Trivia: Hawaii-born Jason Momoa first caught the attention of the fashion industry when he was discovered by designer Takeo in 1999. The 20 year old began a modeling career, which he soon transformed into an acting career, appearing in Baywatch Hawaii and Stargate Atlantis. In 2009, Momoa took on a role in the thriller The Game, before joining the cast of the acclaimed period series Game of Thrones in 2011. That same year, Momoa took on the title role in a hard hitting remake of Conan the Barbarian. Even though Conan failed to conquer the box office, Momoa's career kept charging forward thanks to his involvement eith the hit Game of Thrones, and in 2012 the actor could be seen opposite action icon Sylvester Stallone in the gritty Walter Hill actioner Bullet to the Head.

Trivia: An actress who first fell into her screen niche playing beautiful and voluptuous teenage girlfriends, Amber Heard was blessed with a visage that seemed tailor-made for modeling, and indeed she began her ascent to fame on that route. The Austin, TX, native reportedly dropped out of high school a year early and made a beeline for Los Angeles, her eyes fixed on glossies and catwalks. That dream failed to materialize, but in seemingly no time at all, Heard received a bid to act instead. She garnered two of her first major breaks when cast as the lead in the teen slasher movie All the Boys Love Mandy Lane (produced 2006, released 2008) and when she landed a key regular role on Kevin Williamson's short-lived prime-time soap Hidden Palms (2007). The cancellation of that series aside, 2007-2008 actually represented a watershed period for Heard, and one that witnessed the actress' enlistment in such big-screen features as Day 73 With Sarah (2007), The Beautiful Ordinary (2007), Never Back Down (2008), and the David Gordon Green-Judd Apatow crime comedy The Pineapple Express (2008), as the love interest of a stoner played by Apatow mainstay Seth Rogen. She appeared in the horror comedy Zombieland in 2009. Two years later she had a recurring role in the short-lived television series The Playboy Club, and landed major parts in The Rum Diary, opposite Johnny Depp, and Drive Angry, with Nic Cage. In 2013, she had a supporting role in Robert Rodriguez's Machete Kills and appeared in the box-office flop Paranoia. She next played an elite CIA assassin in 3 Days to Kill. In 2015, Heard turned in strong supporting roles in Magic Mike XXL and the Oscar-nominated film The Danish Girl.

Trivia: Known for the darkly eccentric characters he often plays, Willem Dafoe is one of the screen's more provocative and engaging actors. Strong-jawed and wiry, he has commented that his looks make him ideal for playing the boy next door -- if you happen to live next door to a mausoleum.Although his screen persona may suggest otherwise, Dafoe is the product of a fairly conventional Midwestern upbringing. The son of a surgeon and one of seven siblings, he was born on July 22, 1955 in Appleton, Wisconsin. Dafoe began acting as a teenager, and at the age of seventeen he enrolled at the University of Wisconsin in Milwaukee. Growing weary of the university's theatre department, where he found that temperament was all too often a substitute for talent, he joined Milwaukee's experimental Theatre X troupe. After touring stateside and throughout Europe with the group, Dafoe moved to New York in 1977, where he joined the avant-garde Wooster Group. Dafoe's 1981 film debut was a decidedly mixed blessing, as it consisted of a minor role in Michael Cimino's disastrous Heaven's Gate . Ultimately, Dafoe's screen time was cut from the film's final release print, saving him the embarrassment of being associated with the film but also making him something of a nonentity. He went on to appear in such films as The Hunger (1983) and To Live and Die in L.A. (1985) before making his breakthrough in Platoon (1986). His portrayal of the insouciant, pot-smoking Sgt. Elias earned him Hollywood recognition and a Best Supporting Actor Oscar nomination.Choosing his projects based on artistic merit rather than box office potential, Dafoe subsequently appeared in a number of widely divergent films, often taking roles that enhanced his reputation as one of the American cinema's most predictably unpredictable actors. After starring as an idealistic FBI agent in Mississippi Burning (1988), he took on one of his most memorable and controversial roles as Jesus in Martin Scorsese's The Last Temptation of Christ (1988). Dafoe then portrayed a paralyzed, tormented Vietnam vet in Born on the Fourth of July (1989), his second collaboration with Oliver Stone. Homicidal tendencies and a mouthful of rotting teeth followed when he played an ex-marine