Trivia: One of the most endearing goofballs to ever grace the stages of Saturday Night Live, affectionately offensive funnyman Adam Sandler has often been cited as the writer/performer who almost single-handedly rescued the long-running late-night television staple when the chips were down and it appeared to have run its course. Though his polarizing antics have divided audiences and critics who often dismiss him as lowbrow and obnoxious, Sandler's films, as well as the films of his Happy Madison production company, have performed consistently well at the box office despite harsh and frequent critical lashings.Born in Brooklyn on September 9th, 1966, it may come as no surprise that Sandler was a shameless class clown who left his classmates in stitches and his teachers with a handful. Never considering to utilize his gift of humor to pursue a career, Sandler eventually realized his potential when at the age of 17 his brother encouraged him to take the stage at an amateur comedy competition. A natural at making the audience laugh, the aspiring comedian nurtured his talents while attending New York University and studying for a Fine Arts Degree. With early appearances on The Cosby Show and the MTV game show Remote Control providing the increasingly busy Sandler with a loyal following, an early feature role coincided with his "discovery" by SNL cast member Dennis Miller at an L.A. comedy club. As the unfortunately named Shecky Moskowitz, his role as a struggling comedian in Going Overboard (1989) served as an interesting parallel to his actual career trajectory but did little to display his true comic talents.It wasn't until SNL producers took Miller's praise to heart and hired the fledgling comic as writer on the program that Sandler's talents were truly set to shine. Frequent appearances as Opera Man and Canteen Boy soon elevated him to player status, and it wasn't long before Sandler was the toast of the SNL cast in the mid-'90s. While appearing in SNL and sharpening his feature skills in such efforts as Shakes the Clown (1991) and Coneheads (1993), Sandler signed a recording contract with Warner Bros., and the release of the Grammy-nominated They're All Gonna Laugh at You proved the most appropriate title imaginable as his career began to soar. Striking an odd balance between tasteless vulgarity and innocent charm, the album found Sandler gaining footing as an artist independent of the SNL universe and fueled his desire -- as numerous cast members had before him -- to strike out on his own. Though those who had attempted a departure for feature fame in the past had met with decidedly mixed results, Sandler's loyal and devoted fan base proved strong supporters of such early solo feature efforts as Billy Madison (1996) and, especially, Happy Gilmore (1996).His mixture of grandma-loving sweetness and pure, unfiltered comedic rage continued with his role as a slow-witted backwoods mama's boy turned football superstar in The Waterboy (1998), and that same year found Sandler expanding his persona to more sensitive territory in The Wedding Singer. Perhaps his most appealing character up to that point, The Wedding Singer's combination of '80s nostalgia and a warmer, more personable persona found increasing support among those who had previously distanced themselves from his polarizing performances. As the decade rolled on, Sandler also appeared in the action-oriented Bulletproof (1996) and the even more affectionate Big Daddy (1999). In 2002, Sandler starred in a re-imagining of Mr. Deeds Goes to Town, titled simply Mr. Deeds.Beginning in the late nineties, Sandler's Happy Madison production company launched such efforts as Deuce Bigalow: Male Gigolo (1999), Little Nicky (2000), The Animal and Joe Dirt (both 2001). Deuce Bigalow: European Gigolo appeared in (2005), and Grandma's Boy in (2006). Despite critical castigation for scraping the bottom of the barrel with these efforts, Sandler's commercial instinct remained intact; the films all hit big at the box office and drew an ever-loyal base of fans who gravitated to any feature with Sandler's name attached.The early 2000s also saw Sandler attempting to branch out in a number of unusual directions, which included the animated "Hanukkah Musical" 8 Crazy Nights (2002). Sandler also began dipping his toes into the realm of drama with a starring role in the eccentric, critically acclaimed tragicomedy Punch-Drunk Love (2002), directed by Paul Thomas Anderson. Sandler also starred in the Jim Brooks-helmed comedy/drama Spanglish (2004), an unsually subdued and gentle turn away from the irascible types that Sandler usually played. The critical receptions were, again uneven, as reviewers loathed 8 Crazy Nights, justifiably praised Punch-Drunk across the board, and espoused mixed feelings about Spanglish.Perhaps well aware of the extent of these risks that he was taking with his career, Sandler continued to sustain his popularity with a steady (and reliable) stream of crowd-pleasing star vehicles throughout the early 2000s. 2002's self-produced Sandler vehicle Anger Management (which teamed him up with a maniacal Jack Nicholson); the 2004 effort 50 First Dates, in which he co-starred with fellow Wedding Singer alum Drew Barrymore; and the 2005 remake of Robert Aldrich's The Longest Yard all made box office gold. In 2006, Sandler starred in yet another hit: Click, a surrealistic comedy directed by Frank Coraci, co-starring Sean Astin, Kate Beckinsale and Christopher Walken. The film was a big hit and, having spent the past few years playing it safe, Sandler decided it was a good time to take another chance. He signed on to star with Don Cheadle in the 2007 drama Reign Over Me, playing a man who lost his wife and children in the 9/11 attacks, and is headed for complete self-destruction. The critics weren't as enamored with this dramatic attempt as they were with Punch-Drunk Love, but Sandler was mostly well received even when the film wasn't. Always tempering his risks with more predictable career moves, the actor next signed on to appear alongside King of Queens star Kevin James in the buddy movie I Now Pronounce You Chuck and Larry, a comedy about two straight firefighters who pretend to be a gay couple to receive domestic partner benefits.On a seemingly never-ending roll with his broadly appealing comedic roles, Sandler next played an Israeli secret agent and skilled beautician in 2008's You Don't Mess with the Zohan. He followed this up with a turn in the kids comedy Bedtime Stories in 2009, before adding a dash of dramatic acting to a humorous role once more, with the 2009 Judd Apatow flick Funny People. For Sandler's next project, he reteamed with Cuck and Larry co-star Kevin James for the 2010 romp Grown Ups, before cozying up to Jennifer Aniston for the romantic comedy Just Go With It in 2011. Despite his beautiful co-star, Just Go With It did poorly at the box office, and so for his next movie, the funnyman chose a more bankable supporting actor: himself, playing both a man and his own annoying twin sister in the 2012 comedy Jack and Jill.

