbated by Cruise's seemingly manic enthusiasm for his new love of Holmes, making a now infamous appearance on the Oprah Winfrey Show in which he bounced up and down on the couch and vigorously shook the talk show host by the arms while proclaiming his happiness.In addition to this most curious public display, the pair were surrounded by additional rumors when Holmes, who had been a lifelong Catholic, converted to the church of Scientology and took on a Scientologist advisor to stay by her side through many of her daily activities. The couple's rumor-generating behavior was believed by some to be a publicity stunt, as the actors prepared to release Batman Begins and War of the Worlds, respectively. Regardless,t Holmes certainly found success as the female lead in the reinvigorated Batman franchise, as the film was a huge critical and commercial smash. Cruise and Holmes would soon becom engaged, and Holmes would give birth to a baby girl named Suri in April of 2006, just a few weeks before the release of Cruise's Mission: Impossible III. Just as much speculation and curiosity surrounded the event. There were whispers of dangerous or inadvisable methods of childcare and feeding mandated by the practices of Scientology, but Holmes said little publicly of her new relationship, religion or role as a mother. After the birth, the couple finally set their date wedding, and were married in early July. Holmes would continue to act, and numerous films would fill her resume over the coming years, including Thank You For Smoking, Don't Be Afraid of the Dark, and Jack and Jill. She and Cruise would announce they were divorcing in 2012.

Trivia: Born December 17, 1974, in Los Angeles, Giovanni Ribisi began his career in network television, with recurring and guest roles on a number of shows, including The Wonder Years. As a teenager, he was typecast for several years as a dimwitted slacker in films and on television, with a memorable guest spot in an episode of The X-Files and a recurring role as Lisa Kudrow's brother on Friends. Ribisi was eventually able to break the grunge mold, first with a secondary role in Tom Hanks' That Thing You Do! (1996) and then in Richard Linklater's SubUrbia (1997). It was his role in Steven Spielberg's Saving Private Ryan (1998) that caused many critics to dub him one of the leading actors of his generation, a status confirmed by his appearance on the cover of Vanity Fair with a number of fellow up-and-comers. Ribisi was given further opportunities to showcase his sleepy-eyed versatility in such films as 1999's The Mod Squad and The Other Sister. If Ribisi's best roles had been unfairly weighed down by an overabundance of commendable but little seen roles in the previous years, all this would change as the young actor began to focus increasingly on roles that were not only high quality, but high profile as well. His role in the high stakes 2000 drama The Boiler Room may have went largely unseen in theaters, but healthy word of mouth combined with an impressive cast of up and comers found the film an enduring shelf life on cable and DVD. After burning rubber in the fast and furious Nicolas Cage action thriller Gone in Sixty Seconds, Ribisi's memorable performance in director Sam Raimi's southern gothic flavored chiller The Gift preceded a touching turn in the affecting made-for-television drama Shot in the Heart. Ribisi's subsequent role as a conflicted police officer in the 2002 drama Heaven may have been a well-intended commentary on the state of crime and terrorism, but audiences largel dismissed the effort as pretentious tripe and the actor took a brief turn into blockbuster territory with Basic before a turn as an aloof, celebrity obsessed photogapher in director Sophia Coppola's art-house hit Lost in Translation. If his turn as a celebrity who turns convention in its head by stalking a fan in I Love Your Work didn't strike home with viewers, an appearance in the same year's Cold Mountain offered him the chance to flex his dramatic skills alongside an impressive cast that included Jude Law and Nicole Kidman. Of course Ribisi never was one to be predictable with his choice of roles, and following the romantic comedy Love's Brother he essayed a supporting role in the 2004 sci-fi thriller Sky Captain and The World of Tomorrow. A handful of largely forgettable roles followed, and on the heels of recurring television roles in My Name is Earn and Entourage, Ribisi dove back into sci-fi with a role as villainous Chief Administrator Parker Selfridge in James Cameron's phenominally successful Avatar. And if Ribisi's performace in that film failed to make your skin crawl, his turn as a psychotic, heavily-tattooed drug dealer in the fast paced 2012 action thriller Contraband was sure to do the trick. He continued his villainous run as a stalker in the surprise hit film Ted (2012). Ribisi later re-teamed with his Ted director, Seth MacFarlane, in 2014's A Million Ways to Die in the West. He also appeared in the Oscar-nominated film Selma that same year.

