Trivia: The son of a jazz concert producer, Billy Crystal grew up in the company of such music legends as Billie Holiday, Pee Wee Russell, and Eddy Condon. His mind made up by age five, Crystal knew he wanted to become a performer -- not in music but in baseball or comedy. As he later explained to TV Guide, he chose comedy "because God made me short" -- though from all reports he is one of the best ball players in show business.Learning how to make people laugh by studying the works of past masters Laurel and Hardy, Ernie Kovacs, and Jonathan Winters, Crystal began making the club rounds at 16. He was sidetracked briefly by New York University's film school, where he studied to be a director under Martin Scorsese, but upon graduation it was back to comedy when Crystal formed his own troupe, 3's Company. On his own, he developed into an "observational" comic, humor based on his own experiences and the collective experiences of his audience. He came to media attention via his impression of Howard Cosell interviewing Muhammad Ali. After doing time as an opening act for such musicians as Barry Manilow, Crystal struck out for Hollywood, in hopes of finding regular work on a TV series. In 1977, he was hired to play the gay character Jodie Dallas on Soap. Though many people expected the performer to be typecast in this sort of part, he transcended the "sissy" stereotype, making the character so three-dimensional that audiences and potential employers were fully aware that there was more to Crystal's talent than what they saw in Jodie.Thanks to Soap, Crystal became and remained a headliner and, in 1978, had his first crack at movie stardom as a pregnant man in Rabbit Test. The movie was unsuccessful, but Crystal's star had not been eclipsed by the experience; he was even entrusted with a dramatic role in the 1980 TV movie Enola Gay. His career accelerating with comedy records, choice club dates, regular appearances on Saturday Night Live, and TV guest shots, Crystal had a more successful stab at the movies in such films as This is Spinal Tap (1984), The Princess Bride (1987), Throw Momma From the Train (1987), and When Harry Met Sally (1989). Riding high after a memorable emceeing stint at the Oscar ceremony, Crystal executive produced and starred in his most successful film project to date, an uproarious middle-age-angst comedy called City Slickers (1991). In 1992, he mounted his most ambitious film endeavor, Mr. Saturday Night, the bittersweet chronicle of a self-destructive comedian. The film had great potential (as indicated by the outtakes contained in its video cassette version), but the end result died at the box office. That same year, Crystal again hosted the Oscar awards, and in 1994 he repeated his earlier success with the popular sequel City Slickers 2: The Legend of Curly's Gold.Crystal added to his directing credits the following year with the romantic comedy Forget Paris. Unfortunately, the film -- which he also produced, wrote, and starred in -- was something of a flop. He subsequently focused his energies on acting, turning up in Hamlet (1996) and Deconstructing Harry (1997). In 1998 he had another producing stint with My Giant, a comedy he also starred in; like his previous producing effort, that film also proved fairly unsuccessful. However, Crystal bounced back in 1999, executive producing and starring in Analyze This. A comedy about a mob boss, Robert De Niro, seeking therapy from a psychiatrist (Crystal), it won a number of positive reviews, convincing many that the performer was back in his element.Back in the director's chair in 2001, Crystal helmed the made-for-HBO 61*. Detailing the 1961 home-run race between Roger Maris and Mickey Mantle, 61* struck a chord with baseball sentimentalists and critics alike. Scripting and starring in America's Sweethearts the same year, Crystal also began to cultivate a voice acting career that would prove extremely successful, providing the voices for characters in Monsters, Inc., Howl's Moving Castle and Cars. As the 2010's continued to unfold, Crystal would find himself increasingly able to take the reigns on both sides of the camera, flexing his muscles as a producer and writer as well as actor, such as with the 2012 comedy Parental Guidance.