Trivia: The granddaughter of John Barrymore and grandniece of Ethel Barrymore and Lionel Barrymore, Drew Barrymore was born in Culver City, California on February 22, 1975. From there, she didn't waste much time getting in front of the cameras, making her first commercial at nine months and her first television movie, Suddenly Love, at the age of two. Two years later, she made her film debut, appearing as William Hurt's daughter in Altered States (1980). At the advanced age of seven, Barrymore became a true celebrity, thanks to her role as the cherubic Gertie in Steven Spielberg's E.T. The Extra-Terrestrial. The huge success of that 1982 film endeared Barrymore to millions of audience members, but following leads in two more films, Irreconcilable Differences and Firestarter (both 1984), the young actress began to succumb to a destructive lifestyle defined by drugs, alcohol, and too much partying. A child expected to behave like an adult, Barrymore began drinking at the age of nine and started taking drugs a short while later.Unsurprisingly, observers began writing Barrymore off as just another failed child star when she was barely into her teens. She made a string of (largely forgettable) movies, many of which only reinforced her image as a has-been. However, in the middle of her teen years, Barrymore entered rehab, cleaned herself up, and wrote an autobiography, Little Girl Lost, which detailed her travails with drugs and alcohol. In the early 1990s, she entered another phase in her career, gaining notoriety for playing a series of vampy, trampy trailer-park Lolitas. In this capacity, she turned in memorable performances in Poison Ivy (1992), the 1993 made-for-TV The Amy Fisher Story, and Batman Forever (1995), all of which featured her pouting seductively and showing more thigh than all the Rockettes combined. Barrymore's on-screen antics were ably complemented by the off-screen reputation she was forming at the time: first she could be seen posing nude with then-boyfriend Jamie Walters on the cover of Interview magazine, then modeling for a series of racy Guess ads, flashing David Letterman during an appearance on The Late Show as a "birthday present" to the host, and finally posing nude for Playboy in 1995.In 1996, Barrymore's image underwent an abrupt and effective transformation from slut to sweetheart. With a brief but memorable role in Wes Craven's Scream and a lead in Woody Allen's Everyone Says I Love You that featured her as a Kelly Girl for the '90s, Barrymore's career received an adrenaline shot to the heart. She began working steadily again, and she reshaped her offscreen persona into that of a delightful and sweet-natured girl trying to mend her ways. This new image was supported by her screen work, much of which featured her as a chaste heroine. Her starring role as the "real" Cinderella in Ever After (1998) was a good example, and it had the added advantage of turning out to be a fairly solid hit. Barrymore's other major 1998 film, The Wedding Singer, was another hit, further enhancing her reputation as America's new sweetheart. The following year, the actress all but put the final nail in the coffin of her wild-child reputation of years past, starring as the nerdy, lovelorn twenty-something reporter who bears the titular condition of Never Been Kissed. That movie not only marked a notable transition in Barrymore's reputation, but an advancement in her cinematic career as well. Expanding her role from actress to producer, Barrymore would continue starring in and producing such efforts as Charlie's Angels (2000), Donnie Darko (2001).Though some may have suspected that her millennial transition from sweetheart to skull-cracker in Charlie's Angels may have signaled a shift towards more action oriented roles -- and despite her return to the role in Charlie's Angels: Full Throttle (2003) -- Barrymore once again charmed audiences with another emotional comedy, Riding in Cars With Boys in 2001, while Confessions of a Dangerous Mind (2002) found Drew in the role of long-suffering girlfriend alongside Sam Rockwell's unlikely CIA operative. Though the film did not fare particularly well critically or otherwise, Barrymore took a nonetheless interesting turn as an apple-pie wife turned sinister in 2003's Duplex, and held her own against scene-chomper Ben Stiller. Barrymore teamed up with fellow Stiller-flick alumni Owen Wilson for 2004's Date School, and once again played Adam Sandler's sugar sweet girlfriend in director Peter Segal's romantic comedy Fifty-First Dates.2005 brought yet another openly fluffy romantic comedy with Fever Pitch, in which she played the straight-girl against Red Sox super-fan Jimmy Fallon, but she soon changed gears, signing on to appear in Lucky You, a gambling drama by Curtis Hanson. She was soon back to romcom terretory, with Music and Lyrics and He's Just Not That Into You, but also took on an extremly meaty character role in the 2009 HBO film Grey Gardens, in which she mimiced the particular speech and mannerisms of infamous shut-in "Little Edie" and met with major critical acclaim. Around this same time, Barrymore took on her first directorial effort, helming the modest, young-adult movie Whip It, which critics deemed a solid debut. Barrymore then took on a starring role alongside sometime boyfriend Justin Long in the 2010 comedy Going the Distance, before signing on to play an environmental activist in the feel-good period movie Big Miracle. She then took a career break in order to focus on her growing family before re-teaming with Adam Sandler in 2014 for the romcom Blended.

