Trivia: The most successful child performer since Shirley Temple (Mickey Rooney wasn't a star until his teen years), Macaulay Culkin first stepped onto a New York stage at the age of four. Extensively trained for his craft, including a stint with Balanchine's School of the American Ballet, young Culkin became a familiar TV-commercial face and was spotlighted in several film supporting roles, the best of which was as John Candy's inquisitive nephew in Uncle Buck (1989). After an unbilled cameo in Jacob's Ladder (1990) and prior to an appearance in a Michael Jackson video, Culkin was cast as the preteen protagonist of Home Alone, a Three Stooges-like combination of violent slapstick and sappy sentiment that was the highest-grossing film of 1990. Culkin thereby became the highest paid child actor of all time, and one of the few under-13 performers who could be counted on to "open" a picture. Two more blockbusters followed: My Girl (1991) and Home Alone 2: Lost in New York (1992). At the time, the boy's career was under the tight control of his father Christopher "Kit" Culkin, an erstwhile actor who also managed the careers of Culkin's younger, equally photogenic siblings, and stories began to emerge from Hollywood concerning the elder Culkin's on-set behavior. Meanwhile, Macaulay's box-office appeal began waning, partly due to indifferent response to his next few films -- The Good Son (1993), Getting Even With Dad (1994), and Richie Rich (1994) -- but chiefly because he was outgrowing his cuteness and spontaneity. In June 1995, Culkin's mother went to court to remove the boy from Kit's custody, insisting that the father's contentiousness was ruining Macaulay's chances of revitalizing his career. At a few months shy of age 18, Culkin married actress Rachel Miner in 1998, but the couple separated in 2000. The former child star re-emerged in 2002 in documentarians Fenton Bailey and Randy Barbato's feature debut, Party Monster, the true-life story of the rise and fall of a young club promoter. He enjoyed a lengthy relationship throughout the 2000s with Mila Kunis.

Trivia: A consummate character actor, Joe Pesci rose to success on the strength of a series of Martin Scorsese films which took full advantage of his gift for outlandishly menacing supporting performances. Born February 9, 1943, in Newark, NJ, Pesci was a child actor who began his radio career at the age of four. Broadway beckoned just a year later, and by 1953 he was a regular on the television variety program Star Time Kids. His acting career stalled during his teen years, however, and by the mid-'60s, he mounted a musical career under the name Joe Ritchie, recording an LP titled Little Joe Sure Can Sing and later playing guitar in the pop band Joey Dee & the Starliters. He also formed a vaudeville-style nightclub comedy act with Frank Vincent. Outside of 1961's Hey, Let's Twist!, Pesci did not appear in films prior to the little-seen 1975 feature The Death Collector; the film earned virtually no notice upon its release and he dropped out of acting, dejectedly returning to New York to run an Italian restaurant.While few people saw The Death Collector, one of those who did was actor Robert De Niro, who was so impressed by Pesci's performance that he brought the film to the attention of Scorsese, who cast Pesci in his 1980 masterpiece Raging Bull. The performance earned Pesci an Academy Award nomination in the Best Supporting Actor category, and he became one of the busiest character actors in the business, steadily appearing in films ranging from the 1983 Rodney Dangerfield comedy Easy Money to the 1984 Sergio Leone epic Once Upon a Time in America. After starring in a failed 1985 sitcom, Half Nelson, Pesci's onscreen visibility diminished, and over the next four years he appeared in only one film, 1987's Man on Fire. In 1989, however, he co-starred opposite Mel Gibson and Danny Glover in the hit Lethal Weapon 2, a performance which put his talent for comic relief to such fine use that he later reappeared in the third chapter of the franchise, issued in 1992.By that point, Pesci had already become a star; 1990 was his breakthrough year, as he appeared in the family comedy blockbuster Home Alone and Scorsese's brilliant GoodFellas, winning the Best Supporting Actor Oscar for his vivid portrayal of a psychotic mobster. While his first major starring role in 1991's The Super proved disastrous, he won good notices for his supporting turn in Oliver Stone's JFK and in 1992 starred in the hit courtroom comedy My Cousin Vinny. Later, following the disappointment of 1994's Jimmy Hollywood and With Honors, he reunited with Scorsese and De Niro for the 1995 epic Casino, essaying a variation on his GoodFellas character. However, a pair of poorly received 1997 comedies -- Eight Heads in a Duffel Bag and Gone Fishin' -- again called Pesci's capabilities as a lead actor into question. He found more success reprising his supporting role in Lethal Weapon 4, released in 1998. On the heels of his second outing with Mel Gibson and Danny Glover, however, the popular character actor disappeared from the big screen for nearly a decade. It took his old friend DeNiro to get him back in front of the camera for the CIA thriller The Good Shepherd (2006), with the four year gap between that film and Pesci's next film Love Ranch hinting that the aging screen veterean was in no hurry to jump back into the fray. But the window between films seemed to start shrinking when it was announced that Pesci would be returning to the world of crime cinema in director Geo Santini's 2012 gangster drama The Irishman.