in David Lynch's Wild at Heart (1990), before he got really weird and allowed Madonna to drip hot wax on his naked body in Body of Evidence (1992). Following a turn in Wim Wenders' Faraway, So Close in 1993, Dafoe entered the realm of the blockbuster with his role as a mercenary in Clear and Present Danger (1994). That same year, he earned acclaim for his portrayal of T.S. Eliot in Tom and Viv, one of the few roles that didn't paint the actor as a contemporary head case. His appearance as a mysterious, thumbless World War II intelligence agent in The English Patient (1996) followed in a similar vein. In 1998, Dafoe returned to the contemporary milieu, playing an anthropologist in Paul Auster's Lulu on the Bridge and a member of a ragingly dysfunctional family in Paul Schrader's powerful, highly acclaimed Affliction. He then extended his study of dysfunction as a creepy gas station attendant in David Cronenberg's eXistenZ (1999). After chasing a pair of killers claiming to be on a mission from God in The Boondock Saints, Dafoe astounded audiences as he transformed himself into a mirror image of one of the screens most terrfiying vampires in Shadow of the Vampire (2000). A fictional recount of the mystery surrounding F.W. Murnau's 1922 classic Nosferatu, Dafoe's remarkable transformation into the fearsome bloodsucker had filmgoers blood running cold with it's overwhelming creepiness and tortured-soul humor. After turning up as a cop on the heels of a potentially homicidal yuppie in American Psycho that same year, the talented actor would appear in such low-profile releases as The Reconing and Bullfighter (both 2001), before once again thrilling audiences in a major release. As the fearsome Green Goblin in director Sam Raimi's long-anticipated big-screen adaptation of Spider-Man Dafoe certainly provided thrills in abundance as he soared trough the sky leaving death and destruction in his wake. His performace as a desperate millionare turned schizphrenic supervillian proved a key component in adding a human touch to the procedings in contrast to the dazzling action, and Dafoe next headed south of the border to team with flamboyant director Robert Rodriguez in Once Upon a Time in Mexico. Dafoe impressed critics with his performance of John Carpenter in the Bob Crane biopic Auto Focus. In 2003 he voiced one of the fish in the dentist's tank in Finding Nemo, and the next year he reprised his role as the Green Goblin in Spider-Man 2. He played a small role for Martin Scorsese in 2004's The Aviator, and had a memorable supporting turn in Wes Anderson's The Life Aquatic with Steve Zissou that same year. In 2005 he appeared in Lars Von Trier's Manderlay. He appeared in Spike Lee's successful heist thriller Inside Man. In 2007 he appeared as a film director in Mr. Bean's Holiday. In 2009 he reteamed with two different directors he's worked with before; he voiced the role of the rat in Wes Anderson's Fantastic Mr. Fox, and played a husband in Lars Von Trier's audience-dividing Antichrist. In 2012 he lent his vocal talents to the infamous Disney flop John Carter.

Trivia: A handsome actor whose skills on stage and screen are only rivaled by his remarkable voice, Patrick Wilson made a name for himself in theater before making a gradual transition to the silver screen. The Norfolk, VA, native pursued his higher education at the famed Carnegie Mellon University, where he stood out from the pack when he was awarded the Charles Willard Memorial Award for Undergraduate Excellence in Music Theatre before earning his B.F.A. in drama in 1995. The next year, Wilson took the lead for a national tour of Carousel, followed by a performance in a Goodspeed Opera House production of Lucky in the Rain. After a memorable turn as pianist Erwin "Chopin" Boots in a La Jolla Playhouse production of Barry Manilow's Harmony, Wilson performed in the nonmusical, six-hour stage version of The Cider House Rules. Though his supposed "breakthrough" role in a stage production of Bright Lights, Big City failed to cement his career, the rising star made his Broadway debut in The Gershwin's Fascinating Rhythm shortly thereafter. Wilson's true breakthrough did eventually come when he took the lead for a stage version of the popular film The Full Monty, and in 2001, he made his screen debut in Dark Stories: Tales from Beyond the Grave. Though that film went largely unseen, a role in HBO's acclaimed miniseries Angels in America found his transition to the big screen moving along smoothly. The following year, Wilson tackled his biggest role to date in the eagerly anticipated historical drama The Alamo (2004) before gearing up for a key part in Joel Schumacher's Phantom of the Opera (also 2004).

