Trivia: One of the most endearing goofballs to ever grace the stages of Saturday Night Live, affectionately offensive funnyman Adam Sandler has often been cited as the writer/performer who almost single-handedly rescued the long-running late-night television staple when the chips were down and it appeared to have run its course. Though his polarizing antics have divided audiences and critics who often dismiss him as lowbrow and obnoxious, Sandler's films, as well as the films of his Happy Madison production company, have performed consistently well at the box office despite harsh and frequent critical lashings.Born in Brooklyn on September 9th, 1966, it may come as no surprise that Sandler was a shameless class clown who left his classmates in stitches and his teachers with a handful. Never considering to utilize his gift of humor to pursue a career, Sandler eventually realized his potential when at the age of 17 his brother encouraged him to take the stage at an amateur comedy competition. A natural at making the audience laugh, the aspiring comedian nurtured his talents while attending New York University and studying for a Fine Arts Degree. With early appearances on The Cosby Show and the MTV game show Remote Control providing the increasingly busy Sandler with a loyal following, an early feature role coincided with his "discovery" by SNL cast member Dennis Miller at an L.A. comedy club. As the unfortunately named Shecky Moskowitz, his role as a struggling comedian in Going Overboard (1989) served as an interesting parallel to his actual career trajectory but did little to display his true comic talents.It wasn't until SNL producers took Miller's praise to heart and hired the fledgling comic as writer on the program that Sandler's talents were truly set to shine. Frequent appearances as Opera Man and Canteen Boy soon elevated him to player status, and it wasn't long before Sandler was the toast of the SNL cast in the mid-'90s. While appearing in SNL and sharpening his feature skills in such efforts as Shakes the Clown (1991) and Coneheads (1993), Sandler signed a recording contract with Warner Bros., and the release of the Grammy-nominated They're All Gonna Laugh at You proved the most appropriate title imaginable as his career began to soar. Striking an odd balance between tasteless vulgarity and innocent charm, the album found Sandler gaining footing as an artist independent of the SNL universe and fueled his desire -- as numerous cast members had before him -- to strike out on his own. Though those who had attempted a departure for feature fame in the past had met with decidedly mixed results, Sandler's loyal and devoted fan base proved strong supporters of such early solo feature efforts as Billy Madison (1996) and, especially, Happy Gilmore (1996).His mixture of grandma-loving sweetness and pure, unfiltered comedic rage continued with his role as a slow-witted backwoods mama's boy turned football superstar in The Waterboy (1998), and that same year found Sandler expanding his persona to more sensitive territory in The Wedding Singer. Perhaps his most appealing character up to that point, The Wedding Singer's combination of '80s nostalgia and a warmer, more personable persona found increasing support among those who had previously distanced themselves from his polarizing performances. As the decade rolled on, Sandler also appeared in the action-oriented Bulletproof (1996) and the even more affectionate Big Daddy (1999). In 2002, Sandler starred in a re-imagining of Mr. Deeds Goes to Town, titled simply Mr. Deeds.Beginning in the late nineties, Sandler's Happy Madison production company launched such efforts as Deuce Bigalow: Male Gigolo (1999), Little Nicky (2000), The Animal and Joe Dirt (both 2001). Deuce Bigalow: European Gigolo appeared in (2005), and Grandma's Boy in (2006). Despite critical castigation for scraping the bottom of the barrel with these efforts, Sandler's commercial instinct remained intact; the films all hit big at the box office and drew an ever-loyal base of fans who gravitated to any feature with Sandler's name attached.The early 2000s also saw Sandler attempting to branch out in a number of unusual directions, which included the animated "Hanukkah Musical" 8 Crazy Nights (2002). Sandler also began dipping his toes into the realm of drama with a starring role in the eccentric, critically acclaimed tragicomedy Punch-Drunk Love (2002), directed by Paul Thomas Anderson. Sandler also starred in the Jim Brooks-helmed comedy/drama Spanglish (2004), an unsually subdued and gentle turn away from the irascible types that Sandler usually played. The critical receptions were, again uneven, as reviewers loathed 8 Crazy Nights, justifiably praised Punch-Drunk across the board, and espoused mixed feelings about Spanglish.Perhaps