Trivia: Internationally known for his charisma and smoldering good looks, Antonio Banderas is the ultimate manifestation of the Latin heartthrob. Born in Málaga, Spain on August 10, 1960, Banderas wanted to become a professional soccer player until a broken foot sidelined his dreams at the age of fourteen. He went on to enroll in some drama classes, eventually joining a theatre troupe that toured all over Spain. His work in the theatre, and his performances on the streets, eventually landed him a spot with the National Theatre of Spain. While performing with the theatre, Banderas caught the attention of director Pedro Almodóvar, who cast the young actor in his film debut, Laberinto de Pasione (Labyrinth of Passion) (1982). He went on to appear in the director's La Ley del Deseo (Law of Desire) (1984), making headlines with his performance as a gay man, which required him to engage in his first male-to-male onscreen kiss. After Banderas appeared in Almodóvar's Matador (1986), the director cast him in his internationally acclaimed Mujeres al Borde de un Ataque de Nervios (Women on the Verge of a Nervous Breakdown) (1988). The recognition Banderas gained for his role increased two years later when he starred in Almodóvar's controversial Atame! (Tie Me Up! Tie Me Down!) as a mental patient who kidnaps a porn star (Victoria Abril) and keeps her tied up until she returns his love.Banderas made his first stateside appearance as an unwitting object of Madonna's affections in Truth or Dare (1991). The following year, still speaking next to no English, he starred in his first American film, The Mambo Kings. It was a testament to his acting abilities that, despite having to learn all of his lines phonetically, Banderas still managed to turn in a critically praised performance as a struggling musician. He broke through to mainstream American audiences as the gay lover of AIDS-afflicted lawyer Andrew Beckett (Tom Hanks) in Philadelphia (1993). The film's success earned Banderas wide recognition, and the following year he was given a substantial role in Neil Jordan's high-profile adaptation of Anne Rice's Interview with the Vampire, which allowed him to share the screen with the likes of Tom Cruise and Brad Pitt. Banderas subsequently appeared in a number of films of widely varying quality, doing particularly strong work in Desperado (1995), Evita (1998), and The Mask of Zorro (1998). In 1999, he made his first foray into directing with Crazy in Alabama, a black comedy starring Melanie Griffith, to whom he had been married since 1996. The following year he starred as an aspiring boxer opposite Woody Harrelson in Play It to the Bone, portrayed a Cuban tycoon with a bad seed bride (Angelina Jolie) in Original Sin, and starred alongside Bob Hoskins and Wes Bentley in The White River Kid. Well established as a hearthrob and a talented dramatic actor by the end of the 1990s, the fact that Desperato director Robert Rodriguez was the only director to have expolored Banderas' comic potential (Banderas provided one of the few memorable performances in Rodriguez's segment of the otherwise abysmal Four Rooms (1995)) hinted at a heretofore unexplored but potentially lucrative territory for the actor. Later approached by Rodriguez to portray the super-spy patriarch in the family oriented adventure comedy Spy Kids (2001), Banderas charmed children and adults alike with his role as a kidnapped agent whose children must discover their inner stregnth in order to rescue their mother and father. After reprising his role in the following year's Spy Kids 2: Island of Lost Dreams, Banderas would next return to more adult oriented roles in both Brian DePalma's Femme Fatale and the ill-fated Ballistic: Ecks vs. Sever (both 2002). After essaying a more historic role in the dramatic biopic Frida (also 2002), the remarkably diverse actor would one again team with Rodriguez for the sprawling Once Upon a Time in Mexico (2003). In 2004 he joined the highly successful Shrek franchise voicing Puss In Boots, and the character became so popular that he appeared in each of the following sequels, and was the subject of his own feature in 2011. In 2005 he played Zorro again, and he had a major part in the dance film Take the Lead. In 2011 he reteamed for the first time in two decades with Pedro Almodovar in the Hitchcock-inspired The Skin I Live In, and the next year he appeared as a mysterious international espionage figure in the action film Haywire. He appeared in a small role in Rodriguez's Machete Kills (2013) and later appeared in The Expendables 3 (2014).