Trivia: Once relegated to decorative parts for years and long acknowledged as the wife of Tom Cruise, Nicole Kidman spent the latter half of the 1990s and the first decade of the new millennium earning much-deserved critical respect. Standing a willowy 5'11" and sporting one of Hollywood's most distinctive heads of frizzy red hair, the Australian actress first entered the American mindset with her role opposite Cruise in Days of Thunder (1990), but it wasn't until she starred as a homicidal weather girl in Gus Van Sant's 1995 To Die For that she achieved recognition as a thespian of considerable range and talent. Though many assume that the heavily-accented Kidman hails from down under, she was actually born in Honolulu, Hawaii, on June 20, 1967, to Australian parents. Her family, who lived on the island because of a research project that employed Kidman's biochemist father, then moved to Washington, D.C. for the next three years. After her father's project reached completion, Nicole and her family returned to Australia.Raised in the upper-middle-class Sydney suburb of Longueville for the remainder of the 1970s and well into the eighties, Kidman grew up infused with a love of the arts, particularly dance and theatre. Kidman took refuge in the theater, and landed her first professional role at the age of 14, when she starred in Bush Christmas (1983), a TV movie about a group of kids who band together with an Aborigine to find their stolen horse. Brian Trenchard-Smith's BMX Bandits (1983) -- an adventure film/teen movie -- followed , with Kidman as the lead character, Judy; it opened to solid reviews. Kidman then worked for the gifted John Duigan (The Winter of Our Dreams, Romero) twice, first as one of the two adolescent leads of the Duigan-directed "Room to Move" episode of the Australian TV series Winners (1985) and, more prestigiously, as the star of Duigan's acclaimed miniseries Vietnam (1987).In 1988, Kidman got another major break when she was tapped to star in Phillip Noyce's Dead Calm (1989). A psychological thriller about a couple (Kidman and Sam Neill) who are terrorized by a young man they rescue from a sinking ship (Billy Zane), the film helped to establish the then-21-year-old Kidman as an actress of considerable mettle. That same year, her starring performance in the made-for-TV Bangkok Hilton further bolstered her reputation. By now a rising star in Australia, Kidman began to earn recognition across the Pacific. In 1989, Tom Cruise picked her for a starring role in her first American feature, Tony Scott's Days of Thunder (1990). The film, a testosterone-saturated drama about a racecar driver (Cruise), cast Kidman as the neurologist who falls in love with him. A sizable hit, it had the added advantage of introducing Kidman to Cruise, whom she married in December of 1990.Following a role as Dustin Hoffman's moll in Robert Benton's Billy Bathgate (1991), and a supporting turn as a snotty boarding school senior in the masterful Flirting (1991), which teamed her with Duigan a third time, Kidman collaborated with Cruise on their second film together, Far and Away (1992). Despite their joint star quality, gorgeous cinematography, and adequate direction by Ron Howard, critics panned the lackluster film.Kidman's subsequent projects, My Life and Malice ( both 1993), were similarly disappointing, despite scattered favorable reviews. Batman Forever (1995), in which she played the hero's love interest, Dr. Chase Meridian, fared somewhat better, but did little in the way of establishing Kidman as a serious actress even as it raked in mile-high returns at the summer box office. Kidman finally broke out of her window-dressing typecasting when Gus Van Sant enlisted her to portray the ruthless protagonist of To Die For (1995). Directed from a Buck Henry script, this uber-dark comedy casts Kidman as Suzanne Stone, a television broadcaster ready and eager to commit one homicide after another to propel herself to the top. Displaying a gift for impeccable comic timing, she earned Golden Globe and National Broadcast Critics Circle Awards for Best Actress. Further critical praise greeted Kidman's performance as Isabel Archer in Jane Campion's 1996 adaptation of Henry James' The Portrait of a Lady. Now regarded as one of the hottest