Trivia: Despite a thick Australian accent in some of his earlier films, actor Mel Gibson was born in Peeksill, NY, to Irish Catholic parents on January 3rd, 1956. One of eleven children, Gibson didn't set foot in Australia until 1968, and only developed an Aussie accent after his classmates teased him for his American tongue. Mel Gibson's looks have certainly helped him develop a largely female following similar to the equally rugged Harrison Ford, but since his 1976 screen debut in Summer City, Gibson has been recognized as a critical as well as physiological success.Though he had, at one point, set his sights on journalism, Gibson caught the acting bug by the time he had reached college age, and studied at the National Institute of Dramatic Art in Sydney, Australia, despite what he describes as a crippling ordeal with stage fright. Luckily, this was something he overcame relatively quickly -- Gibson was still a student when he filmed Summer City and it didn't take long before he had found work playing supporting roles for the South Australia Theatre Company after his graduation. By 1979, Gibson had already demonstrated a unique versatility. In the drama Tim, a then 22-year-old Gibson played the role of a mildly retarded handy man well enough to win him a Sammy award -- one of the Australian entertainment industry's highest accolades -- while his leather clad portrayal of a post-apocalyptic cop in Mad Max helped the young actor gain popularity with a very different type of audience. Gibson wouldn't become internationally famous, however, until after his performance in Mad Max 2 (1981), one of the few sequels to have proved superior to its predecessor. In 1983, Gibson collaborated with director Peter Weir for the second time (though it was largely overlooked during the success of Mad Max 2, Gibson starred in Weir's powerful WWI drama Gallipoli in 1981) for The Year of Living Dangerously, in which he played a callous reporter responsible for covering a bloody Indonesian coup. Shortly afterwards, Gibson made his Hollywood debut in The Bounty with Oscar-winner Anthony Hopkins, and starred opposite Sissy Spacek in The River during the same year. He would also star in Mad Max Beyond Thunderdome (1985) alongside singer Tina Turner.After the third installment to the Mad Max franchise, Gibson took a two-year break, only to reappear opposite Danny Glover in director Richard Donner's smash hit Lethal Weapon. The role featured Gibson as Martin Riggs, a volatile police officer reeling from the death of his wife, and cemented a spot as one of Hollywood's premier action stars. Rather than letting himself become typecast, however, Gibson would surprise critics and audiences alike when he accepted the title role in Franco Zeffirelli's Hamlet (1990). Though his performance earned mixed reviews, he was applauded for taking on such a famously tragic script.In the early '90s, Gibson founded ICON Productions, and through it made his directorial debut with 1993's The Man Without a Face. The film, which also starred Gibson as a horrifically burned teacher harboring a secret, achieved only middling box-office success, though it was considered a well-wrought effort for a first-time director. Gibson would fare much better in 1994 when he rejoined Richard Donner in the movie adaptation of Maverick; however, it would be another year before Gibson's penchant for acting, directing, and producing was given its due. In 1995, Gibson swept the Oscars with Braveheart, his epic account of 13th century Scottish leader William Wallace's lifelong struggle to forge an independent nation. Later that year, he lent his vocal talents -- surprising many with his ability to carry a tune -- for the part of John Smith in Disney's animated feature Pocahontas. Through the '90s, Gibson's popularity and reputation continued to grow, thanks to such films as Ransom (1996) and Conspiracy Theory (1997). In 1998, Gibson further increased this popularity with the success of two films, Lethal Weapon 4 and Payback. More success followed in 2000 due to the actor's