Trivia: Blonde supporting and occasional lead actress Christine Taylor started appearing on television and in feature films in her early teens. Fans of the The Brady Bunch Movie (1995) and its sequel will recognize her for playing Marsha. In The Craft (1996), Taylor was memorable for playing the snotty cheerleader who teased a young witch and ended up losing her hair in the shower. In The Wedding Singer (1998), she played Madonna-wannabe Holly. On television, Taylor briefly starred in her own series, Party Girl, on the Fox network. She had a recurring role on Ellen as a dim-bulb blonde in Ellen's book group and was on Seinfeld as Jerry's too perfect girlfriend. On Friends, she concealed her long, golden tresses under a rubber cap to play Bonnie, Phoebe's bald friend. Raised in Allentown, PA, Taylor started performing in local stage productions at age three. On television, Taylor's first major regular role was on the Nickelodeon network's first original series Hey Dude. She then played Marilyn in a Fox movie updating an old sitcom, Here Come the Munsters. On stage, she found success appearing at Los Angeles' Westwood Playhouse in the 1992 production of The Real Live Brady Bunch. Though The Brady Bunch Movie was her first starring role in a major feature, Taylor had already gained movie experience in the direct-to-video Night of the Demons 2 (1994), which she claims to have done to provide an outlet for the terror she experienced after someone threatened her with a gun and carjacked her in Los Angeles. Following roles in A Very Brady Sequel (1996), Taylor attempted to break the Marsha mold with roles in such romantic comedies as The Wedding Singer (1998) and Overnight Delivery (1998). Taylor would marry funnyman Ben Stiller in May of 2000, and later appear onscreen with her husband in the zany comedy Zoolander (2001). She again starred with her husband in the sports comedy Dodgeball: A True Underdog Story alongside Vince Vaughn in 2004, and had prominent roles in Kabluey and License to Wed. She had a brief appearance, opposite her husband yet again, in 2008's Tropic Thunder playing the female star of Simple Jack. She was away from screens for four years, but returned with a small part in the teen romance The First Time.

