Trivia: Brooding and intense, Al Pacino has remained one of Hollywood's premier actors throughout his lengthy career, a popular and critical favorite whose list of credits includes many of the finest films of his era. Pacino was born April 25, 1940, in East Harlem, NY. Raised in the Bronx, he attended the legendary High School for Performing Arts, but dropped out at the age of 17. He spent the next several years drifting from job to job, continuing to study acting and occasionally appearing in off-off-Broadway productions. In 1966, Pacino was accepted to train at the Actors' Studio, and after working with James Earl Jones in The Peace Creeps, he starred as a brutal street youth in the off-Broadway social drama The Indian Wants the Bronx, earning an Obie Award as Best Actor for the 1967-1968 theatrical season. A year later, he made his Broadway debut in Does the Tiger Wear a Necktie? Although the play itself closed after less than 40 performances, Pacino was universally praised for his potent portrayal of a sociopathic drug addict, and he won a Tony Award for his performance. Pacino made his film debut in the 1969 flop Me, Natalie. After making his theatrical directorial debut with 1970's Rats, he returned to the screen a year later in Panic in Needle Park, again appearing as a junkie. (To prepare for the role, he and co-star Kitty Winn conducted extensive research in known drug-dealer haunts as well as methadone clinics.) While the picture was not a success, Pacino again earned critical raves. Next came Francis Ford Coppola's 1972 Mafia epic The Godfather. As Michael Corleone, the son of an infamous crime lord reluctantly thrust into the family business, Pacino shot to stardom, earning a Best Supporting Actor Oscar nomination for his soulful performance. While the follow-up, 1973's Scarecrow, was received far less warmly, the police drama Serpico was a smash, as was 1974's The Godfather Part II for which he earned his third Academy Award nomination. The 1975 fact-based Dog Day Afternoon, in which Pacino starred as a robber attempting to stick up a bank in order to finance his gay lover's sex-change operation, was yet another staggering success.The 1977 auto-racing drama Bobby Deerfield, on the other hand, was a disaster. Pacino then retreated to Broadway, winning a second Tony for his performance in the title role in The Basic Training of Pavlo Hummel. Upon returning to Hollywood, he starred in ...And Justice for All, which did not appease reviewers but restored him to moviegoers' good graces. Pacino next starred in William Friedkin's controversial Cruising, portraying a New York City cop on the trail of a serial killer targeting homosexuals; it was not a hit, nor was the 1982 comedy Author! Author! Brian DePalma's violent 1983 remake of Scarface followed; while moderately successful during its initial release, the movie later became a major cult favorite. Still, its lukewarm initial reception further tarnished Pacino's star. However, no one was fully prepared for the fate which befell 1985's historical epic Revolution; made for over $28 million, the film failed to gross even $1 million dollars at the box office. Pacino subsequently vanished from the public eye, directing his own film, The Local Stigmatic, which outside of a handful of 1990 showings at the Museum of Modern Art was never screened publicly. While his name was attached to a number of projects during this time period, none came to fruition, and he disappeared from cinema for over four years. Finally, in 1989, Pacino returned with the stylish thriller Sea of Love; the picture was a hit, and suddenly he was a star all over again. A virtually unrecognizable turn as a garish gangster in 1990's Dick Tracy earned him a sixth Oscar nomination, but The Godfather Part III was not the financial blockbuster many anticipated it to be. The 1991 romantic comedy Frankie and Johnny was a success, however, and a year later Pacino starred in the highly regarded Glengarry Glen Ross as well as Scent of a Woman, at last earning an Oscar for his performance in the latter film. He reunited with DePalma for 1993's stylish crime drama Carlito's Way, to which he'd first been slated to star in several years prior. Remaining in the underworld, he starred as a cop opposite master thief Robert De Niro in 1995's superb Heat, written and directed by Michael Mann. Pacino next starred in the 1996 political drama City Hall, but earned more notice that year for writing, directing, producing, and starring in Looking for Richard, a documentary exploration of Shakespeare's Richard III shot with an all-star cast. In 1997, he appeared with two of Hollywood's most notable young stars, first shooting Donnie Brasco opposite Johnny Depp, and then acting alongside Keanu Reeves in The Devil's Advocate. Following roles in The Insider and Any Given Sunday two-years later, Pacino would appear in the film version of the stage play Chinese Coffee (2000) before a two-year periods in which the actor was curiously absent from the screen. Any speculation on the workhorse actor's slowing down ended when in 2002 Pacino returned with the quadruple-threat of Insomnia, Simone, People I Know and The Recruit. With roles ranging from that of a troubled detective investigating a murder in the land of the midnight sun, to a film producer who builds the worlds first virtual actress, Pacino reenforced his image as a versatile, energetic and adventurous an actor. The films struck uneven chords, however; Insomnia hit a zenith, critically and commercially, while Pacino scraped bottom with Simone. Pacino fared better at the box and in the press with Michael Radford's December 2004 Merchant of Venice but dodged critical bullets with the D.J. Caruso-helmed 2005 gambling drama Two for the Money. Circa 2006, Pacino starred as Jack Gramm in 88 Minutes, the gripping tale of a college prof who moonlights as a forensics expert for the feds. He also announced plans, that year, to join the cast of Steven Soderbergh's Ocean's Thirteen and a remake of Jules Dassin's seminal Rififi, to reunite him with City Hall helmer Harold Becker.