Trivia: With the handsome looks and winning sarcasm that befit a late-night television talk show host, it is no surprise that Greg Kinnear first shot to stardom as the host of the E! channel's Talk Soup. More surprising, and thus more impressive, has been Kinnear's success in making the leap from television to the big screen. With only his fourth major celluloid outing, As Good As It Gets, Kinnear scored his first Oscar nomination for Best Supporting Actor, effectively establishing himself as someone whose scope included screens small and large.Born June 17, 1963, in Logansport, IN, as the youngest of three sons, Kinnear led a peripatetic childhood. His father was a Foreign Services diplomat for the State Department, and his family accompanied him to places as far-flung as Beirut and Athens. While a student in Athens, Kinnear first ventured into the role of talk show host with his radio show School Daze With Greg Kinnear. Returning to the States for a college education, Kinnear attended the University of Arizona in Tucson, where he graduated in 1985, with a degree in broadcast journalism. From Arizona, he headed out to Los Angeles, where he landed his first job as a marketing assistant with Empire Entertainment. It was there that Kinnear got his first taste of show business, creating promotional campaigns for such films as Space Sluts in the Slammer. Following this stint, Kinnear found a job with the Movietime cable channel. Using an audition tape from a failed attempt at an MTV VJ position, Kinnear became a host and on-location reporter for the channel. All went swimmingly until he was fired, when Movietime became the E! Entertainment Network, and Kinnear soon found himself taking bit parts on such television shows as L.A. Law and Life Goes On.His luck began to change, however, when he became the creator, co-executive producer, and host of Best of the Worst, which aired from 1990 to 1991. In a more ironic and satisfying twist of fate, Kinnear was then hired back by E! to host Talk Soup, the network's new talk show. The show proved to be hugely popular, and Kinnear acted as its host and eventual executive producer until 1994, when he left the show for the NBC late-night talk show Later With Greg Kinnear. It was also in 1994 that he had his first big-screen role, as -- wait for it -- a talk show host in the Damon Wayans comedy Blankman. In 1995, he snared the part that was to give him more prominence among film audiences -- that of the irresponsible David Larrabee in Sydney Pollack's remake of Billy Wilder's 1954 classic romance Sabrina. The film was less than a success, but it did nothing to prevent Kinnear from getting the lead role in the 1996 comedy Dear God. That film, too, had a somewhat unfortunate fate, but Kinnear (now resigned from Later) more than rebounded with his next effort, James L. Brooks' As Good As It Gets (1997). The film was an unqualified hit, netting seven Oscar nominations and winning two, a Best Actor for Jack Nicholson and a Best Actress for Helen Hunt. Kinnear himself had the honor of both a Best Supporting Actor nomination and a Golden Globe nomination. Kinnear's next film, the romantic comedy A Smile Like Yours, had him starring opposite Lauren Holly as one-half of a couple trying to have a baby. The film met with lukewarm reviews and fairly anemic box-office results, but Kinnear's subsequent film, 1998's You've Got Mail, struck gold. He played Meg Ryan's significant other, a newspaper columnist wholly unlike what was to be his next character, that of Captain Amazing in the 1999 summer action film Mystery Men. With a stellar cast, including Ben Stiller, William H. Macy, Janeane Garofalo, Lena Olin, and Tom Waits, Kinnear was indeed in good company, further proof of how far he had come in a short amount of time. Unfortunately, both Mystery Men and the subsequent Garry Shandling comedy What Planet Are You From (in which Kinnear amusingly portrayed Shandling's sleazy co-worker) fared poorly with both critics and audiences, and by the time he landed the role of a much-desired soap-opera star in Nurse Betty, it seemed that his star may have faded a bit. His role as a smug, one-dimensional college professor in the 2000 comedy Loser seemed near the bottom of the barrel for the formerly Oscar-nominated actor. Despite the fact that none of these failures were necessarily the fault of everyone's favorite smirky former talk-show host, his choice of projects left many wondering what had become of Kinnear. Of course, where there's darkness there will always be room for hope, and thankfully for Kinnear, the choices he was making began to pay off.In 2000, Kinnear essayed the role of a missing woman's grieving fiancé in the dark Sam Raimi thriller The Gift; the film seemed to mark the beginning of a comeback. His next role as the catalyst for an investigative report into the nature of male behavioral patterns in Someone Like You (2001) proved a step in the right direction, and following supporting performances in Dinner With Friends (2001) and We Were Soldiers (2002), Kinnear's comeback had been primed. Cast