Trivia: Known to many as the guy who appears in all the Adam Sandler movies, Allen Covert grew up in Florida and went to college in New York, where he met Sandler while working at a restaurant. After trying his hand at improv, he became steadily more interested in comedy, and began to collaborate with his friend Sandler, helping write the material for Sandler's comedy albums and eventually appearing in his films. Covert has subsequently appeared in almost all of Sandler's movies, beginning with 1989's Going Overboard (also known as Babes Ahoy). His appearances have ranged from small cameos to major supporting roles, and he even gained 40 lbs. to play Sandler's roommate in Little Nicky. The comedian has also worked as a writer, producer, and actor on his own, for movies like 2006's Grandma's Boy and 2008's Strange Wilderness.

Trivia: Whenever a script called for a wacky old lady, character actor Ellen Albertini Dow was there to play the part. After a lifetime as a teacher, the Cornell graduate made her television debut on an episode of the Twilight Zone in 1985 when she was in her late sixties. She spent the rest of the '80s making TV guest appearances on family sitcoms (Mr. Belvedere, The Golden Girls, Family Matters, and Newhart, just to name a few). On the big screen, she appeared in innumerable supporting roles as a grandma, nun, or any random old lady, leading to choir parts in both Sister Act and Sister Act 2. She got to exploit her comedic shtick regularly in 1996 when she joined the cast of the Nickelodeon series Kenan & Kel in the role of Ethel Quagmire. If a cameo can be considered a breakthrough, she at least gained face recognition as the old lady, Rosie, who raps in The Wedding Singer by appearing in the film's commercial. She continued playing the sassy granny role as Disco Dottie in 54, Mrs. MacKenzie in Ready to Rumble, and Tom Green's grandma in Road Trip. In 2001, she returned to the small screen to play Grandma Harriet on the WB series Maybe It's Me. At the age of 84, she lent her voice to Adam Sandler's animated feature Eight Crazy Nights. In 2005, she played the foul-mouthed Grandma Cleary in the the box-office smash Wedding Crashers. Albertini Dow continued to work, mostly in TV guest appearances, including spots on My Name is Earl and New Girl, until 2013. She died in 2015, at age 101.

Trivia: Made her TV debut in a 1991 episode of Kids in the Hall. Was nominated for a Gemini Award for her performance in the 1995 TV-movie Family of Cops. Played Chloe, the "Xerox girl," on two episodes of Friends. First major big-screen role was as Adam Sandler's ex in the hit 1998 comedy The Wedding Singer. Has written for the magazines Time, Jane and Flare.

Trivia: Perhaps the most enigmatic -- and unpredictable -- member of the Arquette acting dynasty, Alexis Arquette appeared in a huge variety of colorful supporting roles that highlighted both his range and eccentricity as a performer. Born Robert Arquette, the grandson of vaudevillians, son of veteran character actor Lewis Arquette and poet Mardi Arquette, and brother of Rosanna, Patricia, David, and Richmond Arquette, she was born in L.A. in 1969. Like her siblings, Arquette broke into film at a young age, making his screen debut with a minor role in Down and out in Beverly Hills in 1986 and had her first breakthrough as Georgette, a sensitive young man with a crush on a neighborhood thug in Last Exit to Brooklyn (1990).Arquette went on to portray characters ranging from a gay university student in Threesome (1994) to an unfortunate gunman summarily dispatched by John Travolta and Samuel L. Jackson in Pulp Fiction (1994) to a Boy George-esque musician in The Wedding Singer (1998). She also did a memorable turn as himself in Wigstock: The Movie (1995), a documentary about New York's famed Outfest in which the actor flaunted plenty of glorious plumage, to say nothing of attitude. Arquette's role in the film was particularly appropriate, considering his well-known second job as a drag performer by the name of Eva Destruction. After decades of doing drag and pushing gender-bending limits, Arquette official began male-to-female transitioning in 2006. She later confirmed that she often changed the gender she identified with from day-to-day. Arquette died in 2016, at age 47.