Trivia: Considered one of the best actors of his generation, Robert De Niro built a durable star career out of his formidable ability to disappear into a character. The son of artists, De Niro was raised in New York's Greenwich Village. The young man made his stage debut at age 10, playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro learned how to immerse himself in a character emotionally and physically. After laboring in off-off-Broadway productions in the early '60s, De Niro was cast alongside fellow novice Jill Clayburgh in film-school graduate Brian De Palma's The Wedding Party (1969). He followed this with small movies like Greetings, Hi, Mom!, Sam's Song, and Bloody Mama.De Niro's professional life took an auspicious turn, however, when he was re-introduced to former Little Italy acquaintance Martin Scorsese at a party in 1972. Sharing a love of movies as well as their neighborhood background, De Niro and Scorsese hit it off. De Niro was immediately interested when Scorsese asked him about appearing in his new film, Mean Streets, conceived as a grittier, more authentic portrait of the Mafia than The Godfather. De Niro's appearance in the film made waves with critics, as did his completely different performance as a dying simple-minded catcher in the quiet baseball drama Bang the Drum Slowly (1973). Francis Ford Coppola was impressed enough by Mean Streets to cast De Niro as the young Vito Corleone in the early 1900s portion of The Godfather Part II. Closely studying Brando's Oscar-winning performance as Don Corleone in The Godfather, and perfecting his accent for speaking his lines in subtitled Sicilian, De Niro was so effective as the lethally ambitious and lovingly paternal Corleone that he took home a Best Supporting Actor Oscar for the role.De Niro next headed to Europe to star in Bernardo Bertolucci's opus, 1900 (1976) before returning to the U.S. to collaborate with Scorsese on the far leaner (and meaner) production, Taxi Driver. After working for two weeks as a Manhattan cabbie and losing weight, De Niro transformed himself into disturbed "God's lonely man" Travis Bickle. One of the definitive films of the decade, Taxi Driver earned the Cannes Film Festival's top prize and several Oscar nominations, including Best Picture and De Niro's first nod for Best Actor. Controversy erupted about the film's violence, however, when would-be presidential assassin John W. Hinckley cited Taxi Driver as a formative influence in 1981.De Niro and Scorsese would reteam for the lavish musical New York, New York (1977), and though the film was a complete flop, De Niro quickly recovered with another risky and ambitious project, Michael Cimino's The Deer Hunter (1978). One of the first wave of Vietnam movies, The Deer Hunter starred De Niro as one of three Pennsylvania steel-town friends thrown into the war's inferno who emerged as profoundly changed men. Though the film provoked an uproar over its portrayal of Viet Cong violence as (literally) Russian roulette, The Deer Hunter won several Oscars.Returning to the realm of more personal violence, De Niro followed The Deer Hunter with his and Scorsese's masterpiece, Raging Bull, a tragic portrait of boxer [%Ray La Motta]. Along with his notorious 60-pound weight gain that rendered him unrecognizable as the middle-aged Jake, De Niro also trained so intensely for the outstanding fight scenes that La Motta himself stated that De Niro could have boxed professionally. Along with his physical dedication, De Niro won over critics with his ability to humanize La Motta without softening him. Raging Bull received eight Oscar nominations, including Best Picture.Though he was well suited to star in Sergio Leone's epic homage to gangster films, Once Upon a Time in America (1984), Leone's tough, transcendent vision couldn't survive the studio's decision to hack 88 minutes out of the American release version. De Niro next took a breather from films to return to the stage, playing a drug dealer in the New York Public Theater production Cuba and His Teddy Bear. During his theater stint, De Palma made De Niro a movie offer he couldn't refuse when he asked him to play a small role in his film version of The Untouchables (1987). As the rotund, charismatic, bat-wielding Al Capone, De Niro was a memorable adversary for Kevin Costner's upstanding Elliot Ness, and The Untouchables became De Niro's first hit in almost a decade. De Niro followed The Untouchables with his first comedy success, Midnight Run (1988), costarring as a bounty hunter opposite Charles Grodin's bail-jumping accountant.Though he earned an Oscar nomination for his touching performance as a patient in Penny Marshall's popular drama Awakenings (1990), movie fans were perhaps more thrilled by De Niro's return to the Scorsese fold, playing cruelly duplicitous Irish mobster Jimmy "The Gent" opposite Ray Liotta's turncoat Henry Hill in the critically lauded Mafia film Goodfellas (1990). De Niro worked with Scorsese again in the thriller remake Cape Fear (1991), sporting a hillbilly accent and pumped-up physique. It was Scorsese and De Niro's biggest hit together and earned another Oscar nod for the star. De Niro subsequently costarred as a geeky cop in the Scorsese-produced Mad Dog and Glory (1993).De Niro also revealed that he had learned a great deal from his work with Scorsese with his own directorial debut, A Bronx Tale (1993). A well-observed story of a boy torn between his father and the local mob, A Bronx Tale earned praise, but De Niro was soon back to working with Scorsese, starring as Vegas kingpin Sam Rothstein in Casino (1995) -- based on the story of real-life handicapper Frank "Lefty" Rosenthal -- staged with Scorsese's customary visual brilliance and pairing De Niro with his Raging Bull brother and Goodfellas associate Joe Pesci.Appearing in as many as three films a year after 1990, De Niro was particularly praised for his polished reserve in Michael Mann's glossy policer Heat (1995), which offered the rare spectacle of De Niro and Pacino sharing the screen, if only in two scenes. After indifferently received turns in The Fan (1996), Sleepers (1996), and Cop Land (1997), De Niro stepped outside his comfort zone to play an amoral political strategist in Barry Levinson's sharp satire Wag the Dog (1997) and a dangerously dimwitted crook in Quentin Tarantino's laid-back crime story Jackie Brown (1997). De Niro was front and center -- and knee deep in self-parody -- in the comedy Analyze This (1999), aided and abetted by a nicely low-key Billy Crystal as his reluctant psychiatrist. De Niro would continue to lampoon his own tough-guy image in the sequel Analyze That, as well as the popular Meet the Parents franchise. As the decade wore on, De Niro took on roles that failed to live up to his acclaimed earlier work, such as with lukewarm thrillers like The Score, Godsend, Righteous Kill, and Hide and Seek. However, De Niro continued to work on his ambitious and long-planned next foray behind the camera, the acclaimed CIA drama The Good Shepherd.He continued to work steadily in a variety of projects including Stardust, What Just Happened, and Everybody's Fine. He became a Kennedy Center honoree in 2009. He reteamed with Ben Stiller for Little Fockers in 2010, and played a corrupt politician in Machete that same year. In 2011 he appeared opposite Bradley Cooper in the thriller Limitless, which seemingly laid the groundwork for their reteaming as father and son in the 2012 comedy Silver Linings Playbook. For his work in that movie, De Niro earned an Oscar nomination for Best Supporting Actor.

Trivia: Born December 31, 1959, actor Val Kilmer's chameleon-like ability to plunge fully and breathlessly into his characters represents both the gift that catapulted him to fame in the mid eighties, and that which - by its very nature of anonymity - held him back from megastardom for some time. Such an ability - doubtless, the result of exhaustive, heavily-disciplined training and rehearsal - also explains Kilmer's alleged on-set reputation as a perfectionist (which caused a number of major directors to supposedly tag him as 'difficult'), but the results are typically so electric that Kilmer's influx of assignments has never stopped. He is also extraordinarily selective about projects. Trying valiantly to maintain a firm hold on his career, he turned down offers for box office blockbusters including Blue Velvet, Dirty Dancing, and Indecent Proposal for personal and artistic reasons. A Los Angeles native, Kilmer acted in high school with friend Kevin Spacey before attending the Hollywood Professional School and Juilliard. He appeared on the New York stage and in Shakespeare festivals before his cinematic debut as the rock idol Nick Rivers in the Zucker-Abrahams-Zucker spy spoof Top Secret! (1984). An absurd role which Kilmer plays with complete sincerity, it reveals genuine musical talent and Kilmer achieves complete credibility as a rock star. Throughout the eighties, Kilmer played as diverse an assortment of roles as could be found: he was the goofy, playfully sarcastic, egghead roommate and mentor to Gabe Jarrett in Martha Coolidge's Real Genius, the cocky Ice Man in Top Gun, and warrior Madmartigan in the Ron Howard/George Lucas fantasy Willow (1988). Kilmer's cinematic breakthrough arrived in 1991, for his portrayal of rock icon Jim Morrison in Oliver Stone's The Doors; some speculated that Stone hired Kilmer solely on the basis of the musical gifts showcased seven years prior in Top Secret!. As the philosophical, death-obsessed rocker (and druggie) Morrison, Kilmer performed a number of the Doors songs on the soundtrack, sans dubbing. Kilmer played other American icons in his next two films - gunslinger Doc Holliday in Tombstone and the spirit of Elvis in True Romance; both did remarkable business at the box office. Due to his persistent need for an on-set dialogue with his directors, Kilmer clashed with Michael Apted on the set of Thunderheart (1992) and Joel Schumacher on the set of Batman Forever. He openly refused to repeat the Bruce Wayne role for Batman and Robin (1997). Instead, Kilmer headlined Michael Mann's 1995 Heat with two legends, Robert De Niro and Al Pacino. This time around, he met with a more accommodating (or at least more tolerant) director, Michael Mann. Working with another acting veteran, he co-starred with Michael Douglas for the hunting adventure The Ghost and the Darkness. Unfortunately, his next few films were disappointments, particularly The Saint and The Island of Dr. Moreau. He switched gears a few times with little success, turning to romantic drama in At First Sight and to science fiction in Red Planet, but neither fit his dramatic intensity. After lending his booming voice to the part of Moses in the Dreamworks animated film The Prince of Egypt (1998), Kilmer appeared in The Salton Sea (1991) as a tormented drug addict. In 2003, he lined up quite a few projects, including the crime thriller Mindhunters and the drama Blind Horizon. In the same year he earned a starring role as another aggressive American icon, John Holmes ("the John Wayne of porn"), for the thriller Wonderland (2003). That same fall, Kilmer re-teamed with Ron Howard for the director's lackluster Searchers retread, The Missing (2003). He also re-collaborated with Oliver Stone (for the first occasion since The Doors) in the director's disappointing historical epic Alexander (2004), opposite Angelina Jolie, Anthony Hopkins, and Colin Farrell. He returned to form (and a leading role) in 2005, with the comedy-thriller Kiss, Kiss, Bang, Bang. Kilmer (per his trademark ability) once again cut way against type, this time as a flagrantly (and aptly named) homosexual detective, Gay Perry, who lives and works in Tinseltown. When it opened in October 2005, the picture drew an avid response from critics and lay viewers alike, and brought in solid box office returns. The actor packed in an astonishingly full schedule throughout 2006, with no less than six onscreen appearances through the end of that year, in large and small-scaled productions - all extremely unique. Kilmer returned to his 1998 Dreamworks part with the lead role of Moses in Robert Iscove's stage musical The Ten Commandments, mounted at the Kodak Theatre in Hollywood. Then, in a most unusual move that recalled Richard Gere's work for Akira Kurosawa and Burt Lancaster's work for Luchino Visconti, Kilmer went cross-cultural, by joining the cast of Polish director Piotr Uklanski's Summer Love (2006), screened at the Venice International Film Festival. It marked the first "Polish spaghetti western" and gracefully spoofed the genre; Kilmer appears as "The Wanted Man." The Disney studios sci-fi-action thriller Deja Vu teamed Kilmer and Denzel Washington (under the aegis of Kilmer's former Top Gun cohorts, Tony Scott and Jerry Bruckheimer) as feds who travel back in time to stop a terrorist's (Jim Caviezel) attempt to blow up a ferry. He also voiced the character of Bogardus in Marc F. Adler and Jason Maurer's family-friendly animated adventure Delgo. In 2008, NBC revived the classic series Knight Rider, and needed a distinct voice to play the super-intelligent car. Kilmer stepped in to play the iconic role, but he also signed on for numerous other simultaneous projects, including Werner Herzog's semi sequel Bad Lieutenant: Port of Call - New Orleans (2009), Shane Dax Taylor's troubled, disappointing melodrama Bloodworth (2010), and Francis Ford Coppola's horror opus Twixt, which co-starred Bruce Dern, Elle Fanning and Ben Chaplin. Kilmer met British actress Joanne Whalley on the set of Willow in 1987; they married the following year and teamed up onscreen in John Dahl's Kill Me Again (1989). The couple had two children before the marriage ended in 1996.

