Trivia: Born Walter Willis -- an Army brat to parents stationed in Idar-Oberstein, West Germany -- on March 19, 1955, Bruce Willis grew up in New Jersey from the age of two. As a youngster, he developed a stutter that posed the threat of social alienation, but he discovered an odd quirk: while performing in front of large numbers of people, the handicap inexplicably vanished. This led Willis into a certified niche as a comedian and budding actor. After high-school graduation, 18-year-old Willis decided to land a blue-collar job in the vein of his father, and accepted a position at the DuPont Chambers Works factory in Deep Water, NJ, but withdrew, shaken, after a co-worker was killed on the job. He performed regularly on the harmonica in a blues ensemble called the Loose Goose and worked temporarily as a security guard before enrolling in the drama program at Montclair State University in New Jersey. A collegiate role in Cat on a Hot Tin Roof brought Willis back in touch with his love of acting, and he instantly decided to devote his life to the profession.Willis made his first professional appearances on film with minor roles in projects like The First Deadly Sin, starring Frank Sinatra, and Sidney Lumet's The Verdict. But his big break came when he attended a casting call (along with 3000 other hopefuls) for the leading role on Moonlighting, an ABC detective comedy series. Sensing Willis' innate appeal, producers cast him opposite the luminous Cybill Shepherd. The series, which debuted in 1985, followed the story of two private investigators working for a struggling detective agency, with Willis playing the fast-talking ne'er-do-well David Addison, and Shepherd playing the prim former fashion model Maddie Hayes. The show's heavy use of clever dialogue, romantic tension, and screwball comedy proved a massive hit with audiences, and Willis became a major star. The show ultimately lasted four years and wrapped on May 14, 1989. During the first year or two of the series, Willis and Shepherd enjoyed a brief offscreen romantic involvement as well, but Willis soon met and fell in love with actress Demi Moore, who became his wife in 1987.In the interim, Willis segued into features, playing geeky Walter Davis in the madcap 1987 comedy Blind Date. That same year, Motown Records -- perhaps made aware of Willis' experiences as a musician -- invited the star to record an LP of blue-eyed soul tracks. The Return of Bruno emerged and became a moderate hit among baby boomers, although as the years passed it became better remembered as an excuse for Willis to wear sunglasses indoors and sing into pool cues.Then in 1988, Willis broke major barriers when he convinced studios to cast him in the leading role of John McClane in John McTiernan's explosive action movie Die Hard. Though up until this point, action stars had been massive tough guys like Arnold Schwarzenegger and Sylvester Stallone, execs took a chance on Willis' every-guy approach to the genre - and the gamble paid off. Playing a working-class cop who confronts an entire skyscraper full of terrorists when his estranged wife is taken hostage on Christmas Eve, Willis' used his wiseacre television persona to constantly undercut the film's somber underpinnings, without ever once damaging the suspenseful core of the material. This, coupled with a smart script and wall-to-wall sequences of spectacular action, propelled Die Hard to number one at the box office during the summer of 1988, and made Willis a full-fledged movie star.Willis subsequent projects would include two successful Die Hard sequels, as well as other roles the 1989 Norman Jewison drama In Country, and the 1989 hit comedy Look Who's Talking, in which Willis voiced baby Mikey. Though he'd engage in a few stinkers, like the unsuccessful Hudson Hawk and North, he would also continue to strike told with hugely popular movies like The Last Boyscout , Pulp Fiction, and Armageddon.Willis landed one of his biggest hits, however, when he signed on to work with writer/director M. Night Shyamalan in the supernatural thriller The Sixth Sense. In that film, Willis played Dr. Malcolm Crowe, a child psychologist assigned to treat a young boy (Haley Joel Osment) plagued by visions of ghosts. The picture packs a wallop in its final minutes, with a now-infamous surprise that even purportedly caught Hollywood insiders off guard when it hit U.S. cinemas in the summer of 1999. Around the same time, tabloids began to swarm with gossip of a breakup between Willis and Demi Moore, who indeed filed for divorce and finalized it in the fall of 2000.Willis and M. Night Shyamalan teamed up again in 2000 for Unbreakable, another dark fantasy about a man who suddenly discovers that he has been imbued with superhero powers and meets his polar opposite, a psychotic, fragile-bodied black man (Samuel L. Jackson). The movie divided critics but drew hefty grosses when it premiered on November 22, 2000. That same year, Willis delighted audiences with a neat comic turn as hitman Jimmy the Tulip in The Whole Nine Yards, which light heartedly parodied his own tough-guy image. Willis followed it up four years later with a sequel, The Whole Ten Yards.In 2005, Willis was ideally cast as beaten-down cop Hartigan in Robert Rodriguez's graphic-novel adaptation Sin City. The movie was a massive success, and Willis was happy to reteam with Rodriguez again the next year for a role in the zombie action flick Planet Terror, Rodriguez's contribution to the double feature Grindhouse. Additionally, Willis would keep busy over the next few years with roles in films like Richard Donner's 16 Blocks, Richard Linklater's Fast Food Nation, and Nick Cassavetes' crime drama Alpha Dog. The next year, Willis reprised his role as everyman superhero John McClane for a fourth installment of the Die Hard series, Live Free or Die Hard, directed by Len Wiseman. Though hardcore fans of the franchise were not overly impressed, the film did expectedly well at the box office.In the latter part of the decade, Willis would keep up his action star status, starring in the sci-fi thriller Surrogates in 2009, but also enjoyed poking fun at his own persona, with tongue-in-cheek roles in action fare like The Expendables, Cop Out, and Red. He appeared as part of the ensemble in Wes Anderson's quirky Moonrise Kingdom and in the time-travel action thriller Looper in 2012, before appearing in a string of sequels -- The Expendables 2 (2012), A Good Day to Die Hard, G.I. Joe: Retaliation and Red 2 (all 2013) and Sin City: A Dame to Die For (2014).

