Trivia: Known for his dark intensity and idiosyncratic performances, Benicio Del Toro became one of Hollywood's more unique actors. His looks suggesting a hidden background as Wednesday Addams' hunky older brother, he first became known to film audiences in 1995 with his breakthrough performance in The Usual Suspects. Born February 19, 1967 in Santurce, Puerto Rico, Del Toro was the son of lawyers. His mother died when he was nine, and, four years later, his father moved the family to Mercersberg, PA, where they lived on a farm. While attending the University of California at San Diego, where he was working toward a business degree, Del Toro took an acting class and was soon hooked. He appeared in a number of student productions, one of which led to a stint performing at a drama festival at New York's Lafayette Theatre. Del Toro decided to remain in New York to study acting at the Circle in the Square Acting School and won a scholarship to the Stella Adler Conservatory.A move to Los Angeles, where he studied at the Actors Circle Theatre, led to Del Toro's first television roles, which included a guest spot on Miami Vice and an appearance as a drug dealer on the miniseries Drug Wars: The Camarena Story (1990). The actor also began showing up in feature films, perhaps most notably as Duke the Dog-Faced Boy in Big Top Pee-wee (1988). Despite fairly steady work, Del Toro was still virtually unknown when he was cast as the eccentric criminal Fenster in Bryan Singer's The Usual Suspects. His slurred, otherworldly performance earned widespread praise, an Independent Spirit Award, and, coupled with the film's great success, Del Toro was soon thrust into the limelight that had hitherto eluded him. The actor followed up The Usual Suspects with a supporting role as the titular artist's best friend in Julian Schnabel's Basquiat (1996). Despite intriguing subject matter and a stellar cast, the film was something of a critical and commercial disappointment, although Del Toro's work did earn him a second Independent Spirit Award. Having thus put his trademark on offbeat character acting -- something that was also helped by his role as a gangster in Abel Ferrara's The Funeral (1996) -- Del Toro played a romantic lead opposite Alicia Silverstone in Excess Baggage (1997), a botched caper comedy that cast the actor as a bumbling car thief.Del Toro's next film, Terry Gilliam's much anticipated 1998 adaptation of Hunter S. Thompson's Fear and Loathing in Las Vegas, would receive an intensely mixed critical reception. A drug-addled, hallucinatory odyssey, it starred Del Toro as Dr. Gonzo, protagonist Raoul Duke's (Johnny Depp basically playing Thompson) partner in crime. Del Toro earned strong notices for his portrayal of the portly, freewheeling, Samoan lawyer (based on real-life Thompson cohort Oscar Acosta), and his performance was widely touted as one of the best aspects of the film. Del Torogained further notice when he won several awards -- including the Best Supporting Actor Golden Globe and Oscar -- for his role as a Mexican cop entangled in the international drug-trade war in Steven Soderbergh's Traffic (2000). The next year, Del Toro played a mentally disabled man wrongly accused of murder in director Sean Penn's sad tale of obsession, The Pledge, and earned his second Academy Award nomination for his performance in 21 Grams in 2003. Del Toro made his directorial debut in 2004, reuniting with Depp for an adaptation of another Hunter Thompson book, The Rum Diaries. He was also starred in Che (2008), Terrence Malick's biopic about Cuban revolutionary Che Guevara. This role led t many awards, including the Best Actor Award at the celebrated Cannes Film Festival. Later, in 2010, Del Toro starred in a remake of The Wolf Man, the classic creature feature from Lon Chaney, Jr.