actresses in Hollywood, Kidman starred opposite George Clooney in the big-budget action extravaganza The Peacemaker (1997) and opposite Sandra Bullock in the frothy Practical Magic (1998). In 1999, Kidman starred in one of her most controversial films to date, Stanley Kubrick's Eyes Wide Shut. Adapted from Arthur Schnitzler's Traumnovelle and cloaked in secrecy from the beginning of its production, the film also stars Cruise as Kidman's physician husband. During the spring and summer of 1999, the media unsurprisingly hyped the couple's onscreen pairing as the two major selling points. However, despite an added measure of intrigue from Kubrick's death only weeks after shooting wrapped, Eyes Wide Shut repeated the performance of prior Kubrick efforts by opening to a radically mixed reaction.As the new millennium arrived, problems began to erupt between Kidman and Tom Cruise; divorce followed soon after, and the tabloids swirled with talk of new relationships for the both of them. She concurrently plunged into a string of daring, eccentric film roles much edgier than what she had done before. The trend began with a role in Jez Butterworth's Birthday Girl (2001) as a Russian mail order bride, and Baz Luhrmann's Moulin Rouge (2001), which cast her, in the lead, as a courtesan in a 19th century Paris hopped up with late 20th century pop songs. The picture dazzled some and alienated others, but once again, journalists flocked to Kidman's side.Following this success (the picture gleaned a Best Picture nod but failed to win), Kidman gained even more positive notice for her turn as an icy mother after the key to a dark mystery in Alejandro Amenabar's spooky throwback, The Others. When the 59th Annual Golden Globe Awards finally arrived, Kidman received nominations for her memorable performances in both films. Though it couldn't have been any further from her flamboyant turn in Moulin Rouge, Kidman's camouflaged role as Virginia Woolf in the following year's The Hours (2002) (she wears little makeup and a prosthetic nose), for which she delivered a mesmerizing and haunting performance, kept the Oscar and Golden Globe nominations steadily flowing in for the acclaimed actress. The fair-haired beauty finally snagged the Best Actress Oscar that had been so elusive the year before. Post-Oscar, Kidman continued to take on challenging work. She played the lead role in Lars von Trier's Dogville, although she declined to continue in Von Trier's planned trilogy of films about that character. She swung for the Oscar fences again in 2003 as the female lead in Cold Mountain, but it was co-star Renee Zellweger who won the statuette that year. Kidman did solid work for Jonathan Glazer in the Jean-Claude Carriere-penned Birth, as a woman revisited by the incarnation of her dead husband in a small child's body, but stumbled with a pair of empty-headed comedies, Frank Oz's The Stepford Wives and Nora Ephron's Bewitched (both 2005), that her skills could not save. She worked with Sean Penn in the political thriller The Interpreter in 2005. For the most part, Kidman continued to stretch herself with increasingly demanding and arty roles throughout 2006. In Steven Shainberg's Fur: An Imaginary Portrait of Diane Arbus, Kidman plays controversial housewife-cum-photographer Diane Arbus. Meanwhile, Kidman returned to popcorn pictures by playing Mrs. Coulter in Chris Weitz's massive, $150-million fantasy adventure The Golden Compass (2007), adapted from Philip Pullman's His Dark Materials series of books. She also headlined the sci-fi thriller The Invasion, a loose remake of the classic Invasion of the Body Snatchers. Also in 2007, Kidman teamed up with Noah Baumbach for a starring role as a supremely dysfunctional mother in Margot at the Wedding (2007). The actress then set out to recapture her Moulin Rouge musical success with a turn in director Rob Marshall's 8 1/2 remake Nine (2009), teamed up with indie cause-célèbre John Cameron Mitchell and Aaron Eckhart for the psychologically-charged domestic drama Rabbit Hole (2010), and starred opposite Jennifer Aniston and Adam Sandler in the Dennis Dugan-helmed comedy Go With It (2011). Kidman would spend the next few years continuing her high level of activity, appearing in movies like Trespass and The Paperboy.