Trivia: One of Hollywood's few celebrators of the "Southern bad boy" image, country musician turned actor-screenwriter-director Billy Bob Thornton consistently engenders a reputation -- via chosen onscreen parts and fervent tabloid reports of his allegedly wild off-camera life -- as an iconoclastic American hellraiser with lightning in his veins. But appearances can deceive, for Thornton also reveals depth and complexity as one Hollywood's most articulate interviewees, graced with intelligent, sensitive observations, cultural allusions, and poignant reflections on his experiences as a thespian and film artist. Moreover, this acute insight evidences itself equally in Thornton's craftsmanship as a screenwriter and director. Though his behind-the-camera projects have become increasingly rare over time, his few directorial outings evince surprising control, refinement, insight, and taste. Born in Hot Springs, AR, on August 4, 1955, Thornton grew up dirt poor in the nearby backwoods community of Alpine. Despite his father's gainful employment as a history teacher, Thornton was forced to live with his parents and grandparents in a house without electricity or indoor plumbing. After high-school graduation, Thornton landed a steady job and got married; neither the job nor the marriage lasted, as Thornton divorced two years later and returned to college to study psychology; however, that didn't last, either -- he decided that his heart lay in rock & roll, and tried and failed to make it in New York. So Thornton returned to his job for awhile until he and Epperson renewed their dedication to a music career. Eventually, he would travel to California to write screenplays. It was a difficult time for Thornton who, in addition to living in poverty, also suffered a near-fatal heart attack. Thornton eventually turned to acting, making his screen debut in the straight-to-video Hunter's Blood in 1987. Subsequent roles in many forgettable movies followed (including Troma's Chopper Chicks in Zombietown), as did an appearance on the Burt Reynolds sitcom Evening Shade; the actor simultaneously weathered several marriages through the '80s and '90s, to Toni Lawrence, Cynda Williams, and Pietra Dawn Cherniak. Then, in 1990, Thornton caught the attention of critics when he wrote and appeared in Carl Franklin's critically acclaimed directorial debut, One False Move (1991). A dark crime drama set in a small Arkansas town, the film provided a suitable antecedent to Some Folks Call It a Sling Blade, a 1993 short that Thornton scripted. The George Hickenlooper-directed piece stars Thornton as Karl Childers, a mentally retarded, soft-spoken man, institutionalized for murder, who delivers a reflective monologue to a reporter (Molly Ringwald) just prior to his release from the psychiatric institution where he resides. (Thornton allegedly invented the Childers character years prior, while shaving and talking to himself in the mirror.) The effort won a number of positive notices and Thornton subsequently appeared in Jim Jarmusch's Dead Man in 1995 and (with Epperson), co-authored the screenplay for A Family Thing (1996), a gentle Southern drama starring Robert Duvall as a Caucasian man who discovers that he is half black.After years of relative obscurity as an actor and screenwriter, Thornton made a great cultural impact with the low-budget, independent drama Sling Blade. A feature-length expansion of the Hickenlooper short, and a sequel of sorts to that work, the picture finds Karl Childers returning to the outside world for the first occasion in decades, and attempting to begin a new, quiet life in a small Southern town. In the story, Karl befriends a local woman, her little boy, and a gay storekeeper (John Ritter), and finds lodging and steady income, but runs headfirst into Doyle Hargraves (Dwight Yoakam), a psychotically abusive lout who turns life for the mother and son into a waking nightmare. Bit by bit, Karl's old demons awaken and he feels himself being drawn back into the sphere of retributive violence. When Sling Blade premiered during the late 1996 holiday season, it swept away the hearts of audiences and critics worldwide and heralded the arrival of a major new talent. Journalists waxed rhapsodic in their praise. For Thornton's work on the film, he won a Best Adapted Screenplay Oscar, as well as a Best Actor Oscar nomination. The 1996 triumph of Sling Blade brought Thornton a whirlwind of opportunities. He followed his success with a key supporting role in Robert Duvall's The Apostle (1998) as a hardened racist, a turn in Primary Colors (1998) as a James Carville-like campaign manager with a penchant for exhibitionism, and a role in Armageddon as NASA's executive director. Also in 1998, he received another Best Actor nomination for his work in Sam Raimi's A Simple Plan, the story of two brothers (Thornton and Bill Paxton) who descend into the depths of distrust and paranoia after stumbling upon four million dollars in the woods; it allowed Thornton to plumb the darker areas of the backwoods psyche as only he could do so well. The following year, Thornton starred in Mike Newell's Pushing Tin (1999), a comedy about two dueling air traffic controllers (Thornton and John Cusack). He also returned to his duties behind the camera, directing, writing, and starring in Daddy and Them, a comedy drama about the ups and downs of an eccentric Alabama family. In addition to Daddy and Them, Thornton signed on to act in a number of projects during 2000, including Wakin' Up in Reno, a romantic comedy about two white-trash couples; and South of Heaven, West of Hell, an ensemble Western that marked the directorial debut of country singer Dwight Yoakam. Thornton then delivered a pair of impressive dramatic performances in the first year of the new millennium. Agreeing to appear in Joel and Ethan Coen's neo noir The Man Who Wasn't There without so much as looking at the script (Thornton immediately accepted the role based on his creative respect for the Coens), the gangly actor earned a Golden Globe nomination for his turn as a barber who gets in over his head while attempting to execute a seemingly simple blackmail scheme. Subsequently cast alongside Bruce Willis in Barry Levinson's summer 2001 crime comedy Bandits, that film fared only marginally better than Thornton's sophomore directorial effort Daddy and Them.Thornton's performance in the redemption-themed drama Monster's Ball more than redeemed him in the eyes of the public and press. In that picture, Thornton offers a sensitive portrayal of a conflicted soul who attempts to come to terms with his love for an African-American woman in the face of his racist father's hateful teachings. After once again chasing redemption in the Sundance premiere Levity, Thornton joined the Coen brothers for the disappointing romantic comedy Intolerable Cruelty. In December of that same year, Thornton appeared in a role that only the gutsiest actors would take: the title character in Terry Zwigoff's (jet) black comedy, Bad Santa. Though gleefully, deliberately offensive, the picture never sacrifices its sharp sense of humor or its acid insight, and (perhaps as a result) became a massive runaway hit -- the definitive sleeper of 2003. At about the same time, Thornton cameoed as a slimy, philandering U.S. president who attempts to thwart the amorous conquest of Hugh Grant's prime minister, in the British romantic comedy Love Actually (2003).In 2004, Thornton essayed the role of Davy Crockett in the historical action-epic The Alamo (2004). He was instrumental in bringing Bad Santa scribes John Requa and Glenn Ficarra on board for exhaustive rewrites of Richard Linklater's Bad News Bears remake (2005). Thornton then starred in director Todd Phillips' remake of Robert Hamer's 1960 comedy School for Scoundrels, which debuted in September 2006. Despite some scattered exceptions, the film received mostly negative reviews. Not long after, Thornton essayed the title role in the spectacular drama The Astronaut Farmer, issued in February 2007. This film cast the actor as Charlie Farmer, a retired NASA astronaut-cum-farmer who raises the ire of government authorities by building a spacecraft in his barn. Subsequent roles included a sadistic gym teacher in Mr. Woodcock (2007), an issue-ridden Hollywood studio head in The Informers (2008), and a manure salesman in The Smell of Success (2009). Not long after, Thornton announced his return to directing with the eagerly-anticipated drama Jayne Mansfield's Car. In 2011 he voiced Jack, of Jack and Kill fame, in the hit animated film Puss In Boots. In 2014, Thornton took a lead role in the massively popular TV series Fargo, nabbing an Emmy nomination in the process. Later in the year, he had a supporting role in the film The Judge.