lead role as an animated rooster in Nick Park and Peter Lord's hugely acclaimed Chicken Run, and to his work as the titular hero of Roland Emmerich's blockbuster period epic The Patriot (2000). After taking up arms in the battlefield of a more modern era in the Vietman drama We Were Soldiers in 2002, Gibson would step in front of the cameras once more for Sixth Sense director M. Night Shyamalan's dramatic sci-fi thriller Signs (also 2002). The film starred Gibson as a grieving patriarch whose rural existence was even further disturbed by the discovery of several crop circles on his property.Gibson would return to more familiar territory in Randall Wallace's We Were Soldiers -- a 2002 war drama which found Gibson in the role of Lt. Col. Hal Moore, commander of the First Battalion, Seventh Cavalry -- the same regiment so fatefully led by George Armstrong Custer. In 2003, Gibson starred alongside Robert Downey Jr. and Robin Wright-Penn in a remake of The Singing Detective. The year 2004 saw Gibson return to the director's chair for The Passion of The Christ. Funded by 25 million of Gibson's own dollars, the religious drama generated controversy amid cries of anti-Semitism. Despite the debates surrounding the film -- and the fact that all of the dialogue was spoken in Latin and Aramaic -- it nearly recouped its budget in the first day of release.The actor stepped behind the camera again in 2006 with the Mayan tale Apocalypto and was preparing to product a TV movie about the Holocaust, but by this time, public attention was not pointed at Gibson's career choices. That summer, he was pulled over for drunk driving at which time he made extremely derogatory comments about Jewish people to the arresting officer. When word of Gibson's drunken, bigoted tirade made it to the press, the speculation of the actor's anti-Semitic leanings that had circulated because of the choices he'd made in his depiction of the crucifixion in Passion of the Christ seemed confirmed. Gibson's father being an admitted holocaust denier hadn't helped matters and now it seemed that no PR campaign could help. Gibson publicly apologized, expressed extreme regret for his comments, and checked himself into rehab. Still, the plug was pulled on Gibson's Holocaust project and the filmmaker's reputation was irreparably tarnished.

Trivia: Staying true to his last name, Joaquin Phoenix has made a career out of making a couple of films, disappearing, and then reappearing from the ashes to rise upward toward greater glory. The actor, who began his career under the name of "Leaf," lived for a long time in the shadow of his older brother, River. After River's tragic death at the age of 23, Leaf abandoned his career for two years, making a comeback in 1995 with his performance in To Die For, directed by Gus Van Sant (who ironically directed River in one of his last films, 1993's Even Cowgirls Get the Blues). Since then, the actor, who changed his name back to Joaquin in the early '90s, has worked steadily in Hollywood, solidifying both his experience and reputation.Born Joaquin Raphael Phoenix on October 28, 1974, in Puerto Rico, Phoenix was raised in a close-knit, unconventional family. His parents encouraged all of their children to go into acting, and Phoenix did just that, following in the footsteps of older siblings River and Rain. As Leaf Phoenix, he got his first significant role in 1986's Spacecamp, and then went on to star in Russkies (1987) and Parenthood (1989), the latter of which was successful enough to make Phoenix something of a fledgling star. However, he chose to retreat from Hollywood, spending a few years traveling and living with his father in Mexico.It was River's 1993 death that brought his younger brother -- now called Joaquin -- back into the limelight, albeit a very unwelcome limelight. The 911 call that Phoenix made as his older brother lay dying was broadcast over radio and television in the aftermath of River's death. Again, Phoenix left Hollywood, not to be seen again until 1995, when his performance as the tragically