Trivia: Rugged, athletic, and handsome, Burt Lancaster enjoyed phenomenal success from his first film, The Killers, to his last, Field of Dreams -- over a career spanning more than four decades. Boasting an impressively wide range, he delivered thoughtful, sensitive performances across a spectrum of genres: from film noir to Westerns to melodrama, he commanded the screen with a presence and power matched by only a handful of stars.Lancaster was born November 2, 1913, in New York City. As a child, he exhibited considerable athletic and acrobatic prowess, and at the age of 17 joined a circus troupe, forming a duo with the diminutive performer Nick Cravat (later to frequently serve as his onscreen sidekick). He eventually joined the army, and, after acting and dancing in a number of armed forces revues, he decided to pursue a dramatic career. Upon hiring an agent, Harold Hecht, Lancaster made his Broadway debut in A Sound of Hunting, a role which led to a contract with Paramount. Because the release of his first picture, Desert Fury, was delayed, he initially came to the attention of audiences in 1946's The Killers, a certified classic of film noir. It remained the genre of choice in several of his subsequent projects, including 1947's Brute Force and I Walk Alone the following year.After starring as Barbara Stanwyck's cheating husband in Sorry, Wrong Number, Lancaster and his manager formed their own production company, Hecht-Lancaster, the first notable star-owned venture of its kind; more were to follow, and they contributed significantly to the ultimate downfall of the old studio system. Its formation was a result of Lancaster's conscious effort to avoid "beefcake" roles, instead seeking projects which spotlighted his versatility as a performer. While the company's first effort, the war melodrama Kiss the Blood Off My Hands, was not a success, they were nonetheless able to secure enough financial backing to break off completely from the mainstream Hollywood system. Still, Lancaster also continued to appear in studio productions. In 1949, he reunited with The Killers director Robert Siodmak at Universal for another excellent noir, Criss Cross, followed by Rope of Sand. He also signed a non-exclusive contract with Warner Bros., where he and Hecht produced 1950's The Flame and the Arrow, a swashbuckler which was his first major box-office success. After producing Ten Tall Men with Hecht, Lancaster starred in the MGM Western Vengeance Valley, followed by the biopic Jim Thorpe -- All American. With Siodmak again directing, he next headlined the 1952 adventure spoof The Crimson Pirate, followed by Daniel Mann's Come Back, Little Sheba opposite Oscar-winner Shirley Booth. A minor effort, South Sea Woman, followed in 1953 before Lancaster starred in the Fred Zinnemann classic From Here to Eternity, earning him a Best Actor Oscar nomination for his performance and, in his beachside rendezvous with co-star Deborah Kerr, creating one of the most indelible images in film history. Another swashbuckler, His Majesty O'Keefe, followed, and under director Robert Aldrich the actor headlined a pair of Westerns, Apache and Vera Cruz. Finally, in 1955, Lancaster realized a long-held dream and helmed his own film, The Kentuckian; reviews were negative, however, and he did not return to the director's chair for another two decades.Again working with Mann, Lancaster co-starred with another Oscar winner, Anna Magnani, in 1955's The Rose Tattoo. Opposite Tony Curtis, he appeared in the 1956 hit Trapeze, and, with Katherine Hepburn, headlined The Rainmaker later that same year. Gunfight at the O.K. Corral, a blockbuster featuring Lancaster as Wyatt Earp, followed, as did the acclaimed The Sweet Smell of Success. With Clark Gable, Lancaster starred in 1958's Run Silent, Run Deep, followed by Separate Tables. For 1960's Elmer Gantry, he won an Academy Award for his superb portrayal of the title character, a disreputable evangelist, and a year later co-starred in Judgment at Nuremberg. Under John Frankenheimer, Lancaster next portrayed The Birdman of Alcatraz, earning Best Actor honors at the Venice Film Festival for his sympathetic turn as prisoner Robert Stroud, an expert in bird disease. For John Cassavetes, he starred in 1963's A Child Is Waiting, but the picture was the victim of studio interference and poor distribution. Around the same time, Italian filmmaker Luchino Visconti was trying to secure financing for his planned historical epic Il Gattopardo (aka The Leopard), and needed to cast an international superstar in the lead role; Lancaster actively campaigned for the part, and delivered one of the strongest performances of his career. Released in 1963, it was a massive success everywhere but in the U.S., where it was brutally edited prior to release. After two hit movies with Frankenheimer, the 1964 political thriller Seven Days in May and the 1965 war drama The Train, Lancaster starred in another Western, The Hallelujah Trail, followed by the 1966 smash The Professionals. A rare series of flops -- The Swimmer, Castle Keep, and The Gypsy Moths -- rounded out the decade, but by 1970 he was back at the top of the box office with Airport. Still, Lancaster's star was clearly dimming, and he next appeared in a pair of low-budget Westerns, Lawman and Valdez Is Coming. After an underwhelming reunion with Aldrich, 1972's Ulzana's Raid, he attempted to take matters into his own hands, writing and directing 1974's The Midnight Man in collaboration with Roland Kibbee, but it failed to attract much attention, either. For Visconti, Lancaster next starred in 1975's Gruppo di Famiglia in un Interno. Remaining in Europe, he also appeared in Bernardo Bertollucci's epic 1900. Neither resuscitated his career, nor did Robert Altman's much-panned Buffalo Bill and the Indians, or Sitting Bull's History Lesson. Lancaster languished in a number of television projects before appearing in 1978's Go Tell the Spartans, which, despite critical acclaim, failed to catch on. In 1980, however, he delivered a stunning turn as an aging gangster in Louis Malle's excellent Atlantic City, a performance which earned him Best Actor honors from the New York critics as well as another Oscar nomination. Also highly acclaimed was his supporting role in the 1983 Bill Forsyth gem Local Hero. Heart trouble sidelined him for all of 1984, but soon Lancaster was back at full steam, teaming one last time with Kirk Douglas for 1986's Tough Guys. Several more TV projects followed before he returned to feature films with 1988's little-seen Rocket Gibraltar and the 1989 blockbuster Field of Dreams. In 1991, Lancaster made his final appearance in the telefilm Separate But Equal. He died October 20, 1994.