Trivia: Tall and handsome in a meat-eating sort of way, Ben Affleck has the looks of a matinee idol and the résumé of an actor who honed his craft as an indie film slacker before flexing his muscles as a Hollywood star. A staple of Kevin Smith films and such seminal indies as Dazed and Confused, Affleck became a star and entered the annals of Hollywood legend when he and best friend Matt Damon wrote and starred in Good Will Hunting, winning a Best Original Screenplay Oscar for their work.Born in Berkeley, California on August 15, 1972 to a schoolteacher mother and drug rehab counselor father, Affleck was the oldest of two brothers. His younger brother, Casey, also became an actor. When he was very young, Affleck's family moved to the Boston area, and it was there that he broke into acting. At the age of eight, he starred in PBS's marine biology-themed The Voyage of the Mimi, endearing himself to junior high school science classes everywhere. The same year he made Mimi, Affleck made the acquaintance of Matt Damon, a boy two years his senior who lived down the street. The two became best friends and, of course, eventual collaborators. After a fling with higher education at both the University of Vermont and California's Occidental College, Affleck set out for Hollywood. He began appearing in made-for-TV movies and had a small role in School Ties, a 1992 film that also featured Damon. Further bit work followed in Richard Linklater's Dazed and Confused (1993) and Kevin Smith's Mallrats (1995). Around this time, both Affleck and Damon were getting fed up with the lack of substantial work to be found in Hollywood, and they decided to write a screenplay that would feature them as the leads. Affleck's brother Casey introduced them to Gus Van Sant, who had directed Casey in To Die For. Thanks to Van Sant's interest, the script was picked up by Miramax, and in 1997 the story of a troubled mathematical genius living in South Boston became known as Good Will Hunting. Before the film's release, Affleck starred in Smith's Chasing Amy that same year; the tale of a comic book artist (Affleck) in love with a lesbian (Joey Lauren Adams), it received good reviews and showed Affleck to be a viable leading man. The subsequent success of Good Will Hunting and the Best Original Screenplay Oscar awarded to Affleck and Damon effectively transformed both young men from struggling actors into Hollywood golden boys. Having won his own Golden Boy, Affleck settled comfortably into a reputation as one of the industry's most promising young actors. His status was further enhanced by widespread media reports of an ongoing relationship with Gwyneth Paltrow.The following year, Affleck could be seen in no less than three major films, ranging from his self-mocking supporting role in the Oscar-winning period comedy Shakespeare in Love to the thriller Phantoms to the big-budget box-office monster Armageddon. In 1999, Affleck continued to keep busy, appearing in a dizzying four movies. He could be seen as a dull bartender in 200 Cigarettes, an errant groom in Forces of Nature, a stock market head hunter in The Boiler Room, and a supporting cast member in Billy Bob Thornton's sophomore directorial effort, Daddy and Them. Finally, Affleck reunited with Smith and Damon for Dogma, starring with the latter as a pair of fallen angels in one of the year's more controversial films. In 2000, he would appear as an ex-con trying to mend his ways in Reindeer Games, with Charlize Theron. Re-teaming with Armageddon cohort Michael Bay again in 2001 for another exercise in overbudgeted excess, Affleck flew into action in Pearl Harbor. Despite unanimous lambasting from critics, Pearl Harbor blasted to number one at the box office, earning $75.2 million on its Memorial Day weekend opening and beginning a summer-2001 trend of high profile films with precipitous box-office runs. Following a self-mocking return to the Smith collective in Jay and Silent Bob Strike Back (2001) and spearheading, along with Damon, the innovative HBO series Project: Greenlight, Affleck returned to the Hollywood machine with roles in Changing Lanes and The Sum of All Fears (both 2002). Filling the shoes of Harrison Ford as a green version of Ford's famous Jack Ryan persona, The Sum of All Fears contemplated a radical group's plan to detonate a nuclear weapon at a major sporting event during a time of particularly sensitive public distress at such an idea. With the massive success of Spider-Man in the summer of 2002 prompting numerous comic-book superhero revivals, Affleck would next suit up for the role of Daredevil. As a lawyer turned into a true public defender following a mishap involving radioactive waste, Daredevil's incredibly enhanced senses enable him to get the jump on New York City evil-doers and with his athletic physique and heroically protruding chin Affleck seemed just the man to suit-up for the job. If Affleck's turn as a blind crimefighter found dedicated comic book fans turning up their noses in disgust, the lukewarm performance of that particular effort would hardly compare to the critical lashing of his subsequent efforts Gigli, Paycheck, and Jersey Girl. A notorious flop that couldn't be mentioned to movie lovers without fear of derisive laughter, Gigli alone would have likely sunken the career of a lesser star. Though Hollywood gossip rags were indeed talking about Affleck, it was more the result of his turbulent relationship with singer and Gigli co-star Jennifer Lopez than it was anything to do with his acting career. Just when it seemed that the ubiquitous "Ben and Jen" gossip that fueled the tabloids couldn't get more tiresome, the celebrity power-couple broke up their frequently discussed engagement to the surprise of only the most optimistic {E! Channel viewer. Wed to Alias star Jennifer Garner in 2005, Affleck subsequently skewered Hollywood materialism in the showbiz comedy Man About Town before making a cameo in pal Smith's eagerly-anticipated sequel Clerks II. By this point Affleck was certainly no stranger to Hollywood controversy, a fact that likely played well into his decision to strap on the famous red cape to portray original television Superman George Reeves in the 2006 Tinseltown mystery Hollywoodland. As the 2000's rolled onward, Affleck would appear in a number of films that garnered a lukewarm reception, like Smokin' Aces, He's Just Not That Into You, and State of Play. He would reverse that trend with a vengeance in 2007, directing and writing the critically acclaimed crime thriller Gone Baby Gone. He followed that up by directing and starring in The Town, and that film put Affleck squarely back into audiences' good graces. He immediately got to work on his next big project, working both behind and in front of the camera once again for the political thriller Argo which garnered strong reviews, solid box office, and a slew of year-end awards and nabbed Affleck his second Oscar, as a producer of the film, when it won Best Picture at the Academy Awards, even though Affleck was not nominated for Best Director. He appeared in Runner, Runner, opposite Justin Timberlake, in 2013 and played the accused husband in the hit 2014 film Gone Girl. Affleck was announced as the next Batman in Batman v Superman: Dawn of Justice and is scheduled to reprise the role in later Justice League films.

Trivia: Possessing an unusual beauty marked by perhaps the most distinctive set of lips in the business (an inheritance from father Steven Tyler), Liv Tyler unsurprisingly made her entrance into acting via the world of modeling. Since her breakthrough role in 1996's Stealing Beauty, she has emerged as a performer with bona fide talent, dropping her "model-actress" hyphenate in favor of just "actress."Born in New York, NY, on July 1, 1977, to model and former 1970s rock groupie Bebe Buell, Tyler spent most of her youth believing that rocker Todd Rundgren was her father. However, as she grew older, she began to notice more than a passing resemblance between herself and Aerosmith frontman Steven Tyler, who was a family friend, and she ultimately discovered that he was indeed her biological father. When she was 12, she took Tyler's last name as her own.After experiencing obligatory preteen awkwardness -- hers featured braces and a bit of a weight problem -- Tyler had blossomed enough by the time she was 14 to consider modeling. She moved to New York City in the company of her mother and began to pursue a career. After appearing on the covers of magazines like Seventeen and Mirabella, Tyler got her first taste of acting while filming a television commercial. She made her film debut in 1994, as the sister of an autistic boy in Bruce Beresford's Silent Fall, appearing in the mystery alongside Richard Dreyfuss and Linda Hamilton.Following this fairly auspicious debut, Tyler's next project, 1995's Empire Records, proved a disappointment on both commercial and critical levels. Tyler kept at it, next starring as the unrequited love interest of a reclusive pizza maker (Pruitt Taylor Vince) in James Mangold's Heavy that same year. Her work in the critically hailed film won her wide praise and her career began to take off. Tyler's breakthrough came the following year in Bernardo Bertolucci's Stealing Beauty. Starring as a 19-year-old who comes to Italy to find her father and lose her virginity, she suddenly became Hollywood's new "It" Girl, appearing on magazine covers and as one of People's "50 Most Beautiful" in 1997.After a lead as one of the titular Abbott sisters in Inventing the Abbotts (1997) and a brief cameo in U-Turn the same year, Tyler stepped into the realm of bloated budgets and even more bloated box-office returns with her role as Bruce Willis' daughter and Ben Affleck's girlfriend in Armageddon (1998). The following year, she returned to the art house circuit with Robert Altman's Cookie's Fortune. The film was widely praised, as was its ensemble cast, which included Tyler, Glenn Close, Julianne Moore, Charles S. Dutton, Chris O'Donnell, and Ned Beatty. The same year, Tyler lent her talents to the 18th century road movie genre, starring opposite Robert Carlyle and Jonny Lee Miller in Plunkett and Macleane. She also had a leading role as the object of Ralph Fiennes' jaded affections in Martha Fiennes' Onegin, which premiered at the Toronto Film Festival.After taking the role of an irresistibly destructive seductress in the 2001 comedy One Night at McCool's, Tyler took another trip back in time, this time putting her pixyish beauty to ideal use as Arwen, an elf faced with the daunting dilemma of choosing between love and immortality in director Peter Jackson's grandiose, three-film adaptation of J.R.R. Tolken's Lord of the Rings.She was the love interest for Ben Affleck in Kevin Smith's Jersey Girl. In 2007, she stretched her dramatic range in Mike Binder's Reign Over Me, and the next year played the love interest of Dr. Banner in The Incredible Hulk, and also took the lead in the home-invasion thriller The Strangers. She was the love interest for a frustrated wannabe superhero in James Gunn's Super in 2010, and the next year she had a major part in the thriller The Ledge. In 2014, she starred in the HBO series The Leftovers.