Trivia: Born on December 31, 1937, as the only son of a baker, Welsh actor Anthony Hopkins was drawn to the theater while attending the YMCA at age 17, and later learned the basics of his craft at London's Royal Academy of Dramatic Art. In 1960, Hopkins made his stage bow in The Quare Fellow, and then spent four years in regional repertory before his first London success in Julius Caesar. Combining the best elements of the British theater's classic heritage and its burgeoning "angry young man" school, Hopkins worked well in both ancient and modern pieces. His film debut was not, as has often been cited, his appearance as Richard the Lionhearted in The Lion in Winter (1968), but in an odd, "pop-art" film, The White Bus (1967).Though already familiar to some sharp-eyed American viewers after his film performance as Lloyd George in Young Winston (1971), Hopkins burst full-flower onto the American scene in 1974 as an ex-Nazi doctor in QB VII, the first television miniseries. Also in 1974, Hopkins made his Broadway debut in Equus, eventually directing the 1977 Los Angeles production. The actor became typed in intense, neurotic roles for the next several years: in films he portrayed the obsessed father of a girl whose soul has been transferred into the body of another child in Audrey Rose (1976), an off-the-wall ventriloquist in Magic (1978), and the much-maligned Captain Bligh (opposite Mel Gibson's Fletcher Christian) in Bounty (1982). On TV, Hopkins played roles as varied (yet somehow intertwined) as Adolph Hitler, accused Lindbergh-baby kidnapper Bruno Richard Hauptmann, and the Hunchback of Notre Dame.In 1991, Hopkins won an Academy Award for his bloodcurdling portrayal of murderer Hannibal "The Cannibal" Lecter in The Silence of the Lambs. With the aplomb of a thorough professional, Anthony Hopkins was able to follow-up his chilling Lecter with characters of great kindness, courtesy, and humanity: the conscience-stricken butler of a British fascist in The Remains of the Day (1992) and compassionate author C. S. Lewis in Shadowlands (1993). In 1995, Hopkins earned mixed acclaim and an Oscar nomination for his impressionistic take (done without elaborate makeup) on President Richard M. Nixon in Oliver Stone's Nixon. After his performance as Pablo Picasso in James Ivory's Surviving Picasso (1996), Hopkins garnered another Oscar nomination -- this time for Best Supporting Actor -- the following year for his work in Steven Spielberg's slavery epic Amistad. Following this honor, Hopkins chose roles that cast him as a father figure, first in the ploddingly long Meet Joe Black and then in the have-mask-will-travel swashbuckler Mask of Zorro with Antonio Banderas and fellow countrywoman Catherine Zeta-Jones. In his next film, 1999's Instinct, Hopkins again played a father, albeit one of a decidedly different stripe. As anthropologist Ethan Powell, Hopkins takes his field work with gorillas a little too seriously, reverting back to his animal instincts, killing a couple of people, and alienating his daughter (Maura Tierney) in the process.Hopkins kept a low profile in 2000, providing narration for Ron Howard's live-action adaptation of Dr. Seuss' How the Grinch Stole Christmas and voicing the commands overheard by Tom Cruise's special agent in John Woo's Mission: Impossible 2. In 2001, Hopkins returned to the screen to reprise his role as the effete, erudite, eponymous cannibal in Ridley Scott's Hannibal, the long-anticipated sequel to Jonathan Demme's Silence of the Lambs (1991). The 160-million-dollar blockbuster did much for Hopkins' bank account but little for his standing with the critics, who by and large found Hannibal to be a stylish, gory exercise in illogical tedium. Worse yet, some wags suggested that the actor would have been better off had he followed his Silence co-star Jodie Foster's lead and opted out of the sequel altogether. Later that year, the moody, cloying Stephen King adaptation Hearts in Atlantis did little to repair his reputation with critics or audiences, who avoided the film like the plague.The long-delayed action comedy Bad Company followed in 2002, wherein audiences -- as well as megaproducer Jerry Bruckheimer -- learned that Chris Rock and Sir Anthony Hopkins do not a laugh-riot make. But the next installment in the cash-cow Hannibal Lecter franchise restored a bit of luster to the thespian's tarnished Hollywood career. Red Dragon, the second filmed version of Thomas Harris' first novel in the Lecter series, revisited the same territory previously adapted by director Michael Mann in 1986's Manhunter, with mixed but generally positive results. Surrounding Hopkins with a game cast, including Edward Norton, Ralph Finnes, Harvey Keitel and Emily Watson, the Brett Ratner film garnered some favorable comparisons to Demme's 1991 award-winner, as well as some decent -- if not Hannibal-caliber -- returns at the box office.Hopkins would face his biggest chameleon job since Nixon with 2003's highly anticipated adaptation of Philip Roth's Clinton-era tragedy The Human Stain, a prestige Miramax project directed by Robert Benton and co-starring Nicole Kidman, fresh off her Oscar win for The Hours. Hopkins plays Stain's flawed protagonist Coleman Silk, an aging, defamed African-American academic who has been "passing" as a Jew for most of his adult life. Unfortunately, most critics couldn't get past the hurtle of