Trivia: Arguably the top screen comedian of the 1990s, Canadian-born entertainer Jim Carrey has combined equal parts of his idol Jerry Lewis, his spiritual ancestor Harry Ritz, and the loose-limbed Ray Bolger into a gleefully uninhibited screen image that is uniquely his own.Carrey's life wasn't always a barrel of laughs; he was born on January 17, 1962, into a peripatetic household that regularly ran the gamut from middle-class comfort to abject poverty. Not surprisingly, Carrey became a classic overachiever, excelling in academics while keeping his classmates in stitches with his wild improvisations and elastic facial expressions. His comedy club debut at age 16 was a dismal failure, but Carrey had already resolved not to be beaten down by life's disappointments (as his father, a frustrated musician, had been). By age 22, he was making a good living as a standup comic, and was starring on the short-lived sitcom The Duck Factory -- a series which curiously did little to take advantage of its star's uncanny physical dexterity. Throughout the 1980s, Carrey appeared in supporting roles in such films as Peggy Sue Got Married (1986) and Earth Girls are Easy (1990). Full television stardom came Carrey's way in 1990 as the resident "white guy" on Keenan Ivory Wayans' Fox TV comedy In Living Color. The most popular of the comedian's many characterizations on the program was the grotesquely disfigured Fire Marshal Bill, whose dubious safety tips brought down the wrath of real-life fire prevention groups -- and also earned Carrey the ultimate accolade of being imitated by other comics. 1994 proved to be "The Year of Carrey," with the release of three top-grossing comedy films to his credit: Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber. By the end of the year, Carrey was commanding seven to ten million dollars per picture. In 1995, the actor/comedian took over for Robin Williams as The Riddler in the blockbuster film Batman Forever, and, in 1996, he tried his hand at a darker and more menacing role as a maniacal cable repairman in The Cable Guy. The film, and Carrey's at-times frightening performance, received decidedly mixed reviews from critics and audiences. Despite the generally negative response to the film, Carrey still retained an interest in branching out into more dramatic roles. Following a return to all-out comedy in Liar, Liar (1997) as a chronically dishonest attorney, Carrey explored new territory with his lead role in the highly acclaimed The Truman Show (1998), Peter Weir's eerie comedy drama about the perils of all-consuming media manipulation. Critical respect in hand, Carrey returned to comedy of a different sort with the lead role in Milos Forman's Man on the Moon (1999), a much-anticipated biopic of the legendary comic Andy Kaufman. Although the film boasted a powerhouse performance from Carrey, it earned less than stellar reviews and did poor business at the box office. Such was the strength of the actor's portrayal, however, that his exclusion from the Best Actor nominations at that year's Academy Awards was a source of protest for a number of industry members. Carrey returned to straight comedy the following year with the Farrelly brothers' Me, Myself & Irene, in which he starred as a cop with a split personality, both of whom are in love with the same woman (Renée Zellweger). Though that film fared the least successful of the Farrellys' efforts to that point, Carrey's anarchic persona was given seemingly free range and the result was his most unhinged role since The Mask. That same year, he assumed the lead role in Ron Howard's Dr. Seuss's How the Grinch Stole Christmas, raking in the money at the box-office and receiving a Golden Globe nomination despite widespread critical-contempt for the film. Continuing to seek acceptance as a skilled dramatist, Carrey next appeared in the 2001 box-office bomb The Majestic.Undeterred by the failure of The Majestic, Carrey returned again to both comedy and box-office success with 2003's Bruce Almighty. After handily proving that his power as a big-screen star was very much intact, Carrey wasted no time switching gears once again as he embarked on his most ambitious project to date, the 2004 mind-bending romantic-dramedy Eternal Sunshine of the Spotless Mind. Scripted by Charlie Kaufman and directed by Michel Gondry, the film garnered rave reviews and featured what was arguably Carrey's most subtly complex and subdued performance to date.Carrey's cartooney presence on screen would make him a natural fit for the kids' movie Lemony Snicket's A Series of Unfortunate Events in 2004, as well as other family films over the coming years like A Christmas Carol and Mr. Popper's Penguins. The actor would continue to explore dramatic roles, however, such as the dark thriller The Number 23 and the critically acclaimed I Love You, Phillip Morris.