Trivia: Simply by growing old gracefully, actress Susan Sarandon has defied the rules of Hollywood stardom: Not only has her fame continued to increase as she enters middle age, but the quality of her films and her performances in them has improved as well. Ultimately, she has come to embody an all-too-rare movie type -- the strong and sexy older woman. Born Susan Tomalin on October 4, 1946, in Queens, NY, she was the oldest of nine children. Even while attending the Catholic University of America, she did not study acting, and in fact expressed no interest in performing until after marrying actor Chris Sarandon. While accompanying her husband on an audition, Sarandon landed a pivotal role in the controversial 1970 feature Joe, and suddenly her own career as an actress was well underway. She soon became a regular on the daytime soap opera A World Apart and in 1972 appeared in the feature Mortadella. Lovin' Molly and The Front Page followed in 1974 before Sarandon earned cult immortality as Janet Weiss in 1975's camp classic The Rocky Horror Picture Show, the quintessential midnight movie of its era. After starring with Robert Redford in 1975's The Great Waldo Pepper, Sarandon struggled during the mid-'70s in a number of little-seen projects, including 1976's The Great Smokey Roadblock and 1978's Checkered Flag or Crash. Upon beginning a relationship with the famed filmmaker Louis Malle, however, her career took a turn for the better as she starred in the provocative Pretty Baby, portraying the prostitute mother of a 12-year-old Brooke Shields. Sarandon and Malle next teamed for 1980's superb Atlantic City, for which she earned her first Oscar nomination. After appearing in Paul Mazursky's Tempest, she then starred in Tony Scott's controversial 1983 horror film The Hunger, playing a scientist seduced by a vampire portrayed by Catherine Deneuve. The black comedy Compromising Positions followed in 1985, as did the TV miniseries Mussolini and I. Women of Valor, another mini, premiered a year later. While Sarandon had enjoyed a prolific career virtually from the outset, stardom remained just beyond her grasp prior to the mid-'80s. First, a prominent appearance with Jack Nicholson, Cher, and Michelle Pfeiffer in the 1986 hit The Witches of Eastwick brought her considerable attention, and then in 1988 she delivered a breakthrough performance in Ron Shelton's hit baseball comedy Bull Durham, which finally made her a star, at the age of 40. More important, the film teamed her with co-star Tim Robbins, with whom she soon began a long-term offscreen relationship. After a starring role in the 1989 apartheid drama A Dry White Season, Sarandon teamed with Geena Davis for Thelma and Louise, a much-discussed distaff road movie which became among the year's biggest hits and won both actresses Oscar nominations. Sarandon was again nominated for 1992's Lorenzo's Oil and 1994's The Client before finally winning her first Academy Award for 1995's Dead Man Walking, a gut-wrenching examination of the death penalty, adapted and directed by Robbins. Now a fully established star, Sarandon had her choice of projects; she decided to lend her voice to Tim Burton's animated James and the Giant Peach (1996). Two years later, she was more visible with starring roles in the thriller Twilight (starring opposite Paul Newman and Gene Hackman) and Stepmom, a weepie co-starring Julia Roberts. The same year, she had a supporting role in the John Turturro film Illuminata. Sarandon continued to stay busy in 1999, starring in Anywhere But Here, which featured her as Natalie Portman's mother, and Cradle Will Rock, Robbins' first directorial effort since Dead Man Walking. On television, Sarandon starred with Stephen Dorff in an adaptation of Anne Tyler's Earthly Possessions, and showed a keen sense of humor in her various appearances on SNL, Chappelle's Show, and Malcolm in the Middle. After starring alongside Goldie Hawn in The Banger Sisters, Sarandon could be seen in a variety of projects including Alfie (2004), Romance and Cigarettes (2005), and Elizabethtown (2006). In 2007, Sarandon joined Rachel Weisz and Mark Wahlberg in The Lovely Bones, director Peter Jackson's adaptation of Alice Sebold's novel of the same name. She continued her heavy work schedule into the 2010s- in 2012 alone, the actress took on the role of a long-suffering mother to two grown sons in various states of distress for Jeff, Who Lives at Home, appeared as an older version of a character played by her daughter, Eva Amurri Martino, in That's My Boy and played a variety of supporting roles in the Wachowskis' Cloud Atlas. The following year found her in the crime drama Snitch, the ensemble rom-com The Big Wedding and in the Errol Flynn biopic The Last of Robin Hood. In 2014, she played Melissa McCarthy's grandmother (despite the fact that the actresses are only 24 years apart in age) in Tammy. She made a cameo appearance, as herself, in Zoolander 2 (2016).