well aware of the extent of these risks that he was taking with his career, Sandler continued to sustain his popularity with a steady (and reliable) stream of crowd-pleasing star vehicles throughout the early 2000s. 2002's self-produced Sandler vehicle Anger Management (which teamed him up with a maniacal Jack Nicholson); the 2004 effort 50 First Dates, in which he co-starred with fellow Wedding Singer alum Drew Barrymore; and the 2005 remake of Robert Aldrich's The Longest Yard all made box office gold. In 2006, Sandler starred in yet another hit: Click, a surrealistic comedy directed by Frank Coraci, co-starring Sean Astin, Kate Beckinsale and Christopher Walken. The film was a big hit and, having spent the past few years playing it safe, Sandler decided it was a good time to take another chance. He signed on to star with Don Cheadle in the 2007 drama Reign Over Me, playing a man who lost his wife and children in the 9/11 attacks, and is headed for complete self-destruction. The critics weren't as enamored with this dramatic attempt as they were with Punch-Drunk Love, but Sandler was mostly well received even when the film wasn't. Always tempering his risks with more predictable career moves, the actor next signed on to appear alongside King of Queens star Kevin James in the buddy movie I Now Pronounce You Chuck and Larry, a comedy about two straight firefighters who pretend to be a gay couple to receive domestic partner benefits.On a seemingly never-ending roll with his broadly appealing comedic roles, Sandler next played an Israeli secret agent and skilled beautician in 2008's You Don't Mess with the Zohan. He followed this up with a turn in the kids comedy Bedtime Stories in 2009, before adding a dash of dramatic acting to a humorous role once more, with the 2009 Judd Apatow flick Funny People. For Sandler's next project, he reteamed with Cuck and Larry co-star Kevin James for the 2010 romp Grown Ups, before cozying up to Jennifer Aniston for the romantic comedy Just Go With It in 2011. Despite his beautiful co-star, Just Go With It did poorly at the box office, and so for his next movie, the funnyman chose a more bankable supporting actor: himself, playing both a man and his own annoying twin sister in the 2012 comedy Jack and Jill.

Trivia: Hollywood character actor Christopher McDonald at first specialized in playing uptight and slightly vexing young urban professionals. When the material demanded it, McDonald occasionally heightened these qualities to the obnoxious level for persuasive villainous portrayals, appearing as philandering husbands, condescending jocks, and manipulative powermongers to tremendous effect.The Manhattan native grew up in Romulus, NY. A Renaissance man and overachiever in high school, McDonald studied dentistry at Hobart College in the upstate New York town of Geneva but soon discovered an enduring passion for drama, studying after his 1977 graduation at London's Royal Academy of Dramatic Art. When plum adolescent roles in the musical clunkers Grease 2 (1982) and Breakin' (1984) did little to further McDonald's career, he moved to Manhattan and sought tutelage from the legendary acting coach Stella Adler -- with such aggressive determination that he actually convinced the 83-year-old Adler to offer her services in exchange for domestic chores.The actor landed one of his most visible parts circa 1986, in the Bette Midler-Shelley Long female buddy comedy Outrageous Fortune (1987). He also essayed a memorable nice-guy turn opposite Cybill Shepherd and Ryan O'Neal in the first act of the wonderful reincarnation comedy Chances Are (1989). But McDonald's watershed moment came with his portrayal of Geena Davis' browbeating husband, Darryl Dickinson, in Ridley Scott's blockbuster feminist road movie Thelma & Louise (1991). Thanks to the success of that picture, McDonald's screen time escalated, and he began tackling an average of four to six roles per year. He ushered in an outstanding portrayal of Jack Barry, the natty host of Twenty-One, in the Robert Redford-directed Quiz Show (1994); played an abusive golf pro in the Adam Sandler comedy Happy Gilmore (1996); and was suitably annoying as an ignorant dad in John Duigan's suburban drama Lawn Dogs (1997). That same year, McDonald also portrayed Ward Cleaver in the big-screen version of Leave It to Beaver.McDonald resumé during the first several years of the millennium includes such Hollywood blockbusters as 61* (2001) and Spy Kids 2 (2002) and such arthouse hits as Requiem for a Dream (2000) and Broken Flowers (2005). In 2007, McDonald played Boss Hogg in the big-budget sequel The Dukes of Hazzard: The Beginning and Marty Schumacher in the Jamie Kennedy vehicle Kickin' It Old Skool. Four years later he essayed a recurring role on the hit HBO drama Boardwalk Empire.