Trivia: A native of Sarasota, FL, Gugino spent most of her youth being shuttled by her mother to various locations in California. At age 15, she and her mom were living in San Diego, when Gugino was convinced to try a modeling career in New York City. She succeeded, but soon found the fast pace of high-fashion modeling too much for her and moved to Los Angeles, where she took advice from an aunt, model Carol Merril, and enrolled in acting classes to study under drama coach Gene Bua. Gugino soon made her film debut in the comedy Troop Beverly Hills (1986). More features followed, until she got her first supporting major role, that of Norma in the Robert De Niro/Leonardo Di Caprio drama This Boy's Life (1993), and later scored a co-starring role on the Michael J. Fox sitcom Spin City. As her star continued to rise, Gugino would spend the subsuquent years appearing in a wide variety of high profile projects, like Spy Kids, Out of Sight, Sin City, Night at the Museum, Sucker Punch, Watchmen, and Mr. Popper's Penguins. Gugino would also find major success on the small screen, with roles on shows like Entourage and Californication.

Trivia: Child actor Daryl Sabara was propelled to stardom at the age of eight with a leading role in Spy Kids and Spy Kids 2: Island of Lost Dreams, the family action franchise written and directed by Robert Rodriguez. Sabara plays the intuitive and creative spy kid Juni Cortez, younger sibling of the fearless teen spy Carmen Cortez (Alexa Vega). Well-suited for physically demanding action-adventures, he joined the South Bay Ballet Company at the age of four and continued to train in dance, gymnastics, and tae kwon do. Along with his twin brother, Evan Sabara, he got started in acting with television guest-starring roles, including Love & Money, Roswell, and Will & Grace. Sabara's next film, Spy Kids 3D: Game Over, is scheduled for release in 2003.

Trivia: Scottish, versatile, and for a long time underappreciated, Alan Cumming is chameleon-like in both his choice of roles and his ability to inhabit them convincingly. Born January 27, 1965, in Perthshire, Scotland, Cumming studied drama at the Royal Scottish Academy of Music and Drama before embarking on a career that would have its roots on the stage. For years, Cumming worked steadily in the theater as a member of repertory companies, such as the Royal Shakespeare Company. In 1992 he had his film debut in the largely unheard of Prague, which was essentially a historical overview of the city. In 1994 American audiences were introduced to the sound of Cumming's voice thanks to his role as the narrator of Black Beauty, but it wasn't until 1995 (Cumming's other 1994 film, Second Best notwithstanding) that they actually saw him, this time via his small but memorable role as a Russian computer programmer in Goldeneye.Wider exposure followed, thanks to two successful films. The first, Circle of Friends (1995), featured Cumming as Minnie Driver's slimy, unwelcome suitor, and the second, 1996's Emma, saw Cumming playing yet another unwelcome suitor, this time to Gwyneth Paltrow. More sympathetic roles followed in For My Baby, Buddy, and Romy and Michele's High School Reunion (in which he played a sweetly awkward nerd with a crush on Lisa Kudrow), all released in 1997. Work in Spice World came next in 1998, as did the stage role that was to give Cumming critical acclaim, a host of awards, and the wider respect he deserved. That role was Cabaret's Emcee, and Cumming managed to make the character -- previously the sole territory of Joel Grey -- all his own, giving a wickedly delicious performance that was unabashedly dark, sly, androgynous, and altogether terrifying. His performance won him all three New York theater awards: a Tony, a Drama Desk, and an Outer Critics Circle. This triumph resulted in a new range of opportunities for the actor, one of which was the chance to be a part of what was to be Stanley Kubrick's last film, Eyes Wide Shut (1999). Although Cumming's role as a hotel desk clerk was a small one, the actor turned in a sly and insinuating performance that reflected his ability to make the most out of even the most limited opportunities.Cumming was subsequently given almost unlimited opportunities to showcase his flamboyance in Julie Taymor's Titus, her 1999 adaptation of Shakespeare's Titus Andronicus. In his role as the queen's (Jessica Lange) debauched lover, he gave a performance that was as over-the-top and rococo as the film itself, leading some critics to say his portrayal had a little too much in common with a Christmas ham.Fortunately, Cumming surprised critics and audiences alike when he directed, with Jennifer Jason Leigh, The Anniversary Party (2001), a marital comedy-drama that starred him and Leigh as a husband and wife whose anniversary party exposes the many flaws of their fragile marriage. Featuring a cast that included Kevin Kline, Phoebe Cates, Gwyneth Paltrow, John C. Reilly, and Jennifer Beals, the film, which was shot on digital video, earned a fairly warm reception from critics, many of whom praised Cumming for his work both behind and in front of the camera.Cumming took the part of the bad guy in the first Spy Kids movie, a role he would repeat in the film's first two sequels. He also played the evil corporate manipulator in Josie and the Pussycats. He appeared in the musical remake of Reefer Madness in 2004, and that same year voiced a cat in the live action Garfield the movie. He worked steadily in a variety of projects including Gray Matters, Eloise: Eloise in Hollywood, and Dare, but found his biggest critical success on the small screen as part of the cast in the highly-respected CBS drama The Good Wife which began its run in 2009.