accepting the Anglo-Saxon paragon as a light-skinned black man. The film died a quick death at the box office and went unrecognized in year-end awards.2004's epic historical drama Alexander re-united Hopkins and Nixon helmer Oliver Stone in a three-hour trek through the life and times of Alexander the Great. The following year, Hopkins turned up in two projects, the first being John Madden's drama Proof. In this Miramax release, Hopkins plays Robert, a genius mathematician who - amid a long descent into madness - devises a formula of earth-shaking proportions. That same year's comedy-drama The World's Fastest Indian saw limited international release in December 2005; it starred Hopkins - ever the one to challenge himself by expanding his repertoire to include increasingly difficult roles - as New Zealand motorcycle racer Burt Munro, who set a land speed record on his chopper at the Utah Bonneville Flats. The quirky picture did limited business in the States but won the hearts of many viewers and critics.He then joined the ensemble cast of the same year's hotly-anticipated ensemble drama Bobby, helmed by Emilio Estevez, about the events at the Ambassador Hotel in Los Angeles just prior to RFK's assassination. Hopkins plays John Casey, one of the hotel proprietors.Hopkins long held true passions in arenas other than acting - specifically, painting and musical composition. As for the former, Hopkins started moonlighting as a painter in the early 2000s, and when his tableaux first appeared publicly, at San Antonio's Luciane Gallery in early 2006, the canvases sold out within six days. Hopkins is also an accomplished symphonic composer and the author of several orchestral compositions, though unlike some of his contemporaries (such as Clint Eastwood) his works never supplemented movie soundtracks and weren't available on disc. The San Antonio Symphony performed a few of the pieces for its patrons in spring 2006.Hopkins would remain a prolific actor over the next several years, appearing in films like The Wolfman, Thor, and 360.Formerly wed to actress Petronella Barker and to Jennifer Lynton, Hopkins married his third wife, actress and producer Stella Arroyave, in March 2003.

Trivia: Tall, radiant, and sensual, British ingenue Emily Blunt caught the attention of the public and press when she starred (at age 20) opposite Natalie Press in Pawel Pawlikowski's gentle, finely told lesbian romance My Summer of Love (2004). In the eyes of many Americans, Blunt (who counted this as her first cinematic credit) seemed to arrive at the top instantaneously. In truth, Blunt -- a London native -- had established herself on British television (largely in BBC productions) several years prior. Summer, however, represented the actress' big global break. She plays a sexually experienced and playfully manipulative teen who seduces the younger and more impressionable Press into an impassioned love affair, while the latter's brother (Paddy Considine) becomes a born-again evangelical Christian and carries his faith to torturous, alienating extremes. The work garnered enthusiastic notices and performed well on the international festival circuit; it thus marked a fortuitous and brazenly intelligent cinematic bow for a young actress. Newsweek's David Ansen was not alone when he tagged Blunt (along with her co-star, Press) as a "major discovery." Variety's Derek Elley observed, "Blunt's perf as the mysterious, mixed-up Tamsin grows, adding a sense of menace which coincides with...Considine's loony Phil." After a supporting role in the U.S. miniseries Empire (about the Roman Empire), Blunt landed her second major break -- and culled even broader exposure -- with a supporting role in David Frankel's bittersweet drama The Devil Wears Prada. As Emily, the obnoxious (yet soft-hearted) assistant to fashion mogul Miranda Priestly (Meryl Streep), Blunt delivered a colorful and impressive performance. As a result, she received a 2007 Golden Globe nomination for Best Supporting Actress. Although she lost out to Jennifer Hudson at that ceremony, Blunt won the award for Best Supporting Actress in a Television Series, Mini-Series, or Motion Picture Made for Television for her work opposite Bill Nighy in Gideon's Daughter.Blunt followed Prada up with planned supporting roles in such features as The Snow Goose (2006), The Girl in the Park (2007), Wind Chill (2007), The Great Buck Howard (2007), and The Jane Austen Book Club (2007).In 2009 Blunt scored her largest starring role to date as the title character in the costume drama The Young Victoria. In 2010 she married The Office star John Krasinski, and in that same year they co-starred together in Gulliver's Travels. The couple would also each appear in cameo roles in 2011's The Muppets, written and co-starring Jason Segel with whom Blunt would co-star in the 2012 romantic comedy The Five-Year Engagement and rounded out her 2012 with the Golden Globe nominated Salmon Fishing in Yemen, romantic dramedy Your Sister's Sister and the sci-fi action thriller Looper. In 2014, she starred opposite Tom Cruise in the action-thriller Edge of Tomorrow and showed off her singing skills as the Baker's Wife in Into the Woods. The following year, she appeared in the Oscar-nominated Sicario, and in 2016, tackled the Snow White sequel The Huntsman: Winter's War and starred in the highly-anticipated adaptation of The Girl on the Train.