Trivia: Highly intelligent and extremely well educated -- earning an M.A. at Stockholm's Royal Institute of Technology and a Fulbright Fellowship at M.I.T. -- Dolph Lundgren is better known for his athletic achievements than his intellectual pursuits. An internationally recognized kick-boxing champion, the 6' 6", 250-pound Lundgren was working as a doorman at a trendy New York disco when his personally produced exercise video Maximum Potential caught the eye of movie producers. His 1984 cinematic debut was a bit part in the James Bond opus A View to a Kill, which co-starred Lundgren's then-lover Grace Jones. (Earlier reports that Lundgren appeared in 1970's The Out-of-Towners were really out of town.) His breakthrough film role was as Drago, the automaton-like Russian ring opponent of Sylvester Stallone in Rocky IV (1985). The content of Lundgren's subsequent films is implicit in their titles: Masters of the Universe (in which Lundgren played bulging-biceped cartoon character He-Man), Universal Soldier (sharing the screen with fellow bodybuilder Jean-Claude Van Damme), Red Scorpion, Showdown in Little Tokyo, Army of One, etc. When Lundgren showed up as a street preacher in the futuristic Johnny Mnemonic (1995), one got the feeling that he was not going to be advocating peace on earth for long.

Trivia: Was raised in the Magnolia Projects of New Orleans. Competed as a hurdler for the California Golden Bears in college. Was previously an architect and city planner before beginning his acting career. Was awarded Yale School of Drama's esteemed Herschel Williams Prize. Made his professional acting debut playing Cadillac in the musical drama series The Get Down, which was created by Baz Luhrmann.

Trivia: Boasting brooding good looks which have allowed him to play both edgy heroes and fearsome villains, Temuera Morrison is one of New Zealand's best-recognized actors, and perhaps the most visible Maori performer in the world. Morrison was born in the tourist community of Rotorua; his instincts as a performer came naturally, given his father's career as a musician and the fact his uncle, Sir Howard Morrison, was one of the nation's best-loved entertainers. After completing high school, Morrison briefly worked with his uncle, but before long he decided to go into acting, and studied drama through New Zealand's Special Performing Arts Training Scheme. Morrison's SPATS training led to his first film role, in the drama Other Halves, and in 1988 he got to show some comic flair in the James Bond parody Never Say Die. In 1993, Morrison was hired as the Maori dialogue advisor on the international hit The Piano, but his big break came a year later, when Morrisonwas cast as Jake Heke, an alcoholic and abusive Maori husband and father, in the acclaimed drama Once Were Warriors. Morrison's vivid performance won him the Best Actor trophy at the 1994 New Zealand Film and TV Awards, and the attention brought Morrison to Hollywood. However, Morrison's initial American roles were in a handful of would-be blockbusters which died on the vine commercially speaking, including Barb Wire, The Island of Dr. Moreau, and Speed 2: Cruise Control. However, Morrison fared better at the box office with 2000's Vertical Limit, and the year before he made a triumphant return to New Zealand to star in the sequel to Once Were Warriors, What Becomes of the Broken Hearted? The film did not receive the same degree of international attention as the original, but it was popular and well-reviewed in New Zealand, and Morrison's second turn as Jake won him another Best Actor prize from the New Zealand Film and TV Awards. Morrison landed his biggest hit in 2002, when he was cast as Jango Fett in the eagerly anticipated Star Wars: Episode Two -- Attack of the Clones. ~ Mark Deming

Trivia: Trained at Juilliard, actor Michael Beach worked in regional theater and off-Broadway productions before moving to Los Angeles to work on television and film. His stage credits include Much Ado About Nothing and Ascension Day. Though he appeared on television a lot in the late '80s, his film breakthrough came in Carl Franklin's 1991 crime thriller One False Move. He played the ex-con Pluto opposite Billy Bob Thornton, who also co-wrote the script. Thornton later wrote the role of Virgil for Beach in the 1996 drama A Family Thing, starring James Earl Jones. In 1993, he was a part of the ensemble cast in Robert Altman's award-winning feature Short Cuts. After playing opposite Laurence Fishburne in the crime thriller Bad Company (1995), Beach went on to play several unfaithful husbands. He cheated on Angela Bassett in Waiting to Exhale (1995), Vanessa Williams in Soul Food (1997), and Gloria Reuben on ER. Fellow ER cast member Eriq La Salle cast Beach in his sports drama Rebound: The Legend of Earl 'The Goat' Manigault (1996) for HBO. Back on television, Beach earned an Image Award for his role of Monte 'Doc' Parker on the NBC dramatic series Third Watch. In 2002, he re-teamed with actor/director La Salle for the lead role of Dr. Ty Adams in the thriller Crazy as Hell.