Trivia: The son of a Czech-American golf pro, Jon Voight was active in student theatricals in high school and at Catholic University. In 1960 he began studying privately with Neighborhood Playhouse mentor Sanford Meisner, and made his off-Broadway debut that same year in O Oysters, receiving a daunting review which opined that he could "neither walk nor talk." Fortunately, Voight persevered, and in 1961 took over the role of "singing Nazi" Rolf in the Broadway hit The Sound of Music (his Liesl was Laurie Peters, who became his first wife).Blessed with handsome, Nordic features, Voight kept busy as a supporting player on such TV series as Gunsmoke, Coronet Blue, and NYPD, and in 1966 spent a season with the California National Shakespeare Festival. The following year, he won a Theatre World Award for his stage performance in That Summer, That Fall. Thus, by the time he became an "overnight" star in the role of wide-eyed hustler Joe Buck in Midnight Cowboy (1969), he had nearly a decade's worth of experience under his belt. The success of Midnight Cowboy, which earned Voight an Oscar nomination, prompted a fast-buck distributor to ship out a double feature of two never-released mid-'60s films: Fearless Frank, filmed in 1965, starred Voight as a reluctant superhero, while Madigan's Millions was a 1968 turkey featuring Voight's Cowboy co-star (and longtime friend) Dustin Hoffman.Entering the 1970s with dozens of producers clamoring for his services, Voight refused to accept roles that banked merely on his youth and good looks. Instead, he selected such challenging assignments as crack-brained Army officer Milo Minderbinder in Catch 22 (1970), a political activist known only as "A" in The Revolutionary (also 1970), reluctant rugged individualist Ed Gentry in Deliverance (1972), and real-life teacher/novelist Pat Conroy in Conrack (1974). In 1978, he won both the Oscar and the Cannes Film Festival award for his portrayal of paraplegic Vietnam veteran Luke Martin in Hal Ashby's Coming Home. The following year, he earned additional acclaim for his work in the remake of The Champ.Devoting increasing amounts of time to his various sociopolitical causes in the 1980s and 1990s, Voight found it more and more difficult to fit film roles into his busy schedule. A reunion project with Ashby, on the godawful gambling comedy Lookin' to Get Out (produced 1980, released 1982), failed dismally, with many reviewers complaining about Voight's terrible, overmodulated performance, and the paper-thin script, which the actor himself wrote. Voight weathered the storm, however, and enjoyed box-office success as star of the 1983 weeper Table for Five. He also picked up another Oscar nomination for Andrei Konchalovsky's existential thriller Runaway Train (1985), and acted in such socially-conscious TV movies as Chernobyl: The Final Warning (1991) and The Last of His Tribe (1992). He also produced Table for Five and scripted 1990's Eternity. Voight kept busy for the remainder of the decade, appearing in such films as Michael Mann's Heat (1995), Mission: Impossible (1996), and The General, a 1998 collaboration with Deliverance director John Boorman, for which Voight won acclaim in his role as an Irish police inspector. During the same period of time, a bearded Voight also essayed a wild one-episode cameo on Seinfeld - as himself - with a scene that required him to bite the hand of Cosmo Kramer from a parked vehicle. In 1999, Voight gained an introduction to a new generation of fans, thanks to his role as James Van Der Beek's megalomaniacal football coach in the hit Varsity Blues, later appearing in a handful of other films before teaming onscreen with daughter Angelina Jolie for Tomb Raider in 2001. After essaying President Roosevelt later that same year in Pearl Harbor, Voight went for laughs in Ben Stiller's male-model comedy Zoolander, though his most pronounced role of 2001 would come in his Oscar nominated performance as iconic newsman Howard Cosell in director Michael Mann's Mohammad Ali biopic, Ali.Taken collectively, all of Voight's aformentioned roles during the mid-late 1990s demonstrated a massive rebound, from the gifted lead of '70s American classics to a character actor adept at smaller and more idiosyncratic character roles in A-list Hollywood fare ( the very same transition, for instance, that Burt Reynolds was wrongly predicted to be making when he signed to do Breaking In back in 1989). To put it another way: though Voight rarely received first billing by this point, his volume of work per se soared high above that of his most active years during the '70s. The parts grew progressively more interesting as well; Voight was particularly memorable, for instance, in the Disney comedy-fantasy Holes, as Mr. Sir, the cruel, sadistic right-hand-man to camp counselor Sigourney Weaver, who forces packs of young boys to dig enormous desert pits beneath the blazing sun for a mysterious reason. Voight then signed for a series of parts under the aegis of longtime-fan Jerry Bruckheimer, including the first two National Treasure installments (as John Patrick Henry) and - on a higher-profiled note - the audience-rouser Glory Road (2005), about one of the first all-black basketball teams in the U.S.; in that picture, Voight plays Adolph Rupp, the infamous University of Kentucky coach (nicknamed 'Baron of the Bluegrass') with an all-white team vying against the competitors at the center of the story.In 2007, Voight tackled roles in two very different high-profile films: he played one of the key characters in Michael Bay's live-action extravaganza Transformers, and portrayed a Mormon bishop who perishes in a Brigham Young-instigated massacre, in the period drama September Dawn, directed by Christopher Cain (Young Guns. He appeared in 24: Redemption, and became a part of that show's regular cast for its seventh season. Voight is the father of Angelina Jolie, and has often been the subject of tabloid coverage because of their occasionally fraught public bickering.