Trivia: Worked as a mini-cab driver in London. Dropped out of drama school to travel and become a painter. Starred opposite his brother, Jason Merrells, in the Royal Shakespeare Company's production of The Comedy of Errors in 2007. Lost nearly 20 pounds before filming his role as Marcus Crassus in the STARZ series Spartacus.

Trivia: A graduate of Australia's National Institute of Dramatic Art, blond, idiosyncratic leading man Hugo Weaving made his feature film debut in the socially conscious low-budget drama The City's Edge (1983), purportedly one of the first Australian films to sympathetically portray the adverse conditions suffered by aborigines. In 1991, Weaving received Best Actor kudos from the Australian Film Institute for his portrayal of a blind photographer in Jocelyn Moorhouse's Proof. In 1994, the actor earned international acclaim playing Tick, a drag queen with a secret, in the cult favorite The Adventures of Priscilla, Queen of the Desert (1994). The following year, Weaving was involved in another audience pleaser when he lent his voice to play the sheep dog Rex in Babe. Weaving occasionally appears in U.S. television productions, notably the CBS miniseries Dadah Is Death, in which he played opposite Julie Christie and Sarah Jessica Parker. He also continues to work steadily in Australia, in addition to appearing in big-budget Hollywood affairs such as The Matrix, in which he starred as an evil agent opposite Keanu Reeves and Laurence Fishburne. Following his turn in The Matrix with a few low-key romantic comedies (Strange Planet [also 1999] and Russian Doll [2001]), Weaving made a return to big-budgeted special effects extravaganzas with his involvement in director Peter Jackson's enormous adaptation of author J.R.R. Tolkien's Lord of the Rings. For the sequels to The Matrix, Weaving would return with a vengeance; with hundreds of Agent Smith clones sent to stop Neo (Keanu Reeves) from leading the revolution against the machines. An affiliation with another hit sci-fi series emerged when Weaving provided the voice of Megatron in Michael Bay's Transformers (as well as its two sequels), though it was the actor's affecting performance in 2009's Last Ride that earned him a nomination for Best Lead Actor at that year's Australian Film Institute awards. Cast as a dangerous Australian fugitive who flees from the law with his young son in tow, Weaving gave viewers a glimpse of the talent that was often overshadowed in his many larger-than-life roles, though it was his scenery-chewing performance as Johann Schmidt/Red Skull in Captain America: The First Avenger that got him back on the big screen in the U.S. following the disappointment of The Wolfman. Meanwhile, the busy screen veteran prepared for roles in Cloud Atlas (a sprawling sci-fi epic from Tom Tykwer and Andy and Lana Wachowski), and Peter Jackson's Hobbit trilogy.

Trivia: In 2010, won the Funny Women Variety Award for her stand-up. Between 2012 and 2019, appeared as Yara Greyjoy in HBO fantasy drama 'Game of Thrones'. In 2013, appeared as Rachel Crabbe in a National Theatre revival of 'One Man, Two Guvnors'. As of 2019, has starred as Kate in BBC Comedy 'Upstart Crow' since its 2016 debut. In 2017, won the MAC Best Performance WFTV Award.