confused and horny Jimmy Emmett won him an array of positive reviews. From there, Phoenix went on to film Inventing the Abbotts (1997), which failed at the box office but introduced the actor to his co-star Liv Tyler, with whom he had a three-year relationship.Phoenix's next project, Oliver Stone's U-Turn (1997), also proved to be a modest flop, but Return to Paradise (1998), in which he starred with Vince Vaughn and Anne Heche, was a bigger hit among critics and filmgoers. He starred again with Vaughn in Clay Pigeons (1998), which unfortunately didn't fare as well as his previous film. However, his next endeavor, 8MM with Nicolas Cage, although not a huge box office hit, did win him acclaim for his portrayal of thoughtful porn shop owner Max California, further proving that the family talent was not solely the province of Phoenix's late, great older brother. In 2000 Phoenix took one of his biggest and most extravagant roles to date as Commodus in director Ridley Scott's big-budget peplum Gladiator. Phoenix's turn as the devious Commodus was a marked departure from the actor's generally likeable characterizations, and proved further indication of his dramatic versitility. On the opposite end of the period piece spectrum, Jaoquin appeased art-house crowds with a memorable performance as the priest who runs the asylum housing the Marquis de Sade in Quills before moving closer to the present and impressing critics with a leading role in Buffalo Soldiers (2001). As a bored military camp clerk who runs goods in the black market, Phoenix's impressive performance was well recieved by festival critics and continued to provide further argument for his viability as a leading man. Phoenix would next turn-up alongside Mel Gibson in The Sixth Sense director M. Night Shyamalan's rural alien invasion thriller Signs. Replacing actor Mark Ruffalo after Ruffalo pulled out of the film due to ill-health, Phoenix stepped into the role as Gibson's younger brother, a member of a family caught in an alien invasion following the appearance of crop circles in the family's cornfield. In 2003, Phoenix lent his voice to the Disney animated film Brother Bear, before re-teaming with M. Night Shyalaman for The Village, a thriller in the same vein as Signs that proved a major disappointment to audiences and critics alike. He followed this with a small part in the highly respected Hotel Rwanda, playing an American camera man covering the 1994 war in Rwanda that ended in 1 million deaths as a result of genocidal murder. This performance, along with his role as a rookie firefighter in Ladder 49 helped him establish himself as an everyman, as well as a character actor.By 2005, Phoenix had developed a reputation as a dependable, versatile actor, but he would rise from respectability to greatness with his depiction of legendary country singer Johnny Cash in James Mangold's biopic Walk the Line. Performing all his own singing for the part and learning the guitar from scratch, Phoenix received a Golden Globe Award for the film, along with his costar Reese Witherspoon.Phoenix's reputation for reliability fell under question when he arrived for a guest spot on Late Night with David Letterman disheveled and seemingly intoxicated. Though his appearance on Letterman was intended as a promotional piece for Two Lovers (2008), a romantic drama following a depressed young man (Phoenix) who finds himself in the middle of a love triangle, it was eventually revealed that the Letterman appearance was intended for I'm Still Here, a "biopic" depicting Phoenix as a drug-addled, emotional disaster. Shortly before the premier of I'm Still Here, director Casey Affleck admitted the film was satirical in nature and not meant to be taken literally.Two years after that public-relations hiccup, Phoenix returned earning rave reviews for his role as a disturbed war veteran who falls under the spell of a charismatic cult leader in Paul Thomas Anderson's drama The Master. His work in that film was recognized by the Academy, who tapped Phoenix for the Best Actor category.