Trivia: Actor, singer, and voice actor Keith David has spent much of his career on the stage, but also frequently works in feature films and on television. A native of New York City, David first performed as a child, singing in the All Borough Chorus and later attended the prestigious High School of Performing Arts. Shortly after graduating from Juilliard, where he studied voice and theater, David landed a role in a production of Coriolanus at Joseph Papp's Public Theater. He starred opposite Christopher Walken. David made his Broadway debut in Albee's The Lady From Dubuque (1980) and, two years later, had his first film role in John Carpenter's The Thing. He would not appear in another feature film until he played King in Oliver Stone's Platoon (1986). In between, David alternated between stage and television work. He appeared in five films in 1988, including Clint Eastwood's Bird, where he gave a memorable performance as jazz sax player Buster Franklin. In 1992, David showed his considerable skill as a singer and dancer and won a Tony nomination for starring in the musical Jelly's Last Jam, opposite Gregory Hines. David's film career really picked up in the mid-'90s, with roles ranging from a gunslinger in Sam Raimi's The Quick and the Dead to a New York cop in Spike Lee's Clockers to an amputee who owns a pool parlor in Dead Presidents (all 1995). In 1998, David had a brief but memorable role as Cameron Diaz's boisterous stepfather in the Farrelly brother's zany Something About Mary. In one of the film's funniest scenes, David tries to help Diaz's prom date, Ben Stiller, extricate himself from an embarrassingly sticky situation. He is also well known to animation fans for his voice work in, among other projects, Disney's Gargoyles, HBO's Spawn, and the English-dubbed version of the Japanese-animated film Princess Mononoke. In 2000 he appeared in Requiem for a Dream, Pitch Black, and Where the Heart Is, as well as providing the narration of Ken Burns documentary on the history of jazz. He continued to work steadily in a variety of projects including Barbershop, 29 Palms, Agent Cody Banks, Mr. and Mrs. Smith, and the 2005 Oscar winner for Best Picture, Crash. He also found work in Transporter 2, The Oh in Ohio, Meet Monica Velour, Lottery Ticket, and the 2010 remake of Death at a Funeral.

Trivia: A character actor with a knack for playing blustery Southerners and military men (comic and dramatic), Chris Ellis was, appropriately enough, born and raised in Mississippi. While hardly a radical, 18-year-old Ellis discovered his interest in the arts, and his slightly longer than average hair made him a less than welcome presence in Mississippi. In 1968, he began studying acting with a theater troupe in Memphis, TN, where he made his stage debut. After completing his studies, Ellis moved to New York City, where he began working in off-Broadway and regional theater. However, keeping his foot in the door proved difficult for Ellis, and he found himself without steady work through most of the '80s, getting by thanks to the kindness of friends who would often invite him over for dinner. In 1990, Ellis' luck began to change when he was cast as the memorable Harlan Hoogerhyde in the Tom Cruise vehicle Days of Thunder. By the mid-'90s, Ellis was working steadily in film and television, making small but notable appearances in Apollo 13, That Thing You Do!, and Armageddon, and making guest appearances on such series as The X-Files, Millennium, and Chicago Hope.

Trivia: The latest in an illustrious line of actors to convince American audiences that the British make the cinema's most sinister and cold-hearted villains, Jason Isaacs earned the vicarious enmity and disgust of filmgoers everywhere in his role as the vile Colonel Tavington in the 2000 summer blockbuster The Patriot. Actually an incredibly versatile performer whose previous characterizations included a priest, a brilliant scientist, and a drug dealer, the tall, blue-eyed actor won admiration and respect for his performance, and soon found himself being hailed in the American press as one of the most exciting British imports of the early 21st century.The third of four sons of a Liverpool merchant, Isaacs was born in his father's hometown on June 6, 1963. He initially planned to go into law -- a white-collar profession that would have fit nicely with those of his brothers, who became a doctor, lawyer, and accountant -- but was swayed by acting early in the course of his law studies at Bristol University. Although he first became interested in acting in part because "it was a great way to meet girls," Isaacs soon found deeper meaning in the theater (in one interview he was quoted as saying "I could release myself into acting in a way that I was not released socially") and duly dropped out of Bristol to hone his skills at London's Central School of Speech and Drama. Once in London, Isaacs began landing professional work almost immediately, appearing on the stage and on television. He made his big-screen debut in 1989 with a minor turn as a doctor in Mel Smith's The Tall Guy and that same year won a steady role on the TV series Capital City. Isaacs exhibited his versatility in several more TV series and on-stage in such productions as the Royal National Theatre's 1993 staging of Tony Kushner's Pulitzer Prize-winning Angels in America. He also began to find more work onscreen, receiving his first nod of Hollywood recognition in his casting in the Bruce Willis blockbuster Armageddon (1998). Initially called upon to take a fairly substantial role, Isaacs was eventually cast in a much smaller capacity as a planet-saving scientist so that he could accommodate his commitment to Divorcing Jack (1998), a comedy thriller he was making with David Thewlis. After portraying a priest opposite Julianne Moore and Ralph Fiennes in Neil Jordan's acclaimed adaptation of Graham Greene's The End of the Affair, Isaacs got his biggest international break to date when he was picked to portray Colonel Tavington, the resident villain of Roland Emmerich's Revolutionary War epic The Patriot. Starring opposite Mel Gibson, who (naturally) played the film's hero, Isaacs made an unnervingly memorable impression as a man whose pastimes included infanticide, rape, and church- burning, emerging as one of summer 2000s most indelible screen presences. Although his work in the film earned him comparisons to Ralph Fiennes' portrayal of evil Nazi Amon Goeth in Schindler's List and talks of a Best Supporting Actor Oscar nomination, the actor was not content to be typecast in the historical scum mold. Thus, he logically signed on to play none other than a drag queen for his next project, Sweet November (2001), a romantic comedy-drama starring Charlize Theron and Keanu Reeves. For his lead portrayal in the 2007 miniseries The State Within, Isaacs received a Golden Globe nomination for Best Performance in a Miniseries or Motion Picture Made for Television. Over the next several years, Isaacs appeared in films like Green Zone and Harry Potter and the Deathly Hollows, Part 2. He would also star in TV series like Case Histories and Awake.

Trivia: Actor Will Patton successfully divides his time between mainstream and independent features, television films, and a stage career on and off-Broadway. Born and raised in North Carolina, the son of a Lutheran minister, Patton learned his craft at the North Carolina School of the Arts and at New York's Actor's Studio where he studied under Lee Strasberg. In addition, Patton studied at the Open Theater under Joseph Chaikin before making it to the New York stage. Patton has won two Obie Awards for Tourists and Refugees No. 2 and for Sam Shepard's Fool for Love. Patton also has had experience working at London's Royal Court Theatre. Upon his return to New York, Patton joined the experimental Winter Project troupe. During the 1970s, Patton performed in two soap operas, Search for Tomorrow and Ryan's Hope. Patton first appeared on film in the short underground film Minus Zero(1979). During the early '80s, Patton appeared in such New York-based independent films as Michael Oblowitz's King Blank and Variety (both 1983). After playing a small but important villainous role in Susan Seidelman's Desperately Seeking Susan (1985), Patton was cast in his first big-budget film, Martin Scorsese's After Hours (1985), where he played a brutish boyfriend with a thing for leather and chains. His best portrayal of a villain can be found in the Gene Hackman-starring thriller No Way Out (1987). In the '90s he could be seen in The Rapture, In the Soup, Romeo Is Bleeding, Copycat, the infamous Kevin Costner project The Postman, and the Michael Bay blockbuster Armageddon. At the beginning of the 21st century Patton continued to remain busy with major roles in Remember the Titans, Gone in 60 Seconds, The Mothman Prophecies, and The Punisher, as well as smaller roles in diverse films like Into the West, Wendy and Lucy, Meek's Cutoff, and Brooklyn's Finest.