Trivia: Created an Asian American theater group called Lapu the Coyote That Cares, with two friends in college. Performs sketch comedy with his friend Marques Ray. His first regular acting role was on Nick Cannon's Wild 'N Out in 2006. Is a frequent contributor to Channel 101, an online TV network.

Trivia: His family left Glasgow when he was a child and lived in Canada, the USA and England before settling in New Zealand. At school, he and a friend would write and perform comedy sketches, which resulted in his playing a role in Sheridan's The Rivals after the principal actor fell ill. Early in his career, worked at the Dundee Repertory with colleagues Jimmy Logan and Robert Robertson and at the repertory theatres in London's West End. Played Clarence in Richard III, directed by Brian Cox, at Regent's Park Open Air Theatre in London in 1995. Has voiced characters in several video games, including the Call of Duty and Uncharted franchises for the Xbox 360 and PlayStation 3. Took part in the 2013 Kiltwalk campaign to raise money to support Scottish children's charities. Took the role of the 17th Grand Marshall of New York City's Tartan Day Parade in April 2015.

Trivia: Born in 1977 and raised in Melbourne, Aussie screenwriter, producer, and occasional actor Leigh Whannell alternated between work as a reporter and assignments as a TV-based movie critic on his native continent prior to his decision to attend film school in the early 2000s. As a production student, Whannell met aspiring director James Wan; the two forged a tight creative bond and quickly devised the premise for a new slasher franchise, Saw, co-authoring the screenplay of the premier installment. The by-now infamous story of Saw concerns the plight of two successful men who black out, regain consciousness, and find themselves chained to rusty pipes in a subterranean bathroom. They are then tortured in unspeakable manners by an evasive predator in clown makeup, known alternately as The Jigsaw Killer and simply Jigsaw. To sell this genre effort, Whannell and Wan followed a marketing strategy identical to the one that Joel and Ethan Coen used to sell their debut, Blood Simple, 20 years prior: the budding filmmakers shot a "trailer" that showcased the film's atmosphere of relentless tension and high-wire suspense to secure a production deal. The gamble paid off; Lionsgate green-lit the project and sent it into production between 2003 and 2004. Meanwhile, Whannell embarked on an acting career; he joined the ensemble cast of 2003's Wachowski Bros. sequel The Matrix Reloaded (as Axel) and assumed the lead role of Adam in Saw. With Wan in the director's chair and Stacey Testro, Peter Block, and Jason Constantine as executive producers, Saw became a massive runaway hit and -- as predicted -- yielded two successful sequels in 2005 and 2006 that further detail the exploits of Jigsaw. The boys scripted the second and third installments, though Wan declined the offer to direct either. Saw II, which debuted in late 2005, has eight people -- instead of the original two -- locked up by the diabolical Jigsaw in a dungeon and attempting to escape. In Saw III, Jigsaw -- now on his deathbed -- instructs his protégé, Amanda (Shawnee Smith), in the ways of evil, ordering her to kidnap and torture a physician and another victim, Jeff (Angus MacFadyen). Mirroring the innumerable A-budget horror franchises that preceded Saw, the first sequel did astonishing box office but was eviscerated by critics, and Saw III echoed this response on both critical and commercial fronts. Meanwhile, instead, of directing Saw II or Saw III, Wan and Whannell set to work on a Saw follow-up, 2007's Dead Silence (aka Shhhh...). The suspenser stars Donnie Wahlberg and supermodel Amber Valletta (Hitch), and concerns a recently widowed young man who returns to his hometown to unearth the shadowy details surrounding his beloved's demise. Universal Pictures slated the release for January 2007.