Trivia: A uniquely gifted and versatile actor possessing the distinct ability to immerse himself in a role so convincingly that he becomes almost unrecognizable -- from a quality obsessed restaurateur (Big Night, 1996) to a master criminal bent on world domination (Spy Kids, 2001) -- one can always count on Tony Shalhoub to deliver a memorable performance no matter how small his role may be.Well-known to television audiences for his extended stint as a self-deprecating cabbie on the long-running series Wings, Shalhoub made the often-painful transition from television to film with a grace seldom seen. Born on October 9th, 1953 in Green Bay, WI, Shalhoub developed his passion for theater at the youthful age of six when he volunteered via his sister to play an extra in a high-school production of The King and I. Shalhoub was hooked. After earning his master's degree from the Yale Drama School and spending four seasons at the American Repertory Theater in Cambridge, MA, Shalhoub packed his bags for New York where he began a luminous career on Broadway. Broadway brought Shalhoub success not only in his career, but in his personal life as well: he was nominated for a Tony for his role in Conversations With My Father and he met his future wife, actress Brooke Adams, while acting in The Heidi Chronicles. It was not long after his Broadway success that Shalhoub made his feature debut, as a doctor in the 1990 AIDS drama Longtime Companion.Shalhoub's film career has been a testament to his range and a compliment to his abilities. Though prone to comedy, his dramatic roles have gained him just as much, if not more, recognition than his comedic roles. Winning the Best Supporting Actor award from the National Society of Film Critics for his well-researched role in Big Night (1996), Shalhoub expanded his dramatic film repertoire with roles in A Civil Action and The Siege (both 1998), while always maintaining his knack for humor (1997's Men in Black). Shalhoub's role as the ultra-mellow "anti-Scottie" in the Star Trek send-up Galaxy Quest (1999) proved that his comic persona was indeed still as sharp as ever. Sticking in the sci-fi/fantasy mold for his roles in Imposter and Spy Kids (both 2001), Shalhoub once again proved that he could do 180-degree character turnarounds with ease.Though Shalhoub would stay in sci-fi mode for his role in Men in Black 2, he would return to solid ground with his role as an obsessive-compulsive detective in the well-received television pilot Monk (2002). Directed by Galaxy Quest helmer Dean Parisot, the pilot for Monk successfully paved the way for the curiously innovative USA series to follow and found the actor warmly re-embracing the medium that had propelled him to stardom. As Monk's popularity continued to grow, Shaloub found success on the big screen in the role of a gifted psychologist for The Great New Wonderful (2005), and voiced the lovable Luigi in Cars (2006) and Cars 2 (2011). In 2007, he worked alongside John Cusack and Samuel L. Jackson for the supernatural horror film 1408.