as ill-fated television star Bob Crane in Paul Schrader's disturbing 2002 biopic Auto Focus, Kinnear's spot-on performance was so eerie that it made the film almost discomforting to watch. The spotlight was somewhat stolen however, by co-star Willem Dafoe's indescribably creepy turn as the man generally believed to have caused Crane's untimely death. The following year Kinnear lightened the mood considerably when he was cast (literally) alongside Matt Damon as one-half of a pair of conjoined twins in the Farrelly Brothers' comedy Stuck on You. Intent on following his dreams of becoming an actor, Kinnear's character drags his reluctant brother to Hollywood to hilarious results.Kinnear's next role would come as the grieving father of a dead son who goes to desperate lengths to recapture his former happiness in the horror flavored Godsend (2004).A fun turn as a salesman who becomes involved with in hitman in the Golden Globe-nominated crime comedy The Matador went largely unseen despite generally favorable critical response, and after lending his voice to the animated Robots and berating little-league players in The Bad News Bears, Kinnear later join an impressive ensemble cast to investigate America's love affair with burgers and fries in director Richard Linklater's Fast Food Nation. Later that same year, Kinnear would take family dysfunction to a whole new level as a motivational speaker attempting to get his daughter to a beauty pageant in Little Miss Sunshine, with a role as NFL coach Dick Vermeil following shortly thereafter in the inspirational sports drama Invincible. Kinnear would spend the following years maintaining his status as a bankable actor, appearing in films like Baby Mama, Green Zone, I Don't Know How She Does It, and the mini series The Kennedys.

Trivia: A professional actress since the age of 16, when she moved to Los Angeles from Bellingham, WA, Hilary Swank first appeared onscreen in 1992's Buffy the Vampire Slayer. Two years later, she earned a rudimentary degree of fame when she was picked to star in The Next Karate Kid, but this recognition proved fleeting. Swank subsequently appeared in a number of minor films and did a year-long stint on Beverly Hills 90210. In 1999, however, she won both acclaim and recognition for her lead role in Kimberly Peirce's independent drama Boys Don't Cry. Based on the real-life story of Brandon Teena, a woman whose decision to lead her life as a man met with dire consequences, Boys Don't Cry was one of the year's most lauded films, with particular praise going to Swank for her stunning performance. She went on to win a number of honors for her work in the film, including Golden Globe and Academy Awards for Best Actress, at the mere age of 25.Predictably, Swank's workload increased significantly after her Oscar win in 2001, and the actress found herself starring in several lesser known but nonetheless challenging roles, including Sam Raimi's psychological thriller The Gift, as well as The Affair of the Necklace with future Oscar winner Adrien Brody. She also accepted a meaty supporting role as an eager-to-please rookie detective alongside Hollywood veteran Al Pacino in 2002's Insomnia. However, Swank did take a break from brooding period pieces and serious explorations of sexuality for one unapologetic big-budget summer blockbuster -- Jon Amiel's The Core (2003), in which she co-starred as one of several individuals chosen to journey to the Earth's core in hopes of jump-starting the collapsing electromagnetic forces.Though she may have cut loose in a few post-Oscar popcorn munchers in a bid to blow off some steam onscreen, Swank had already gained a reputation as a serious-minded actress whose quickly evolving onscreen talent pointed to many great things to come in the future. Meanwhile, Swank and then-husband Chad Lowe (brother of Rob Lowe) mounted Accomplice Films, a Big Apple-based production house, in early 2004. Swank inaugurated this triumph with an executive producer credit on the quirky, little-seen auto-accident drama 11:14. Swank took the lead in the Emmy- and Golden Globe-nominated 2004 HBO women's suffrage drama Iron Jawed Angels, which also featured Anjelica Huston and Frances O'Connor. Soon after, Swank starred as a South African-born attorney in Tom Hooper's political drama Red Dust. If audiences awaiting another knockout performance from Swank failed to catch her winning turns in Iron Jawed Angels and Red Dust, there was virtually no escaping her unforgettable evocation of a determined female pugilist in director Clint Eastwood's Million Dollar Baby (2004). As Robert De Niro did for another boxing picture over 20 years prior, the already tough-as-nails Swank physically transformed herself to an astonishing degree for the role, immersing herself in a holistic diet of egg-white shakes, fish, vegetables, and protein bars, and testing the barriers of endurance with 4 1/2-hour-a-day, six-day-per-week workouts. This harsh regimen enabled her to pack on 19 pounds of muscle. The gamble paid off onscreen as well. Swank's remarkable vitality and sincerity