Trivia: The younger sister of child thespian Spencer Breslin (Disney's the Kid, The Santa Clause 2, The Shaggy Dog), the dynamic young actress Abigail Breslin was born in Manhattan in 1996 and began shooting television commercials at the age of three. In 2001, Tamil-American director and Spielberg protégé M. Night Shyamalan discovered then five-year-old Breslin and brought about her movie debut by casting her in his sci-fi thriller Signs -- the tale of a farmer and pastor (Mel Gibson) who discovers a giant crop circle on his property as an early indicator of an extraterrestrial invasion. Breslin plays Bo Hess, Gibson's asthma-ridden, paranoiac daughter who is racked by the delusion that she must never drink water, for every glass in the house is now contaminated. The terror evident in this characterization was not unique. From an early age, the pint-sized Breslin became notorious for her preternatural ability to pour an extraordinary amount of emotional intensity into each role, which led to several challenging parts that Breslin pulled off with ease. The first of these turns, 2004's sadly overlooked Keane, is a harrowing drama about a drug- and alcohol-riddled schizophrenic named William Keane (Damian Lewis), obsessed with attempting to find his young daughter, who may never have even existed. Amy Ryan and Breslin play, respectively, Lynn Bedik and Kira Bedik, a mother and daughter who wander into William's life and concurrently raise, within him, a towering fear of himself and the capacity for emotional connection. The New York Post's V.A. Musetto called Breslin "a revelation."After light-hearted turns in Garry Marshall's terribly received Raising Helen (which marked the first onscreen pairing of Breslin and her older brother) and David S. Cass' little-seen domestic comedy Family Plan (2005), Breslin signed on as the central character in Valerie Faris and Jonathan Dayton's Little Miss Sunshine. This road comedy -- about a severely dysfunctional family that bands together and treks off to the titular children's beauty pageant in which young Olive (Breslin) is participating -- unexpectedly dazzled viewers with its acerbic wit, flashes of wild humor, exemplary characterizations, and touching insights into familial relationships, when it premiered in summer 2006. In fact, it became, hands down, one of the most significant sleeper hits of that year. Thanks in no small part to her mature evocation of sweet-natured, pure-hearted Olive (who elevates the film to new levels not only by strengthening family ties, but by performing an outrageous final dance number in the beauty pageant), Breslin became one of the youngest individuals in Hollywood history to receive a Best Supporting Actress nod when the Oscar nominations rolled around in January 2007 -- younger, by seven months, than Tatum O'Neal, during her Oscar win in early 1974. Meanwhile, Breslin signed on for several additional roles alongside her studies. These included Zoe, the niece of Catherine Zeta-Jones's character in Scott Hicks' romantic comedy No Reservations (a remake of the German film Mostly Martha); a sick child befriended by a lonely, itinerant young man (Drew Fuller) in Michael O. Sajbel's The Ultimate Gift; and the confused, inquisitive 11-year-old daughter of a political consultant (Ryan Reynolds) in Adam Brooks' romantic comedy Definitely, Maybe (2008). That same year she had the lead role in the family adventure film Nim's Island, and the title part in Kit Kittredge: An American Girl. The next year she would appear in the comedy Zombieland. In 2011 she provided one of the voices for the Oscar winning animated film Rango, and was one of many in the ensemble cast of New Year's Eve as the independent-minded daughter of Sarah Jessica Parker.

Trivia: Often referred to as "the littlest Culkin," Rory Culkin came to acting with a family reputation that stands in inverse proportion to his diminutive stature. Born in 1989, as the youngest child of the infamously fractious Kit Culkin and Patricia Bentrup, Rory was only a year old when his eldest brother, Macaulay, found an almost obscene degree of fame and fortune thanks to his starring role in Chris Columbus' blockbuster Home Alone. Most of Rory's earliest screen appearances came courtesy of his resemblance to his famous brother; fans of The Good Son (1993) may recall his appearance as a younger version of Richard, Macaulay's bad seed alter ego. Likewise, Rory also played the more childlike version of his brother's title character in Richie Rich. Unfortunately, any talent the wee Culkin may have exhibited was, for a number of years, largely obscured by his family's various misfortunes. Following the bitter and widely publicized breakup of his parents, Culkin also had to endure the unfavorable publicity surrounding Macaulay's career burnout and a 1998 fire in his family's Manhattan apartment. In 2000, he finally earned recognition as a talented young actor, thanks to his role as Laura Linney's wry, observant son in Kenneth Lonergan's much-acclaimed directorial debut You Can Count on Me, causing both critics and audiences to remark that perhaps big screen bankability had not been limited solely to Culkin the Eldest. After a subsequent appearance in Showtime's made-for-cable film Off Season (2001), Culkin once again appeared as a younger incarnation of an older sibling, this time Kieran, in the art-house comedy Igby Goes Down (2002). As his first major feature role independent of his siblings, Rory appeared as alongside Mel Gibson and Joaquin Phoenix in M. Night Shyamalan's rural alien invasion thriller Signs. Culkin was praised for his work in the independent dramas Igby Goes Down and Mean Creek, and went on to play a supporting role for Down in the Valley (2005), a psychological drama starring Edward Norton and Evan Rachel Wood. Culkin joined the cast of Lymelite in 2008 to portray the 15-year-old neighbor of a man suffering from Lyme disease, and took a supporting role in the less than successful Scream 4 in 2011.