Trivia: Jon Lovitz is a versatile comedic actor instantly recognizable for his distinctive voice, acerbic wit, pear-shaped body, and hangdog eyes. He studied at the University of California, Irvine, and participated in the Film Actors Workshop. He then went on to do guest spots on TV and had a recurring role on Foley Square. Lovitz also played small roles in Last Resort (1986), and Ratboy (1986), and also provided a voice for the animated feature The Brave Little Toaster (1987). He got his first real break as a regular on TV's Saturday Night Live, where his characters such as Tommy Flanagan of pathological Liars Anonymous, the great Shakespearean ham Master Thespian, and the Devil himself became quite popular. His stint on Saturday Night Live put him in demand as a character actor and television guest star. His friendship with director Penny Marshall helped him get roles in some of her earlier films such as Big (1988), and his role as the fast talking baseball recruiter Ernie "Cappy" Capadino in Marshall's A League of Their Own (1992) earned him widespread acclaim. Lovitz has also appeared as a guest voice on the TV animated show The Simpsons and played lead voice in the critically-acclaimed animated show The Critic on ABC and the Fox Network.In the years following SNL and The Critic, Lovitz remained active with comedic roles in film (High School High, Little Nicky) and television (NewsRadio, Las Vegas), though it his performances in such films as Todd Solandz's acerbic black comedy Happiness and opposite Kevin Spacey in the semi-comedic Jack Abramoff biopic Casino Jack that displayed more range most filmmakers had previously failed to capitalize on. And thought the comic actor was never known to be overtly political, his scathing criticisms of U.S. President Barack Obama on the issue of taxes made headlines across the country in 2012, resulting in an unusually serious appearance on FOX News in which he passionately defended his comments.

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.

Trivia: With his dry wit and popular characters a mainstay of Saturday Night Live for his enduring, record-setting nine-year stint (1986-1995) on the equally enduring late-night comedy television staple, Kevin Nealon shattered the public's funny bone with such popular characterizations as Subliminal Man and over-muscled meathead Hanz (alongside Dana Carvey's Franz) in addition to his popular stint as anchorman for that series' satirical news segment, Weekend Update. Aside from Tim Meadows, Nealon holds the record for longest-running cast member to appear in consecutive seasons in the show's long-running existence. Born and raised in Bridgeport, CT, Nealon took interest in sports and art in high school, gaining early attention as a performer in numerous local garage bands. Later attending Sacred Heart University and graduating with a degree in marketing, Nealon traveled the U.S. and Europe after completing his education. Capping his worldly exploits with a series of odd jobs, Nealon began performing as a standup comedian in the late '70s while working as a bartender at the Hollywood's Improv. Attempting to elevate his standup career to the next level, Nealon began making appearances on television commercials and talk shows. Joining the Not Ready for Primetime players in the 1986 season, the funnyman quickly shot to the front of the line with his likeable, smirky persona and memorable character creations, and he remained a member of the cast for nearly a decade. In addition to his Saturday Night Live duties, Nealon also began appearing in bit roles in such features as Roxanne (1987), All I Want for Christmas (1991), and, later, Happy Gillmore (1996). A curiosity among SNL alumni in that he didn't attempt a starring vehicle based on any characters he created for the show, Nealon instead opted for transferring his unique dry humor to the silver screen without lugging excess SNL baggage along for the ride. Upon his departure from SNL in 1996, it seemed as if Nealon may have finally been ready for prime time. Joining the cast of Champs that same year proved a disappointment as the show was canceled after less than one season, but Nealon persisted and has since gone on to appear in several of his SNL cast mates' features including Adam Sandler's Little Nicky (2000) and David Spade's Joe Dirt (2001). In addition to his comedy career, Nealon is a dedicated and outspoken champion of animal rights through his association with PETA (People for the Ethical Treatment of Animals).He went on to appear in Master of Disguise, Anger Management, and Daddy Day Care before landing the part of Doug Wilson on the Showtime series Weeds, a show he stayed on for multiple seasons. During that time, he continued to appear in major motion pictures that usually starred other SNL alumni. Highlights include You Don't Mess With the Zohan and Just Go With It. He voiced the main character on the short-lived animated series Glenn Martin, DDS.

