Trivia: Inextricably associated with the 1980s for her memorable, seven-season portrayal of bookish teen Carol Seaver on the family-oriented sitcom Growing Pains (1985-1992), actress Tracey Gold grew up in a show-business family. The older sister of Missy Gold (Benson), Brandy Gold (Wildcats), and Jessie Gold (A Crime of Passion), Tracey signed for her first part at the age of seven in the miniseries Captains and the Kings. Major projects during the early '80s included a key supporting role in Alan Parker's critically acclaimed, divorce-themed psychodrama Shoot the Moon (1982, as one of the central couple's daughters) and a stint on the short-lived sitcom Goodnight, Beantown as the daughter of single working mom Mariette Hartley. Growing Pains, of course, represented Gold's major career break. She experienced difficulty around the end of the program by enduring and surviving a well-publicized bout with anorexia nervosa. After the sitcom wrapped, Gold began tackling parts in occasional telemovies that would come to shape and define her career in the years to follow. These included For the Love of Nancy (1994, which dramatized the story of a girl suffering from anorexia), Lady Killer (1995), Dirty Little Secret (1998), and Wildfire 7: The Inferno (2002). Gold made television headlines in 2004 when cast in the fourth season of the reality series The Mole, which featured celebrity participants.

Trivia: After spending three seasons with the Pasadena Playhouse, actor Robert Rockwell made his Broadway debut in Jose Ferrer's 1946 production of Cyrano de Bergerac, a job he landed on the strength of his dueling skills. Signed to a Republic Pictures contract in 1949, he starred in 11 films over a period of two years, including the infamous anti-Communist tract The Red Menace. From 1952 to 1955, he was seen as Mr. Philip Boynton, the stunningly handsome and incredibly naïve biology teacher on TV's Our Miss Brooks. So typecast was he by this role that he had some trouble finding work after the series' cessation, but the TV-Western boom came to his rescue in 1959, when he was cast as two-fisted frontier insurance investigator Sam Logan in The Man From Blackhawk. Active into the 1990s, Robert Rockwell could be seen in character roles in such TVers as Growing Pains and Beverly Hills 90210.

Trivia: Born Suzanne Burce, she began singing on radio while still a child, then entered films in musical roles at age 15; she soon became popular for her appealing screen persona and coloratura soprana voice. Powell played leads in a number of films, usually portraying sweet maidens in the midst of a first love. She peaked around 1954, then as she grew older she was unable to find suitable roles. She retired from the screen in 1958 but appeared in stock, nightclubs, and on TV. In 1973 she starred in the Broadway revival of the musical Irene. Married several times, her husbands have included writer-producer David Parlour and former child star Dickie Moore. She authored an autobiography, The Girl Next Door ... And How She Grew (1988).

Trivia: The inimitable American actress Kathleen Freeman has been convulsing film audiences with portrayals of dowdy, sharp-tongued matrons since she was in her 20s. After stage work, Freeman began taking bit roles in major-studio features in 1948, seldom getting screen credit but always making a positive impression. The best of her earliest roles was in Singin' in the Rain (1952); Freeman played long-suffering vocal coach Phoebe Dinsmore, whose Herculean efforts to get dumb movie star Jean Hagen to grasp the proper enunciation of the phrase "I can't staaaand him" proved uproariously futile. Often cast as domestics, Freeman had a year's run in 1953 as the "spooked" maid on the ghostly TV sitcom Topper. Freeman was a particular favorite of comedian Jerry Lewis, who cast the actress in showy (and billed!) roles in such farces as The Errand Boy (1961), The Nutty Professor (1963) and Who's Got the Action?. As Nurse Higgins in Lewis' Disorderly Orderly (1964), Freeman weeps quietly as Jerry meekly scrapes oatmeal off her face and babbles "Oh, Nurse Higgins...you're all full of...stuff." Lewis so trusted Freeman's acting instincts that he sent her to the set of director William Wyler's The Collector (1965) in order to help build up the confidence of Wyler's nervous young leading lady Samantha Eggar. Throughout the '70s and '80s, Freeman took occasional "sabbaticals" from her movie and TV assignments to do stage work, enjoying a lengthy run in a Chicago production of Ira Levin's Deathtrap. Like many character actors of the '50s, Kathleen Freeman is frequently called upon to buoy the projects of baby-boomer directors: she was recently seen as an hysterical Julia Child clone in Joe Dante's Gremlins 2: The New Batch (1990).