Trivia: A burly, commanding actor known almost as much for the tumultuous quality of his offscreen life as that of his onscreen roles, Tom Sizemore has carved out a niche for himself in such guys 'n' guns films as Natural Born Killers, Strange Days, Heat, and Saving Private Ryan.Born in Detroit, Sizemore was educated at Wayne State and Temple University, earning a Master's in theater at the latter. He enjoyed an auspicious debut year in 1989 when he appeared in no less than four movies including Oliver Stone's Born on the Fourth of July. That same year, the actor won the semi-regular role of Vinnie Ventressa on the popular TV drama China Beach. He went on to do starring work in such films as Stone's Natural Born Killers (1994), Carl Franklin's highly praised crime noir Devil in a Blue Dress (1994) and Michael Mann's crime thriller Heat. Sizemore's involvement with the latter film marked a personal turning point for him; for years he suffered from a well-publicized addiction to heroin, and he seemed to be losing his battle until he met his Heat co-star and childhood icon Robert De Niro, who, Sizemore subsequently admitted in interviews, convinced him to go into rehab.In 1998, Sizemore starred in what was possibly his most high-profile role to date in Steven Spielberg's WWII epic Saving Private Ryan. Cast as Sgt. Horvath, Tom Hanks' right hand man, the actor earned positive notices as part of a stellar ensemble cast that also included Giovanni Ribisi, Matt Damon, Jeremy Davies, and Vin Diesel. He subsequently porked out to play mob boss John Gotti in the made-for-TV Witness to the Mob and then returned to the screen in Martin Scorsese's Bringing Out the Dead (1999), which cast him as Nicolas Cage's ex-best friend. In 2000, Sizemore starred alongside Val Kilmer and Carrie-Anne Moss in the sci-fi adventure Red Planet; that same year, he appeared in Play It to the Bone, a boxing drama starring Woody Harrelson and Antonio Banderas. With the release of Pearl Harbor and Black Hawk Down the following year, the grizzled screen veteran seemed as if he may be threatening to becoming something of a later-day action star.Though to this point Sizemore's work in features had left him with little experience in the realm of television, all of that would change when he took the lead in the 2002 series Robbery Homicide Division. For an actor who excelled at playing hardened detectives and rough cops, the show seemed the ideal star vehicle for Sizemore, and after contributing vocal work for the controversial video game Grand Theft Auto: Vice City that same year, he stepped into the lead for the crime thriller Swindle as the year wound to a close. A supporting role in Dreamcatcher got 2003 off to a shaky start, and things only went downhill from there when, in October of that year, the troubled actor entered rehab before being sentenced to six months in prison on domestic violence charges. Though his personal life may have been somewhat in flux, one certainly couldn't tell by looking at his screen credits for 2004 -- a year in which Sizemore would appear in no less than four films including the family adventure Fly Boys.

Trivia: Julliard-trained actress Diane Venora made both her New York stage and film debut in 1981. The play was the off-Broadway production Penguin Touquet; the film was Wolfen. In 1983, Venora became the focus of voluminous press coverage for her appearance in the New York Shakespeare Festival production of Hamlet--not as Ophelia or Gertrude, but in the title role! Her subsequent film roles included Gloria Swanson in The Cotton Club (1984), Ellen in FX (1986), Peg in Ironweed (1987), and, best of all, Chan Parker, the put-upon wife of jazz great Charlie Parker (Forest Whitaker), in director Clint Eastwood's Bird (1988). Previously seen on television as Corinna in the 1985 miniseries AD and as Ed Asner's daughter in the pilot episode of the 1994 weekly series Thunder Alley (Robin Riker played the role in the series proper), Diane Venora was cast as Dr. Geri Infante in the CBS medical drama Chicago Hope (1994- ).

Trivia: Possessing an earthy, natural brunette beauty which allows her to effortlessly shift from glamorous to down-to-earth at the drop of a hat, actress Amy Brenneman first caught the attention of television viewers with her Emmy-nominated performance on the popular television series NYPD Blue. Though she would later gravitate to a feature career with roles in such films as Heat (1995), Daylight (1996), and Your Friends & Neighbors (1998), her television career continued to flourish as she took on the role of a single mother and Family Court judge in Judging Amy. Born the youngest of three children in New London, CT, Brenneman's mother was a superior court judge and her father an environmental attorney while she was growing up in nearby Glastonbury. Her love for acting blossoming in her pre-teen years, Brenneman would later study comparative religion at Harvard University. During her college years, performances with the American Repertoire Theater and the Harvard-Radcliffe Summer Theater found the burgeoning actress honing her skills in the work of such playwrights as Shakespeare and Aeschylus. In addition to acting during college, Brenneman also founded the Cornerstone Theater Company, a traveling troupe dedicated to performing around the country and encouraging locals to participate in the show. Relocating to New York City following a five-year stint with Cornerstone, Brenneman found work as a substitute teacher in Brooklyn while continuing to appear frequently on-stage. Brenneman made her small-screen debut in a 1992 episode of Murder She Wrote, and was soon headlining her own series with that same year's Middle Ages. After her yearlong stint on NYPD Blue it was time to make the leap to the big screen, and following 1995's Bye Bye, Love, Brenneman would go on to appear in features while gradually climbing the credits. With the exception of her leading-lady role in the little-seen Nevada, Brenneman's frequent supporting roles would always manage to stand out no matter how formidable her co-stars' talents. Putting her childhood experiences to creative use in Judging Amy, the show proved an enduring success with its sincere blend of drama and family conflict. Moving into the new millennium, Brenneman essayed the role of artist Mary Cassatt in the made-for-television feature Mary Cassatt: An American Impressionist (1999), and took on substantial roles in the theatrical releases Things You Can Tell Just By Looking at Her (2000) and Off the Map (2003). Brenneman is married to director Brad Silberling, whom she met while working on NYPD Blue. When Judging Amy ended its run in 2004, she had a three year layoff, reappearing in The Jane Austen Book Club, and taking a major part in the Grey's Anatomy spinoff Private Practice. Her small-screen commitments didn't keep her out of movie houses; she was cast in 88 Minutes and Mother and Child.

Trivia: Blessed with a rare combination of beauty, brains, and talent, actress Ashley Judd spent the 1990s gaining critical acclaim, industry respect, and a broad fan base that made her one of the most in-demand actresses of the latter half of the decade.The daughter of country-music superstar Naomi Judd and the younger half-sister of singer Wynonna Judd, Judd was born in Los Angeles, on April 19, 1968. A single parent, her mother supported Judd and her sister by taking odd jobs in California and Kentucky. The actress spent her first 13 years shuttling between the two states and attended 12 different schools, often living in poverty in remote areas of Kentucky. With no external sources of entertainment, Judd read books and amused herself by pretending to be various characters while her sister and mother whiled away the time singing. Their singing paid off; after Naomi and Wynonna Judd became country-music sensations, the family was finally able to leave their financial hardship in the past. Judd went on to attend the University of Kentucky, graduating Phi Beta Kappa in 1990 with a degree in French.At her sister's encouragement, Judd, blessed with an outgoing, forthright nature, was able to secure an agent on her first try and, in 1987, won a part on the television series Star Trek: The Next Generation. She went on to do more TV, landing a recurring role as Swoosie Kurtz's daughter on Sisters in 1991 (she stayed with the show until 1994). The following year, she made her film debut with a small part in Kuffs (1992). She was originally meant to have a larger part, but rejected it when she learned of a nude scene. The actress' first major film role was in the hit independent drama Ruby in Paradise (1993). She garnered considerable acclaim for her subtle, realistic portrayal of a spoiled Tennessee heiress who runs away to sell tourist trinkets in a ramshackle resort, winning Best Actress at the 1994 Independent Spirit Awards. After filming Oliver Stone's Natural Born Killers, only to have her scenes end up on the cutting-room floor, Judd next found acclaim with her turn in the 1995 film Smoke, in which she played the pregnant, drug-addicted daughter of Harvey Keitel and Stockard Channing. The same year, she appeared in the much-lauded Heat, then went on to star with Mira Sorvino in the 1996 made-for-TV Marilyn Monroe biopic Norma Jean and Marilyn.Following a substantial role as Matthew McConaughey's wife in Joel Schumacher's adaptation of John Grisham's A Time to Kill in 1996, and a lead in the crime film A Normal Life (also 1996), Judd starred in the 1997 thriller Kiss the Girls. The film received mixed reviews but did decent business at the box office, further increasing Judd's glowing star wattage. She landed another lead role the following year, in the well-received drama Simon Birch and, in 1999, could be seen starring in Bruce Beresford's Double Jeopardy as an ex-convict planning revenge on those who framed her for a crime she did not commit. The film was a substantial box-office hit, further cementing Judd's arrival as a major Hollywood star. Judd didn't turn up again until 2004's Twisted, a crime thriller about a female homicide detective who finds herself at the center of a series of murders. That same year, she starred alongside Kevin Kline in the critically acclaimed De-Lovely, a musical biography of Cole Porter. She then laid low until a project by a truly legendary filmmaker came her way. William Friedkin, director of The Exorcist, cast her in the leading role in his 2007 psychological horror film Bug. A gritty, pared down thriller with a five person cast, Judd handled the disturbing project like a pro. Ready for something more grounded in reality, the actress next chose a project that dealt with issues ripped straight from the headlines, signing on to appear in Crossing Over, a film about immigrants struggling to obtain legal citizenship in the US.