buoyed the film, which took home the Best Picture prize at the 77th Annual Academy Awards and netted Swank the highly coveted Best Actress award at the same ceremony -- a win that helped to bring Eastwood's critically lauded film a total of four well-deserved Oscars. Doubtless encouraged by the success of Baby, Warner Bros. extended a one-year production deal to Accomplice Films in March 2005 -- an offer that Swank and Lowe immediately embraced, even as they filed for divorce in early 2006.Meanwhile, if Swank stayed offscreen in 2005, she quietly geared up for a full slate of roles. The first in production was a Warners horror picture called The Reaping, produced by Joel Silver and Bob Zemeckis' Dark Castle Entertainment and directed by Stephen Hopkins. The film starred Swank as a professional defrauder of religious miracles overwhelmed by her inability to account for the Biblically overtoned horrors that plague a small town. In fall 2006, Swank co-headlined Brian De Palma's noir flop The Black Dahlia with Josh Hartnett, Scarlett Johansson, and Aaron Eckhart -- an adaptation of James Ellroy's novel based on the infamous, still-unsolved L.A. murder case of the title.More successfully, Swank also began a two-picture collaboration with director Richard LaGravenese (Living Out Loud, A Decade Under the Influence). The first, Freedom Writers, was adapted from Erin Gruwell's memoir. Essentially a reworking of Stand and Deliver and Dangerous Minds, the picture dramatized Gruwell's (Swank) successful attempts to turn "at risk" children around in the classroom. Swank's second LaGravenese effort, P.S., I Love You, was an adaptation of Cecelia Ahern's novel about a widow who is launched on a series of jaw-dropping adventures by some letters bequeathed to her by her dead husband.Swank took on the role of the legendary aviator Amelia Earhart in 2009's biopic Amelia, and in 2010 starred in the courtroom drama Conviction, for which Swank portrays the fiercely devoted Betty Ann Waters, a woman willing to go to extreme lengths to free her brother from an unjust prison sentence. She appeared in the ensemble romcom New Year's Eve in 2011 before taking a short break from acting. Swank returned in 2014 with You're Not You, which she also produced.

Trivia: With his trademark red moustache, personable smile, and childlike demeanor, longtime character actor Michael Jeter brought smiles to children nationwide with his role on Sesame Street as Mr. Noodle's Brother. Aside from his memorable role on that children's television mainstay, Jeter could also be seen in a number of memorable film roles in such efforts as Miller's Crossing (1990) and The Fisher King (1991). Chances are, if you don't recognize his name you would certainly recognize his face. Born in Lawrenceburg, TN, in August of 1952, Jeter first opted to follow a career in medicine, though a stint at Memphis State University found the creative young student leaning ever closer to a career as an actor. Taking on minor film roles beginning with 1979's Hairspray, the burgeoning young actor would subsequently appear in such films as Milos Foreman's Ragtime (1981) and Woody Allen's Zelig (1983), though early struggles with alcohol and substance abuse threatened to sideline his screen career in the mid-'80s. Abandoning the screen for a career as a legal secretary the same year that Zelig was released, fate guided Jeter back into his true calling when a producer, recalling his role in television's Designing Women, asked that he take a supporting role on the Burt Reynolds' sitcom Evening Shade. Accepting the role as assistant football coach Herman Stiles, Jeter's enthusiasm for acting was re-ignited as he was honored with an Emmy for the role in 1992. A busy stage actor as well, Jeter won a Tony in 1990 for his performance in Grand Hotel. From 1990 on, Jeter maintained his film career with a series of memorably quirky roles. Perhaps his most unique and affecting role came with the release of director Terry Gilliam's The Fisher King. As a homeless transvestite who croons for Amanda Plummer's character after making a flamboyant entrance into her quiet office, Jeter's carefree ditty was a highlight of the film. The 1990s proved a busy decade for Jeter, and roles in such popular films as Sister Act 2: Back in the Habit (1993), Air Bud (1997), and The Green Mile (1999) assured that his career would flourish well into the new millennium. Announcing that he had been infected with HIV in 1997, audiences could never have known how quickly the deadly virus would take its toll on the energetic and optimistic actor. Though Jeter would usher in the new millennium with roles in such prominent box-office releases as The Gift (2000) and Jurassic Park III (2001), it was his role on Sesame Street that endeared him to children and made good use of his genuinely playful nature. Sadly, Jeter succumbed to complications from the HIV virus in late March of 2003. Before his untimely death, Jeter would complete roles in Kevin Costner's Open Range (2003) and Robert Zemeckis' family fantasy The Polar Express (2004).