Trivia: A star of television and feature films, Teri Hatcher also holds the distinction of being the woman whose photographs were most frequently downloaded from the Internet in the late '90s. With her brunette hair, beautiful brown eyes, mischievous smile, and petite but curvaceous figure, it isn't difficult to imagine why. While Hatcher could probably thrive for years as a virtual pinup, there is more to her than drop-dead gorgeous looks. The daughter of a physicist and a computer programmer, she initially studied math and engineering at a San Francisco area community college before the acting bug bit. She later enrolled at the American Conservatory Theatre. At age 20, she was a cheerleader for the San Francisco 49ers. Hatcher made her television debut in 1985, playing Amy, one of the singing/dancing Mermaids on the revived anthology series Love Boat. Shortly thereafter, she became a regular on the action-adventure series MacGyver and more guest-starring roles on other shows followed, but she did not become a bona fide star until 1993, after she was selected to star opposite Dean Cain in the television series Lois and Clark: The New Adventures of Superman. Hatcher stuck with the show until it ended its run in 1997, and though she would lay low for a few subsuquent years, Hatcher's career caught a second wind and a half with her starring role on the comedy Desperate Housewives, a phenomenally successful show that made the actress a bigger star than ever.

Trivia: The son of a Los Angeles police officer, American actor/director Richard "Cheech" Marin earned his nickname through his fondness for the Chicano food, specialty cheecharone. An excellent student (if something of a class cutup), Marin entered California State University, only to drop out and hightail it to Canada to avoid the draft. While working as an improvisational comedian with Vancouver's City Work troupe, Marin teamed with Tommy Chong; the Hispanic/Asian duo created the characters of Cheech and Chong, a pair of zoned-out dopers ever in search of the "perfect joint." On the strength of their bestselling record albums, Cheech and Chong were signed for the inexpensive comedy film Up in Smoke (1978), which wound up as one of Warner Bros.' highest-grossing films (not to mention one of its highest, period). As the drug culture lost its momentum, so did the film career of Cheech and Chong, with each of the team's subsequent films making less money than its predecessor. By the time C & C headlined the atrocious The Corsican Brothers (1984), the jig was up. Cheech and Chong split up in 1984 (though they remained friends) and went off to their own projects. While it was Chong who directed many of the team's features, Marin sat in the director's chair for the best of his post-team projects, the 1987 film Born in East L.A, inspired by Cheech's own parody music video. Marin's starring film is Shrimp on the Barbie (1990) contained no drug jokes and fewer laughs (an indication of its quality is the fact that the director had his name removed from the credits in favor of the pseudonymous "Alan Smithee"). Lately regarded as an elder statesman of the counterculture, Marin has kept busy with cameo roles, cartoon voice-overs (Oliver and Company, Ferngully, The Lion King), and a brief stint as a costar of the 1992 TV sitcom "Golden Palace." In 1996, he began co-starring opposite Don Johnson in the television drama Nash Bridges. Around this time he began a fruitful collaboration with independent filmmaker Robert Rodriguez. Marin had a part in Desperado, and played multiple characters in the vampire film From Dusk 'til Dawn for the Austin based maverick. Marin was cast as Kevin Costner's best friend in the golf comedy Tin Cup in 1996. The beginning of the next decade brought Marin an unexpected new audience as he began a series of humorous appearances in family films and lent his vocal talents to a number of animated films. He appeared in all three segments of Rodriguez's Spy Kids series, did vocal work in Good Boy, and voiced one of the Cars in Pixar's film. He also played small parts in John Sayles Silver City, and Bob Dylan's Masked & Anonymous.

