Trivia: One of the most endearing goofballs to ever grace the stages of Saturday Night Live, affectionately offensive funnyman Adam Sandler has often been cited as the writer/performer who almost single-handedly rescued the long-running late-night television staple when the chips were down and it appeared to have run its course. Though his polarizing antics have divided audiences and critics who often dismiss him as lowbrow and obnoxious, Sandler's films, as well as the films of his Happy Madison production company, have performed consistently well at the box office despite harsh and frequent critical lashings.Born in Brooklyn on September 9th, 1966, it may come as no surprise that Sandler was a shameless class clown who left his classmates in stitches and his teachers with a handful. Never considering to utilize his gift of humor to pursue a career, Sandler eventually realized his potential when at the age of 17 his brother encouraged him to take the stage at an amateur comedy competition. A natural at making the audience laugh, the aspiring comedian nurtured his talents while attending New York University and studying for a Fine Arts Degree. With early appearances on The Cosby Show and the MTV game show Remote Control providing the increasingly busy Sandler with a loyal following, an early feature role coincided with his "discovery" by SNL cast member Dennis Miller at an L.A. comedy club. As the unfortunately named Shecky Moskowitz, his role as a struggling comedian in Going Overboard (1989) served as an interesting parallel to his actual career trajectory but did little to display his true comic talents.It wasn't until SNL producers took Miller's praise to heart and hired the fledgling comic as writer on the program that Sandler's talents were truly set to shine. Frequent appearances as Opera Man and Canteen Boy soon elevated him to player status, and it wasn't long before Sandler was the toast of the SNL cast in the mid-'90s. While appearing in SNL and sharpening his feature skills in such efforts as Shakes the Clown (1991) and Coneheads (1993), Sandler signed a recording contract with Warner Bros., and the release of the Grammy-nominated They're All Gonna Laugh at You proved the most appropriate title imaginable as his career began to soar. Striking an odd balance between tasteless vulgarity and innocent charm, the album found Sandler gaining footing as an artist independent of the SNL universe and fueled his desire -- as numerous cast members had before him -- to strike out on his own. Though those who had attempted a departure for feature fame in the past had met with decidedly mixed results, Sandler's loyal and devoted fan base proved strong supporters of such early solo feature efforts as Billy Madison (1996) and, especially, Happy Gilmore (1996).His mixture of grandma-loving sweetness and pure, unfiltered comedic rage continued with his role as a slow-witted backwoods mama's boy turned football superstar in The Waterboy (1998), and that same year found Sandler expanding his persona to more sensitive territory in The Wedding Singer. Perhaps his most appealing character up to that point, The Wedding Singer's combination of '80s nostalgia and a warmer, more personable persona found increasing support among those who had previously distanced themselves from his polarizing performances. As the decade rolled on, Sandler also appeared in the action-oriented Bulletproof (1996) and the even more affectionate Big Daddy (1999). In 2002, Sandler starred in a re-imagining of Mr. Deeds Goes to Town, titled simply Mr. Deeds.Beginning in the late nineties, Sandler's Happy Madison production company launched such efforts as Deuce Bigalow: Male Gigolo (1999), Little Nicky (2000), The Animal and Joe Dirt (both 2001). Deuce Bigalow: European Gigolo appeared in (2005), and Grandma's Boy in (2006). Despite critical castigation for scraping the bottom of the barrel with these efforts, Sandler's commercial instinct remained intact; the films all hit big at the box office and drew an ever-loyal base of fans who gravitated to any feature with Sandler's name attached.The early 2000s also saw Sandler attempting to branch out in a number of unusual directions, which included the animated "Hanukkah Musical" 8 Crazy Nights (2002). Sandler also began dipping his toes into the realm of drama with a starring role in the eccentric, critically acclaimed tragicomedy Punch-Drunk Love (2002), directed by Paul Thomas Anderson. Sandler also starred in the Jim Brooks-helmed comedy/drama Spanglish (2004), an unsually subdued and gentle turn away from the irascible types that Sandler usually played. The critical receptions were, again uneven, as reviewers loathed 8 Crazy Nights, justifiably praised Punch-Drunk across the board, and espoused mixed feelings about Spanglish.Perhaps well aware of the extent of these risks that he was taking with his career, Sandler continued to sustain his popularity with a steady (and reliable) stream of crowd-pleasing star vehicles throughout the early 2000s. 2002's self-produced Sandler vehicle Anger Management (which teamed him up with a maniacal Jack Nicholson); the 2004 effort 50 First Dates, in which he co-starred with fellow Wedding Singer alum Drew Barrymore; and the 2005 remake of Robert Aldrich's The Longest Yard all made box office gold. In 2006, Sandler starred in yet another hit: Click, a surrealistic comedy directed by Frank Coraci, co-starring Sean Astin, Kate Beckinsale and Christopher Walken. The film was a big hit and, having spent the past few years playing it safe, Sandler decided it was a good time to take another chance. He signed on to star with Don Cheadle in the 2007 drama Reign Over Me, playing a man who lost his wife and children in the 9/11 attacks, and is headed for complete self-destruction. The critics weren't as enamored with this dramatic attempt as they were with Punch-Drunk Love, but Sandler was mostly well received even when the film wasn't. Always tempering his risks with more predictable career moves, the actor next signed on to appear alongside King of Queens star Kevin James in the buddy movie I Now Pronounce You Chuck and Larry, a comedy about two straight firefighters who pretend to be a gay couple to receive domestic partner benefits.On a seemingly never-ending roll with his broadly appealing comedic roles, Sandler next played an Israeli secret agent and skilled beautician in 2008's You Don't Mess with the Zohan. He followed this up with a turn in the kids comedy Bedtime Stories in 2009, before adding a dash of dramatic acting to a humorous role once more, with the 2009 Judd Apatow flick Funny People. For Sandler's next project, he reteamed with Cuck and Larry co-star Kevin James for the 2010 romp Grown Ups, before cozying up to Jennifer Aniston for the romantic comedy Just Go With It in 2011. Despite his beautiful co-star, Just Go With It did poorly at the box office, and so for his next movie, the funnyman chose a more bankable supporting actor: himself, playing both a man and his own annoying twin sister in the 2012 comedy Jack and Jill.