Trivia: It seems appropriate that Julie Bowen, an actress who helps tutor high school students in her spare time and says she usually prefers staying home with a good novel to going out to a party, would rise to fame playing Carol Vessey, the pretty and quick-witted high school teacher on the popular comedy-drama series Ed. Born Julie Bowen Luetkemeyer in Baltimore, MD, on March 3, 1970, Bowen first acquired a taste for acting as a child, when she began putting on plays with her sisters at home. Bowen developed a more serious interest in the theater while studying at Brown University, where she received a degree in Italian Renaissance studies; she appeared in a number of student theater productions, including Guys and Dolls and Lemon Sky, and in her senior year she was cast in her first film, an independent feature called Five Spot Jewel. After graduating, she began honing her craft by studying at the Actor's Institute, Shakespeare and Company, and Will Geer's Theatricum, and began pursuing a career in television, landing roles in television commercials and eventually winning a supporting role on the daytime drama Loving. She also appeared in a student film directed by Edward Burns, several years before he made his breakthrough independent feature The Brothers McMullen. In 1995, Bowen became a regular on a short-lived adventure series, Extreme, and the following year she earned a showy role in the hit comedy feature Happy Gilmore. In 1998, Bowen did a nine-episode run on E.R., before debuting on Ed in 2000, receiving enthusiastic reviews and solid ratings, finally earning her an unqualified success on television. TV would offer Bowen several more successful roles over the coming years as well, from recurring roles on Lost and Weeds, to a starring role on the legal comedy/drama Boston Legal. The quirky, humorous vibe of the show showcased Bowen's sharp sense of comedy, leading to a starring role on the hit sitcom Modern Family.

Trivia: A football star at San Diego State, Carl Weathers played professionally with the Oakland Raiders, acting in local stage productions during the off-season. Weathers went on to play with the British Columbia Lions in the Canadian Football League, then retired from sports in 1974, the better to devote all his time to an acting career. After yeoman service in a handful of "blaxploitation" flicks, he rose to fame as the Muhammad Ali-inspired Apollo Creed in the first Rocky film. Apollo Creed's adversarial relationship with Rocky Balboa mellowed into warm friendship in the course of the next three Rocky installments; indeed, when Apollo was killed off by "superboxer" Dolph Lundgren in Rocky IV (1985), the tragedy served as the motivation for the retired Rocky to climb into the ring yet once more. Weathers' post-Rocky projects have included the title role in Action Jackson (1988), the Sidney Poitier part in the 1985 TV-movie remake of The Defiant Ones, and the TV series Fortune Dane, Street Justice and Tour of Duty. In the early 1990s, Weathers replaced Howard Rollins Jr. in a group of In the Heat of the Night 2-hour TV specials. He developed a knack for comedy later in his career, appearing in Happy Gilmore, Little Nicky, and making a particularly memorable cameo in the sitcom Arrested Development as a stew-obsessed acting coach. In addition to his show business work, Carl Weathers has been active with the Big Brothers Association and the U.S. Olympic Committee.