Trivia: Well known as a premiere theater actress and an advocate for gay rights, Cherry Jones has also appeared in a number of high-profile films. Born and raised in Tennessee, Jones headed north to study drama at Carnegie Mellon University. A founding member of the American Repertory Theatre in Cambridge, MA, Jones spent the early years of her professional career performing in a wide range of plays. After she relocated to New York, Jones acted in numerous Broadway productions, including Angels in America, The Night of the Iguana, Our Country's Good, and A Moon for the Misbegotten. Her performance as the lonely heroine in the 1995 production of The Heiress earned Jones several awards, including the Tony. Even as she became a theater star, Jones added TV and films to her repertoire in the 1980s, with supporting roles in the TV docudrama Alex: The Life of a Child (1986) and Paul Schrader's Light of Day (1987). Though drama was her primary forte, Jones also appeared in the hit comedies Housesitter (1992) and A League of Their Own (1992). After several years of stage work, Jones returned to films in the independent black comedy Julian Po (1997), and Robert Redford's The Horse Whisperer (1998). Jones brought an air of forceful integrity to her roles as the embattled head of the Federal Theater Project in Tim Robbins' 1930s tapestry Cradle Will Rock (1999) and as one of the chemical contamination victims in Steven Soderbergh's Erin Brockovich (2000). Unabashedly out since her professional debut at age 21, Jones made theater history of sorts when she thanked her same-sex domestic partner from the podium when she won her Tony for The Heiress. Jones added her voice to Out of the Past (1998), a documentary about the struggles of the gay rights movement throughout U.S. history, and co-starred in the TV movie about lesbian parents, What Makes a Family (2001).Continuing to take smaller roles in big movies between her stage work, Jones followed Erin Brockovich with a turn as one of the residents on land forced to come to grips with the tragic effects of The Perfect Storm (2000). Back on summer movie screens two years later in two heavily hyped releases, Jones was one of the many oddly monikered women populating the eccentric female universe in Divine Secrets of the Ya-Ya Sisterhood (2002). In M. Night Shyamalan's spiritual science fiction hit Signs (2002), Jones quietly shined with her gentle yet no-nonsense performance as the local cop who gets involved in teasing out the meaning of the crop circles in anguished father Mel Gibson's corn field. Both Soderbergh and Shyamalan would continue to feature her such films as Ocean's Twelve and The Village, as Jones continued to rack up acclaim for her stage work, including a Best Actress Tony in 2005 for John Patrick Shanley's Doubt. In 2007 Fox announced that Jones would be portraying the first female president on the seventh season of 24.In 2009 she would play a first lady embodying Eleanor Roosevelt in the biopic Amelia, and had a busy 2011 appearing in Jodie Foster's The Beaver as well as Garry Marshall's ensemble romantic comedy New Year's Eve. She returned to TV in 2012 with a role in the series Awake.

Trivia: Her mother conceived her via a sperm donor. Grew up attending Jewish socialist summer camps. Was once a member of the children's choir of the Metropolitan Opera. Has acted in a number of off-Broadway productions, including Brooke Berman's Smashing and Kate Moira Ryan's Cavedweller. Spent a few hours in a hospital ER to prep for her role in Nurse Jackie, but when she realized that her character was a neophyte nurse, decided not to continue.