Trivia: Darren McGavin dropped out of college after one year and moved to New York, where he trained for the stage at the Neighborhood Playhouse and the Actors Studio. In the mid '40s he began landing small roles in occasional films, but worked primarily onstage. He first made an impression onscreen as a painter in David Lean's Summertime and a drug pusher in Otto Preminger's The Man with the Golden Arm (both 1955); nevertheless, his subsequent film work tended to occur in intermittent spurts, with long periods off-screen between roles. He is best known as a TV actor; he starred in the TV series Crime Photographer, Mike Hammer, Riverboat, The Outsider, and Kolchak: The Night Stalker, and also appeared in a number of TV movies. He occasionally directed episodes of his TV shows, and directed and produced the film Happy Mother's Day, Love George (1973), whose title was later changed to Run, Stranger, Run.

Trivia: An actor whose well-scrubbed Midwestern good looks have served him well in a wide variety of roles, Bradley Whitford was born in Madison, WI, on October 10, 1959. Whitford developed an interest in acting while in high school, and after graduating in 1977, he attended Wesleyan University, where he majored in English and Theater. After completing his studies at Wesleyan, he went on to receive a master's degree in Theater from the Juilliard Theater Center, and began pursuing an acting career in New York. Whitford made his screen debut in 1985 in a low-budget thriller called Dead As a Doorman, but received a good bit more attention for a supporting role in a 1986 TV movie, C.A.T. Squad, directed by William Friedkin. In 1987, Whitford appeared in both the New York and Los Angeles productions of Sam Shepard's drama Curse of the Starving Class; while in L.A. with the play, Whitford was cast as Jack Ford in the TV movie The Betty Ford Story. After returning to New York, Whitford continued to alternate stage roles with film assignments, and by the early '90s was appearing in a steady stream of supporting roles in such films as Presumed Innocent, A Perfect World, and Philadelphia. However, Whitford soon began scoring more substantial roles on television, including a recurring role as Norman Gardner on the series NYPD Blue and a memorable turn as a distraught father-to-be on the Emmy-award winning "Love's Labor's Lost" episode of E.R. In 1999, Whitford's finally scored the role that made him famous when he was cast as Deputy Chief of Staff Josh Lyman on the TV series The West Wing (created by Aaron Sorkin, whose play A Few Good Men had featured Whitford in its Broadway cast). Whitford's work on the series eventually earned him an Emmy Award in 2001; the same year, he was also recognized as part of the show's ensemble cast by the Screen Actor's Guild Awards (also honored with Whitford was John Spencer, who had appeared with him in the movie Presumed Innocent).Whitford appeared in The Sisterhood of the Traveling Pants in 2005, as well as the critically acclaimed comedy drama Bottleshock in 2008. The actor enjoyed a resurgence in popularity in 2012 for his turn as a ruthless, yet oddly likable businessman in director Joss Whedon's popular horror comedy Cabin in the Woods.