Trivia: Known to many as the guy who appears in all the Adam Sandler movies, Allen Covert grew up in Florida and went to college in New York, where he met Sandler while working at a restaurant. After trying his hand at improv, he became steadily more interested in comedy, and began to collaborate with his friend Sandler, helping write the material for Sandler's comedy albums and eventually appearing in his films. Covert has subsequently appeared in almost all of Sandler's movies, beginning with 1989's Going Overboard (also known as Babes Ahoy). His appearances have ranged from small cameos to major supporting roles, and he even gained 40 lbs. to play Sandler's roommate in Little Nicky. The comedian has also worked as a writer, producer, and actor on his own, for movies like 2006's Grandma's Boy and 2008's Strange Wilderness.

Trivia: Although probably best known as the voice of Triumph the Insult Comic Dog on Late Night With Conan O'Brien, New York native Robert Smigel's legacy is really more that of a writer. Writing for Saturday Night Live since 1985, he is one of the longest running writers in the show's history, though he's only been producing and acting on it since the '90s. Some of his parodies and sketches include "Superfans" and "The McLaughlin Group." Smigel has also written for Lookwell, The Dana Carvey Show, and Late Night. As an actor, he's had bit parts in such comedies as Wayne's World 2 (1993) and, since then, nearly all of Adam Sandler's movies, including Billy Madison, Happy Gilmore, The Wedding Singer, Little Nicky, and Punch-Drunk Love. His puppet character of Triumph the Insult Comic Dog has transcended O'Brien for wider pastures such as Christmas specials and award shows. Some of Smigel's best work has been in animation. Appearing in tiny bursts on cable and late-night programming, his short cartoon bits include "The Ambiguously Gay Duo," co-created with comedian Stephen Colbert, and "Fun With Real Audio," cartoons which re-imagine popular figures of the day. Smigel eventually had enough bits to launch a whole show as creator, executive producer, and voice actor of TV Funhouse on Comedy Central. Aired in eight episodes from 2000-2001, the show was a hilarious blend of live-action, puppetry, and animation. Smigel is also a voice on Crank Yankers and a writer of many television specials.

Trivia: One of America's most beloved and enduring game-show hosts, Bob Barker got his broadcasting start on the radio before making the leap to television in 1956 as the host of Truth or Consequences. He held that job for 18 years, and in 1972 became host of The Price Is Right, his most famous gig. In 2007, Barker finally gave up hosting duties on The Price Is Right after more than 30 years. Though he rarely acted, Barker occasionally played himself and did so in a scene-stealing role in the 1996 Adam Sandler comedy Happy Gilmore. He and Sandler even shared an MTV Movie Award for the performance. A passionate advocate for animal rights, Barker famously closed every broadcast with a plea to viewers to have their pets spayed and neutered.

Trivia: We shouldn't say it, but...at nearly seven foot two, American actor Richard Kiel was one of the biggest stars in Hollywood. Making the cast-call rounds while working as a nightclub bouncer, Kiel began picking up bit roles in the early '60s. He was the misleadingly altruistic alien in the classic 1962 Twilight Zone episode "To Serve Man" (you'll remember that climactic line "It's a cookbook!") and was less prestigiously starred in that masterpiece of bad cinema, Eegah! (1962). Ambling through a series a tough-lug and town-bully roles, Kiel attained full stardom as the menacing, steel-dentured Jaws in the the 1977 James Bond flick The Spy Who Loved Me. So well-received was this appearance that the scriptwriters contrived to bring Jaws back from the dead in the next Bondfest, Moonraker (1979), wherein Kiel becomes a good guy before the end and even gets a girlfriend. In 1992, Richard Kiel turned producer/director (in addition to starring) with the appropriately titled The Giant of Thunder Mountain, a "four waller" which was released on a city-by-city basis. He played a memorable role in Happy Gilmore (1996), playing a fan of the title golfer and voiced a thug in Disney's animated film Tangled (2010). Kiel died in 2014, just days before his 74th birthday.

Trivia: An alumnus of the famous Second City improvisational troupe that produced some of the best comics of the '70s and '80s, Joe Flaherty is best remembered for playing Guy Caballero, the Argentine owner of the fictional Channel 109, the home of Second City TV (1977-1981), a hilarious Toronto-based parody of all things television. Flaherty made his feature-film debut in Alex and the Gypsy (1976). He has subsequently gone on to play small character roles in numerous films of widely varying quality. Flaherty also occasionally appeared as a television guest star in shows such as Ellen (1994-1998).

