Trivia: Through a cruel twist of fate, American actor Sam Elliott came to films at just the point that the sort of fare in which he should have thrived was dying at the box office. A born cowboy star if ever there was one, the stage-trained Elliot made his debut in a tiny role in the 1969 western Butch Cassidy and the Sundance Kid. Within a few years, the western market had disappeared, and Elliot had to settle for standard good-guy roles in such contemporary films as Lifeguard (1976). Never tied down to any one type, Elliot's range has embraced sexy "other men" (Sibling Rivalry [1989]) and vicious rapist/murderers (the TV movie A Death in California [1986]). Still, one yearned to see Elliot playing frontiersmen; fortunately, the western genre had not completely disappeared on television, and Elliot was well-served with such hard-riding projects as The Sacketts (1977), I Will Fight No More Forever (1981), The Shadow Riders (1982), Houston: The Legend of Texas (1986) and Conagher (1991), in which he appeared with his wife, actress Katherine Ross. When westerns began showing up on the big screen again in the 1990s, Elliot was there, prominently cast as Virgil Earp in Tombstone (1993) and the made-for-cable sagebrusher The Desperate Trail (1995). Awarded Bronze Wrangler trophies for his involvement in Conagher, The Hi-Lo Country, and You Know My Name, Elliot also made an impression on Cohen Brothers fans with a memorable performance as the laid back Stranger in the cult hit The Big Lebowski. A featured role in the 2000 made for television remake Fail Safe found Elliot hanging up his duster to revisit rising Cold War tensions, and later that same year he would finally make the leap into the new millennium with his role as a presidential aid in Rod Lurie's Oscar-nominated hit The Contender. Rewarded with a double hernia as a result of his intense training efforts to prepare for a role in the 2002 Vietnam War drama We Were Soldiers, the then fifty-seven-year-old endured the pain through the entire production and put of surgery until shooting had wrapped. Though Elliot would remain in the armed forces to portray a military general hell-bent on destroying the Hulk in 2003, his onscreen authority would weaken somewhat when he was cast as a cancer-riddled Marlboro Man in the 2005 comedy Thank You for Smoking. After traveling to the far corners of the globe to carry out a little vigilante justice in the 2006 made for television thriller Avenger, Elliot would next break a little new ground by venturing into the world of animation by lending his distinctive voice to the character of Ben the Cow in Steve Oedekerk's rural family romp Barnyard. He co-starred with Nicole Kidman and Daniel Craig in The Golden Compass (2007), a film adaptation of the first installment of the wildly successful book series from author Philip Pullman. In 2009 he took on a role in the award winning comedy drama Up in the Air, and co-starred as an eccentric billionaire in director Tony Krantz's The Big Bang in 2011. He joined Robert Redford and Julie Christie to play a supporting role in 2012's comedy drama The Company You Keep.

Trivia: American actress Cybill Shepherd's pre-acting career included a runner-up stint in the Miss Teenage America pageant and seemingly thousands of modelling gigs, most prominently for Cover Girl makeup. She was spotted adorning a magazine cover by film director Peter Bogdanovich, who selected her to play a small town heartbreaker in his prestigious 1971 film The Last Picture Show. Shepherd was praised for her cinematic debut, though the reviews devoted more space to her diving-board striptease than her delivery of lines. Except for a part as Charles Grodin's dream girl in The Heartbreak Kid (1972), Shepherd did most of her subsequent early film work for Bogdanovich, once her lover as well as her mentor. Reviewers were barely tolerant of her performance in Daisy Miller (1974) -- and with the next Bogdanovich-directed appearance in At Long Last Love (1975) the gloves were off, her career had hit a hard spot. But she recovered, at least professionally, and did quite well for herself in Martin Scorsese's Taxi Driver (1975). The "Peter Bogdanovich's Girlfriend" onus took years to suppress; it was still being bandied about when she appeared in her first (short-lived) TV series "The Yellow Rose" (1983). But with her starring role in the popular detective/comedy weekly "Moonlighting" (1985), Shepherd made up for lost time and attained star status without any association with her onetime "Svengali." Shepherd and co-star Bruce Willis played the reluctant partners in a failing detective agency, but the plotlines were secondary to the banter and witticisms between the stars -- not to mention the winks at the audience and "in" jokes that let the folks at home know that the characters knew that they were just acting on TV. An instant success, "Moonlighting" was plagued with production problems almost from the outset. Shepherd and Willis made no secret of their distaste for one another, and both behaved rather boorishly to those around them. Firings and tantrums were almost everyday occurences on the set, and this, plus the problem of turning out a quality script each week, caused the series to fall woefully behind in schedule. Soon it became a media event if "Moonlighting" ran something other than a repeat. In 1987, Shepherd became pregnant with twins, which forced a speedup in production and some wildly convoluted (and often tasteless) scripts to accomodate the actress' condition. Power struggles continued between Shepherd and producer Glenn Caron (and the people who replaced Caron); "Moonlighting" was cancelled in 1989. Since that time, Shepherd has signed an endorsement contract with L'Oreal cosmetics, while continuing to appear in films and TV movies of variable quality (including Texasville, the best-forgotten sequel to The Last Picture Show). Besides becoming a favored and most entertaining guest on the talk-show circuit, Shepherd later returned to television in the Emmy-winning CBS sitcom Cybill. In 2003 Shepherd appeared as Martha Stewart in the NBC biopic Martha, Inc.: The Story of Martha Stewart, and two years later she reprised the role in the made-for-television sequel Martha Behind Bars. For two years beginning in 2007 Stewart played the mother of her real-life daughter Clementine Ford's character on The L Word, and in 2010 she was bestowed the GLAAD Golden Gate Award for her efforts in increasing the LGBT community's visibility in the media. Meanwhile, appearances on such television series' as Psyche, Hot in Cleveland, and The Client List served well to keep her career going strong.