Trivia: Catherine O'Hara was born on March 4, 1954, in Toronto, Ontario, though her heritage may or may not be a contributing factor to the strange quality she brings to her dry comedic style on the Hollywood screen. While the inspiration for O'Hara's forthright straight-faced demeanor is unknown, she is arguably a one-of-a-kind presence in many American films.O'Hara began acting in her hometown in 1974, when she first appeared on Second City Television, where she distinguished herself through impersonations. She performed on the program regularly during the mid-'70s, and also wrote for it beginning in 1976. Later that decade, she continued her television experience with voice-overs for cartoons, an endeavor she would revisit throughout her career in some notable roles.In 1980, she played Audrey in Nothing Personal, and in the mid-'80s played several small roles in feature films, including Martin Scorsese's After Hours (1985). In 1988, she made a parental splash as Delia Deetz in Tim Burton's Beetlejuice, with Winona Ryder playing her morose young goth daughter. Mainstream Hollywood featured O'Hara again two years later in Dick Tracy with Warren Beatty and Madonna. Also in 1990, she returned to big-screen motherhood, this time as mother to Macaulay Culkin in Home Alone (and she would also later appear in the sequel, Home Alone 2: Lost in New York in 1992).By this point, O'Hara was well established in American popular culture, and she continued to take on creative roles. Revisiting the bizarre darkness of Tim Burton's imaginative projects, she performed the character voices of both Sally and Shock in his animated feature The Nightmare Before Christmas in 1993. Two years later, her voice-over credentials increased when she played Calamity Jane in Walt Disney's Tall Tale: The Unbelievable Adventures of Pecos Bill. Her voice work continued throughout the 1990s, and in 1996, O'Hara expanded her appeal to include the indie-film world when she starred in what became a revered independent feature, Christopher Guest's satirical mockumentary Waiting for Guffman. In Home Fries (1998) with Drew Barrymore, she played the role of Mrs. Lever.Satiric and campy, 2000's Best in Show showcased numerous strong performances, allowing for flamboyant and unique characterizations from all cast members, including O'Hara, whose pursed-lipped matter-of-factness instilled personality into Southern dog-owner Cookie Guggelman Fleck. In 2001, O'Hara appeared on the television shows Committed and Speaking of Sex, and she returned to the big screen in 2002 with a role in Orange County. Strong as ever in Guest's subsequent mock-docs A Mighty Wind (2003) and For Your Consideration (2006), she continued to impress with bit parts such features as Lemony Snicket's A Series of Unfortunate Events, Penelope, and Away We Go while continuing to do impressive voice work in films like Monster House and Spike Jonze's Where the WIld Things Are. 2010 proved to be a good year thanks to an Emmy nomination for Best Supporting Actress in Mick Jackson's made-for-HBO biopic Temple Grandin. While the award eluded her, O'Hara remained busy as ever thanks to her role in the cult Nickeledeon hit Glenn Martin DDS. Meanwhile, multiple voice roles in Burton's 2012 feature Frankenweenie offered her the opportunity to once again work with the quirky director who previously used her to striking effect in some of his most popular films.

Trivia: A veteran of Chicago's free-form Organic Theatre, the boyish, personable John Heard won the Theatre World Award for his performance in the 1976 play Streamers, and two years later was the recipient of the Obie Award for two separate off-Broadway productions. He made his film bow as the harried correspondent for an underground newspaper in Joan Micklin Silver's Between the Lines. In Silver's 1979 Head Over Heels, Heard again received top billing, this time as the obsessive ex-lover of Mary Beth Hurt. One of his first "mainstream" leading roles was in Paul Schrader's erotic thriller Cat People (1981). Heard was agreeable, if a little bullheaded, as Macaulay Culkin's dad in the two Home Alone films; less agreeable was his portrayal of Tom Hanks' abrasive business rival in Big (1988) On television, Heard was seen as the tormented Reverend Dimmesdale opposite Meg Foster's Hester Prynne in the PBS production of The Scarlet Letter, and was heard as one of the celebrity voices on the made-for-cable Dear America: Letters Home From Vietnam (1987). John Heard was at one time married to actress Margot Kidder. He turned in fine supporting work in Beaches, and was the bad guy in the Tom Hanks hit Big. A well-respected character actor, Heard continued to work in projects as diverse as Rambling Rose, Radio Flyer, In the Line of Fire, and the comedy My Fellow Americans. He had a major part in the Brian De Palma thriller Snake Eyes in 1998, and the next year he had a brief recurring part on The Sopranos. He appeared in the 2000 biopic Pollock, and the next year was in the Shakespeare inspired high-school drama O. In 2002 he played legendary television executive Roone Arledge in the made for TV film Monday Night Mayhem, and in 2004 he appeared in the comedy White Chicks. He worked non-stop throughout the rest of the decade appearing in such films as The Great Debaters, The Guardian, and Formosa Betrayed. In 2007 he was cast in the short-lived ABC series Cavemen. In 2011 he was part of the ensemble in the well-regarded docudrama about the 2008 financial meltdown, Too Big to Fail.