Trivia: With his dry wit and popular characters a mainstay of Saturday Night Live for his enduring, record-setting nine-year stint (1986-1995) on the equally enduring late-night comedy television staple, Kevin Nealon shattered the public's funny bone with such popular characterizations as Subliminal Man and over-muscled meathead Hanz (alongside Dana Carvey's Franz) in addition to his popular stint as anchorman for that series' satirical news segment, Weekend Update. Aside from Tim Meadows, Nealon holds the record for longest-running cast member to appear in consecutive seasons in the show's long-running existence. Born and raised in Bridgeport, CT, Nealon took interest in sports and art in high school, gaining early attention as a performer in numerous local garage bands. Later attending Sacred Heart University and graduating with a degree in marketing, Nealon traveled the U.S. and Europe after completing his education. Capping his worldly exploits with a series of odd jobs, Nealon began performing as a standup comedian in the late '70s while working as a bartender at the Hollywood's Improv. Attempting to elevate his standup career to the next level, Nealon began making appearances on television commercials and talk shows. Joining the Not Ready for Primetime players in the 1986 season, the funnyman quickly shot to the front of the line with his likeable, smirky persona and memorable character creations, and he remained a member of the cast for nearly a decade. In addition to his Saturday Night Live duties, Nealon also began appearing in bit roles in such features as Roxanne (1987), All I Want for Christmas (1991), and, later, Happy Gillmore (1996). A curiosity among SNL alumni in that he didn't attempt a starring vehicle based on any characters he created for the show, Nealon instead opted for transferring his unique dry humor to the silver screen without lugging excess SNL baggage along for the ride. Upon his departure from SNL in 1996, it seemed as if Nealon may have finally been ready for prime time. Joining the cast of Champs that same year proved a disappointment as the show was canceled after less than one season, but Nealon persisted and has since gone on to appear in several of his SNL cast mates' features including Adam Sandler's Little Nicky (2000) and David Spade's Joe Dirt (2001). In addition to his comedy career, Nealon is a dedicated and outspoken champion of animal rights through his association with PETA (People for the Ethical Treatment of Animals).He went on to appear in Master of Disguise, Anger Management, and Daddy Day Care before landing the part of Doug Wilson on the Showtime series Weeds, a show he stayed on for multiple seasons. During that time, he continued to appear in major motion pictures that usually starred other SNL alumni. Highlights include You Don't Mess With the Zohan and Just Go With It. He voiced the main character on the short-lived animated series Glenn Martin, DDS.

Trivia: Worked early in his career for a radio station in Austin owned by Lady Bird Johnson, wife of Lyndon Johnson. Was the radio voice of the Dallas Cowboys from 1972 to 1984. Has worked for ABC, CBS and TNT, calling sports including college basketball and football; NBA; NFL; golf and figure skating. Won seven consecutive Texas Sportscaster of the Year Awards, starting in 1977. Appeared in the 1996 movie Happy Gilmore. Was inducted into the National Sportscasters and Sportswriters Hall of Fame in 2007. Serves on the board of directors for a summer chamber-music festival in Colorado. Is a friend of Ray Benson of the country-swing band Asleep at the Wheel. Told statesman.com that golf is a tough sport to call, as it "will expose you if you don't know what you're talking about." One of his most memorable calls came while covering that sport, on the occasion of a remarkable Jack Nicklaus Masters' birdie: "Maybe...yes sir!"