Trivia: Although she has also proven herself as a dramatic actress, Meg Ryan used her blonde hair, blue eyes, and effervescent personality to greatest effect in romantic comedies of the 1980s and '90s. Initially getting her start on television, Ryan became a star with her titular role in the smash 1989 comedy When Harry Met Sally, earning both fame and permanent notoriety for her ability to fake an orgasm for Billy Crystal during a scene in a New York restaurant.The daughter of a casting agent, Ryan was born Margaret Mary Emily Anna Hyra in Fairfield, Connecticut on November 19, 1961. Raised in New York, she went on to study journalism at New York University. In need of money to pay for her night classes, Ryan turned to acting to raise some extra cash. With her mother's help, she landed a role on a short-lived television series, and then made her film debut in Rich and Famous. The 1981 film -- director George Cukor's last -- cast Ryan as Candice Bergen's daughter, and proved to be a positive enough experience that the young actress was soon looking for more work. A lucky break led to her being cast in the daytime drama As the World Turns, on which she performed from 1982 until 1984.After appearing in Amityville 3-D (1983), Ryan secured more auspicious work when she was cast as the wife of doomed flyboy Goose (Anthony Edwards) in Top Gun (1986). Although her role was minor, the film's success paved the way for more work for the actress, and the following year she starred in Innerspace, a comedy that cast her as Dennis Quaid's girlfriend. Her onscreen status as Quaid's love interest soon became off-screen reality, and after starring together in D.O.A. (1988), the two married in 1991.In 1989, Ryan had her breakthrough role as Sally Albright in Rob Reiner's When Harry Met Sally. The following year, she starred opposite Tom Hanks in Joe Versus the Volcano. Although the film received a lukewarm critical and commercial reception, it began an onscreen collaboration between Ryan and Hanks that would prove to be very successful in future films. Before she next appeared onscreen with Hanks, Ryan took an uncharacteristic turn towards the purely dramatic, playing Jim Morrison's drug-addicted wife Pamela in Oliver Stone's The Doors (1991). She received wide critical praise for her portrayal, proving that she was capable of extending her range beyond light comedy. She further demonstrated her capabilities in the dark 1993 drama Flesh and Bone. Her performance as a hitchhiker received strong notices, although the film, which cast her opposite husband Quaid, was largely ignored by audiences.That same year, Ryan returned to romantic comedy, starring opposite Hanks in Sleepless in Seattle. Nominated for a Golden Globe for her work, she then starred in another romantic comedy, I.Q., the following year. However, 1994 also brought more dramatic roles with Restoration, a period drama that cast Ryan as Robert Downey, Jr.'s doomed love, and When a Man Loves a Woman, in which she played an alcoholic. After further bucking her bubbly persona with a turn as a Gulf War solider in Courage Under Fire (1996) and a somewhat nasty portrayal of a vengeful ex-girlfriend in Addicted to Love (1997), Ryan again starred opposite Hanks in You've Got Mail (1998). Another romantic comedy, it put the actress back in her most successful milieu and was popular among critics and audiences alike. That same year, Ryan had further success starring opposite Nicolas Cage in the romantic drama City of Angels, and essayed the unlikely role of a world-weary exotic dancer in Hurlyburly.2000 saw Ryan return to comedy, starring alongside Lisa Kudrow and Diane Keaton in Keaton's Hanging Up and also serving as the producer of the supernatural thriller Lost Souls. However, it was Ryan's offscreen activities that same year that truly aroused the public's notice and allowed her to break away from her perky, girl-next-door persona more effectively than any number of dramatic film roles could ever hope to: following the news of her affair with Proof of Life co-star Russell Crowe, Ryan and husband Quaid filed for divorce. Ironically, this real-life drama mirrored the premise of Proof, a romantic drama in which the wife (Ryan) of a man kidnapped in South America enlists the help of a "freelance hostage negotiator" (Crowe) to find her husband, only to enter into an adulterous affair with the negotiator.In 2001, Ryan took a short break from feature films in order to participate in a documentary titled In the Wild: The White Elephants of Thailand, though she would return to the top of the romantic-comedy It-list in the whimsical Kate and Leopold alongside then rising romantic lead Hugh Jackman. In 2002, Ryan provided interview footage with fellow acting colleagues Whoopi Goldberg, Diane Lane, Teri Garr, and Holly Hunter, among others, in Searching for Debra Winger, which was directed by Rosanna Arquette. In 2003, the actress reappeared on the scene for the release of In the Cut, a throwback to '70s psycho-sexual thrillers, which premiered at the Toronto Film Festival. In 2004, Ryan stared in Charles S. Dutton's feature-length directorial debut, which is based on the real-life story of Jackie Kallen, a small-time Michigan woman turned successful boxing manager. For her next film, Ryan joined the cast of the 2007 ensemble drama In the Land of Women, and then headlined another ensemble production, The Women, a poorly recieved update of the 1939 George Cukor film with the same name. 2009's Serious Moonlight, directed by Cheryl Hines, would be her last film before she took a long hiatus from acting.