Trivia: Though born far from the city, deep in the Heart of Dixie, actress Kim Dickens got an ambitious start to her career in film and television as a student at Vanderbilt University, where she made her stage debut in a student production of David Mamet's Sexual Perversity in Chicago.Born in Huntsville, AL, Dickens spent much of her active high school career involved with such activities as varsity softball and tennis, the National Honor Society, and receiving such honors as Senior Class Favorite before graduating in 1983. Later earning her B.A. in communication from Vanderbilt University, Dickens also studied at the Lee Strasberg Theater Institute, is a graduate of the American Academy of Dramatic Arts, and is a member of the Open Stage theater company.Making her feature debut in 1995, with the bumbling crime comedy Palookaville, Dickens spent the next few years acting in such made-for-television movies as Crimes of Passion: Voice From the Grave (1996), before returning to the big screen with Palookaville cohort Vincent Gallo, in Kiefer Sutherland's Truth or Consequences, NM and the 1998 update of Charles Dickens' classic Great Expectations. Bringing in the new millennium with roles in such thrillers as The Hollow Man and The Gift, Dickens took a turn back to the small screen in 2001, for a role in the ambitious but short-lived series Big Apple. The resilient actress bounced back to the big screen again, later that year, with Last Call. Over the coming years, Dickens would appear in a number of films, like House of Sand and Fog, Thank You for Smoking, and Red, as well as TV series like Deadwood, Lost, Friday Night Lights, and Treme.

Trivia: Known for her stage work and solid supporting performances in film and television, Rosemary Harris has earned particular praise for her ability to skillfully portray formidable characters, despite a petite frame and delicate features that would normally belie such a strong aura of authority. Harris grew up in India and did not plan on pursuing a career in acting -- in fact, her original career choice was nursing. She would, however, change course and begin acting studies at the prestigious Royal Academy of Dramatic Art in London. By 1951, Harris made her U.S. stage debut with great success in a Broadway production of Moss Hart's Climate of Eden, and returned to England to participate in the British premiere of The Seven Year Itch.Harris continued to act -- both on-stage, on the small screen, and in the film world -- throughout the '50s and '60s, starring opposite some of the industry's most prominent figures, including Richard Burton, Jason Robards, Rex Harrison, Laurence Olivier, and Peter O'Toole. After winning a British Tony award in 1966, Harris impressed critics and audiences with her portrayal of a Jewish doctor's wife in the multi-Emmy award-winning television production of Holocaust in 1978, and again in 1979, when she played the matriarch of an 1844 Virginian pioneer family in The Chisholms. Holocaust wasn't Harris' introduction to the Emmys -- one of the actress' most celebrated performances was for her role in the 1975 Masterpiece Theatre production of The Notorious Woman, a portrait of flamboyant novelist George Sand.Harris' 1954 film debut as the unrequited love interest of Stewart Granger in Beau Brummell was met exceedingly well; in fact, the actress was offered a variety of long-term roles from Hollywood, but she turned them down to pursue theater. Ten years later, however, Harris would return to the big screen for her supporting role in the thriller The Boys From Brazil (1978), and later co-starred in TV's The Ploughman's Lunch, a 1983 political drama. After performing at her typical standard in film and television, as well as traveling across continents for her theater career, Harris gave a volatile performance as renowned author T.S. Eliot's mother-in-law in Tom & Viv (1994) -- earning her an Oscar nomination for Best Supporting Actress. This, however, was only after earning critical praise for a series of mid-'90s theater roles, including those of a diabetic's mother in the 1991 tearjerker Steel Magnolias, an imposing grandmother in Lost in Yonkers (1992), and a troubled wife in An Inspector Calls (1994). After Harris' Oscar recognition, Kenneth Branagh felt it only appropriate to cast her as the Player Queen opposite Charlton Heston's Player King in Hamlet (1996). In 2002, Harris portrayed Peter Parker's aunt in Spider-Man, and reprised the role in Spider-Man 2 (2004).