Trivia: With a cool stoic gaze suggesting unmentionable thoughts lurking somewhere deep behind those deep, blank eyes, popular character actor Peter Stormare offered American audiences slightly discomforting comic relief in Joel and Ethan Coen's popular dark comedy Fargo (1996), though his versatility and adaptability have since led him to roles in everything from major Hollywood blockbusters to the stripped-down Dogma 95 efforts of eccentric Danish director Lars von Trier's Dancer in the Dark (2000). Born Peter Rolf Stormare in Arbra, Sweden, on August 27th,1953, the dynamic Nordic actor began his career with an 11-year stint with the Royal National Theater of Sweden. Aside from appearing in such productions as Don Juan and The Curse of the Starving Class, Stormare would pen such original plays as El Paso and The Electric Boy. Later earning positive critical reception in such classic Shakespearian productions as King Lear, the actor made his big-screen debut, and began a 15-year association with legendary Swedish director Ingmar Bergman, with a brief appearance in Fanny and Alexander in 1982. Later earning positive critical reception for his role in the legendary filmmaker's stage adaptation of Shakespeare's Hamlet in 1988, Stormare continued to gain career trajectory with numerous memorable stage and film roles in his native country. In 1990, Stormare became the Associate Artistic Director at the Tokyo Globe Theatre and made his American screen debut as a neurochemist who questions Robin Williams' experimental medical tactics in the touching Awakenings. Subsequently appearing in numerous international films (Freud's Leaving Home [1991] and Damage [1992]), Stormare hit his stateside stride with his chilling turn as a woodchipper-happy kidnapper in Fargo. Though he would continue to make appearances in such Swedish efforts as Ett Sorts Hades and Bergman's In the Presence of a Clown (1996 and 1997 respectively), his Hollywood star was on the rise with memorable roles in such increasingly mega-budgeted efforts as The Lost World: Jurassic Park (1997) and Armageddon (1998). Equally adept in comparatively low-budget efforts such as director George Romero's Bruiser (2000) and the aforementioned Dancer -- two roles which couldn't possibly be more polar opposites -- Stormare branched out into sitcom territory with his turn as Julia Louis-Dreyfuss' enamored superintendent in the ill-fated Watching Ellie in 2002. It wasn't long before Stormare was back on the silver screen, and with the same year potential blockbuster triple threat of The Tuxedo, Windtalkers, and Minority Report, it appeared as if Stormare's unique talents were as in-demand as ever. 2002 also found the established actor branching out with his role as producer of the romantic comedy The Movie Nut and His Audience.In 2005 he joined the cast of The Brothers Grimm in the role of an interogator, and took on a regular role in the television drama Prison Break. Stormare made guest appearances on a variety of television stand-outs throughout the 2000s, among them including Weeds, Monk, Entourage, and Hawaii Five-0.

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.

Trivia: An intense, versatile performer, William Fichtner, born November 27th, 1956, emerged as a memorable character actor through his work with some of the most notable filmmakers of the 1990s and beyond. After his military brat childhood, Fichtner studied criminal justice in college before moving to New York City to shift his focus to acting. Fichtner got his first major acting job on the serial As the World Turns in 1988 and played bit parts in Spike Lee's Malcolm X (1992) and Robert Redford's Quiz Show (1994). Steven Soderbergh gave Fichtner his first substantial film role as a small town hood in the neo-noir The Underneath (1994). After supporting turns in Kathryn Bigelow's Y2K fantasy Strange Days (1995) and Michael Mann's stylish police saga Heat (1995), Fichtner earned kudos for his psychotic hit man in actor Kevin Spacey's directorial debut Albino Alligator (1997). As a gentle blind scientist in Robert Zemeckis' empyreal sci-fi adventure Contact (1997), Fichtner further revealed his considerable range; among the hip ensemble cast in Doug Liman's time-bending rave comedy Go (1999), Fichtner managed to stand out with his humorously unsettling performance as a narcotics cop with an agenda. Fichtner finally achieved leading man status as one of Demi Moore's amours in Passion of Mind (2000), but Alain Berliner's first American effort failed at the box office. Moving easily between independent films and big-budget Hollywood, Fichtner next co-starred as one of the ill-fated swordfishermen in Wolfgang Petersen's adaptation of The Perfect Storm (2000). Maintaining his prolific ways after The Perfect Storm's success, and earning a place in Vanity Fair's 2001 photo spread of premier supporting actors, Fichtner took on a varied trio of roles in three major 2001 releases. After playing a small part as Josh Hartnett's dad in Michael Bay's overwrought $198 million disappointment Pearl Harbor (2001), Fichtner's turn as a gay detective in the lumbering comedy What's the Worst That Could Happen? (2001) was one of the bright spots in an otherwise disposable movie. Back in his no-nonsense manhood style, Fichtner then appeared as a master sergeant involved in the troubled 1993 mission in Somalia in Ridley Scott's Oscar bait military drama Black Hawk Down (2001).After the ensemble carnage of Black Hawk Down, Fichtner moved to the small screen for a starring role as one of two maverick ER doctors in the ABC medical drama MDs (2002). A competitive time slot and poor reviews, however, hampered MDs' ratings. Though his foray into series television stumbled, Fichtner continued to rack up movie credits, appearing alongside Christian Bale and Emily Watson in the dystopian science fiction thriller Equilibrium (2002).In 2004, Fichtner appeared in Nine Lives, a critically successful episodic drama following the lives of nine women, and after participating in a variety of films throughout 2005 (The Chumscrubber, Empire Falls) and the television series Invasion Iowa, Fichtner joined the cast of the Academy Award-winning drama Crash. The actor continued to enjoy television success in the series Prison Break (2006-07), and played a conservative judge in an episode of The West Wing. Fichtner took on a role playing a bank manager in Gotham City for Christopher Nolan's The Dark Knight (2008), and joined the casts of Date Night (2010), The Big Bang, and Drive Angry (all 2011).

Trivia: Lead actress, onscreen from the late '80s.

Trivia: Has loved horses and riding since he was a child. Founded Graystone Studios which offered acting seminars that emphasized preparation and the individual process. In a nod to his mother's heritage, has been a vocal advocate for education about the history of Israel. Claimed that he is often mistaken for fellow actor Brian Austin Green.

Trivia: Whether he's acting or co-writing brilliantly quirky character studies with director/writing partner Wes Anderson, Owen C. Wilson's work exudes an insouciant yet earnest charm and eccentric comic sensibility, making him one of the most promising new talents to emerge in the 1990s.Born in Dallas on November 18th, 1968, Wilson raised enough hell in high school to get expelled from one institution in tenth grade, but he managed to attend college at the University of Texas in Austin and graduate in 1991. Along with his degree, Wilson's Austin years resulted in a budding partnership with a like-minded creative classmate, aspiring filmmaker Wes Anderson. Their first film together, a short about a bookstore heist called Bottle Rocket, played at the 1993 Sundance Film Festival, attracting the attention of producer Polly Platt and writer/director James L. Brooks. With Brooks' support, Wilson and Anderson expanded the short into a feature, indie cult favorite Bottle Rocket (1996). Though it made little impression at the box office, Anderson and Wilson's distinctly offbeat, wry, and optimistic tale about aspiring criminal Dignan and his best friend Anthony (played by Wilson's brother Luke Wilson) earned ardent fans among cinéastes. Wilson's inspired performance as Dignan, not to mention his blond hair, large grin, and affable drawl, became his Hollywood calling card. That same year, Wilson also began a fertile association with actor/director Ben Stiller, appearing in one memorable scene as a smooth, ill-fated date in Stiller's black comedy The Cable Guy (1996).Alternating between supporting roles in Hollywood spectacles, collaborations with Anderson and Stiller, and smaller independent projects, Wilson worked steadily for the rest of the 1990s. Though he always seemed to fill the generic slot of Guy Marked for Death, Wilson still managed to bring a reliably laid-back, humorous spark to the bombastic proceedings in Anaconda (1997), Armageddon (1998), and The Haunting (1999). On a more artistically successful front, Wilson's next script with Anderson resulted in the lauded coming-of-age film Rushmore (1998). With its singular cast of characters, distinctive combination of deadpan humor and true emotion, and superb performances by Jason Schwartzman as teen prodigy Max Fischer and Bill Murray as depressed millionaire Blume, Rushmore earned prizes from the critics (if not the Academy) and proved that Bottle Rocket was no fluke. As far as acting, Wilson's ability to suggest complexity beneath a breezy surface earned positive notice for his unsettling performance as a laconic, self-styled Good Samaritan serial killer in indie thriller The Minus Man (1999).By 2000, Wilson began to take center stage in larger Hollywood projects as well. Though it was another Jackie Chan vehicle, Wilson's hilarious co-starring turn as a surfer dude-tinged outlaw in the chop socky Western Shanghai Noon (2000) nearly stole the movie. Wilson's brief appearance as a Jesus-loving, super rich romantic rival to Ben Stiller's put-upon Greg Focker was a comic highlight of the hit Meet the Parents (2000). Stiller's supermodel farce Zoolander (2001) further sealed Wilson's status as a superlative comic actor. As Zoolander's rival Hansel, Wilson's offbeat timing made him the ultimate bubble-headed mannequin; his catwalk competition with Stiller provided the biggest laughs in a hit-or-miss movie. Even as he flourished in broad Hollywood comedy, Wilson continued his partnership with Wes Anderson, co-writing with Anderson and co-starring (with his brother Luke and Stiller among others) in the unusual family story The Royal Tenenbaums (2001). Branching out into serious roles, Wilson then co-starred with The Royal Tenenbaums patriarch Gene Hackman in the military drama Behind Enemy Lines (2001). An increasingly prevalent figure in action films following the millennial turnover, Wilson followed Behind Enemy Lines with I Spy (2002) and the Shanghai Noon sequel Shanghai Knights (2003) before appearing opposite Morgan Freeman in the critical and commercial disappointment The Big Bounce and co-starring in the underwhelming big screen adaptation of Starsky & Hutch. He made his third appearance in a Jackie Chan vehicle in the 2004 Disney production Around the World in 80 Days; though poised to be a blockbuster, the mega-budgeted film was one of the biggest flops of the season.A rebound was in order, and if his supporting turn in the 2004 holiday-season blockbuster sequel Meet the Fockers wasn't enough, Wilson found his greatest leading-man success to date as foil to the bawdy Vince Vaughn in 2005's raunchy, runaway hit The Wedding Crashers. The Wilson-Vaughn pairing challenged the Wilson-Stiller hilarity quotient as a pair of divorce consultants who bide their free time crashing weddings to get laid. The $200-million smash was indeed a tough act to follow, and while 2006's You, Me and Dupree - a thematic reprise of his Wedding Crashers role in which he plays an irritating houseguest who refuses to vacate - was something of a letdown, Wilson more than made up for it that same year with a leading voice role in Pixar's Cars and a supporting turn in Stiller's special-effects comedy A Night at the Museum.For the next couple of years, Wilson continued to stick with what worked - collaborations with Anderson (The Darjeeling Limited (2007), Fantastic Mr. Fox (2009) and The Grand Budapest Hotel (2014)) and sequels in his hit franchises (Night at the Museum: Battle for the Smithsonian (2009), Little Fockers (2010) and Cars 2 (2011)). He also starred in Woody Allen's Mightnight in Paris (2011), earning a Golden Globe nomination for Best Actor in a Musical or Comedy.Romantically linked, by turns, with a pre-Ashton Demi Moore, rocker Sheryl Crow, and actress Kate Hudson, Wilson, with his shaggy blond mane, blue eyes, and (as one magazine cited humorously in its front cover headline) "unusual nose," also found himself the unlikely forebear of a new wave of Hollywood sex symbols.