Trivia: Though she was a best-selling author and screenwriter, many fans will always associate Carrie Fisher with the role of Princess Leia from George Lucas' Star Wars trilogy. She was the daughter of movie stars Debbie Reynolds and Eddie Fisher and grew up wanting to follow in their footsteps. When Fisher was quite young, her father left the family to marry Elizabeth Taylor. Reynolds raised Fisher and her younger brother, Todd Fisher, alone, but then remarried. As a performer, she started appearing with her mother on Vegas nightclub stages at age 12. When she was 15, Fisher left high school to focus on her show business career. The following year, she was a dancer in the Broadway revival of Irene, which starred her mother. Soon after that, Fisher enrolled at London's Central School of Speech and Drama where she studied for 18 months.Fisher made her film debut playing a sexy young thing who succumbs to womanizing Warren Beatty's seduction in Shampoo (1975). Next came the Star Wars films. Her feisty portrayal of the courageous young princess made Fisher a star. But with sudden stardom came a price. In November 1978, she hosted the NBC sketch comedy show Saturday Night Live. There she met and became friends with John Belushi, and with him got heavily involved with illegal drugs. Fisher became romantically involved with singer/songwriter Paul Simon and married him in the early '80s. Due in part to her drug problems, the marriage lasted less than a year. A near overdose led Fisher to drug and alcohol rehabilitation. She detailed her experiences with drugs and recovery in her witty first novel, Postcards From the Edge (1987). Two years later, Fisher adapted the tale for Mike Nichols' charming and moving screen version which starred Meryl Streep as a drug-addicted daughter trying to make a comeback and compete with a glamorous movie star mother (Shirley MacLaine) who always outshines her.Throughout the '80s, Fisher continued appearing sporadically in feature films, but made little impact as an actress. By the latter part of the decade, her acting career began perking up again with such films as When Harry Met Sally (1989), in which she played Meg Ryan's best friend. Fisher appeared in a few more films and also in the television series Leaving L.A. through 1992 and then abandoned acting for the next five years to focus on child rearing and her writing career. Subsequent novels include Surrender the Pink, a semi-autobiographical novel exploring her relationship with Paul Simon, and Delusions of Grandma. In 1997, Fisher returned to feature films playing a small role in Austin Powers: International Man of Mystery. She also experienced renewed fame when George Lucas released restored and enhanced versions of his Star Wars series in 1996. Although she became better known for her writing than her acting, she continued to appear in movies such as Lisa Picard Is Famous, Jay and Silent Bob Strike Back, Charlie's Angels: Full Throttle, Fanboys, and the 2008 remake of The Women. In 2010 her one-woman show Wishful Drinking, in which she recounted her career and her life, was filmed. In 2015, she returned to her most iconic character, now General Leia, in Star Wars: The Force Awakens. Fisher suffered a fatal heart attack in 2016, and died at age 60.

Trivia: Character and supporting actor Bruno Kirby (he also billed himself as B. Kirby or Bruce Kirby) made his film debut in Young Graduates (1971). Kirby was born Bruno Quidaciolu Jr. and is the son of actor Bruce Kirby. For a while he appeared regularly on the television education drama Room 222 (1969-1974) and launched into steady carefree appearances in made-for-TV movies such as The Summer Without Boys (1973) and features such as The Harrad Experiment (1973). He first gained notice for a small role he played as Clemenza in The Godfather, Pt. II (1974). It was not until the late '80s that he began getting much larger roles and greater respect. The turn-around came when Kirby was cast as Lieutenant Hauk, the hilariously untalented wanna-be comedian, in charge of zany Robin Williams' morning radio show in Good Morning Vietnam (1987). One of his most memorable roles of the '80s was that of Billy Crystal's best buddy, a man who finds romantic bliss with Carrie Fisher, in When Harry Met Sally (1989). In 1991, he again turned in another charming performance as Ed Furillo in City Slickers (1991). In 1997, he played a supporting role in Donnie Brasco. In addition to feature-film work, he also continued to appear frequently on television series as a guest star and in movies-of-the-week. He died suddenly of leukemia, at age 57, on August 14, 2006.