Trivia: Fired in bitter haste from Saturday Night Live and following up with two career-crippling film credits, Norm Macdonald's career has been spiraling into disaster since 1997 -- "or so the Germans would have us believe." Though he began his career as a stand-up comedian in Ottawa, most people's familiarity with MacDonald derives from his three-year stint as Weekend Update anchor on the ever-enduring Saturday Night Live. Realizing that a change in location was the key to success, MacDonald packed his bags and took his routine to L.A, where he continued to refine his specific brand of acerbic wit through his stand-up act. In addition, MacDonald became a writer for the popular sitcom Roseanne, as well as The Dennis Miller Show. It was a long road to following in the footsteps of Chevy Chase and Dennis Miller in dragging the current headlines through the mud (and a not so happy ending to cap it off). Beginning his SNL career as a bit player in the 1993, the torch was passed from Kevin Nealon to Norm MacDonald in the beginning of the show's 1994 season. After an exhausting barrage of O.J. Simpson and Frank Stallone jokes, however, NBC president Don Ohlmeyer pulled the plug on MacDonald's Weekend Update career, citing that the anchor was simply "not funny." After taking small roles in Adam Sandler comedies and bit parts on The Drew Carey Show, MacDonald continued the cursed SNL tradition of tackling feature films. MacDonald's awkward attempts at feature-film stardom in Dirty Work and Screwed did little to please mainstream audiences (Screwed failed even to recuperate its 10-million-dollar production costs) but pleased his loyal fans nonetheless. In early 1999, Norm MacDonald became the star of his very own television sitcom, The Norm Show. Cast as a scheming ex-hockey star-turned-social worker who never fails to get himself into constant mischief, The Norm Show -- later shortened to just Norm) -- co-starred Laurie Metcalf, Ian Gomez, and former Dirty Work co-star Artie Lang.

Trivia: American comic actor Larry Hankin was first seen on a major coast-to-coast basis in 1969. He was one of the members of a young, hip comedy troupe (including David Steinberg and Lily Tomlin) on an odd 45-minute TV variety series The Music Scene. Before this program, Hankin had a small part in the 1968 film domestic comedy How Sweet it Is (1968); after Music Scene, the actor had the misfortune to appear in the legendary all star fiasco The Phynx (1970), which never did get a general release. Hankin remained a supporting player, having a few moments here and there in such films as Thumb Tripping (1972), Ratboy (1986), She's Having a Baby (1988) and Planes, Trains and Automobiles (1991). TV fans could see Larry Hankin in the occasional guest role in series like All in the Family.

Trivia: As a Tony-nominated Broadway star, a former background singer for Harry Belafonte, an Emmy-nominated television actress, and a supporting player in numerous feature films, it is safe to say that Theresa Merritt had a mighty respectable career, despite the fact that she never quite made it to full-fledged stardom. The African-American performer launched her career with a starring role in Billy Rose's musical Carmen (1943). In 1985, she returned to Broadway to play the title role in Ma Rainey's Black Bottom and won a Tony nomination. She made her feature film debut in They Might Be Giants (1971) and continued to occasionally appear in films through the mid-'90s. On television, Merritt earned Emmy kudos for her special All About Miss Merritt and for appearing in the PBS miniseries Concealed Enemies.