Trivia: Standing 6'5" and weighing over 300 pounds, African American actor Michael Clarke Duncan inarguably possesses one of Hollywood's more unforgettable figures. A former bodyguard and bouncer, Duncan first gained attention when he appeared as one of a group of oil drillers sent to stop an asteroid from annihilating the Earth in the 1998 blockbuster Armageddon. A year later, Duncan's career got another significant boost when the actor earned lavish critical plaudits for his portrayal of a wrongfully convicted death row inmate in The Green Mile.Born in Chicago on December 10, 1957, Duncan was raised on the city's south side by his single mother. A serious student, Duncan decided that he wanted to play football in high school; after his mother refused to let him, fearing he would get hurt, he developed an interest in acting instead. Following his graduation from high school, the aspiring actor studied communications at Mississippi's Alcorn State University. His studies were cut short when he returned to Chicago to attend to his mother, who had fallen ill. He subsequently found work digging ditches with the Peoples Gas Company and moonlighted as a club bouncer. His work led to a chance encounter with a stage producer who hired him as a security guard for a traveling theatre company, which eventually brought Duncan to Hollywood. Upon his arrival in L.A., Duncan, who was hovering dangerously close to bankruptcy, secured further work as a security guard and found his first agent. He got his professional start on television, appearing in commercials, sitcoms, and on the soap opera The Bold and the Beautiful. He started his film career playing -- surprisingly enough -- bouncers in such films as The Players Club and Bulworth (both 1998), finally getting his big break -- and the first role that didn't require him to boot people out of clubs -- in Armageddon. Thanks to the great commercial success of Armageddon, Duncan was able to find subsequent employment in a number of productions, most notably The Green Mile. He earned overwhelmingly strong reviews for his portrayal of doomed, saintly John Coffey, a man whose conviction for a brutal double murder seems at odds with his exceedingly gentle, almost child-like demeanor. Duncan garnered Best Supporting Actor Golden Globe and Oscar nominations for his work in the film. He next switched genre gears, re-teaming with Armageddon co-star Bruce Willis to star in the comedy The Whole Nine Yards, which cast him a brutish thug who terrorizes mild-mannered dentist Matthew Perry. Once again utilizing his massive girth to maximum effect in the following year's The Planet of the Apes Duncan followed up the big budget remake with the made-for-television They Call Me Sirr before once again flexing formidably, this time opposite The Rock, in The Scorpion King. Later turning up as the villainous Kingpin in the comic book superhero film Daredevil (2003), Duncan would also loan his voice to the same character in Spider-Man: The Animated Series later that same year. A string of vocal performances in such animated efforts as Kim Possible: A Stitch in Time, The Proud Family, and Crab Nebula found Duncan's vocal chords in increased demand in television, films, and even videogames, yet by 2005 the hard-working actor was back on the big screen with roles in both Robert Rodriguez's Sin City, and Michael Bay's The Island. Though action may have always been the best genre for the physically imposing actor to make an impression on the big screen, fans would take note that the hulking Duncan also had a keen sense of humor, a point made all the more evident by his role in the 2006 Will Ferrell NASCAR laugher Talladega Nights: The Ballad of Ricky Bobby. Duncan continued to work in television in the following years, making appearances on popular shows including Chuck, Two and a Half Men, and Bones. In 2012, Duncan landed a starring role in The Finder, a short-lived series in which he once again took on the role of former lawyer Leo Knox, whom he had portrayed in Bones. In July of that same year, Duncan suffered a heart attack and never fully recovered; he died on September 3rd at the age of 54.

Trivia: To say that Grace Zabriskie has specialized in maternal roles is hardly adequate. Many of the mothers portrayed by Zabriskie in films and on TV are the sort of parents that you wouldn't wish on your worst enemy: clinging, castrating, and constantly jabbering away about nothing in particular (to be fair, she has essayed a few benign, likeable moms). She has been prominently featured in such films as Norma Rae (1979), Drugstore Cowboy (1988), and The Big Easy (1989). Her TV work includes the roles of Laura Palmer's hysterical mother in Twin Peaks (1990) and the recurring part of Thada Duvall in the NBC daytimer Santa Barbara. Undoubtedly, Zabriskie's most bizarre screen assignment was her S&M sex scene in Chain of Desire (1991). As brash and outspoken as ever, Grace Zabriskie played Granny in first-time director Anjelica Huston's controversial Bastard out of Carolina (1996).

Trivia: A popular comic turned actor who started his career on-stage as a dare, funnyman Eddie Griffin's memorable supporting roles in such films as Deuce Bigalow: Male Gigolo have built the comedian an ever-growing fan base and a path to his first starring role in 2002's Undercover Brother. Born in Kansas City, MO, Griffin's career began when he accepted a dare to take the stage on amateur night at a local comedy club. Soon developing a personal style reminiscent of such classic comics as Richard Pryor and Redd Foxx, Griffin gained further exposure opening for comic Andrew Dice Clay on a 22-city tour and later in a series of impromptu performances at Los Angeles' popular Comic Store. Quickly following with performances on HBO's Russell Simmons' Def Comedy Jam and a Cable Ace Award-nominated special, Griffin began branching out into acting. Roles in such films as The Last Boy Scout (1991), Coneheads (1993), and Jason's Lyric (1994) soon led to a sitcom (Malcom and Eddie) in 1996, and Griffin's film appearances became more frequent. After headlining 2001's Double Take alongside Orlando Jones, Griffin seemed poised for leading-man status, and with his role as Anton Jackson in 2002's Undercover Brother, it seemed as if Griffin had conquered not only the stage, but the silver screen as well. In addition to his comedic skills, Griffin is also a gifted dancer and choreographer. Griffin joined the cast of Scary Movie 3 the following year, and continued to perform as a stand-up comedian throughout the early 2000s. In 2005 he starred in the comedy The Wendell Baker Story alongside Luke Wilson, Andrew, and Owen Wilson, and appeared in a series of ultimately forgettable films over the course of the decade (Deuce Bigalow: European Gigolo, Date Movie, and Norbit among them), but continues to remain popular as a stand-up comedian.