Trivia: The youngest of eight children, Harley Jane Kozak was born in Pennsylvania. Sadly, her father died just a year after she was born, prompting Kozak's mother to move the family to North Dakota, and later to Lincoln, NE, where Kozak would spend most of her childhood. Later deriving her stage name from the legendary Harley Davidson motorcycle series, Kozak made her on-stage debut at five-years-old, when she appeared in a college opera production of Dido and Aneas. Before finishing elementary school, she had landed a recurring role as a fifth grader on the educational TV show Music With Mrs. Kozak; she also joined the Nebraska Repertory Theater as a tap dancer by her junior year in high school.After high school, Kozak moved to New York City, where she studied acting at the highly reputed NYU School of the Arts. After finishing her college studies, Kozak made her feature-film debut in The House on Sorority Row (1983), and landed a regular role on the long-running daytime soap Guiding Light before joining the cast of NBC's Santa Barbara. Her character met a sticky end, even for soap standards -- a neon letter "C" fell from a hotel marquee and crushed her to death. By the late '80s, Kozak had made a tiny appearance in a big film (1989's When Harry Met Sally with Billy Crystal and Meg Ryan); made a larger appearance in a supporting role on Parenthood (1989); and finally starred opposite Jeff Daniels in director Frank Marshall's horror comedy Arachnophobia (1990). Kozak showed her diversity in her following roles, which ranged from sports comedies (1991's Necessary Roughness) to action thrillers (The Taking of Beverly Hills, also 1991) to the sci-fi romance The Android Affair (1995). Kozak also portrayed a bored wife in The Favor (1994) with Brad Pitt, and despite the movie's lack off significant mainstream success, the actress was praised for her work in it. After starring in a variety of film and made-for-television feature roles, Kozak signed on for the ill-conceived ABC sitcom The Secret Lives of Men opposite Peter Gallagher in 1998. In 2004, she took a new turn professionally with the publication of her debut novel, Dating Dead Men. Kozak lives in California with her husband, two dogs, and a cat.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Estelle Reiner's biggest Hollywood role might have been as the real-life mother of director Rob Reiner and wife of actor Carl Reiner, but many fans outside the family's household are still familiar with her face. She made a memorable cameo in the infamous restaurant scene in her son's 1989 film When Harry Met Sally, where Meg Ryan fakes a very loud orgasm. Reiner played one of the many stunned patrons of the restaurant, turning to the waiter after Ryan had finished her performance and quipping "I'll have what she's having." The Bronx native also appeared in other films, like The Man with Two Brains and Fatso. She also worked with the organization Another Mother for Peace, and enjoyed a successful career as a jazz singer, which she embarked upon at the age of 65. She passed away in 2008 at the age of 94.

Trivia: Best known for her stage work, character actress Katherine Squire also acquired extensive film and television credits. She first appeared on Broadway in 1932, after gaining initial acting experience at the Cleveland Playhouse. She made her feature film debut in The Story on Page One (1959). She made her final film appearance as half of one of the long-married couples interviewed during the course of When Harry Met Sally (1989). Squire's television resumé includes appearances on Alfred Hitchcock Presents, Twilight Zone, and The Virginian.

Trivia: Character actor Al Christy started out in radio. He began his brief film career in In Cold Blood (1967). He did not make another film appearance until Stand Alone (1985). Christy also occasionally appeared on television, guest starring on such shows as Bonanza and Peter Gunn.

Trivia: As the son of multi-talented comedic genius Carl Reiner (Your Show of Shows), Rob Reiner instantly outgrew his father's legacy to establish himself as an independent force in multiple facets of the entertainment industry. Born in the Bronx in 1945, Reiner moved to Los Angeles with his folks at the age of 12 (not coincidentally, the very same year that the NYC-based Caesar's Hour, with Carl Reiner as a regular contributor, wrapped) and soon began acting in regional theater and improv ensembles. After appearing on various episodes of Alfred Hitchcock Presents from the age of 16 and studying drama at UCLA, Reiner co-founded the improvisational comedy troupe The Session, then made his onscreen cinematic debut in his father's Enter Laughing (1967) and contributed scripts (in his dad's vein) to CBS's controversial The Smothers Brothers Comedy Hour. His first massive break arrived when he landed the role of Mike "Meathead" Stivic, the liberal, Polish son-in-law to Carroll O'Connor's racist working stiff Archie Bunker, on Norman Lear's groundbreaking network hit All in the Family. In 1971, Reiner wed Penny Marshall (the sister of another comic demagogue, Garry Marshall); the marrieds frequently appeared together on ABC's The Odd Couple. Reiner earned two Emmys for All in the Family, but ended his role in 1978 (after seven seasons) as the series transitioned into Archie Bunker's Place. A now-forgotten telemovie followed -- the romantic comedy More Than Friends, written by and starring Reiner and Marshall (and directed by future Cheers progenitor James Burrows) -- but by that point, the Reiners' marriage was in disarray; a divorce ensued in 1979, followed by several years of inactivity