Trivia: After more than a decade in the business, hard-working actor Mykelti Williamson achieved true fame as Tom Hanks' army buddy in Forrest Gump (1994). Born in St. Louis, Williamson and his family moved frequently during his childhood, finally settling in Los Angeles when he was 15. After studying acting in high school, Williamson landed a recurring role on Hill Street Blues in 1983. Working steadily in TV and movies throughout the 1980s, Williamson appeared in a number of films, including Walter Hill's Streets of Fire (1984); the pilot movie for the stylish cop series Miami Vice (1984); and the Goldie Hawn football comedy Wildcats (1986). By the 1990s, Williamson added a bona fide sleeper hit to his credits with his role as a paternal cop in Free Willy (1993). His transformative performance as Forrest's ill-fated shrimp-loving friend Bubba in the blockbuster, 1994 Best Picture winner Forrest Gump then earned Williamson critical raves, propelling him into a varied range of high-profile films. After appearing in Free Willy 2 (1995) and playing a small but attention-getting role as one of Lela Rochon's unworthy suitors in Waiting to Exhale (1995), Williamson joined forces with Al Pacino in Michael Mann's Heat (1995). Continuing to work in TV as well, Williamson acted in several series, co-starred as Negro League baseball player Josh Gibson in the well-received TV film The Soul of the Game (1996), played a black cavalryman in the TNT Western Buffalo Soldiers (1997), and joined the prestigious ensemble cast of 12 Angry Men (1997). Williamson continued to ride high as Nicolas Cage's ill cell mate in the summer blockbuster Con Air (1997), but his 1998 movie work in Primary Colors and Species 2 was personally overshadowed by his legal troubles when he was arrested for stalking his ex-wife and stabbing her friend. Acquitted of the charges, Williamson returned to form with a blistering performance as an Army colonel in David O. Russell's critically lauded Three Kings (1999). Williamson reprised his role as Lt. Gerard in the second TV series version of The Fugitive(2000). Despite pre-season hype and the prior success of other Fugitives, the series lasted only one season. Williamson then made another onscreen splash when he reunited with Heat director Michael Mann to appear as the flamboyant, shock-haired boxing impresario Don King in Mann's ambitious biopic Ali (2001). Williamson is married and has three daughters.

Trivia: Full-blooded Cherokee actor Wes Studi didn't discover his true calling until much later in life than most actors. Stricken by his vocational teacher's early advice that he should be realistic and settle for life as a low-paid and under-appreciated worker, Studi admits that the advice cast a shadow under which he lived for years, uninspired to seek his fortune in the face of overwhelming adversity and slim odds of finding true success.Born in Nofire Hollow, OK, in 1946 (or maybe 1947), Studi laughingly admits that there is some uncertainty to the actual date), the soft-spoken actor was the eldest of four sons and spent the majority of his childhood in Northeastern Oklahoma. The son of a ranch hand, Studi received his early education at Chilocco Indian School before graduating high school and being drafted into the army. Soon after being drafted Studi served 18 months in Vietnam.Returning disillusioned by the horrors of war and the sometimes hostile reception that veterans received, Studi drifted for a couple of years, spending much of his time traveling and visiting his old Vietnam buddies. Seeking further sustenance, Studi entered Tulsa Junior College on the G.I. Bill. After Tulsa, Studi became inspired to make a difference in peoples lives, soon joining the American Indian Movement. Later attending Tahlequah University, Studi made further attempts at positive influence in his work with the Cherokee Nation. Though he had been married previously, the relationship had failed and Studi remarried in 1974. Working for the Tulsa Indian Times while his wife worked as a teacher, the couple had two children while living in their Tulsa ranch before his second marriage suffered the same unfortunate fate as his first. It was the breakup of this marriage that found Studi discovering his true calling as an actor. Studi found success appearing in theater as well as in productions for Nebraska Public Television in the summer of 1985. It was after Studi's role in the 1988 PBS production The Trial of Standing Bear that he fully realized his passion for acting. Soon deciding to make the fateful move to Los Angeles, Studi found work in such films as Dances With Wolves (1990) and Last of the Mohicans (1992) before taking a starring role in 1993's Geronimo: An American Legend. Making memorable appearances in such films as Heat (1995), Crazy Horse (1996), and Deep Rising (1998), Studi flourished in his new calling, finding frequent work with his expressive features and warm sense of humor.

Trivia: Striking terror deep in the hearts and subconsciousness of filmgoers worldwide with his chilling portrayal of aspiring transsexual serial killer James "Buffalo Bill" Gumb in director Jonathan Demme's acclaimed thriller The Silence of the Lambs, Steppenwolf Theater alumnus Ted Levine may not have received the star status some may have expected would follow the role, but he can consistently be counted on to turn in a lively performance, no matter how small his part may be.Born in Cleveland, OH, Levine received his M.F.A. in acting from the University of Chicago before making frequent appearances in such 1980s made-for-television efforts as Michael Mann's Crime Story (1986) and his feature debut in 1987's Ironweed. Taking small roles in such features as Betrayed (1988) and Next of Kin (1989) before his big break in Silence, Levine, curiously, stuck mostly to television following his portrayal of Buffalo Bill, not taking another featured role until his turn as a cop on the trail of a carnivorous industrial speed iron in The Mangler (1995). Appearing in Georgia and Michael Mann's acclaimed Heat the same year, Levine began to gain more prominent roles in the following years before taking to the seas with Patrick Stewart in Moby Dick (1998). Though he received critical acclaim for his role in the controversial television series Wonderland (2000), the show aired a meager two episodes (though four were produced) before being pulled due to outcry over its portrayal of the mental health system and its inhabitants. Bouncing back to the big screen, fans found that Levine could still be counted on to turn in absorbing performances in such features as Evolution and The Fast and the Furious (both 2001). Over the next several years, Levine would remain extremely active, appearing in films like The Manchuriuan Candidate, Memoirs of a Geisha, The Hills Have Eyes, and Shutter Island, as well as on TV series like Monk and Luck.

Trivia: African American actor Dennis Haysbert first appeared on the TV scene as "Stuff" Wade on the weekly actioner Code Red (1981). Haysbert went on to play such TV-series roles as Cletus Maxwell in Off the Rack (1985) and Coach Duane Johnson in Just the Ten of Us (1988-89). He was also featured as Cherokee Jack in the 1993 miniseries Return to Lonesome Dove. Dennis Haysbert's best-loved film assignment was as voodoo-worshipping ballplayer Pedro Cerrano in the two Major League movies.