Trivia: While significant mainstream recognition has eluded Robert Patrick, with two notable exceptions -- he all but replaced David Duchovny in the waning days of The X-Files and admirably portrayed "the liquid metal cop guy" in Terminator 2: Judgment Day (1991) -- he has nonetheless built an impressive resumé with over 60 television and film appearances since the mid-'80s. The eldest of five children, Patrick didn't choose to pursue a career in acting until his mid-twenties, despite having a bona fide diva moment during a third-grade production of Peter Pan, for which he refused to wear the required green tights. Rather, after a successful stint as a linebacker for Bowling Green University, Patrick became a house painter and may have continued as such were it not for a serious accident in the waters of Lake Erie, where he nearly drowned. The accident served as a revelation of sorts for Patrick, who promptly quit his day job and moved from Ohio to Los Angeles. It took more than a few sacrifices -- a then 26-year-old Patrick lived in his car and tended bar for his major source of income -- but the young actor found himself playing small roles in various low-budget films, which he credited to his tough-looking exterior and motorcycle-riding abilities.Though Patrick spent most of the late '80s paying his dues, his breakout performance landed him opposite Arnold Schwarzenegger in director James Cameron's Terminator 2: Judgment Day. Patrick readied himself for the role of the T-1000 android in a rather unique fashion; in addition to martial arts, endurance, and strength training, he observed the movements of cats, eagles, and praying mantises. Odd as that may have sounded at the time, it certainly enhanced one of the most memorable roles in one of the most memorable films of the decade. After T2, Patrick was able to leave the world of B-movies and hold his own alongside some of the most established actors in Hollywood, including a second performance with Schwarzenegger in Last Action Hero (1993) and a more prominent role opposite Demi Moore in Striptease (1996). Patrick also expressed a fondness for martial arts films, and starred in both Double Dragon and Hong Kong 97 in 1994. However, it was his 1993 performance as a stoic regular-guy-turned-UFO-believer in Fire in the Sky that caught the attention of X-Files director Chris Carter. Carter immediately thought of Patrick when David Duchovny distanced himself from The X-Files, and, after auditioning 70-odd actors for the role of John Doggett, became determined to initiate Patrick into his long-running world of conspiracy theories and paranormal phenomena. To the surprise of fans and critics alike, Patrick was received quite well on The X-Files, and quickly found himself gracing the covers of many a genre magazine -- he was even anointed one of the Ten Sexiest Men of Sci-Fi by TV Guide.By the time The X-Files aired its last show, Patrick had developed a solid reputation within the industry; critics, fans, and co-stars alike praised him for his work ethic, personality, and consistent performances. Rather than fading into the scenery, Patrick starred as the mysterious Mr. Lisp in Spy Kids (2001), and later starred as a reclusive wilderness tracker in Pavement (2002). After making appearances in Richard Shepard's Mexico City (2002), Charlie's Angels: Full Throttle (2003), and the sci-fi spin-off series Stargate: Atlantis, Patrick filmed director Jay W. Russell's Ladder 49 (2004). A memorable performance as Johnny Cash's distant father Ray in Walk the Line followed in 2005, with a subsequent role as a security expert in the Harrison Ford thriller Firewall preceeding a return to weekly television in the David Mamet-created series The Unit in 2006. Later in 2006, Patrick would incur the wrath of WWE superstar John Cena with his role as a ruthless kidnapper in the explosive action thriller The Marine. Patrick lives with his wife, Barbara, whom he married during the filming of T2, and their two children.

Trivia: With his intimidating, tattooed, muscle-bound appearance, character actor Danny Trejo has formed a successful career as the all-purpose hard case over his curious and enduring cinematic career. Beating the odds of repeat offender syndrome after being released from prison, Trejo has risen through the ranks to find himself in high demand as an actor, and has even expanded his talents to include a producer credit to his resumé. His life story is just about as pristine an example of rehabilitation as one could ask for.Raised in the mean streets of East L.A., Trejo spent many of his early years incarcerated in such legendary prisons as Folsom and San Quentin on drug and robbery convictions. Channeling his intense energy into the boxing ring and winning numerous lightweight and welterweight titles, Trejo was released as a new man after completing a life-changing 12-step rehabilitation program to overcome his addictions. Applying the ideas that changed his life in an attempt to help others headed down a similar path, upon release Trejo became involved with numerous rehabilitation and counseling programs. A chance meeting with a young man who asked for his support at a Cocaine Anonymous meeting in 1985 later found the sympathetic ex-con meeting the struggling addict on the set of Runaway Train, and Trejo was quickly offered a role as a convict presumably based on his threatening appearance. Chance piled upon chance found an old prison buddy/screenwriter who remembered Trejo's hard-hitting boxing skills on the same set, and Trejo was then offered a chance to train Eric Roberts for a film, and was eventually offered the role as his opponent in the ring. Following with roles in The Hidden (1987), and later Lock-Up (1989), Marked for Death (1990), Mi Vida Loca (1993), and Heat (1995), Trejo formed an alliance with director Robert Rodriguez with Desperado in 1995, and soon graduated to such bigger-budget films as Con Air (1997) and The Replacement Killers (1998) in the latter 1990s. The Rodriguez-Trejo twosome found the actor taking on the role of Uncle Isadore "Machete" Cortez in the director's 2001 smash hit Spy Kids, and was later cast in both the film's sequel and Rodriguez's Once Upon a Time in Mexico (2002). Trejo continued to work steadily on the big and small screens in a variety of projects such as Alias, Monk, The Devil's Rejects, Snoop Dogg's Hood of Horror, the indie drama SherryBaby, and Smiley Face. He enjoyed one of his rare big-screen starring vehicles when Robert Rodriguez made Machete -- a feature-length version of the trailer he created for Grindhouse -- in 2007. He went on to appear in Valley of Angels, Saint John of Las Vegas, A Very Harold & Kumar Christmas, and Bad Ass.

Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.

Trivia: Dubbed "The Godfather of Gore" for his brilliant make-up and special effects work on countless horror movies, Tom Savini has grossed people out as the guy behind the gore on films ranging from Friday the 13th to Night of the Living Dead to Quentin Tarantino's From Dusk Till Dawn.Developing an interest in magic and illusion as a child, when he was inspired by the 1957 Lon Chaney biopic Man of a Thousand Faces, Savini spent most of his youth in his room, inventing characters and experimenting with make-up techniques. After studying acting and directing at Carnegie Mellon University, he went to Vietnam as a combat photographer for the Army; ironically, he would later gain fame for simulating on the screen the same kind of carnage he witnessed first-hand during the war.Savini first began working as a make-up and special effects man on horror movies during the early 1970s. Some of his more notable work during that decade and the subsequent years includes George A. Romero's Dawn of the Dead (1978), and Day of the Dead (1985), Friday the 13th (1980), the Creepshow series, The Texas Chainsaw Massacre 2 (1986), Dario Argento's Trauma (1992), a 1995 re-make of Romero's Night of the Living Dead, which Savini also directed, and Tarantino's From Dusk Till Dawn (1996).In addition to his make-up and special effects work, Savini has a number of acting and directing credits to his name on the stage, screen, and television. He has also written a number of books about his trade and has been the subject of the documentary series Scream Greats.

Trivia: A former engineer, Mike Judge achieved animation renown for his dead-on idiot savant satire of American suburban teen culture in the MTV phenomenon Beavis and Butt-Head.Born in Ecuador and raised in Albuquerque, NM, Judge got a degree in physics at U.C. San Diego. Relocating to Texas, Judge worked as an engineer and also tried to forge a career as a musician, but found that animation was his preferred calling. After a Dallas animation festival, Judge's 1991 short Office Space was picked up by Comedy Central. His 1992 short Frog Baseball, featuring two sadistic teen cretins voiced by Judge, subsequently led to a 1993 MTV animated series revolving around the heavy metal-loving adolescents Beavis and Butthead.Anchored by the pair's witty critiques of music videos ("this blows, huh-huh-huh"), Beavis and Butt-Head attracted devout fans with its astutely low-brow take on the teen boy culture of raging hormones, loud music, fast food, and pyromania. Despite fierce criticism of its overt idiocy and a 1993 scandal involving its influence on a fire-setting viewer, Beavis and Butt-Head ran for several years, spawning lucrative merchandising and Judge's first big-screen feature, Beavis and Butt-Head Do America (1996). Judge branched out into network TV in 1997 with Fox's popular, Emmy-nominated animated comedy series King of the Hill, featuring executive producer Judge as the voice of laconic Texas propane salesman and family man Hank Hill. Bringing his sweetly jaundiced view of American suburbia to live-action film, Judge expanded his early short into the full-length feature Office Space (1999). Humorously chronicling the myriad forms of office cubicle and chain-restaurant hell, with visually clever detours into the suburban white male affection for gangsta rap, Office Space wickedly celebrated one man's revolt against 1990s corporate culture and became a small hit. Despite his initial success with live action, Judge became somewhat dormant as a writer-director of feature films in the years following Office Space's initial release. Over the next decade, Judge continued his work with small-screen animation via King of the Hill, and made vocal contributions to the outrageously tasteless yet intelligent blockbuster South Park: Bigger, Longer & Uncut (1999). He nonetheless remained conspicuously absent from megaplexes for almost a decade, which made Office Space cultists increasingly impatient for a follow-up to that earlier hit. It eventually arrived in the form of 2006's Idiocracy -- a satirical sci-fi comedy produced for Fox Searchlight that Judge scripted along with Etan Cohen, whom he had previously worked with on Beavis and Butt-Head and King of the Hill. In the film, the U.S. military recruits the "most average man in the Army" (Luke Wilson) to take part in a secret experiment in which he will be cryogenically frozen for one year. He wakes up 500 years later to find out that he was forgotten about when the base closed; now in the year 2505, he discovers that he is the most intelligent person on Earth, as society has been dumbed down to the point where a former porn star/wrestler is the President of the Unites States.In summer 2009, Judge released his next live-action feature film, Extract, starring Jason Bateman as the owner of a flavor-extract manufacturing company who struggles with his factory workers and dreams of selling off his business -- a reversal of the dynamic and setting of his previous workplace comedy Office Space, wherein cubicle drones dream of rebellion against their insufferable boss and corporate overlords. Extract also featured Mila Kunis, Ben Affleck, Gene Simmons, Kristen Wiig, among others. Shortly thereafter, Judge wrapped up his long-running King of the Hill series after completing its 13th season.