on Reiner's end.Reiner bounced back as a director, however (and then some) in 1984, with the hysterical mockumentary This Is Spinal Tap, ostensibly a spoof of The Song Remains the Same, The Kids Are Alright, The Last Waltz, and other mid-'70s concert films, about a gleefully moronic glam rock band (Christopher Guest, Michael McKean, and Harry Shearer) whose hits include "Sex Farm," "Smell the Glove," and "Hellhole." The picture became a sensation (a massive cult hit), led to several Reiner-less follow-ups with the principal cast (Waiting for Guffman, Best in Show, A Mighty Wind), and -- most importantly -- launched Reiner as a directorial force. He helmed a cute and charming sophomore effort, the teen comedy The Sure Thing (1985), which boasts two superb lead performances by John Cusack and Daphne Zuniga, and demonstrates great taste and sensitivity, but failed to make a splash despite solid reviews (Roger Ebert declared it "a small miracle" and Variety assessed it as "sweetly old fashioned" and "appealing.") The following year, the director struck box-office gold with his third effort, Stand by Me (1986). In this coming-of-age saga, adapted from a Stephen King short story by Ray Gideon and Bruce A. Evans, Reiner successfully blends comedy, drama, and sentiment, and elicits exemplary performances from an ensemble of teenage performers including River Phoenix and Wil Wheaton, in his story of a bunch of adolescent boys who venture out to find a local boy's corpse. For his fourth effort, Reiner helmed the legendary William Goldman's adaptation of his own 1973 fantasy novel, The Princess Bride (which had purportedly floated around Hollywood for 13 years), and scored in the process -- especially with young viewers, who immediately warmed to Cary Elwes' dashing adventurer and Robin Wright's heroine. (The picture's neat comic turns by Billy Crystal, Wallace Shawn, and Andre the Giant stretched its appeal to older viewers, as well.) Reiner followed this up with another four-star blockbuster, and one of the most lucrative (and affable) pictures of 1989, the romantic comedy When Harry Met Sally, written by Nora Ephron. It sports exceptional lead performances by Crystal and Meg Ryan, and -- in one of the most infamous movie bits of the past few decades, a cameo by Reiner's own mother, Estelle, who provides the film's funniest line.Reiner began the 1990s with another Stephen King outing: Misery, a claustrophobic horror picture adapted from a 1987 King novel. In directing the picture, Reiner elicited exceptional performances from James Caan and Kathy Bates. The latter won a Best Actress Academy Award for her portrayal of the psychopathic ex-nurse Annie Wilkes, who confines Caan's author in her home and forces him to write a new manuscript under the duress of torture and threatened homicide. With a trio of A-list actors including Jack Nicholson, Tom Cruise, and Demi Moore, the director's late 1992 courtroom thriller A Few Good Men (adapted by Aaron Sorkin from his play) earned a Best Picture Oscar nomination and another Golden Globe nomination for Reiner. Unfortunately, this marked the beginning of a decline, of sorts, for Reiner. He then helmed 1994's god-awful family-friendly comedy North (reviled by just about everybody). The following year's The American President charmed audiences, but 1996's Ghosts of Mississippi struck most viewers as uneven. In 1999, Reiner produced, directed, and co-starred in The Story of Us, a romantic comedy starring Michelle Pfeiffer and Bruce Willis, but it opened up to mediocre reviews. (Ebert gave it one star and moaned, "Watching it is like taking a long trip in a small car with the Bickersons"; Janet Maslin observed that it "offers such an arthritic vision of middle-aged marriage that it feels like the first Jack Lemmon comedy made expressly for the baby-boom generation.") Perhaps riled by these disappointments -- and seeking greater immersion in California politics -- Reiner took several years off as a director, until 2003's Alex & Emma, a romantic comedy about writer's block starring Luke Wilson and Kate Hudson. With one or two exceptions, critics universally panned the picture (giving Reiner his most terrible reviews to date). 2005's Rumor Has It..., yet another romantic comedy starring Jennifer Aniston as a woman who goes off in search of her family's roots, also opened to dismal reviews and lackluster box office, despite the star appeal of Aniston and her male lead, Kevin Costner. In 1987, Reiner co-founded Castle Rock Productions (the company's name refers to a fictional town created by Stephen King). In addition to directing and producing, Reiner has also pursued an acting career on the side, with supporting roles and cameos in such films as Postcards From the Edge (1990), Sleepless in Seattle (1993), Bullets Over Broadway (1994), The First Wives Club (1996), Primary Colors (1998), EDtv (1999), The Muse (1999), The Story of Us (1999), and The Majestic (2001). Later, he delivered a performance as Wirschafter in his own Alex & Emma (2003) and cameo'd as himself in the 2003 David Spade comedy Dickie Roberts: Former Child Star. Between 2004 and 2006, Reiner joined Whoopi Goldberg, Mandy Patinkin, William H. Macy, and others to voice the late Christopher Reeve's CG-animated feature Everybody's Hero, about a boy who attempts to retrieve a talking baseball bat from a crooked security guard. In 2007 he had one of his biggest late-career successes directing Jack Nicholson and Morgan Freeman in The Bucket List. Three years later he made the little-seen comedy Flipped. Reiner married his second wife, Michele Singer Reiner, in 1989.