Trivia: Burly and heavyset character actor Mark Boone Jr. specialized in portrayals of thuggish rednecks and imposing blue-collar types, occasionally those with a slightly shady undercurrent. Boone first stepped in front of the camera in the early '80s, and grew more prolific over time; he was memorable in films such as the 1990 Die Hard 2 (as a terrorist), the 1995 Seven (as a greasy FBI agent), and the 2003 2 Fast 2 Furious (as a detective). His onscreen activity crescendoed circa 2005, with performances in four of that year's features, including Batman Begins. The following year, Boone signed for one of the key supporting roles in David Slade's supernatural horror opus 30 Days of Night (2007).

Trivia: Possessing a pair of the most elegantly piercing steel blue eyes ever to be captured on celluloid, German cult actor Udo Kier has made a distinct mark for himself in the world of cinema with roles in everything from obscure European exploitation films to the most mainstream of Hollywood fare. Though as an actor Kier has made a name for himself by essaying frequently bizarre and sometimes sadistic film roles, the man himself is almost the complete opposite of the characters he portrays onscreen, exuding a flamboyant and personable earthy elegance that stands in stark contrast to his unforgettably cold, vampiric screen presence. Born in October of 1944 in Cologne, Germany, it may come as no surprise that Kier's incredibly dramatic birth would easily rival the intensity of any of the future actor's film roles. As war raged outside the serene confines of the hospital, Kier's mother requested a few moments alone with her newborn son immediately following his birth. Moments later the hospital was bombed and Kier's mother began the grueling task of digging herself and her son from out of the rubble. His father absent for much of his youth, Kier had a chance encounter with an aspiring young filmmaker named Rainer Werner Fassbinder before moving to Britain at the age of 18 to study English and acting. Shortly after Kier's arrival, director Mike Sarne offered him the role of a gigolo in The Road to St. Tropez (1966), and with that film the young actor made his screen debut. Though Kier would appear in a few films rounding out the 1960s, it was his part in the controversial 1970 film The Mark of the Devil that would truly set his career path in motion. His role as a witch hunter apprentice who meets a gruesome demise horrified audiences, and the film was subsequently banned in many areas of the world. Increasingly prolific in the following years, it was a pair of Paul Morrissey films from the mid-'70s that would leave an indelible impression on not only European audiences, but American audiences as well. It was while on a flight from Rome to Munich that Kier made the acquaintance of director Morrissey, and shortly thereafter Kier was cast in the role of Baron Frankenstein in Andy Warhol's Frankenstein (aka Flesh for Frankenstein). Filled to the brim with satirical gore and graphic violence, the notorious film immediately garnered an X-rating though it would become a hit with strong-stomached audiences who could appreciate its dark humor. Released that same year, Andy Warhol's Dracula (aka Blood for Dracula) once again found Kier relishing in gore-drenched satire. In 1977 Kier would appear before old friend Fassbinder's lens in the television drama The Stationmaster's Wife and play a small role in Italian horror director Dario Argento's Suspiria. The remainder of the 1970s as well as the majority of the 1980s, found Kier appearing frequently in European exploitation films with such lurid titles as G.I. Bro (1977) and Prison Camp Girls, Jailed for Love (1982). Though sharp-eyed American audiences could catch glimpses of Kier in such films as Moscow on the Hudson (1984) (in which he appeared uncredited), it was during this period that Kier would work almost exclusively in Europe. Though American audiences didn't necessarily bear witness to most of Kier's work in the 1980s, his career continued to flourish overseas and the actor began to develop a strong personal and professional relationship with director Lars von Trier. Following his appearance in von Trier's Medea (1987), Kier would not only appear in all of the director future films, but also become the godfather of von Trier's daughter Agnes as well. It was Kier's role in director Gus Van Sant's My Own Private Idaho (1991) that brought the actor back to stateside audiences, and following his memorable appearance in the film, Kier would appear in such big-budget American films as Johnny Mnemonic (1995), Armageddon (1998), and Blade (also 1998). Despite appearances in such mainstream comedies as Ace Ventura: Pet Detective (1994), Kier would remain true to his European roots by simultaneously appearing in numerous foreign films such as von Trier's Europa (1991) and the gleefully amoral Terror 2000 (1992). With the millennial turnover bringing Kier more stateside exposure than ever, following a memorable turn in Shadow of the Vampire (2000), the tireless actor would appear in no less than eight films in 2001 alone, including Werner Herzog's Invincible and the apocalyptic thriller Meggido: The Omega Code 2. His feature career continuing to flourish, Kier could now be considered a full-fledged star, as appearances in numerous commercials and music videos by such popular acts as Korn virtually guaranteed that while he might not necessarily be a household name, his face would be instantly recognizable by virtually anyone. Though he continued to appear in numerous mainstream films, his experimental side could be evidenced with his participation in director von Trier's film Dimension. The production of the film would span 30 years, following the actors (without makeup) as they aged. The actors and director got together once a year to shoot a scene. Spending much of his free time in nature, Kier enjoys gardening, enjoying the company of his dog, and working on his home in California.

Trivia: Worked as a drugstore manager before he became a comedian. Made his stand-up debut at an Oakland comedy club in 1987. Made his film debut in Talkin' Dirty After Dark (1991). Was a contestant on Celebrity Mole Yucatan in 2004. Was injured in a freak home accident in 2006. He was put in a medically induced coma, had second-degree burns and then dealt with depression resulting from the incident. Was one of five stand-up comedians performing as part of the Royal Comedy Tour in 2012.

Trivia: Judith Hoag may be most well known for playing April O'Neil in the Teenage Mutant Ninja Turtles movie in 1990, but the adventurous actress wracked up long list of appearances in countless other projects both before and after that role, pursuing her interest in performing, rather than in fame. Hoag was raised in Massachusetts, where she got involved in local and school theater when she was just 13. By the time she was out of high school, she was ready to move to New York and start her career. She began playing guest roles on TV shows and in commercials, and this would prove to be the kind of work that would sustain her career for years to come. In addition to her memorable role in the Ninja Turtles movie, Hoag would go on to appear in one or two episodes of Roseanne, Murder, She Wrote, Mad About You, Melrose Place, The X-Files, ER, Carnivàle, Big Love, and many, many more. In addition to her many TV appearances, Hoag continued to act in commercials, selling everything from restaurants to copy machines.