Trivia: A member of the Royal Shakespeare Company, British actor Ian McNeice has found additional success playing supporting roles in feature films and on television. He made his first film appearances in 1983, and has subsequently specialized in comedies, ranging from the gentle The Englishman Who Went Up a Hill and Came Down a Mountain (1995) to the riotous Ace Ventura: When Nature Calls (1995) to the surreal A Life Less Ordinary (1997). McNeice's television credits include performances in several PBS productions, including Edge of Darkness and Nicholas Nickelby.

Trivia: Stout, jovial character actor Simon Callow has been enlivening the stage and screen for years, often in roles that highlight his versatility and capacity for a particular brand of good-natured, self-deprecating humor.Born in London on June 13, 1949, Callow began going to the theatre when he was 18 and working at a bookstore with no idea of what to do with his life. He took a particular interest in the Old Vic, which was being run by Laurence Olivier at the time. Deeply impressed with Olivier's talent, Callow wrote to him. To his great surprise, the esteemed actor responded in kind, telling the young man that if he was interested in acting, he should consider taking a job at the Old Vic's box office. Callow did so, and thus made his entrance into the theatre world. He subsequently became a fixture on the London stage, appearing in numerous productions over the years.Callow made his film debut with a substantial supporting role in 1984 in Milos Forman's Amadeus. Two years later, he endeared himself to transatlantic audiences with his portrayal of the bumbling reverend Mr. Beeb in Merchant-Ivory's celebrated adaptation of E.M. Forster's A Room with a View. He would also appear in two more Merchant-Ivory-Forster adaptations, Maurice (1987), in which he had a brief role as the title character's deluded school teacher, and Howards End (1992), which featured him in the small but memorable role of a pompous lecturer on music appreciation.In addition to his numerous collaborations with Merchant-Ivory (which also include Mr. and Mrs. Bridge, 1990, and Jefferson in Paris, 1995), Callow has worked in a number of diverse British and American productions. Perhaps one of his best-loved and most recognizable roles was in the popular Four Weddings and a Funeral (1994). As one of Hugh Grant's motley circle of friends, the ebullient, flamboyant Gareth, Callow injected both poignance and joie de vivre into the proceedings. His character particularly stood out for being in an open, unapologetic relationship with another man (John Hannah), something that at the time had few parallels in American films. The character also highlighted Callow's status as one of Britain's openly gay actors, which also had regrettably few parallels across the Atlantic.Among the other diverse films he appeared in throughout the '90s, Callow particularly stood out in the animated James and the Giant Peach (1996), in which he voiced the wise Grasshopper; the acclaimed Shakespeare in Love (1998), which featured him as the obnoxious, party-pooping Master of Revels; and Rose Troche's omnisexual romantic comedy Bedrooms & Hallways (1998), in which Callow starred as the painfully sincere guru of a men's consciousness-raising group.Keeping busy into the new millenium, Callow noteably appeared among the ensemble cast of Mike Nichols' critically-acclaimed HBO mini-series Angels in America.In addition to working in front of the camera, Callow has spent a fair amount of time behind it as a director. In 1991, he made his feature directorial and screenwriting debut with the film version of Carson McCullers' Ballad of the Sad Cafe. Two years earlier, he had made his Broadway debut as the director of Shirley Valentine. And, apparently averse to having too much free time, Callow is also the author of numerous books on acting and actors. In particular, his biographies of Orson Welles and Charles Laughton have met with great acclaim, further establishing Callow as an actor who is more than just the sum of his parts.

Trivia: Born Maynard Eliashi, Eziashi is a black lead actor who first appeared onscreen in 1990.

Trivia: California-born actor Robert Gunton has been essaying film character roles since 1980. Among his film credits are Rollover (1981), Matewan (1987), Glory (1988) and Cookie (1989). Many observers feel that Gunton was at his performing peak in the role of a wildly neurotic streetcorner evangelist in the little-seen satire Static (1985). A seasoned improv performer, Robert Gunton was one of the regulars (along with such future notables as Mark-Linn Baker and Joe Mantegna on the Manhattan-based TV series Comedy Zone (1984).