Trivia: Character actor Will Sasso commenced onscreen work in the early '90s and -- while known to tackle material from a plethora of genres -- particularly specialized in comic material. From the late '90s through the early 2000s, Sasso honed his comedic skills a cast member of the popular sketch comedy show Madtv. He also guest-starred on such series as The X-Files, Family Guy, and Entourage; had longer stints on the sci-fi series Sliders and the marriage sitcom 'Til Death; and garnered a regular role on the workplace comedy Less Than Perfect from its second to fourth (and final) season. Early film credits include such farces as Ernest Goes to School (1994), Ski School 2 (1995), Happy Gilmore (1996), and Beverly Hills Ninja (1997). Sasso teamed with Christopher Guest and company for the acclaimed mockumentary Best in Show (2000), and worked for critical favorite Richard Kelly (Donnie Darko) on that director's darkly comic, dystopian epic Southland Tales in 2006. He had a major part in College Road Trip, but he enjoyed his most high-profile exposure when he was cast as Curly in The Three Stooges in 2012.

Trivia: As the son of comedians Jerry Stiller and Anne Meara Ben Stiller's decision to establish himself as a comic writer and actor surprised almost no one.Born in New York City on November 30, 1965, Stiller began to shoot his own comic films from the age of ten. After high-school graduation, Stiller attended UCLA and landed bit parts in several features, notably the Steven Spielberg-directed, Tom Stoppard and Menno Meyjes-scripted, late 1987 opus Empire of the Sun.Meanwhile, Stiller continued to turn out comedy shorts, including the 30-minute Elvis Stories (1989), a spoof of obsessive Elvis fans featuring an already-established John Cusack. One of Stiller's shorts, a Tom Cruise parody called The Hustler of Money, won him a spot as a writer and player on Saturday Night Live in 1989. His stint on the show was short-lived, but led to his own eponymous series, The Ben Stiller Show, first on MTV (1990) and later on Fox (1992-1993). The program failed to draw a substantial audience, and folded within a couple of months on each network, but Stiller netted an Emmy for comedy writing in 1993.The following year, Stiller debuted as a feature film director with the twentysomething angst romcom Reality Bites (1994), in which he also starred alongside Winona Ryder and a memorably grungy Ethan Hawke. The film was a relative critical and commercial success and scored with Gen-Xers; unfortunately, Stiller's next directorial effort, 1996's The Cable Guy failed to register with critics and audiences. After a small part as nursing-home orderly Hal in the Adam Sandler comedy Happy Gilmore (1996), Stiller rebounded with a starring role in David O. Russell's Flirting With Disaster (1996). The relatively positive reception afforded to that comedy helped to balance out the relative failure of Stiller's other film that year, If Lucy Fell. It was not until two years later, however, that Stiller truly stepped into the limelight. Thanks to starring roles in three wildly, wickedly different films, he emerged as an actor of versatility, equally adept at playing sensitive nice guys and malevolent hellraisers. In the smash gross-out comedy There's Something About Mary (1998), Stiller appeared as the former type, making comic history for outrageous sight gags that involved misplaced bodily fluids and mangled genitalia. That same summer, Stiller did time as a gleefully adulterous theatrical instructor in Neil LaBute's jet-black evisceration of contemporary sexual mores, Your Friends and Neighbors. Finally, Stiller starred in the intensely graphic and disturbing addiction drama Permanent Midnight, earning critical acclaim for his portrayal of writer-cum-heroin addict Jerry Stahl -- a personal friend of the Stiller family from Stahl's days scripting the TV series ALF. Now fully capable of holding his own in Hollywood, with the license to prove it, Stiller starred alongside William H. Macy, Paul Reubens, Hank Azaria, and pal Janeane Garofalo in the fantasy comedy Mystery Men (1999) as the leader of a group of unconventional superheroes. Stiller also landed a supporting role in The Suburbans, a comedy about the former members of a defunct new wave band. The following year, Stiller starred as a rabbi smitten with the same woman as his best friend, a Catholic priest (Edward Norton), in the well-received romantic comedy Keeping the Faith (2000), which Norton also co-produced and directed. Stiller found his widest audience up to that point, however, with the Jay Roach-directed madcap comedy