Trivia: Listed in many sources as a Canadian actress, Kate Reid was actually born in England and raised in Toronto, later attending that city's university. Reid launched her stage career in Canada in the late 1940s; she first came to Broadway in 1962, replacing Uta Hagen as Martha in Who's Afraid of Virginia Woolf?. Her later American stage credits include Dylan opposite Richard Burton, and Arthur Miller's The Price. She was Emmy-nominated for her work in two Hallmark Hall of Fame presentations: 1963's The Invincible Mr. Disraeli, and the following year's Abe Lincoln in Illinois. Her film credits include the U.S.-Canadian sci-fier The Andromeda Strain (1971), the British Equus (1977; against opposite Richard Burton) and Louis Malle's Atlantic City (1980), in which she had one of her showiest screen roles as the faded vis-a-vis of onetime racketeer Burt Lancaster. In 1984, Kate played Linda opposite Dustin Hoffman's Willy Loman in the Broadway revival of Death of a Salesman, repeating her role for the superb 1985 TV-movie adaptation. Kate Reid's TV-series appearances include the roles of Aunt Lil Trotter on the long-running Dallas (1982-83 season), oceanographer Marion Jaworski on Gavillan (1982), and senior citizen's home resident Martha Cameron on Morningstar: Eveningstar (1986).

Trivia: Canadian actor Robert Joy has been appearing in films on both sides of the Canada/U.S. border since the 1970s. He has always been a welcome presence, even when the scripts took pains not to make him feel welcome. As Susan Sarandon's husband in Atlantic City (1981), Joy stuck around just long enough to be bumped off by drug dealers. And as demented socialite Harry K. Thaw in Ragtime (1981), Joy existed principally to shoot Stanford White (Norman Mailer) full of holes and then get thrown in the looney bin. One of Robert Joy's largest, and most unorthodox, film assignments was as the would-be political demagogue (and one-time flamenco dancer) in the Newfoundland-based The Adventures of Faustus Bidgood (1986). Over the next several years, Joy would continue to remain an ongoing force on screen, appearing in films like Joe Somebody, Pretty Persuasion, Land of the Dead, and Superhero Movie. He would find success with a starring role on the long running crime proceedural CSI: NY.

Trivia: Ubiquitous Canadian actor/director Al Waxman is not always cast in leading roles, but he is invariably given special billing, usually with a box around his name in the opening credits. This honor is well-deserved; in show business since the 1950s, Waxman labored long and hard to make a name for himself. During his first Hollywood stay in the 1960s, Waxman worked as a waiter and bouncer between engagements. He was fired from his job as a short-order cook at Barney's Beanery after sneaking extra portions of food to his fellow starving artists. Returning to Canada in the late 1960s, Waxman directed several intriguing but unsuccessful low-budget films, among them Tviggy (the story of a Jewish model), The Crowd Inside, and the soft-core My Pleasure is My Business. He finally struck gold in the role of blue-collar blowhard Larry King on the popular 1970s Canadian sitcom King of Kensington, which clocked in at 111 episodes, 65 of which were syndicated to the U.S. On the strength of this series, Louis Malle cast Waxman as ever-grinning cocaine dealer Alfie in Atlantic City (1980). Waxman has remained busy ever since, as both actor and director (White Light [1991], The Diamond Fleece [1992]). Most American televiewers know Waxman as short-tempered Lt. Bert Samuels on Cagney and Lacey (1982-88). For many years, Al Waxman's wife Sara wrote a food and restaurant column for a major Toronto newspaper.