Trivia: An intense, versatile performer, William Fichtner, born November 27th, 1956, emerged as a memorable character actor through his work with some of the most notable filmmakers of the 1990s and beyond. After his military brat childhood, Fichtner studied criminal justice in college before moving to New York City to shift his focus to acting. Fichtner got his first major acting job on the serial As the World Turns in 1988 and played bit parts in Spike Lee's Malcolm X (1992) and Robert Redford's Quiz Show (1994). Steven Soderbergh gave Fichtner his first substantial film role as a small town hood in the neo-noir The Underneath (1994). After supporting turns in Kathryn Bigelow's Y2K fantasy Strange Days (1995) and Michael Mann's stylish police saga Heat (1995), Fichtner earned kudos for his psychotic hit man in actor Kevin Spacey's directorial debut Albino Alligator (1997). As a gentle blind scientist in Robert Zemeckis' empyreal sci-fi adventure Contact (1997), Fichtner further revealed his considerable range; among the hip ensemble cast in Doug Liman's time-bending rave comedy Go (1999), Fichtner managed to stand out with his humorously unsettling performance as a narcotics cop with an agenda. Fichtner finally achieved leading man status as one of Demi Moore's amours in Passion of Mind (2000), but Alain Berliner's first American effort failed at the box office. Moving easily between independent films and big-budget Hollywood, Fichtner next co-starred as one of the ill-fated swordfishermen in Wolfgang Petersen's adaptation of The Perfect Storm (2000). Maintaining his prolific ways after The Perfect Storm's success, and earning a place in Vanity Fair's 2001 photo spread of premier supporting actors, Fichtner took on a varied trio of roles in three major 2001 releases. After playing a small part as Josh Hartnett's dad in Michael Bay's overwrought $198 million disappointment Pearl Harbor (2001), Fichtner's turn as a gay detective in the lumbering comedy What's the Worst That Could Happen? (2001) was one of the bright spots in an otherwise disposable movie. Back in his no-nonsense manhood style, Fichtner then appeared as a master sergeant involved in the troubled 1993 mission in Somalia in Ridley Scott's Oscar bait military drama Black Hawk Down (2001).After the ensemble carnage of Black Hawk Down, Fichtner moved to the small screen for a starring role as one of two maverick ER doctors in the ABC medical drama MDs (2002). A competitive time slot and poor reviews, however, hampered MDs' ratings. Though his foray into series television stumbled, Fichtner continued to rack up movie credits, appearing alongside Christian Bale and Emily Watson in the dystopian science fiction thriller Equilibrium (2002).In 2004, Fichtner appeared in Nine Lives, a critically successful episodic drama following the lives of nine women, and after participating in a variety of films throughout 2005 (The Chumscrubber, Empire Falls) and the television series Invasion Iowa, Fichtner joined the cast of the Academy Award-winning drama Crash. The actor continued to enjoy television success in the series Prison Break (2006-07), and played a conservative judge in an episode of The West Wing. Fichtner took on a role playing a bank manager in Gotham City for Christopher Nolan's The Dark Knight (2008), and joined the casts of Date Night (2010), The Big Bang, and Drive Angry (all 2011).

Trivia: With an Oscar before the age of 30, repeated comparisons to Audrey Hepburn, and the drool of a thousand critics at her feet, Natalie Portman has emerged as one of the most promising actresses of her generation. Born in Jerusalem on June 9, 1981, to an artist mother and doctor father, Portman moved to New York when she was three. Raised on Long Island, she was discovered by a modeling agent who signed her on the spot. Her modeling stint led to an audition for Luc Besson's Leon (or The Professional, as it was called in the United States). Due to her age (she was 12 when the film was cast), Portman was initially turned down for the lead role of Mathilda, a girl who asks a hit man (Jean Reno) to train her as an assassin to avenge her brother's death and falls innocently in love with him in the process. However, she ultimately won the part and her 1994 film debut earned a number of positive notices. In interviews, Portman allowed that making her first film in the toughest sections of Spanish Harlem was frightening, but not quite so frightening, she claimed, as going back to school once shooting wrapped.Portman then took on the role of Al Pacino's step-daughter in another demanding film, Michael Mann's Heat (1995). She followed this up with lighter fare, like Mars Attacks! (1996), Everyone Says I Love You, and Beautiful Girls. After turning down title roles in both Lolita and William Shakespeare's Romeo + Juliet, Portman took on another title role with her 1997 Broadway debut in The Diary of Anne Frank. She stayed with the show until May 1998, during which time she received positive notices for her performance. After lending her voice to The Prince of Egypt (1998), Portman took on her most talked-about role to date, that of Queen Amidala in Star Wars: The Phantom Menace (1999). Despite very mixed reviews, the film went into box-office hyperdrive, further propelling Portman toward her status as a rapidly emerging talent for the new millennium. She would end the 20th century with projects like Wayne Wang's Anywhere But Here and Where the Heart Is. Offscreen, Portman also did some growing up, enrolling for her college education at Harvard University. A psychology major, she made it clear upon her enrollment that, aside from her role as Queen Amidala in the Star Wars films, she would not accept any film roles for the duration of her education. Perhaps to the disappointment of fans, she stuck to her word, remaining absent from the screen (save Star Wars, Episode II: Attack of the Clones) until she received her degree in 2003. Luckily, upon her return to acting, it was immediately evident that it had been worth the wait.Portman's first foray following graduation was the 2003 Civil War ensemble drama Cold Mountain, alongside Renee Zellweger and Nicole Kidman. But in 2004, Portman was at the forefront of both Garden State, a moody dramedy that endeared her to fans, and Closer, a taught, intimate drama that earned her massive critical accolades, as well as her first Oscar nomination. In 2005, as the curtain finally closed on the Star Wars franchise with the release of Star Wars, Episode III: Revenge of the Sith, Portman could be seen with a now iconic pixie haircut after shaving her head for a role in the graphic-novel adaptation V for Vendetta. The dystopic action thriller received mixed reviews, but Portman's performance, as usual, earned accolades. Per her usual M.O. as an actress, she would complete a number of independent, arthouse, or otherwise challenging projects for every blockbuster under her belt, like the 2006 Milos Forman directed period drama Goya's Ghosts, and the Wes Anderson 2007 road (or rather, train) movie The Darjeeling Limited. After appearing opposite Scarlett Johansson and Eric Bana as Anne Boleyn, the famously beheaded wife of King Henry VII in the 2008 period drama The Other Boleyn Girl, Portman turned her high-brow image on its ear the very next year, playing a small town cheerleader turned army wife in the Iraq War drama Brothers. Portman had even more impressive turns awaiting her, however, as 2010 brought the lead role in the hallucinatory Darren Aronofsky film The Black Swan, about an obsessively diligent ballerina who, in order to play both the innocent and dark sides of femininity with the leading role in Swan Lake, must battle her own conflicting inner demons as a woman. Portman trained in ballet rigorously for six months to perform the role, and her efforts paid dividends. Her performance received massive adoration from critics and audiences alike, and she emerged with an Academy Award for Best Actress - which Portman accepted while five months pregnant with a baby she was expecting with fiancé Benjamin Millepied, her choreographer whom she met while filming.Professionally, Portman had a mind to keep a balance with her choice of roles. In a change of pace from the gritty material in The Black Swan, she appeared in the stoner comedy Your Highness, the rom-com No Strings Attached, and the comic-book action thriller Thor.Portman had her first child with husband Benjamin Millepied in June of 2011.

Trivia: A performer who succinctly defines the term "character actor," Tom Noonan has appeared in over 20 feature films and numerous TV series and movies, and has also enjoyed a career as a playwright, director, and acting professor. A 1973 graduate of the esteemed Yale acting program, Noonan began his career as a guitarist and composer, working with such downtown theater troupes as Mabou Mines and The Wooster Group (which has included fellow actor Willem Dafoe among its ranks) until he found his niche in film and TV in the early '80s.Noonan began to find work as a premier villain in such films as Manhunter ([1986] the first film to feature the infamous Hannibal Lecter), The Monster Squad (1987), Robocop 2 (1990), and Last Action Hero (1993), the latter few representing Hollywood action-adventure pictures that helped subsidize smaller projects that the actor wished to take on. One of these projects was the 1994 Sundance Film Festival sleeper What Happened Was..., a startling examination of a truly awkward first date based on Noonan's play produced the previous year. The film, which Noonan wrote, directed, and starred in opposite Karen Sillas, won the Grand Jury Prize at Sundance that year, as well as the Waldo Salt Screenwriting Award. That same year, the film was released on the arthouse circuit and garnered accolades for Noonan, including several Ten Best citations from critics. What Happened Was... was featured in Scenario Magazine in the July 1995 issue as one of its featured screenplays.Noonan continued to appear in such mainstream fare as Michael Mann's cops-and-robbers epic Heat (1995) and more television offerings, including a memorable stint on the popular sci-fi show The X-Files. He then made a film called The Wife, based on his play Wifey, co-starring Wallace Shawn, Julie Hagerty, and Karen Young, all holdovers from the stage version, which premiered at his Paradise Theater, a small off-off-Broadway space in New York's East Village. This film was also accepted into the Sundance Film Festival and was (barely) released theatrically, not enjoying the same success as his 1994 play to film.Noonan is the author of several collections of fiction, as well as an unpublished novel titled Must Have. A former National Endowment of the Arts scholar, he has long used New York City as his home and professional base, and has taught classes in acting technique at the Paradise Theater, which for years has been host to original, quirky downtown theatre.