Trivia: Whether following in the footsteps of the seemingly irreplaceable Robert Reed as the all-wise patriarch of the Brady clan or raising the ire of a nation of embittered office workers as the blissfully malevolent Lumbergh in Mike Judge's popular workplace comedy Office Space, longtime character actor Gary Cole can always be depended on to bring life to his varied and oddly endearing characters, despite their sometimes questionable motivations. Even in his earliest role as Snoopy in a high school production of You're a Good Man Charlie Brown, the Park Ridge, IL, native knew his destiny lay on the stage; from that moment straight through Cole's higher education at Illinois State University, his dedication to the theater never wavered. So dedicated was Cole that, during his third year at I.S.U., the eager up-and-comer dropped out to help found the Remains Theater. Transferring over to Chicago's acclaimed Steppenwolf Theater in 1985, Cole quickly made a name for himself in such productions as Cat on a Hot Tin Roof and Balm in Gilead. Though Cole had essayed a handful of television roles in the early '80s, it wasn't until his breakthrough role as a suspected murderer in the 1984 made-for-television feature Fatal Vision that audiences truly began to take notice. Cole's role as the drug-addicted son of an alcoholic father in the 1986 made-for-TV drama Vital Signs showed that he undoubtedly had the chops to make it on the small screen. Despite an increase in television roles, the ambitious actor continued to impress on the stage as well. Cole's first taste of weekly series life came with his role as a former cop who finds redemption as a late-night radio talk show host in the 1989 series Midnight Caller. In the following decade, he would expand his career into feature film territory. Cole's silver-screen career began with a role as a Secret Service agent in the Clint Eastwood thriller In the Line of Fire (1993), and his natural skills onscreen lent a surprising amount of depth to the supporting role. A few supporting television performances were quick to follow, and in 1995, Cole cracked up audiences with his role as suburban philosopher Mike Brady in the hit comedy The Brady Bunch Movie. Cole would reprise the role in the following year's sequel A Very Brady Sequel, but not before returning to series work as the sheriff in the short-lived, but well-loved, oddity American Gothic. As his feature career gained momentum, Cole still remained loyal to the stage and small screen. In 1998, a role in the acclaimed HBO miniseries From the Earth to the Moon found him going as strong as ever, and on the heels of supporting roles in A Simple Plan and I'll Be Home for Christmas, Cole played what was perhaps his most widely recognized role to date in Office Space (1999). Cast as by-the-books corporate figurehead William "Bill" Lumbergh, Cole delivered a performance that was pure comic gold for anyone who has weathered the never-ending drone of life in cubicle-land. In 2001, Cole loaned his voice to the hit "Adult Swim" cartoon Harvey Birdman, Attorney at Law, playing several characters, including Birdman himself. The next year, Cole continued to dabble in animated television with his performance as the titular character's father in the hit series Kim Possible. Back on the big screen, he took the role of the villainous heavy in the Eddie Murphy/Owen Wilson comedy I Spy and returned to the role of Mike Brady in the made-for-television sequel, The Brady Bunch in the White House. In 2003, he was cast in the recurring role of new Vice President "Bingo Bob" Russell for the fifth season of the critically acclaimed dramatic series The West Wing. The popular character actor could also be seen in supporting capacity in the 2004 comedies Win a Date with Tad Hamilton! and Dodgeball: A True Underdog Story.Cole maintained his status as a talented comic with a series of vocal performances on the animated television show The Family Guy, while showcasing his versatility by appearing in the sequel to the American version of The Ring. In 2006 he played opposite Will Ferrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby. He appeared in the spy drama Breach, and lent a scary presence to the pot comedy Pineapple Express. He became a part of the HBO series Entourage for that show's final two seasons, and in 2011 he was in the hit family comedy Hop.