Trivia: Rotund, blonde, and amazingly agile comic actor Chris Farley boasted an energetic, bumbling presence that made him among the few alumni from the long-running Saturday Night Live television series to find a comfortable niche in feature films. He started out working with the Ark Improv theater group after graduating from Marquette University with a degree in theater and communications. After leaving the Ark, he worked at the Improv Olympic Theater where he studied under director Del Close. From there Farley found work at the Second City Theater where he was discovered by SNL producer Lorne Michaels. The portly actor debuted on the series in 1990, and, with such goofy characters as loud motivational speaker Matt Foley (who lived in a van down by the river), quickly became one of the show's favorite players. He remained with the show through the 1994-1995 season and then left to pursue a movie career. Farley made his feature film debut as a security guard in Wayne's World (1992); he had a much larger role in the sequel, Wayne's World 2 (1990). Farley had his first screen hit when he teamed up with fellow SNL actor David Spade and appeared in the sophomoric Tommy Boy, in which Farley played the naïve and socially incompetent son of a recently deceased auto parts manufacturer. Farley then returned to supporting roles before reteaming with Spade again for Black Sheep in 1996. In 1997, he starred in the comedy Beverly Hills Ninja. Farley's manic comedy style has frequently been compared to that of the late John Belushi, whom Farley idolized. Like Belushi, Farley's offscreen life was punctuated by frequent bouts of alcohol and drug abuse; friends and colleagues were concerned as was Farley, but he apparently was unable to stop. On December 18, 1997, Farley was found dead of an apparent heart attack in his luxurious Chicago apartment. He was only 33 years old, the same age as Belushi when he died.

Trivia: Although probably best known as the voice of Triumph the Insult Comic Dog on Late Night With Conan O'Brien, New York native Robert Smigel's legacy is really more that of a writer. Writing for Saturday Night Live since 1985, he is one of the longest running writers in the show's history, though he's only been producing and acting on it since the '90s. Some of his parodies and sketches include "Superfans" and "The McLaughlin Group." Smigel has also written for Lookwell, The Dana Carvey Show, and Late Night. As an actor, he's had bit parts in such comedies as Wayne's World 2 (1993) and, since then, nearly all of Adam Sandler's movies, including Billy Madison, Happy Gilmore, The Wedding Singer, Little Nicky, and Punch-Drunk Love. His puppet character of Triumph the Insult Comic Dog has transcended O'Brien for wider pastures such as Christmas specials and award shows. Some of Smigel's best work has been in animation. Appearing in tiny bursts on cable and late-night programming, his short cartoon bits include "The Ambiguously Gay Duo," co-created with comedian Stephen Colbert, and "Fun With Real Audio," cartoons which re-imagine popular figures of the day. Smigel eventually had enough bits to launch a whole show as creator, executive producer, and voice actor of TV Funhouse on Comedy Central. Aired in eight episodes from 2000-2001, the show was a hilarious blend of live-action, puppetry, and animation. Smigel is also a voice on Crank Yankers and a writer of many television specials.

Trivia: After starting as an athlete herself, playing volleyball as a teenager, Bridgette Wilson began a show business career after winning the Miss Teen USA pageant in 1990, and would end up coming full circle to her athletic beginnings by marrying tennis player Pete Sampras in 2000. Wilson's athletic-yet-curvy frame and gorgeous face have often placed her as the beauty in films, which seems quite appropriate in consideration of her beginnings as a beauty queen. Born September 25, 1973, in Oregon, Wilson relocated to Los Angeles in 1990 after winning the crown as a teen, and took on her first role -- on the soap Santa Barbara -- the following year. Her debut on the big screen came alongside Arnold Schwarzenegger in 1993's Last Action Hero, in which she portrayed Schwarzenegger's daughter. Two years later, she appeared in Higher Learning starring Michelle Pfeiffer, and would expand upon her beauty queen profile to include a disciplinarian leadership role in Mortal Kombat. Her image as the beauty, however, was maintained and furthered in her role as Adam Sandler's character's love interest in Billy Madison (also 1995), a role which also permitted her an exploration of her comedic talent. Through the 1990s, Wilson played numerous roles of varying status in films for television and theater, with a notable appearance as the cold Elsa Shivers in the teen horror movie I Know What You Did Last Summer (1997).In addition to her role on Santa Barbara, Wilson has made guest appearances on several television programs including Saved by the Bell, Frasier, and Murder, She Wrote. In 2000, she played Bridget Deshiell on the series The Street, and also revisited pageantry in her role as Miss Texas in the film Beautiful. Additionally, 2000 was the year she wed Pete Sampras.Wilson supported Matthew McConaughey and Jennifer Lopez by graciously stepping aside to allow for their romance to blossom in The Wedding Planner in 2001. She played small roles in The Extremists and Buying the Cow the following year. She and Sampras had a son, Christian, in November 2002.

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.