Trivia: Rubber-faced comic actor and vocal artist extraordinaire Hank Azaria initially plied his trade on the stand-up circuit, then subsequently landed stage appearances and tackled bit parts on television. Azaria scored his breakthrough in 1989 when he began providing a multitude of voices for the Fox network's groundbreaking animated series The Simpsons, an assignment that imparted the performer with an enviable degree of cult stardom. In 1991, Azaria nabbed a major role in the Fox live-action sitcom Herman's Head, which ran until 1994 and gave audiences a glimpse of the man responsible for the vocal intonations of some of the most famous characters to ever corrupt an animator's storyboard.A native of Queens, NY, where he was born into a family of Sephardic Jews on April 25, 1964, Azaria commenced film roles in the late 1980s, coincident with his Simpsons stardom. Work on that program (which, after graduating from a series of crude sketches on The Tracey Ullmann Show to its own animated sitcom, quickly shot up to qualify as the Fox network's most popular enterprise) easily outstripped Azaria's screen work in popularity and visibility for many years. Recurring parts included Indian convenience store owner Apu, quack doctor Nick Riviera, dim-witted bartender Moe, and the idiotic, pig-nosed Springfield Chief of Police, Clancy Wiggum. Though his Simpsons work continued unabated over the years, beginning in the mid-1990s Azaria branched out somewhat, placing a heavier emphasis on live-action portrayals. Even in that venue, however, his work tonally mirrored his animated contributions; he specialized in adroitly handling goofy, over-the-top character parts, often with an ethnic bent. The performer attained visibility and memorability, for example, as the klutzy and scantily-dressed gay houseboy Agador in The Birdcage (1995), Hector, a goofy Hispanic paramour with a permanent effeminate lisp, in Joe Roth's underrated showbiz comedy America's Sweethearts (2001), and Claude, a Gallic beach bum with no qualms about taking off with other men's wives, in John Hamburg's gross-out romantic comedy Along Came Polly (2004).Azaria has also departed from the boundaries of screen comedy from time to time, doing memorable work across genre lines in such films as Great Expectations (1998) (which cast him as Gwyneth Paltrow's lackluster fiancé), Mystery Men (1999) (as the superhero Blue Raja), and Tim Robbins' Cradle Will Rock (1999), a historical drama about art and politics in 1930s New York that cast Azaria as leftist playwright Marc Blitzstein. In 2005, Azaria presided as one of the many off-color monologuists in Penn Jillette's stand-up comedy showcase film The Aristocrats; the performer subsequently provided at least seventeen voices (including his usual series roles) for The Simpsons Movie (2007) and voiced both Abbie Hoffmann and Allen Ginsberg in the animated sequences of Brett Morgen's offbeat documentary Chicago 10 (2007).He appeared in the pre-historic comedy Year One, and provided several voices in Night at the Museum: Battle of the Smithsonian. He played an ethically challenged doctor in Love and Other Drugs, and portrayed Gargamel, the bad guy in the big-screen hit The Smurfs. He was in family film Hop, and lent his prodigious vocal talents to Happy Feet Two. In 2012 he acted in the biopic Lovelace.In July 1999, Azaria married actress Helen Hunt, with whom he co-starred in several episodes of the sitcom Mad About You. The two divorced within eighteen months.

Trivia: With his intimidating, tattooed, muscle-bound appearance, character actor Danny Trejo has formed a successful career as the all-purpose hard case over his curious and enduring cinematic career. Beating the odds of repeat offender syndrome after being released from prison, Trejo has risen through the ranks to find himself in high demand as an actor, and has even expanded his talents to include a producer credit to his resumé. His life story is just about as pristine an example of rehabilitation as one could ask for.Raised in the mean streets of East L.A., Trejo spent many of his early years incarcerated in such legendary prisons as Folsom and San Quentin on drug and robbery convictions. Channeling his intense energy into the boxing ring and winning numerous lightweight and welterweight titles, Trejo was released as a new man after completing a life-changing 12-step rehabilitation program to overcome his addictions. Applying the ideas that changed his life in an attempt to help others headed down a similar path, upon release Trejo became involved with numerous rehabilitation and counseling programs. A chance meeting with a young man who asked for his support at a Cocaine Anonymous meeting in 1985 later found the sympathetic ex-con meeting the struggling addict on the set of Runaway Train, and Trejo was quickly offered a role as a convict presumably based on his threatening appearance. Chance piled upon chance found an old prison buddy/screenwriter who remembered Trejo's hard-hitting boxing skills on the same set, and Trejo was then offered a chance to train Eric Roberts for a film, and was eventually offered the role as his opponent in the ring. Following with roles in The Hidden (1987), and later Lock-Up (1989), Marked for Death (1990), Mi Vida Loca (1993), and Heat (1995), Trejo formed an alliance with director Robert Rodriguez with Desperado in 1995, and soon graduated to such bigger-budget films as Con Air (1997) and The Replacement Killers (1998) in the latter 1990s. The Rodriguez-Trejo twosome found the actor taking on the role of Uncle Isadore "Machete" Cortez in the director's 2001 smash hit Spy Kids, and was later cast in both the film's sequel and Rodriguez's Once Upon a Time in Mexico (2002). Trejo continued to work steadily on the big and small screens in a variety of projects such as Alias, Monk, The Devil's Rejects, Snoop Dogg's Hood of Horror, the indie drama SherryBaby, and Smiley Face. He enjoyed one of his rare big-screen starring vehicles when Robert Rodriguez made Machete -- a feature-length version of the trailer he created for Grindhouse -- in 2007. He went on to appear in Valley of Angels, Saint John of Las Vegas, A Very Harold & Kumar Christmas, and Bad Ass.

Trivia: Inasmuch as there was already a Wally Cox, American actor Walter Edward Cox chose the stage name Bud Cort when applying for his Equity card. Straight off the stage, Cort was cast in the small role of an intern browbeaten into tears by Robert Duvall in M*A*S*H* (1970). This brief appearance was enough to encourage M*A*S*H director Robert Altman to entrust Cort with the lead in his next film, Brewster McCloud (1971), a Vonnegut-like pastiche about a flying boy. Cort was not "standard leading man" material, thus many of his roles were in the offbeat vein of Brewster McCloud, even in more down-to-earth material like The Strawberry Statement (1971). Thus Cort was in many ways perfect for the suicidal teen protagonist of Hal Ashby's Harold and Maude (1972), whose life would be turned inside out (and back on track) by septuagenarian "free spirit" Ruth Gordon. It wasn't that Cort quit acting after Harold and Maude; it's simply that many of his subsequent films tried too hard to emulate Harold and Maude's cult status, and fell so short of this goal as to be forgettable. The later Cort films in this "midnight movie wannabe" vein included Electric Dreams (1984), Invaders From Mars (1989), Love at Stake (1991), and Ted & Venus (1992), a charmingly outdated "crazy for love" opus which Cort also directed.