Trivia: A one-time model with a long rap sheet of less-than-ideal behavior, character actor Lawrence Tierney nevertheless managed to amass scores of film credits over a five-decade acting career before he passed away in 2002. Born in Brooklyn, NY, five years before actor/ brother Scott Brady, Tierney excelled in high school track, winning a scholarship to Manhattan College. Rather than stay in school, however, Tierney dropped out and became an itinerant laborer before his looks brought him a job as a catalogue model. In the early '40s, Tierney began acting in theater and was subsequently signed by RKO. Strengthening his skills with supporting roles in such films as Val Lewton's moody thriller The Ghost Ship (1943) and early teen drama Youth Runs Wild (1944), Tierney sealed his fame, and his image, with his performance as the eponymous gangster in the superb B-picture Dillinger (1945). Cashing in on Dillinger's success, RKO slotted Tierney into numerous tough guy roles, including two turns as archetypal Western outlaw Jesse James in Badman's Territory (1946) and Best of the Badmen (1950), a murderer in cult noir Born to Kill (1947), a sociopath in The Devil Thumbs a Ride (1947), and a career criminal in The Hoodlum (1951). His B-movie stardom also garnered Tierney a typically villainous role in Cecil B. De Mille's Oscar-winner The Greatest Show on Earth (1952). Tierney became just as well known in this period, though, for his offscreen exploits involving copious booze and physical violence. Tierney was such a regular in the Los Angeles jail that cops assured fellow RKO star and hell-raiser Robert Mitchum after his famous 1948 drug arrest, "We're keeping Lawrence Tierney's cell warm for ya." By the mid-'50s, Tierney's roles were becoming smaller and scarcer. His professional situation unchanged despite appearing in John Cassavetes' praised mental hospital drama A Child Is Waiting (1963), Tierney moved to Europe but he continued to get in trouble with the law. After he returned to New York in the late '60s, Tierney supported himself with a variety of jobs, including bartending, and maintained his pugnacious, drunken ways; he was stabbed in a brawl in 1973 and questioned in connection with a woman's suicide in 1975. Still, Tierney managed to score the occasional acting gig, appearing in Otto Preminger's Such Good Friends (1971), Andy Warhol's Bad (1977), and the blockbuster comedy Arthur (1981). Dry by 1983, Tierney returned to Hollywood to resurrect his career in earnest, and soon landed regular work on TV as well as in movies. Along with a role on NBC's Hill Street Blues, Tierney also appeared in Star Trek: The Next Generation and played a sheriff in the TV movie Dillinger (1991). On film, Tierney was as comfortable in John Sayles' thoughtful drama City of Hope (1991) as in John Huston's esteemed Mafia black comedy Prizzi's Honor (1985) and the tastelessly hilarious The Naked Gun (1988); he drew attention for his vigorous turn as Ryan O'Neal's alcoholic father in Tough Guys Don't Dance (1987). Tierney's most memorable late-career performance, however, was his no-nonsense, dryly funny criminal mastermind Joe Cabot in Quentin Tarantino's heist film Reservoir Dogs (1992). His longevity assured by Dogs, Tierney remained active into the late '90s, appearing in the Arnold Schwarzenegger comedy Junior (1994) and stylish Tarantino rip-off 2 Days in the Valley (1996), as well as playing Joey Buttafuoco's father in the TV yarn Casualties of Love: The "Long Island Lolita" Story (1993). Following the crime drama Southie (1998) and playing hard-nosed oil driller Bruce Willis' gruff father in Armageddon (1998), Tierney's health began to fail. He died in his sleep in February 2002.

Trivia: A native of rural Humboldt, IA, character actor Christian Clemenson left his home state when a scholarship that he netted as part of his paperboy route afforded him the opportunity to attend the prestigious Phillips Academy preparatory school in Andover, MA. That experience imparted Clemenson with a deep-seated love of theatrics, and he spent his Iowan summers during college acting in local stage productions. The upstart subsequently attended Harvard as an undergraduate and Yale Drama School as a grad student, then moved to Los Angeles in the mid-'80s, where he accepted a long series of bit parts and supporting roles in A-list features, typically cast as nebbishy professional types. Early films in which Clemenson appeared included Heartburn (1986), Legal Eagles (1986), Hannah and Her Sisters (1986), and Broadcast News (1987).Beginning in the late '90s, Clemenson began placing a stronger emphasis on television work, with guest roles in series including Ally McBeal, Buffy the Vampire Slayer, The West Wing, and NYPD Blue. He received critical kudos for his portrayal of ill-fated executive Thomas E. Burnett Jr., a victim of the September 11th terrorist attacks, in Paul Greengrass' feature United 93 (2006), then joined William Shatner, Candice Bergen, and James Spader of David E. Kelley's offbeat seriocomedy Boston Legal in a recurring capacity during the show's second season; on the program, Clemenson played Jerry "Hands" Espenson, a troubled lawyer plagued by Asperger's Syndrome. He went on to win Best Guest Actor in a Drama Series in 2006 for that role, and continued to appear on the show, later attaining regular status and staying with the series until it folded in 2009. Clemenson would continue to appear regularly on screen as the years went on, appearing on shows like CSI: Miami and Harry's Law.

Trivia: Thesp Shawnee Smith's name might not be a household word, but her face will register with thousands of sci-fi and horror aficionados thanks to her supporting turns in the big-screen remakes of The Blob (1988) and Carnival of Souls (1998). Smith's recurring role as Amanda, a young woman tormented by the clown-like serial killer Jigsaw, in the popular Saw series, broadened her exposure, even as it threatened to further typecast her as a woman in peril and fix her reputation as a horror queen. Yet the actress's resume demonstrates far greater versatility than this, and it may surprise fans to discover that she claims several decades of credits in multiple genres.Born on July 3, 1970, in Orangeburg, South Carolina, Smith debuted on the big screen at 11, as a dancer, in mogul Ray Stark's multimillion-dollar production of Annie (1982). A bit part in Michael Tuchner's acclaimed telemovie Not My Kid (1985) followed, at the age of fourteen; the picture drew solid Nielsen ratings and favorable critical responses, but Smith's only amounted to a bit part. She maintained greater visibility in the late eighties, with two significant roles: Rhonda Altobello in Carl Reiner's 1987 Mark Harmon-starrer Summer School. While most critics dismissed the film, it charmed a handful of others (such as Kevin Thomas and Rita Kempley) and did outstanding box office for a programmer, grossing several times its original budget. The very same could be said of Chuck Russell's 1988 remake The Blob, and then some: in addition to delighting nostalgia-hungry moviegoers (and some critics), it purportedly acquired a loyal following, becoming - in time - something of a cult film. Over the nineties and into the 2000s, Smith evinced a predilection for slightly deeper and more intelligent fare, but kept a somewhat low onscreen profile for several years, usually (though not always) with bit parts in lower budget indie dramas. Smith also appears in director Paul Quinn's Never Get Outta the Boat, which dramatizes the lives of several recovering addicts. She landed a regular role as Linda, a not-so-bright nurse's aide, on the 1998 CBS sitcom Becker, starring Ted Danson, and stuck with the series until it wrapped in 2004.When Smith's horror film quotient skyrocketed in the early 2000s (with the Saw role) it temporarily eclipsed her involvement in more substantial fare, even as her screen activity per se crescendoed. In the vein of earlier slasher film franchises, the initial Saw entry and its sequels did exemplary box office and obtained a rabid following; surprisingly, the pictures drew a favorable response in some critical quarters, as well.

Trivia: Made his professional stage debut as an understudy in the original New York production of Six Degrees of Separation. Made his silver screen debut playing the lead role of Matty Dean in Stonewall (1996), a film about the start of the gay rights movement. Played Brian Wilson in the ABC miniseries The Beach Boys: An American Family in 2000. Was directed by Neil LaBute in London and New York stage productions of The Shape of Things and also in the 2003 film version of the play. In 2005, he portrayed a talking lizard in the Lincoln Center Theater's revival of Edward Albee's Seascape. His first major TV role had him playing a cop in the police drama Missing Persons (1993-94). More than a decade later, his second major TV gig cast him in another crime-solving role as a U.S. Marshall in the USA Network series In Plain Sight. Wrote, directed and starred in Streetcar, a short film about an aspiring television actor that made the rounds at various film festivals in 2010.

Trivia: Made his TV debut in Robert Altman's 1988 political satire Tanner '88, co-starring Sex and the City's Cynthia Nixon. First feature-film appearance was a small role in 1989 dramedy The Unbelievable Truth, which also featured The Sopranos' Edie Falco in a bit part. Has appeared on numerous police-themed shows, including Law & Order, Law & Order: Special Victims Unit, NCIS, NYPD Blue, Third Watch and Without a Trace. Wife Cas is an assistant director; the two have worked on several films together.

Trivia: For two decades, it seemed as if cherubic actor Andy Milder would forever be relegated to the sort of thankless television walk-on roles that, while serving well to pay the bills, don't necessarily provide any kind of creative challenge for the talent in question. Sure he had a face that every television viewer could single out thanks to a diverse filmography that included roles in Married with Children, The Wonder Years, NYPD Blue, Star Trek: Deep Space Nine, The West Wing, and Ugly Betty, but thanks to recurring roles on the animated Legion of Super Heroes and the hit Showtime series Weeds he reached a new level of success. Cast as Lightning Lad in the former and stoned husband Dean Hodes in the later, Milder was finally attaining the kind of recognition he deserved. Additional feature roles in Domino, Transformers, and Frost/Nixon found his film career holding up respectably around this time as well. In 2011 he had a small part in that year's Oscar winning Bet Picture, The Artist.