Trivia: John Rhys-Davies is one of modern cinema's most recognizable character actors. While best known for his work as Indiana Jones' (Harrison Ford) comic sidekick, Sallah, in two of Paramount's Indiana Jones adventure films, the actor has appeared in over 100 television shows and films since the early '70s. He has built an impressive onscreen career, especially for a stage actor who once swore that he would never perform in front of a camera. Born in Wales on May 5, 1944, Rhys-Davies grew up in England, Wales, and East Africa. He studied English and History at the University of East Anglia at Norwich, where he became interested in theater while reading classical literature. Upon graduating, Rhys-Davies earned a scholarship to study acting at London's prestigious Academy of Dramatic Art. He then worked briefly as a schoolteacher before joining the Madder-Market Theatre in Norwich. The actor, who eventually advanced to the Royal Shakespeare Company, performed in over 100 plays. His theatrical credits include starring roles in Shakespeare's Othello, The Tempest, Hamlet, Macbeth, and Henry the Fourth, Ibsen's Hedda Gabler, and Moliere's The Misanthrope. Rhys-Davies was 28 when he made his television debut in 1972 as Laughing Spam Fritter in the BBC's Budgie, a comedy starring former British pop star Adam Faith as an amusing ne'er-do-well. In 1975, he joined John Hurt in the cast of the television show The Naked Civil Servant, which chronicled the rich life of Quentin Crisp. One year later, Rhys-Davies re-teamed with Hurt, as well as Derek Jacobi and Patrick Stewart, for the BBC's unforgettable three-part adaptation of Robert Graves' I, Claudius and Claudius the God. Titled I, Claudius, the television miniseries appeared on PBS's Masterpiece Theater and gave American audiences their first glimpse of the actor. He subsequently starred as Vasco Rodrigues in NBC's adaptation of James Clavell's Shogun, which told the adventures of an English sailor stranded in Japan during the early 17th century. Rhys-Davies' performance earned him both an Emmy nomination and the attention of director Steven Spielberg. In 1981, Spielberg cast Rhys-Davies as the comic, fez-wearing Sallah in Raiders of the Lost Ark, the first installment of the Indiana Jones movies. The film was an instant success and Rhys-Davies' comedic skill made Sallah an audience favorite. He went on to film Victor/Victoria (1982) with Julie Andrews, James Garner, Robert Preston, Leslie Ann Warren, and former pro-football player Alex Karras. For the next two decades, the actor worked on numerous films and television shows and made memorable guest appearances on ChiPs, The Scarecrow and Mrs. King, Murder, She Wrote, Perry Mason, Tales From the Crypt, Star Trek: Voyager, and The Secret Adventures of Jules Verne. In 1987, he portrayed Front de Boeuf in the television adaptation of Sir Walter Scott's Ivanhoe that starred James Mason and Sam Neill. That same year, he played the evil Russian General Koskov in the Timothy Dalton-helmed James Bond film The Living Daylights. 1989 saw Rhys-Davies playing Joe Gargery in the Disney Channel's adaptation of Dickens' Great Expectations, starring in the miniseries version of War and Remembrance with Robert Mitchum, David Dukes, and Jane Seymour, and returning as Sallah in Indiana Jones and the Last Crusade. In 1990, he wrote and starred in the safari adventure film Tusks. In 1991, he hosted the documentary Archaeology. In 1993, he signed onto the series The Untouchables, based on Brian De Palma's hit film. The show was short-lived and Rhys-Davies did not work on a successful television series until 1995's Sliders with Jerry O'Connell. The sci-fi venture accrued a rather large fan base: Audience members were openly upset when Rhys-Davies' character, the bombastic Professor Maximillian P. Arturo, left the series after only three seasons. After appearing with Damon Wayans in The Great White Hype (1996), Rhys-Davies recorded voice work for the animated films Aladdin and the King of Thieves (1996) and Cats Don't Dance (1997). The actor has done additional voice work for Animaniacs, Batman: the Animated Series, Gargoyles, Pinky and the Brain, The Fantastic Four, and The Incredible