Trivia: Silly, adorable comedian Michael Showalter was born in New Jersey and attended Brown University in Rhode Island. During the late '80s, he joined a New York-based comedy troupe which formed the basis for a hilarious sketch-comedy show called The State. Although many episodes were created, only 26 aired on MTV. After the show ended, he joined up with co-stars David Wain and Michael Ian Black to form a new comedy troupe named Stella. Originally only a stage show in New York City, Stella has broadened to include short films, tours, and other such creative projects. Also on-stage, he wrote the play Sex, a.k.a. Wieners and Boobs, which has been produced in both New York and L.A. Showalter made his film debut in 1998 with small roles in the comedies Safe Men and Chocolate for Breakfast, but he may be best known as one of the brains behind the summer camp spoof Wet Hot American Summer. Showalter co-wrote the script and played both the lovable main character Coop and the old-timer emcee Alan Shemper. Starring many folks from The State, the film developed a healthy life on home video despite a meager theatrical release. After a few short-lived TV projects, he played small film roles in Kissing Jessica Stein, M. Night Shyamalan's Signs, and Operation Midnight Climax. He was also be seen in an episodes of HBO's Sex and the City and VH1's I Love the 80s. Projects for 2004 include voice work on Bill Plympton's animated feature Hair High.

Trivia: Supporting actor Clifford David began appearing onscreen in the late '60s.

Trivia: A director who struck gold with the 1999 blockbuster The Sixth Sense, M. Night Shyamalan came out of almost nowhere to become one of the year's greatest sensations. The second biggest moneymaker of 1999 (the first being Star Wars: Episode I -- The Phantom Menace), The Sixth Sense also proved to be a critical favorite, earning a slew of Oscar nominations that included Best Director and Best Picture.Born in Madras, India, on August 6, 1970, Shyamalan was raised in the posh Philadelphia suburb of Penn Valley. The son of doctors, he developed a passion for filmmaking when he was given a Super-8 camera at the age of eight. By the time he was 17, Shyamalan -- who idolized Steven Spielberg -- had made 45 home movies, and after receiving a Catholic school education, he studied filmmaking at the Tisch School of the Arts. He graduated in 1992, and that same year he made his first feature film, Praying with Anger, which was based to some extent on his trip back to the country of his birth.Shyamalan's first major theatrical effort was Wide Awake (1998), a film he partially shot in the Catholic school he had attended, as well as Bryn Mawr College. The story of a young Catholic school student attempting to cope with the death of his grandfather (Robert Loggia), the film -- which also starred Rosie O'Donnell, Dana Delany, and Denis Leary -- quickly plummeted into box office oblivion. Shyamalan had considerably better luck with his next project, 1999's The Sixth Sense. A supernatural thriller about a young boy (Oscar-nominated Haley Joel Osment) who is able to communicate with the spirits of dead people, it was a sleeper hit and gave its director his unequivocal career breakthrough. Graced with an understated cast of performers and a twist ending, the film garnered incredible word-of-mouth among audiences and became the must-see film of the late summer, well into the fall. The Academy in turn showered the film with seven Oscar nominations, including nods for Shyamalan's script and direction. He enjoyed further success that same year as the screenwriter for Stuart Little, earning praise for his smart, funny script.Following the success of The Sixth Sense, Shyamalan -- who continued to reside in the Philadelphia suburbs with his wife and daughter -- directed another supernatural thriller, Unbreakable. Starring Bruce Willis (who had also starred in The Sixth Sense) as a man who undergoes mysterious changes following a train accident, the mannered, pensive thriller was released in 2000 to mixed critical reviews and a healthy -- if brief -- box-office run. A curiously low-key film considering its comic-book underpinnings, Unbreakable retained much of The Sixth Sense's sharp direction, though its lukewarm reception found the director hesitant to expand the film into a trilogy as originally planned. Approached by producer Frank Marshall to pen the fourth chapter in the further adventures of Indiana Jones, Shyamalan gracefully turned down the offer citing his reluctance to enter a collaborative effort