Meet the Parents. As the tale of a nutty father-in-law to be (Robert De Niro) who wreaks unchecked havoc on his daughter's intended (Stiller) via covert CIA operations and incessant interrogation, this disastrously humorous tale of electrical interference gone wild scored with ticket-buyers and qualified as the top box-office draw during the holiday season of 2000.In the autumn of 2001, Stiller brought one of his most popular MTV Video Music Awards incarnations to the big screen in the outrageously silly male-model comedy Zoolander, in which he successfully teamed with (real-life friend) Owen Wilson to carry stupidity to new heights.In 2001 Stiller once again teamed with Wes Anderson collaborator Wilson for the widely praised comedy drama The Royal Tenenbaums. Cast as the estranged son of eccentric parents who returns home, Stiller infused his unmistakable comic touch with an affecting sense of drama that found him holding his ground opposite such dramatic heavies as Gene Hackman and Anjelica Huston. Though his work in 2002 offered little more than a few cameo performances and some vocal contributions to various animated children's shows, the busy comedic actor returned to the big screen for the 2003 comedy Duplex, directed by Danny DeVito. Though the film pairs Stiller and Hollywood bombshell Drew Barrymore as a couple willing to go to horrific extremes to land the much-desired eponymous living space, reviews were unkind and the comedy died a quick death at the box office. Stiller's next film -- the romantic comedy Along Came Polly -- fared considerably better on a fiscal level, but suffered from an implausible premise.Spring 2004 promised a rebound when the electrifying duo of Stiller and Owen Wilson returned to the big screen with director Todd Phillips' celluloid recycling job Starsky & Hutch. Though Stiller and Wilson seemed the ideal pair for such a conceptually rich re-imagining of 1970s television, and the film boasted wonderful villainous turns by rapper Snoop Dogg and Vince Vaughn, reviews were once again lackluster and the film struggled to find an audience. Yet Starsky & Hutch did actually reap a profit, which (in a business sense) placed it miles ahead of Stiller's next film. Released a mere two months after Starsky & Hutch, the Barry Levinson comedy Envy sports a wacky premise; it explores the comic rivalry that erupts between two longtime friends and neighbors when one invents a product that makes dog excrement disappear. It also boasts a marvelous cast, replete with Stiller, the maniacal Jack Black, and the brilliant Christopher Walken. But for whatever reason (speculated by some as the film's inability to exploit the invention at the story's center) the film's sense of humor failed to catch fire and Envy died a quick box-office death. Stiller fared better with the ribald, anarchic summer 2004 comedy Dodgeball: A True Underdog Story, starring himself, Vince Vaughn, and Rip Torn. For the following two years, Stiller once again contented himself largely with bit parts (2004's Anchorman: the Legend of Ron Burgundy, 2006's Tenacious D in the Pick of Destiny) until the Christmas 2006 release A Night at the Museum. In this effects-heavy fantasy, adapted from the popular children's book by Milan Trenc, Stiller plays Larry Daley, the new night watchman at New York City's Museum of Natural History, who discovers that the exhibits all spring to life after hours, from a giant skeletal Tyrannosaurus Rex to a waxen Teddy Roosevelt -- and seem content to hold Larry hostage. The effort split critical opinion, but shot up to become one of the top three box-office draws during the holiday season of 2006.Meanwhile, Stiller signed on to team with the Farrelly brothers for The Heartbreak Kid (2007), a remake of the 1972 Elaine May comedy of the same title; he also produced Blades of Glory, a comedy with Will Ferrell and Jon Heder as rival figure-skating champions vying with one another for Olympic gold. He wrote, directed and starred in the hit comedy Tropic Thunder (2008) as a moronic Hollywood actor toplining a war film, voiced Alex in the same year's animated picture Madagascar: Escape 2 Africa, and in 2009, reprised his Larry Daley role for Night at the Museum: Battle of the Smithsonian. Stiller's emphasis on sequels then continued with 2010's Little Fockers and 2012's Madagascar 3. In 2013, Stiller picked up the role originally made famous by Danny Kaye, as the lead in the remake The Secret Life of Walter Mitty, which Stiller also directed and produced. The following year, he appeared in the next film in the Night at the Museum series, Secret of the Tomb.