Hulk. He has also branched out to other medias, starring in video games such as Wing Commander III: Heart of the Tiger, Dune 2000, and Baldur's Gate: Dark Alliance, and the CD-ROM game Quest for Glory IV. In 1999, Rhys-Davies read for the minor character of Denethor in the second installment of Peter Jackson's highly anticipated three-film adaptation of J.R.R. Tolkien's The Lord of the Rings trilogy. Jackson offered him the role of the warrior dwarf Gimli, a major figure in all three pictures. As Gimli, Rhys-Davies is utterly unrecognizable: The part required that he wear heavy facial prosthetics and perform on his knees in order to portray the 4'2" dwarf (the actor, himself, is over six feet tall). The three films -- The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) -- were shot simultaneously over an 18-month period in New Zealand, after which Rhys-Davies was asked to return to the set and record the voice of Treebeard, a computer-generated character in the second picture. In 2001, in the midst of attending press junkets for the release of The Fellowship of the Ring, Rhys-Davies began work on the Jackie Chan film Highbinders (2002) and the Eric Roberts B-picture Endangered Species (2002). Besides being an actor, Rhys-Davies is also a serious vintage car collector and a thriving investor. In the '80s, he invested heavily with his earnings and purchased a company that conducts genetic engineering feasibility studies. The actor resides in both Los Angeles and the Isle of Man.

Trivia: Actor Djimon Hounsou first gained acting attention in Steven Spielberg's Amistad (1997). Born April 24th, 1964 in West Africa, he moved with his family to Paris, France, at age 13. When he left school, he became homeless and spent a couple of years wandering the streets of Paris before being discovered by fashion designer Thierry Mugler. After he resettled himself, Hounsou moved to Los Angeles to try his hand at acting. While on the way to stardom, Hounsou appeared in music videos, including those of Madonna, Janet Jackson, and Steve Winwood. After his turn as a rebellious slave in Amistad, for which he received a Golden Globe nomination, he found increasingly steady employment on both the big and small screens, becoming a semi-regular on the hospital drama ER and appearing in such films as the historical epic Gladiator (2000). After such high-profile projects, Hounsou's success in the following two years would prove no surprise to anyone who glanced at his filmography. Aside from prominent roles in such high-profile French films as 2002's Le Boulet (Dead Weight) and the following year's Muraya -- l'Expérience Secrète de Mike Blueberry (The Adventures of Mike S. Blueberry), Hounsou's bid for screen stardom was simultaneously on display in such stateside features as The Four Feathers (2002), Biker Boyz, and Lara Croft: Tomb Raider -- The Cradle of Life (both 2003).In 2003, Hounsou received his first Oscar nomination for his acclaimed supporting role in Jim Sheridan's In America. And while he spent much of the next three years appearing in films that earned mixed reactions from both audiences and critics, he was back in top form in 2006's Blood Diamond, which found him opposite Leonardo DiCaprio. The film appeared on a number of Top Ten lists, garnered Hounsou accolades from countless critics groups and snagged him his second Oscar nod.Following the success of Blood Diamond, Hounsou made several guest appearances on th popular television show Alias, and joined filmmaker Michae Bay's 2005 action drama The Island, which co-stars Scarlet Johansson, Steve Buscemi, Michael Clarke Duncan, and Sean Bean. In 2009, Hounsou played the rle of n aget determined to thwart the plans of a group of telekinetic American ex-pats. The actor joined the Academy-award winning actress Helen Mirren in the 2011 film adaptation of Shakespeare's The Tempest, in which Mirren played the traditionally male role of Prospero.

Trivia: Actor Robert Longstreet appeared onscreen beginning in the mid-2000s, typically in supporting roles and bit parts. His credits include the films Divine Secrets of the Ya-Ya Sisterhood (2002), Ball of Wax (2003), Low and Behold (2006), and Great World of Sound (2007).