Trivia: Robert Goulet was raised in Edmonton, Alberta and trained at the Royal Conservatory of Music in Toronto. After several years' worth of straw-hat musical appearances on both sides of the border--as well as a stint as a Canadian kiddie-show host named "Timber Tom"--Goulet made his triumphant Broadway debut in 1959 as Lancelot in Lerner and Loewe'sCamelot. His signature tune in that show was "If Ever I Would Leave You," which proved an even bigger hit as a record single. On the strength of this song and others like "What Kind of Fool Am I," Goulet earned a Grammy award in 1962. Two years later, his album My Love Forgive Me went gold, and in 1965, he won a Tony for his performance in the Broadway musical The Happy Time. Goulet's bid for film stardom in 1964 yielded the disappointing Honeymoon Hotel; he fared better on television, starring in the 1966 espionage series Blue Light and headlining TV adaptations of Brigadoon, Carousel and Kiss Me Kate. He returned to films in the early 1980s, essaying campy character roles in Beetlejuice (1988) and Naked Gun 2 1/2 (1990); most often, as in Atlantic City (1980) and Scrooged (1988), he has guest-starred as "himself." Having recently survived a life-threatening bout with colon cancer, Goulet recovered sufficiently to perform in a multi-city tour of Camelot, this time in the leading role of King Arthur. Married three times, Robert Goulet's second wife was actress/singer Carol Lawrence. He died of pulmonary fibrosis in 2007.

Trivia: Canadian actor Sean Sullivan played supporting roles on stage, television, and in feature films.

Trivia: The son of an editor for the New Yorker, the diminutive comedic actor Wallace Shawn achieved immortality for his portrayal of the Sicilian Vizzini in the 1987 classic The Princess Bride. A graduate of both Harvard and Oxford University, he has taught several courses in English and struggled as a playwright in the early '70s; in 1977 he translated Machiavelli's The Mandrake. Shawn broke into films soon after, building a successful career as a supporting actor to help fund his playwriting. He debuted in two of the best films of 1979: Woody Allen's Manhattan and Bob Fosse's All That Jazz.In 1981, he co-wrote the semi-autobiographical My Dinner With André, a talky comedy starring himself and theater director André Gregory in a dinner conversation, directed by Louis Malle. The movie was acclaimed by critics and a cult favorite. After this personal project, Shawn would build a career out of playing brief but surprisingly memorable roles in a long list of movies. His performance as the leader of the misfit criminal gang in The Princess Bride proved a pivotal moment, and that same year, he supplied the heroic voice for the Masked Avenger in Woody Allen's Radio Days. Shawn would also go on to do voice acting in projects like The Goofy Movie, All Dogs Go to Heaven, and the Toy Story series. He would also continue to work with Woody Allen throughout the next decade, and picked up a new generation of fans playing debate teacher Mr. Hall in the 1995 high school classic Clueless. Shawn would also take his quirky persona to the small screen with appearances on TV shows likeMurphy Brown, The Cosby Show, Star Trek: Deep Space Nine, Sex and the City, as well as the ABC sitcom version of Clueless. Throughout his acting career, Shawn has managed to continue writing successful plays, and eventually adapted one of them, The Designated Mourner, for a feature film in 1997. In 2002, he played the publishing boss Mr. Gelb for the "Greta" story in Rebecca Miller's Personal Velocity: Three Portraits. Shawn would continue to appear regularly on screen in the years to come, playing recurring roles on The L Word, Gossip Girl, and Eureka,

Trivia: Cec Linder was born in Poland, began his acting career in his adopted country of Canada, then established himself by playing American characters in British films. The actor's most famous movie role was James Bond's CIA counterpart Felix Leiter in 1965's Goldfinger. From 1960 through 1964, Linder portrayed Peter Ames on the CBS TV soap opera The Secret Storm, and later replaced William Prince in the role of Ben Travis on The Edge of Night. Shortly before his death at the age of 61, Cec Linder essaying the recurring part of a district attorney in several of the American made-for-TV Perry Mason feature films.