Trivia: British-born Asa Butterfield began his acting career when he was eight years old, playing the role of Andrew in the 2006 TV movie After Thomas. He would make a bigger splash the next year, with a role in the indie comedy Son of Rambow, and again the next year, in the Holocaust drama The Boy in the Striped Pyjamas. Butterfield then took on the role of Mordred in the TV series Merlin, before joining the cast of the 2010 family film Nanny McPhee and the Big Bang. While his role in the latter did offer the charismatic youngster a respectable amount of exposure to the tween set, it was Butterfield's next big role -- as the eponomous orphan in Martin Scorsese's Oscar-winning film Hugo -- that truly cemented his reputation as a rising star. On the heels of that resounding success, Butterfield made Hollywood headlines when it was announced that he would next take the lead in Enders Game, a big-budget adaptation of Orson Scott Card's celebrated sci-fi novel.

Trivia: A native of Manchester, England, born in 1951, actor David Schofield grew up in a working-class family as one of 10 children, and first caught the drama bug at age 12 at an all-boy's school located in his hometown. Deeply interested in the theater, Schofield began not on-stage but in the wings, taking backstage positions at a local repertory theater that included waiting tables, making tea, building props, sweeping the stage, and -- ultimately -- scripting plays. At age 19, Schofield left this establishment to enroll in London's legendary Academy of Music and Dramatic Art, and soon began regularly accepting professional roles with a much heavier emphasis on theater than film; in fact, Schofield frequently performed with the Royal Shakespeare Company and at theaters in the West End of London. He moved into film work in the early '70s and thereafter maintained a steady output of assignments in films and on television. Memorable features included Ridley Scott's Best Picture-winner Gladiator (2000), the Hughes Brothers' Jack the Ripper thriller From Hell (2001), the elaborate fantasy-adventure Pirates of the Caribbean: The Curse of the Black Pearl (2003), and the Tom Cruise-produced World War II thriller Valkyrie (2008). Series (mostly British) that featured Schofield in recurring or guest capacities included The Bill, Our Friends in the North, and Holby City.

Trivia: Scottish-born Clive Russell is six and a half feet of bone and sinew. Add to his imposing stage presence his impressive acting skill and you have a colossal acting machine that can cry, bend steel, and recite Shakespeare. Russell has used his attributes to play Helfdane the Large in The Thirteenth Warrior, Ajax the Great in Troilus and Cressida, and blacksmith Joe Gargery in Great Expectations. For his portrayal of a gigantic but gentle ex-coal miner in the acclaimed Margaret's Museum, Russell earned a Canadian Academy Award nomination for best actor. Russell's appetite for acting is as big as he is. Between 1997 and 2001, he completed 24 films in addition to TV and other projects, including such high-profile productions as The Mists of Avalon (TV miniseries), Oliver Twist (TV miniseries), and Oscar and Lucinda. No, he probably won't replace Sean Connery as Scotland's most famous actor. But he certainly deserves recognition as one of Scotland's best actors -- right up there among Connery, Ewan McGregor, Dougray Scott, and Robert Carlyle.Russell first performed before an audience in 1960 on the Shari Lewis Show. But it was not until 1980 that he got his first real acting job -- performing on the London stage as the superintendent in Nobel Prize-winner Dario Fo's satire The Accidental Death of an Anarchist, about police corruption in Italy. The reviews were good, and he reprised that role for television in 1983. After further honing his skills in various British TV productions and a handful of films -- including Jute City, The Power of One, The Hawk, and Seconds Out -- Russell received exposure before international audiences as Caleb Garth in the celebrated BBC miniseries Middlemarch, based on the George Eliot novel of the same name. A year later, he fell in love on the movie screen with Helena Bonham Carter in Margaret's Museum, earning laudatory reviews worldwide. Clive Russell had arrived. After more TV roles and another film, Russell played Ralph Fiennes' father in another critically acclaimed film, Oscar and Lucinda. Growing recognition of his acting skills then brought him plum roles in four major TV miniseries: Great Expectations, Oliver Twist, The Railway Children, and The Mists of Avalon. In the same year that he made Mists, Russell also performed in The Emperor's New Clothes, starring Ian Holm as Napoleon. In 2002, his career reached new heights when he took on a role in a BBC/Columbia Tristar production about a mountain-rescue team in Scotland.