with Steven Spielberg, George Lucas, and Harrison Ford, and rejected yet another offer shortly thereafter, this time to direct the third Harry Potter film .Deciding instead on a begin work on an entirely new project, Shyamalan penned a screenplay concerning a rural family who discover crop circles on their farm, selling it to Disney in April of 2001. Though the role of the family patriarch was originally intended for an older actor, Shyamalan made a few minor alterations when Mel Gibson expressed interest in starring in the film, with You Can Count on Me star Mark Ruffalo cast as his brother. Another unforeseen casting change beset the production when Ruffalo pulled out of the film due to health problems, and Joaquin Phoenix stepped in to assume the role with production moving along as planned following the brief delay. If Unbreakable was a subdued hit, then Signs was a full-blown blockbuster, easily exceeding the 200-million-dollar mark.With late-summer firmly established as Shyamalan's most-profitable stomping grounds, he began work on his 2004 project, the buzzed-about period allegory The Village. After many casting rumors and changes -- including the mention of Ashton Kutcher for the lead -- the director locked in a group of talented actors ranging from newcomer Bryce Dallas Howard (daughter of Ron), to the recently Oscar-anointed Adrien Brody, to distinguished Hollywood veterans like William Hurt and Sigourney Weaver. Reuniting with Signs star Joaquin Phoenix for the lead role, Shyamalan wove an intricate -- or convoluted, according to critics -- tale of a remote pioneer-style community where the village residents dress in muted browns and yellows and live in fear of "those we do not speak of," namely, scampering creatures with thorny exoskeletons. Touchstone Pictures' marketing push ensured a colossal opening for the film, but when word-of-mouth spread about The Village's rug-pulling final twist, box office dropped off considerably.Regrouping after the critical drubbing and somewhat lackluster returns of his 2004 film, Shyamalan returned in 2006 with a film he curiously dubbed "a bedtime story," the somber fable Lady in the Water. A subdued take on the mermaid-out-of-water tale put forth in Ron Howard's comedy Splash some twenty years earlier, Shyamalan's film once again starred Howard's daughter Bryce -- this time cast as a water nymph who mysteriously appears one night to a apartment-complex superintendent played by Sideways' schlub laureate Paul Giamatti. Though the film did little to disprove the theory that Shyamalan's career was on a downward slide, it was a virtual masterpiece compared to his laughable 2008 film The Happening. A ham-fisted tale of nature-run-amuck, The Happening became the butt of jokes for critics across the globe, and even had longtime supporters howling with laughter as the film's terrified protagonists attempted to outrun the wind. Fortunately with The Happening, Shyamalan only managed to disappoint his own fans, though with his next film The Last Airbender -- a live action adaptation of the popular animated television series, the director managed to upset a whole new crowd.

Trivia: A native of Houston, TX, Brett Cullen graduated from that city's university, also finding time to compete in fencing and contribute to the Houston Shakespeare Festival. Opting for a shot at stardom over continuing his theater studies, Cullen landed a role on The Chisholms as his first breakthrough. He achieved much attention as Bob Cleary in the highly successful miniseries The Thorn Birds, which led to a stint on the nighttime soap Falcon Crest. He continued to work steadily on both the stage and the screen including production of Guys and Dolls, The Little Foxes, and numerous Shakespearean plays. His film credits include Courage Under Fire and Apollo 13, a role that led to him joining the cast of the Tom Hanks-produced television spectacle From the Earth to the Moon. Cullen has had recurring roles on such respected programs as Ugly Betty, Friday Night Lights, The West Wing, and Lost. In 2007, he starred opposite Uma Thurman in the drama In Bloom. That same year, Cullen starred in the pilot for the television program Life Is Wild, but he was replaced when the show went to series by D.W. Moffett. He had a major role in 2008's The Life Before Her Eyes as well as Brothel. Two years later he played the dad of the troubled lead singer of The Runaways, and he followed that up with a part in the teen comedy Monte Carlo. In 2012 he could be seen in the blockbuster The Dark Knight Rises.