Trivia: The son of a Chicago minister, actor David Soul actually launched his career as a folk singer. Born David Richard Solbert on August 28, 1943 in Chicago, Illinois, David moved to Mexico during his youth, when his father took a lengthy assignment as diplomatic advisor for the U.S. State Department. The experience (and the Mexican environment) engendered in young Solberg a permanent love of indigenous folk music. For the remainder of his youth, the whole world was Soul's backyard as his father was transferred from post to post during the 1950s and early 1960s. The blossoming performer could never quite shake either his inbred wanderlust (he attended Augustana College in South Dakota, the University of the Americas in New Mexico, and the University of Minnesota at Minneapolis) or his musical inclinations. After impulsively deciding to become a stage performer, and studying with the legendary Uta Hagen in New York, Soul definitively opted to embark upon a singing career. From 1966 to 1967, the performer turned up as the hooded "mystery singer" on the syndicated television talkfest The Merv Griffin Show. At about the same time, Soul also landed gigs opening for musical acts including Frank Zappa, The Lovin' Spoonful and The Byrds. The singer's decision, not long after, to finally remove his "mask" on television and reveal himself to the public backfired; it took away the novelty, and made it eminently more difficult for Soul to book concerts. Taking this as a cue, the actor returned to television, and was cast as Joshua Bolt on the 1968 TV adventure series Here Come the Brides, co-starring with another promising vocalist, Bobby Sherman. While Sherman became an instant teen idol, Soul would not truly hit it big until 1976, when he was cast as urban cop David Starsky and teamed with Paul Michael Glaser on the cop series Starsky and Hutch (1975-79). During the series and immediately following its cancellation, Soul attempted to trade off of his tube success by revitalizing his recording career, but did so with intermittent success; his syrupy ballad "Don't Give Up on Us" (parodied by Owen Wilson years later during a scene in the 2004 big-screen movie Starsky & Hutch) peaked at #1 in 1977 and became an FM and then AM radio staple for decades, but his albums charted much lower and did little to further his musical success.The actor went on to star in the TV weeklies Casablanca (1983, in the Bogart role!), The Yellow Rose (1983-84), Unsub (1989), and the telemovie adventure Pentathalon (1994). He also made a cameo alongside Glaser at the conclusion of the aforementioned Starsky & Hutch movie. Married several times, Soul's ex-wives include Karen Carlson, Lynn Marta, and Julia Nickson.

Trivia: Chuck Connors attended Seton Hall University before embarking on a career in professional sports. He first played basketball with the Boston Celtics, then baseball with the Brooklyn Dodgers and Chicago Cubs. Hardly a spectacular player -- while with the Cubbies, he hit .233 in 70 games -- Connors was eventually shipped off to Chicago's Pacific Coast League farm team, the L.A. Angels. Here his reputation rested more on his cut-up antics than his ball-playing prowess. While going through his usual routine of performing cartwheels while rounding the bases, Connors was spotted by a Hollywood director, who arranged for Connors to play a one-line bit as a highway patrolman in the 1952 Tracy-Hepburn vehicle Pat and Mike. Finding acting an agreeable and comparatively less strenuous way to make a living, Connors gave up baseball for films and television. One of his first roles of consequence was as a comic hillbilly on the memorable Superman TV episode "Flight to the North." In films, Connors played a variety of heavies, including raspy-voiced gangster Johnny O in Designing Woman (1957) and swaggering bully Buck Hannassy in The Big Country (1958). He switched to the Good Guys in 1958, when he was cast as frontiersman-family man Lucas McCain on the popular TV Western series The Rifleman. During the series' five-year run, he managed to make several worthwhile starring appearances in films: he was seen in the title role of Geronimo (1962), which also featured his second wife, Kamala Devi, and originated the role of Porter Ricks in the 1963 film version of Flipper. After Rifleman folded, Connors co-starred with Ben Gazzara in the one-season dramatic series Arrest and Trial (1963), a 90-minute precursor to Law and Order. He enjoyed a longer run as Jason McCord, an ex-Army officer falsely accused of cowardice on the weekly Branded (1965-1966). His next TV project, Cowboy in Africa, never got past 13 episodes. In 1972, Connors acted as host/narrator of Thrill Seekers, a 52-week syndicated TV documentary. Then followed a great many TV guest-star roles and B-pictures of the Tourist Trap (1980) variety. He was never more delightfully over the top than as the curiously accented 2,000-year-old lycanthrope Janos Skorzeny in the Fox Network's Werewolf (1987). Shortly before his death from lung cancer at age 71, Chuck Connors revived his Rifleman character Lucas McCain for the star-studded made-for-TV Western The Gambler Returns: The Luck of the Draw (1993).