Trivia: Although probably best known as the voice of Triumph the Insult Comic Dog on Late Night With Conan O'Brien, New York native Robert Smigel's legacy is really more that of a writer. Writing for Saturday Night Live since 1985, he is one of the longest running writers in the show's history, though he's only been producing and acting on it since the '90s. Some of his parodies and sketches include "Superfans" and "The McLaughlin Group." Smigel has also written for Lookwell, The Dana Carvey Show, and Late Night. As an actor, he's had bit parts in such comedies as Wayne's World 2 (1993) and, since then, nearly all of Adam Sandler's movies, including Billy Madison, Happy Gilmore, The Wedding Singer, Little Nicky, and Punch-Drunk Love. His puppet character of Triumph the Insult Comic Dog has transcended O'Brien for wider pastures such as Christmas specials and award shows. Some of Smigel's best work has been in animation. Appearing in tiny bursts on cable and late-night programming, his short cartoon bits include "The Ambiguously Gay Duo," co-created with comedian Stephen Colbert, and "Fun With Real Audio," cartoons which re-imagine popular figures of the day. Smigel eventually had enough bits to launch a whole show as creator, executive producer, and voice actor of TV Funhouse on Comedy Central. Aired in eight episodes from 2000-2001, the show was a hilarious blend of live-action, puppetry, and animation. Smigel is also a voice on Crank Yankers and a writer of many television specials.

Trivia: Following brief enlistment as a regular cast member on television's The Larry Sanders Show and The Jeff Foxworthy Show, comedic actor Peter Dante scored a series of bit parts and supporting roles in farces produced by Adam Sandler's Happy Madison production company (many of which also featured Sandler in the cast). These outings included Big Daddy (1999), Little Nicky (2000), Grandma's Boy (2006), and Strange Wilderness (2008).

Trivia: Actor Jason Cottle enjoyed a brief run in film as a bit player during the late '90s in A-list features including Mad City, Wag the Dog, The Wedding Singer, and The Other Sister, then took a break for around a decade or so before reemerging as the lead in director Dan Gildark's H.P. Lovecraft adaptation Cthulhu (2008). In that film, Cottle plays a Seattle history professor whose life irrevocably changes when he's drawn back to his long-estranged family on the Oregon coast and into the arms of a sinister, apocalyptic cult populated by his dad and others.

Trivia: Best known for her Miss USA victory at the age of 20 in 1995, Shanna Moakler subsequently parlayed her fame into recognition as a centerfold model and a reality television star. A native of Providence, RI, Moakler grew up in a middle-class family as a dentist's daughter, then late in high school caught her first taste of fame with a 1992 Miss Teen USA victory at the age of 17. After high school, Moakler spent time in Miami, New York, and Los Angeles, planning to capitalize on her svelte figure, photogenic countenance, and Miss Teen victory by establishing herself as a print and runway model. Her plan worked beautifully, and in addition to culling a tremendous amount of attention in that sphere, Moakler re-entered the world of pageantry and won the 1995 Miss USA title.At that point, Moakler also began signing for scripted roles, essaying parts in such projects as the features Friends 'til the End (1997) and Love Stinks (1999). In 2001, she posed nude for Playboy and turned up in the December 2001 issue of that magazine as the Playmate of the Month. Her broadest fame, however, arrived courtesy of her relationship with -- and marriage to -- tattooed rock drummer Travis Barker, with whom she had two children. The pair divorced within a couple years, but in the interim starred together on the celebrity reality series Meet the Barkers, which chronicled the vicissitudes of their marriage. Following the Barkers' divorce, Moakler participated in season 3 of Dancing with the Stars as the celebrity half of a pair that also included Jesse DeSoto. They were eliminated second. In 2008, Moakler drew from her extensive pageant experience by serving as a judge on the reality series Crowned: The Mother of All Pageants.

Trivia: Interned for producer Harvey Weinstein while in college. Partnered with talent manager Bernie Brillstein and co-founded the Brillstein-Grey Entertainment agency in 1991. Received an honorary Doctor of Humane Letters degree from the State University of New York at the University at Buffalo in 2003. Became the chairman and CEO of Paramount Pictures in 2005. Served on the Board of Directors for Project A.L.S. and the Executive Board for Medical Sciences at UCLA.