Trivia: For an actress whose late-blooming career began its slow but steady ascent around the age of 18, acclaimed stage and screen beauty Sophie Okonedo has more than made up for any lost time. As comfortable onscreen as she is on-stage, Okonedo first gained critical acclaim for her role as Cressida in Trevor Nunn's production of Shakespeare's Troilus and Cressida at London's National Theater. Though Okonedo would soon expand her repertoire to include roles in film and television, it was her unwavering dedication to the stage that would be the defining aspect of her early career until breakout roles in such films as Stephen Frears' Dirty Pretty Things and the devastating Hotel Rwanda brought her both international acclaim and an Oscar nomination. Born in London to a Nigerian father and a British mother, Okonedo was 18 years old when she came across an advertisement for a writer's workshop in Time Out magazine. It didn't take long for Okonedo to realize that she was more proficient in offering dramatically rendered readings of her fellow classmate's stories than penning her own, and with the encouragement of writing coach Hanif Kureishi, the aspiring actress was soon honing her skills at the Royal Court Theater. A scholarship to the Royal Academy was quick to follow, and in the succeeding years, Okonedo would earn glowing reviews thanks to, among many other roles, her stunning performance in Shakespeare's Troilus and Cressida. A brief appearance as a tribal princess in the Jim Carrey vehicle Ace Ventura: When Nature Calls found Okonedo becoming increasingly at ease in front of the camera, and upon returning to the U.K., the rising starlet began to carve out an impressive niche for herself on such television productions as The Governor, Deep Secrets, and In Defence. Despite Okonedo's increasing exposure abroad on screens both large and small, it was her touching turn as a sympathetic prostitute in Frears' dark thriller Dirty Pretty Things (2002) that proved to be her breakout role in film. It was shortly after witnessing Okonedo's performance in that movie that filmmaker Terry George approached her for a substantial role in his upcoming docudrama Hotel Rwanda -- am emotionally devastating retelling of the 1994 Tutsi massacre and one local hotel owner's noble attempt to save innocent lives by opening his doors to those hoping to escape a grim fate at the hands of the Hutus. Delivering a performance that was as genuinely moving as it was heartbreaking, Okonedo truly came into her own with the role -- and earned an Oscar nomination in the process. In addition to her increasingly busy onscreen career (by the time Hotel Rwanda was released into theaters she was already nearly finished filming her role opposite Charlize Theron in the sci-fi action effort Aeon Flux), Okonedo still found time to remain loyal to the stage by serving on the board of directors at the Royal Court Theater. Nevertheless the silver screen was calling now, and when her theatrical obligations were fullfilled, Okonedo was ready to jump back into the fray with a key supporting role n the family friendly action flick Stormbreaker - a cinematic adaptation of author Anthony Horowitz popular series of novels concerning the wild adventures of fourteen-year-old super-spy Alex Rider.

Trivia: Adopted by a social worker in Mississippi when he less than 2 years old. Began his entertainment career as a stand-up comedian in Washington, D.C. Gained notoriety in the early '90s for his adept impersonations of celebrities like Sugar Ray Leonard and Sammy Davis Jr. Made his feature-film debut opposite Halle Berry in the 1991 movie Strictly Business. Honored in 2012, along with his In Living Color castmates, with the Groundbreaking Award at the TV Land Awards 10th Anniversary ceremony.

Trivia: Supporting actor, onscreen from 1970.

Trivia: Grew up in London and Nigeria. Modeled in London and Milan before turning to acting (and after obtaining a master's degree in law); moved to the U.S. to pursue an acting career in 1994. Appeared in the music videos for EnVogue's "Giving Him Something He Can Feel" and Mary J. Blige's "Love No Limit." Nominated for NAACP Image Awards in the Best Supporting Actor: Drama Series category for his role in HBO's Oz in 1997 and 2000. The meaning of his name: "ade" (crown); "wale" (to come home); "akin" (warrior); "nuoye" (chief); "agbaje" (wealth, prosperity). Came up with the name of his Lost character, Mr. Eko, himself. Nickname is "Triple A."