Trivia: A muscular, darkly handsome actor who defies easy categorization, Brendan Fraser has an enviable versatility that has allowed him to be equally convincing in comedies, dramas, and adventure films alike. The son of a Canadian tourism executive, Fraser was born in Indianapolis on December 3, 1968. Thanks to his father's job, Fraser and his family led a fairly peripatetic existence, living in locales as varied as Ottawa, London, Rome, and Seattle. During his time in London, Fraser became interested in theater and eventually enrolled in Seattle's Cornish Institute for training.After an early appearance in Dogfight (1991), Fraser got his break in 1992's Encino Man as a Stone-Age man unfrozen in modern-day California. He went on to gain audience prominence in diverse roles such as a Jewish football player in an all-WASP environment in School Ties (1992), a grunged-out musician in Airheads (1994), a Harvard student who loses his thesis in With Honors (1994), and a quirky baseball phenom in The Scout (1994). Fraser has been quoted in one magazine article as saying that he seeks out roles combining "silliness and sexiness"; his work during the second half of the '90s certainly reflected this. Particular highlights were George of the Jungle (1997), a satire of jungle adventure films; Gods and Monsters (1998), the acclaimed rendering of the last days of director James Whale, for which Fraser earned particular praise in his role as Whale's strapping gardener; the romantic comedy Blast From the Past (1999); and a big-budget remake of The Mummy (1999) that effectively showcased Fraser as a hero well-suited to old-school adventure. So successful were the extravagantly computer generated exploits of the revived Mummy soon became a franchise, birthing sequels like The Mummy Returns (2001) and The Mummy: Tomb of the Dragon Emperor (2008). Fraser would spend subsuquent years appearing in a number of varied projects, including comedies like Bedazzled and Dickie Roberts: Former Child Star, dramas like The Quiet American and Crash, and adventure movies, like Journey to the Center of the Earth and Inkheart.

Trivia: Ty Simpkins caught audiences' attention at the tender age of five, when he appeared in the acclaimed drama Little Children in 2006. He would go on to appear as the son of Colin Farrell's character in the 2008 crime drama Pride and Glory, before reteaming with his Little Children costar Patrick Wilson for the 2011 thriller Insidious.

Trivia: Parents were among the refugees who fled Vietnam by boat after the end of the Vietnam War in 1979.Grew up in New Orleans.Initially studied creative writing at Boston University, but later changed her major to film studies.Started acting in hopes of overcoming her introvertedness.Worked at PBS after college.

Trivia: With only a handful of film credits to her name, British actress Samantha Morton earned a reputation as one of the most critically lauded up-and-comers of the late '90s. Small-boned and possessed of almost elfin features, Morton, who was born in Nottingham in 1977, began acting on television at the age of 13. She appeared in a number of series, including the popular crime drama Cracker and such costume extravaganzas as Jane Eyre and Emma.Morton became known to an international film audience in 1997, when she won wide acclaim for her wrenching, fearless portrayal of a young woman driven to promiscuous behavior by the death of her mother in Carine Adler's Under the Skin. The following year, she did starring work in The Last Yellow and Dreaming of Joseph Lees, playing the girlfriend of a small-time crook in the former and a dissatisfied young woman harboring romantic feelings for her long-absent second cousin (Rupert Graves) in the latter. In 1999, Morton's name became an increasingly familiar one to American filmgoers, thanks to starring roles in two very different films. The first, Jesus' Son, cast the actress as a heroin addict, while the second, Woody Allen's Sweet and Lowdown, featured her as a shy, mute woman who gets used and abused by a legendary jazz guitarist (Sean Penn) whose musical talent runs in inverse proportion to his qualities as a human being. Heralded for both films, Morton scored a surprise Best Supporting Actress Oscar nomination for the latter. Not resting on the laurel, the actress immediately set to work with a pair of venerable cineastes, directors Julien Temple (in Pandemonium) and Amos Gitai (in his first English-language production, Eden). Director Steven Spielberg soon followed Allen's lead, casting Morton in a small but pivotal role as a shivering, near-mute, clairvoyant "Precog" in his Blade Runner-esque mystery Minority Report, which premiered in the summer of 2002. Though the film would introduce Morton to her largest audience yet, it was a pair of independent features released in late 2002 and 2003 that would garner her even more significant critical attention. Teaming with the maverick Scottish director Lynne Ramsay, the actress would essay the enigmatic, directionless title character in Morvern Callar, a dreamy, elliptical adaptation of Alan Warner's cult novel. About a year later, Morton would see the release of In America, Jim Sheridan's acclaimed slice-of-life tale of an Irish family immigrating to New York City's Hell's Kitchen, for which she would receive her second Academy Award nomination, this time for Best Actress.Morton continued to take on challenging assignments such as the futuristic Code 46 opposite Tim Robbins and directed by British helmer Michael Winterbottom, and appearing opposite Johnny Depp in the little-seen The Libertine, and the period drama River Queen. Although Lassie may seem like a unusual film for Morton to appear in, she has a history of working in family friendly fare having provided the voice for Ruby in the Max and Ruby animated television series based on the popular children's books by Rosemary Wells.In 2007 she appeared as Mary Stuart in Elizabeth: The Golden Age, and appeared in the Ian Curtis biopic Control. She had a leading part as a suspected murderer in the superb Longford. She played one of the women in the life of the troubled writer at the center of Synecdoche, New York, and she was a war widow in Oren Moverman's The Messenger. In 2012 she provided one of the voices for the aliens in the big-budget flop John Carter, but also worked with David Cronenberg on his Cosmopolis.