Trivia: Self-taught writer/director Richard Linklater was among the first and most successful talents to emerge during the American independent film renaissance of the 1990s. Typically setting each of his movies during one 24-hour period, Linklater's work explored what he dubbed "the youth rebellion continuum," focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the twenty-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood firmament.Born in Houston, TX, in 1960, Linklater suspended his educational career at Sam Houston State University to work on an offshore oil rig in the Gulf of Mexico. He subsequently relocated to the state's capital of Austin, where he founded a film society and began work on his debut short film, 1987's It's Impossible to Learn to Plow by Reading Books. Three years later he released the sprawling Slacker, an insightful, virtually plotless look at '90s youth culture that became a favorite on the festival circuit prior to earning vast acclaim at Sundance in 1991. Upon its commercial release, the movie, made for less than 23,000 dollars, became the subject of considerable mainstream media attention, with the term "slacker" becoming a much-overused catch-all tag employed to affix a name and identity to America's disaffected youth culture.Landing with Universal, Linklater next filmed 1993's Dazed and Confused, a generational update of George Lucas' American Graffiti set during the last day of high school in 1976. Despite massive studio interference, the movie maintained Linklater's unique sensibilities while also proving his ability to work within the confines of more mainstream narrative structures, and went on to become a critical success as well as a cult favorite. Switching gears, the director traveled to Vienna, Austria, to film 1995's Before Sunrise, a sweet romantic comedy which bypassed the impressionistic textures of his previous work to place a new focus on character development. After making a brief voice-over appearance in the animated hit Beavis and Butt-Head Do America, Linklater next directed 1997's SubUrbia, an adaptation of Eric Bogosian's play of the same name. Though it bore a strong similarity to Linklater's previous work -- Slacker and Dazed and Confused in particular -- SubUrbia largely abandoned those films' improvisational style in favor of a more faithful script interpretation, which garnered mixed notices with critics.Linklater's first foray into major-studio filmmaking, The Newton Boys, followed a year later. The true-life, Bonnie and Clyde-esque tale of a group of bank-robbing brothers, it shared little in common with the director's other films -- aside from the casting of Linklater pals Ethan Hawke and Matthew McConaughey as angsty young Texans. Dumped into the late-summer marketplace, the plodding, straightforward genre film did little to ignite either critical or box-office attention.Recoiling from the Hollywood filmmaking community, Linklater struck out on his own with two micro-budgeted projects, shot on-the-quick in digital video. The first of these was the most ambitious: Waking Life followed a philosophical, non-narrative structure similar to Slacker, but with all of its characters and conversations enhanced in post-production using an innovative, "rotoscoped" computer animation technique. The other film, Tape, was a spur-of-the-moment project based on a play brought to Linklater's attention by Hawke, who enlisted friend Robert Sean Leonard and then-wife Uma Thurman to co-star. Confining its action to one seedy hotel room, the film allowed Linklater the freedom to experiment with a variety of takes, angles, and points of view he might not have otherwise tried on a more expensive format. Given warm receptions at the 2001 Sundance Film Festival, both films received lauded art-house runs later that year, even as Life was denied a Best Animated Feature nomination by the Academy.Linklater found himself willing to give Hollywood another try in 2003 when presented with Mike White's script for School of Rock, a fish-out-of-water comedy starring Jack Black as an unreliable, would-be substitute teacher who commandeers a class of sixth-graders. Reworking the script and putting his cast through extensive rehearsals, Linklater added an element of off-the-cuff realism to the formula tale, and