Trivia: Bearing more than a passing physical resemblance to her famous father Sir Charles Chaplin, graceful, versatile Geraldine Chaplin is an internationally respected leading and character actress. The eldest daughter from Charles Chaplin's marriage to Oona O'Neill, the daughter of famed playwright Eugene O'Neill, she spent her first eight years in Hollywood, but then moved with her family to Switzerland when her father was persecuted by the U.S. government for his political beliefs. In her new home, Ms. Chaplin attended private schools and was trained in classical ballet at the Royal Ballet School in London with the English Royal Ballet. She made her film debut in the elder Chaplin's Limelight (1952) as a dancer. She also played a small role in her father's last film, Countess From Hong Kong (1964). She had her first major adult role in 1965 playing Omar Shariff's wife, Tonya, in Doctor Zhivago. Much of the film was shot in Spain and it was there that Chaplin began a long romance with director Carlos Saura, who featured her in several films. She has subsequently worked with some of Europe's finest directors. She has also worked with American directors, most notably Robert Altman, who first utilized her in Nashville (1975) as the chatty, shallow BBC reporter Opal. In addition to her busy film career, Chaplin also appeared on-stage and in television miniseries such as Gulliver's Travels (1996) and The Odyssey (1997). Though she has often played leads, the diminutive, willowy, and offbeat beauty with the haunting blue eyes claims she is more comfortable in character roles.

Trivia: Notorious for his eager willingness to don a gorilla suit at the drop of a hat, special makeup effects wizard Rick Baker is as likely to create jaw-dropping, realistic creature effects as he is to ham it up under simian prosthetics as he did in, among others, director John Landis' directorial debut Schlock (1971) and The Kentucky Fried Movie (1977). The creator of some of the most memorable makeup effects effort captured on celluloid, Baker began experimenting with movie makeup after being inspired by horror films as a child. Constantly seeking new approaches to creating realistic effects and designs, Baker became assistant to legendary effects designer Dick Smith (The Exorcist) while in his teens. Later becoming an independent makeup effects artist, one of Baker's earliest breakthrough works was the 1974 TV movie The Autobiography of Miss Jane Pittman, in which he convincingly transformed actress Cicely Tyson into a 110-year-old woman. Following Autobiography, his work in films ranged from King Kong (1976) to Star Wars (1977), to creating a malicious mutant toddler terror for the It's Alive films. Baker got a taste for werewolf makeup while working as a makeup effects consultant on The Howling (1980), which experience undoubtedly paid off the next year, with his work on An American Werewolf in London (1981), for which he was awarded the first ever Best Makeup Oscar at the 1981 Academy Awards. The werewolf theme would again carry over to Baker's work on the groundbreaking Michael Jackson video "Thriller." Working constantly in both television and film, Baker became one of the most respected and requested makeup effects artists working in film, consistently nominated for, and often winning, a slew of Oscars and other awards for his unique and strikingly imaginative creations, which spanned all genres. Throughout the '80s Baker faced the constant challenge of topping his previous works, again going ape with Greystoke: The Legend of Tarzan, Lord of the Apes (1984), and moving into Sasquatch territory with his Oscar winning design for Harry in the 1987 family comedy Harry and the Hendersons. In 1988, Baker helped to create a number of personas for Eddie Murphy in the film Coming to America, a collaboration that would resurface in one of his most successful works of the late '90s. Beginning the '90s as an effects supervisor on Gremlins 2: The New Batch (1990), the decade offered a unique challenge to the artist in the form of attempting to combine his tangible creations with their increasingly popular digital counterparts, that some speculated would render makeup effects obsolete. Though he continued in creating incredible and convincing prosthetic effects, Baker embraced digital technology, considering it a natural progression and added resource for his remarkable creations. Murphy and Baker's re-teaming for 1996's The Nutty Professor earned Baker another Oscar to add to his increasing collection, and his work on the wildly popular sci-fi comedy Men in Black (1997) earned him yet another. In 2000, Baker teamed with director Ron Howard in creating a live-action telling of Dr. Seuss' How the Grinch Stole Christmas, this time with the ever-unpredictable Jim Carrey buried under the usual mounds of makeup. He once again teamed with Murphy on The Klumps: Nutty Professor 2 (2000), again winning Baker the Best Makeup Oscar at the 73rd Annual Academy Awards, before setting his sites on Tim Burton's ambitious remake of Planet of the Apes in 2001.