Trivia: Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz. Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order. By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A.His career subsequently kicking into overdrive, the popular character actor was in increasingly high demand in the next few years, enjoying a productive run as a voice performer in such animated television series' as Justice League, Kim Possible, The Legend of Korra, and Ultimate Spider-Man (the latter of which found him reprising his role as J. Jonah Jameson), as well as turning in memorable performances in Jason Reitman's Juno, Mike Judge's Extract, and as a hard-nosed captain in the 2012 crime thriller Contraband. Meanwhile, in 2005, he joined the cast of TNT's popular crime drama The Closer as Assistant Chief Will Pope -- a role which no doublt played a part in the cast earning five Screen Actors Guild Award nominations for Best Ensemble Cast. Simmons continued to work steadily in movies, returning to the Spider-Man franchise in 2007. That same year he co-starred as the father of a pregnant teen in Juno, which led to him being cast regularly by that film's director Jason Reitman in many of his future projects including Up In the Air and Labor Day. It was Reitman who got Simmons the script for Whiplash, Damien Chazelle's directorial debut. The actor took the part of an abusive, but respected music teacher and the ensuing performance garnered Simmons multiple year-end awards including a Best Supporting Actor nomination from the Academy.

Trivia: Lettered in baseball, basketball and football in high school. First stage role was in college, playing the lead role in King Lear. Served four years in the Air Force after college, including a stint in Vietnam in 1967-68. Was a radio disc jockey in Texas. Made his film debut in 1976's Keep My Grave Open. Appeared in legendary sports movies Hoosiers (1986), Major League (1989) and Rudy (1993). Character name in both Basic Instinct and The Sopranos was Capt. Talcott.

Trivia: One of Hollywood's most distinctive film composers, Danny Elfman is known for his dark, idiosyncratic scores, particularly those he has written for director Tim Burton's films. He is also widely recognized for the music he has written for TV, particularly his theme song for The Simpsons.Born in Amarillo, Texas, on May 29, 1953, Elfman was the son of a schoolteacher and the novelist Blossom Elfman. He spent his childhood in Los Angeles and moved with his brother, Richard, to France at the age of 18. There he became involved with a theatre group and received an introduction to musical orchestration. He and Richard started the musical troupe Mystic Knights of Oingo Boingo, which would later become known as the cult group Oingo Boingo. After spending a few years in France, Elfman moved to Africa, where he stayed until a bout with malaria forced him to move back to the United States.Elfman wrote his first score for his brother Richard's film Forbidden Zone in 1980. A few years later, Elfman made the acquaintance of Tim Burton, who was a fan of Oingo Boingo. The fruits of their ensuing friendship were first made evident with Elfman's score for Burton's Pee-Wee's Big Adventure (1985). The two would continue to work together on all of Burton's subsequent films, and their artistic collaboration would become known as one of the industry's most recognizable partnerships. It was for another of Burton's films, the 1988 Beetlejuice, that Elfman first became known by soundtrack fans in general; his quirky, frenetic score, combined with a number of Harry Belafonte songs, proved to be an enormous cult success. Elfman earned additional acclaim and recognition for his scores for a number of other Burton films, particularly Edward Scissorhands (1990), the Batman series, and the animated The Nightmare Before Christmas (1993). For the latter of these, Elfman also wrote the songs and provided the singing voice for the lead character, Jack Skellington. In addition to his work with Burton, Elfman has supplied the scores for a number of films that encompass every imaginable genre. Some of the more memorable projects he has worked on include Dick Tracy (1990), Sommersby (1993), Mission: Impossible (1996), Men in Black (1997), A Simple Plan (1998), and Anywhere but Here (1999). He has also enjoyed a repeated collaboration with director Gus Van Sant on To Die For (1995) and Good Will Hunting (1997). Elfman received an Oscar nomination for his score for the latter film; that same year, he earned another nomination for his score for Men in Black.In 2003 he married actress Bridget Fonda.He went on to score Sleepy Hollow for Burton, as well as such wide-ranging projects as Novocaine, Spy Kids, and Spider-Man. He wrote new music for the big-screen adaptation of Chicago, and continued to collaborate with Tim Burton. In 2008 he scored the biopic Milk, and followed that up with Terminator Salvation. He worked with Gus Van Sant on the score for Restless, and continued his creative partnership with Burton by lending his talents to Alice in Wonderland and Frankenweenie.