in the process garnered some of the best reviews - and easily the best box-office returns - of his career. He followed up that success with Before Sunset, a sequel to Before Sunrise that reunited Ethan Hawke and Julie Delpy. The film, full of motifs that have carried through all of Linklater's best work, earned him a flurry of critical praise and an Oscar nomination for screenwriting. He attempted to recapture the box-office success of School of Rock with a remake of Michael Ritchie's The Bad News Bears, although the results were not quite as fruitful either artistically or financially. In 2006 Linklater had two films at the Cannes Film Festival. His fictional adaptation of Eric Schlosser's non-fiction book Fast Food Nation competed in the main competition, while his rotoscoped adaptation of Philip K. Dick's A Scanner Darkly (a film that utilized the same technological tools as Waking Life) screened in the directors fortnight. Both films were released later that year in the United Sates.In 2008, he directed period drama Me and Orson Welles, with Christian McKay as Welles and Zac Efron as the high school student caught up in Welles' drama. The film received positive reviews, but didn't do much business at the box office. His next film, Bernie (2011), tells the real-life story of Bernie Tiede, a well-respected Texas man convicted of murdering his elderly, wealthy companion. Linklater then re-teamed with Hawke and Delpy for Before Midnight, again earning the trio an Oscar nomination for Best Adapted Screenplay.

Trivia: Once known as "America's oldest living teenager," emcee, occasional actor, television producer, commercial pitchman, restaurateur, and entrepreneur Dick Clark was one of Hollywood's powerhouses, but became most famous for hosting the longest-running series on the ABC television network, American Bandstand, which aired from 1957 to 1987 and then was resurrected for a year on the USA network in 1989. This show played a vital role in promoting rock music and gave many important acts their first national exposure. Clark began his career as a radio announcer. The first episodes of American Bandstand were broadcast from Philadelphia and were quite innovative. Each show featured popular artists who lip-synched their latest hits, interviews, autograph sessions, and lots of teen dancing. Though playing rock & roll music -- which was still regarded with trepidation and suspicion among conservatives -- the shows were reassuringly wholesome, an image in large part projected by the clean-cut, friendly, and honest-faced Clark himself. Through the years, the canny host secured the rights to each episode, many of which contain the only available clips of popular performers and one-hit wonders alike. Therefore, his collection provided a priceless archive to the history of rock music. Clark at one time was an aspiring actor and has appeared in a few feature films playing someone other than himself. He made his feature-film debut in 1960's Because They're Young. As an emcee, he hosted game shows and the ABC New Year's Eve telecast from Times Square in New York for many years. He also hosted numerous television compilation shows, often in the company of Ed McMahon with whom he represented the Publisher's Clearing House sweepstakes on television. As a producer, Clark's Dick Clark Productions was responsible for numerous series, television movies, game shows, specials, and compilations as well as television commercials and awards specials. As a restaurant owner, Clark founded a small chain of Dick Clark's American Bandstand Grills, rock & roll-themed restaurants decorated with memorabilia from Clark's enormous personal collection.In 2004, Clark suffered a stroke that nearly ended his broadcasting career. Though he managed to sporadically come back for his annual New Years Eve specials, Clark eventually passed away at the age of 82 from a heart attack in 2012, leaving behind a legacy unlike any other.

Trivia: Is half Colombian. Lived on a farm in Florida as a child. Recorded three songs on the Spy Kids soundtracks-–"Isle of Dreams" on Spy Kids 2: The Island of Lost Dreams, and "Game Over" and "Heart Drive" on Spy Kids 3-D: Game Over. Performs many of her own movie stunts. Was given away by Robert Rodriguez, her Spy Kids director, at her first wedding.