Trivia: Since 1980, muscle-bound and tattoo-laden Henry Rollins has taken his status as one of the most distinctive frontmen in alternative rock and parlayed it into a career as a Gen-X Renaissance man, gaining notice as an actor, author, publisher, performance artist, record company executive, and commercial spokesman. Henry Rollins was born Henry Garfield on February 13, 1961, in Washington, D.C. ("Rollins" was a name he used as a joke in high school; it was taken from a friend's T-shirt ). As a teenager, Garfield developed a passionate interest in rock music at its most intense, and while in high school, he formed his first band, a hardcore punk outfit called S.O.A. (aka State of Alert), who released an EP in 1980. Henry was a passionate fan of the pioneering Los Angeles punk band Black Flag, and when Black Flag's vocalist Dez Cadena decided to step down as singer in 1981, the group's guitarist and leader Greg Ginn invited the newly renamed Henry Rollins to join. Black Flag became one of the hardest-working punk bands in America, constantly touring the United States and releasing eight albums and a handful of singles and EPs before calling it a day in 1986. During his tenure with Black Flag, Rollins developed an interest in writing and began publishing fiction, opinion pieces, and stream-of-consciousness rants in a number of magazines and rock journals, as well as distributing his own chapbooks through Black Flag's record label, SST. Rollins also began performing spoken-word shows of his material, as well as staging confrontational "performance art" events with Lydia Lunch. After Black Flag's breakup, Rollins formed a new group simply known as the Rollins Band and began touring heavily, recording with only slightly less frequency than Black Flag. Rollins continued to write and publish regularly and performed frequently as a spoken-word act, becoming one of the most recognizable figures in alternative rock circles. In 1991, Rollins signed with a major label, Imago Records, and toured as part of the first Lollapalooza Festival; Rollins had now won a wider audience than ever before, and he seemed determined to make the most of his new visibility. Rollins launched a publishing company, 2.13.61, which distributed his own work as well as books by fellow rockers-turned-authors Nick Cave and Jeffrey Lee Pierce and iconoclastic authors such as Hubert Selby Jr. and Bill Shields. Rollins later expanded 2.13.61 into a record label, as well as co-founded the reissue label Infinite Zero with producer Rick Rubin. While Rollins appeared in experimental films as early as 1985, his new level of visibility brought Hollywood calling, and in 1994 Rollins appeared in both the independent vampire story Jugular Wine and the action-comedy The Chase, in which he played a highway patrolman. 1995 found Rollins playing a scientist in the cyberpunk thriller Johnny Mnemonic and a brutal prison guard in David Lynch's Lost Highway, and from that point on Rollins began appearing in a variety of character roles when he wasn't occupied with his musical or literary activities. Rollins usually portrayed physically imposing and emotionally intense gentlemen, ranging from an escaped convict in Morgan's Ferry to a children's hockey coach in Jack Frost. A number of Rollins' spoken-word shows have also been released on home video, including Talking From the Box and You Saw Me Up There, and in 2000 Rollins signed on as the host and narrator of the television anthology series Night Visions, though as of this writing the series has yet to find a network.

Trivia: Classically trained character actor Jeremy Piven shot to stardom as Ellen DeGeneres' unforgettable, sharp-witted cousin Spence on the ABC sitcom Ellen. Born in New York City on July 26, 1965, Piven is the son of actors Byrne and Joyce Piven. He grew up in Evanston, IL, where his parents founded the Piven Theater Workshop. He studied theater at his parents' school alongside Lili Taylor, Rosanna Arquette, and pal John Cusack. The longtime friends, who began by performing Chekhov at age eight, have collaborated on several films -- including One Crazy Summer (1986), Say Anything (1989), The Grifters (1990), Floundering (1994), Grosse Pointe Blank (1997), and Serendipity (2001). They also co-founded the New Criminals Theater Company in 1989, which is now New Crime Productions, the company behind Grosse Pointe Blank and the Cusack vehicle High Fidelity (2002).A former member of the Second City National Touring Company, Piven made his small-screen debut on Carol Burnett's short-lived variety show Carol and Company in 1990. He went on to play a writer on HBO's The Larry Sanders Show and to appear on Seinfeld before starring as an unemployed father on the short-lived series Pride & Joy. Disney, who produced Pride & Joy, then created a role for him on Ellen. After the sitcom's cancellation in April 1998, Piven landed his own show, the offbeat ABC comedy-drama Cupid. Also starring Piven's real-life neighbor Paula Marshall, Cupid followed the infamous matchmaker after he had been thrown out of heaven for bad behavior and attempted to earn his reentry by uniting 100 couples in true love without using his otherworldly powers. The series won critical acclaim and earned Piven quite a following. Yet, as with many of the network's more innovative shows, ABC mishandled Cupid, shuffling it in and out of prime time until its inevitable cancellation. Undaunted, Piven returned to television a year later to guest star on Will & Grace.While Piven's film career has suffered the same ups and downs as his time on television, it is marked by numerous scene-stealing supporting performances. After making his feature-film debut in Lucas (1986), the actor appeared in Robert Altman's The Player (1992), Cameron Crowe's Singles (1992), and Tim Robbins' Bob Roberts (1992). He fell into a slump with failures like Judgment Night (1993) and Car 54, Where are You? (1994), but became a cult favorite for his portrayal of a campus misfit in P.C.U. (1994). Standout roles opposite Sarah Jessica Parker in Miami Rhapsody (1995), Robert De Niro in Heat (1995), Bill Murray in Larger Than Life (1996), and Morgan Freeman in Kiss the Girls (1997) quickly followed. He then proved to be the only good thing in Peter Berg's Very Bad Things (1998), before playing Nicolas Cage's best friend in The Family Man (2000). Piven took a respectable dramatic turn as a doomed helicopter pilot in Ridley Scott's award-winning Black Hawk Down, but returned to comedy for Old School (2003), a film by the makers of Road Trip (2000).Piven continued his work in entourage and took a starring role in Chappelle's Show director Neal Brennan's farcical comedy The Goods: Live Hard, Sell Hard in 2009. 2011 found the actor playing the dreaded Timekeeper in Spy Kids: All the Time in the World, he would portray another villain, this time in a voice role, for the children's adventure The Pirates! Band of Misfits in 2012.Then, in 2005, Piven scored the iconic role of Ari Gold on the HBO series Entourage. The show turned out to be a massive success, and Piven's profile was raised considerably, making him more of a household name, and helping him to score more interesting roles outside the show, like washed-out magician Buddy Isreal in the 2006 over-the-top action blow-out Smokin' Aces, and Damon Schmidt in the 2007 political thriller The Kingdom. In 2008, he joined the cast of the Guy Ritchie London crime movie RocknRolla.

Trivia: Brooklyn-born Xander Berkeley made the rounds on numerous TV shows throughout the '80s, '90s, and 2000s, not just as an actor, but as a makeup artist. The actor has put his uncanny talent in the makeup department to use on the sets of many shows, like on 24, where he designed his own makeup to depict his character's affliction with radiation sickness.Berkeley got his start in show business in the early '80s, appearing on shows like Moonlighting, The A-Team, and M*A*S*H. He went on to appear in movies, as well, like The Rock and Apollo 13, but he frequently returned to the small screen for memorable roles like George Mason, head of the Counterterrorist Unit on 24, and Sheriff Roy Atwater on CSI. In the coming years, Berkeley would continue to find success on teh small screen, on shows like Nikita.

Trivia: Ex-gang member Tone-Loc is probably best known for his hit 1989 rap songs "Wild Thing" and "Funky Cold Medina" than for his acting career. Nevertheless, Loc was not welcomed into the hip-hop community, despite his debut Loc-ed After Dark being only the second rap album to top the Billboard charts. After the poor performance of his second album, 1991's Cool Hand Loc, Loc turned his attentions to acting. He appeared several times in Charles S. Dutton's sitcom Roc, and also had supporting roles in Ace Ventura: Pet Detective, Heat, and Titan A.E., among others. Born Anthony Smith on March 3, 1966, in Los Angeles, Loc still lives in the city of his birth. He spends his free time hanging out with his children and, as he told the Iowa State Daily in 1999, finding ways to make money. He shouldn't have much trouble with the latter -- the rapper/actor put out a new album and tour in 2001, and took on a starring role in Thieves, a television series starring John Stamos.

Trivia: Has appeared in 3 films nominated for an Academy Award for Best Picture (Goodfellas, Silver Linings Playbook, American Hustle) Has appeared in 6 films directed by Martin Scorsese and 5 by Woody Allen Has appeared in 16 films that star Robert DeNiro Had recurring roles on two popular HBO series, The Sopranos and Entourage Received a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture for American Hustle in 2014

Trivia: Of Polish, Italian, German and Irish descent.Her name means winter in Polish.Drowning in L.A., a short story she wrote at age 15, was published in AIM Magazine.Wrote a novel at the age of 16.