Trivia: Arguably the top screen comedian of the 1990s, Canadian-born entertainer Jim Carrey has combined equal parts of his idol Jerry Lewis, his spiritual ancestor Harry Ritz, and the loose-limbed Ray Bolger into a gleefully uninhibited screen image that is uniquely his own.Carrey's life wasn't always a barrel of laughs; he was born on January 17, 1962, into a peripatetic household that regularly ran the gamut from middle-class comfort to abject poverty. Not surprisingly, Carrey became a classic overachiever, excelling in academics while keeping his classmates in stitches with his wild improvisations and elastic facial expressions. His comedy club debut at age 16 was a dismal failure, but Carrey had already resolved not to be beaten down by life's disappointments (as his father, a frustrated musician, had been). By age 22, he was making a good living as a standup comic, and was starring on the short-lived sitcom The Duck Factory -- a series which curiously did little to take advantage of its star's uncanny physical dexterity. Throughout the 1980s, Carrey appeared in supporting roles in such films as Peggy Sue Got Married (1986) and Earth Girls are Easy (1990). Full television stardom came Carrey's way in 1990 as the resident "white guy" on Keenan Ivory Wayans' Fox TV comedy In Living Color. The most popular of the comedian's many characterizations on the program was the grotesquely disfigured Fire Marshal Bill, whose dubious safety tips brought down the wrath of real-life fire prevention groups -- and also earned Carrey the ultimate accolade of being imitated by other comics. 1994 proved to be "The Year of Carrey," with the release of three top-grossing comedy films to his credit: Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber. By the end of the year, Carrey was commanding seven to ten million dollars per picture. In 1995, the actor/comedian took over for Robin Williams as The Riddler in the blockbuster film Batman Forever, and, in 1996, he tried his hand at a darker and more menacing role as a maniacal cable repairman in The Cable Guy. The film, and Carrey's at-times frightening performance, received decidedly mixed reviews from critics and audiences. Despite the generally negative response to the film, Carrey still retained an interest in branching out into more dramatic roles. Following a return to all-out comedy in Liar, Liar (1997) as a chronically dishonest attorney, Carrey explored new territory with his lead role in the highly acclaimed The Truman Show (1998), Peter Weir's eerie comedy drama about the perils of all-consuming media manipulation. Critical respect in hand, Carrey returned to comedy of a different sort with the lead role in Milos Forman's Man on the Moon (1999), a much-anticipated biopic of the legendary comic Andy Kaufman. Although the film boasted a powerhouse performance from Carrey, it earned less than stellar reviews and did poor business at the box office. Such was the strength of the actor's portrayal, however, that his exclusion from the Best Actor nominations at that year's Academy Awards was a source of protest for a number of industry members. Carrey returned to straight comedy the following year with the Farrelly brothers' Me, Myself & Irene, in which he starred as a cop with a split personality, both of whom are in love with the same woman (Renée Zellweger). Though that film fared the least successful of the Farrellys' efforts to that point, Carrey's anarchic persona was given seemingly free range and the result was his most unhinged role since The Mask. That same year, he assumed the lead role in Ron Howard's Dr. Seuss's How the Grinch Stole Christmas, raking in the money at the box-office and receiving a Golden Globe nomination despite widespread critical-contempt for the film. Continuing to seek acceptance as a skilled dramatist, Carrey next appeared in the 2001 box-office bomb The Majestic.Undeterred by the failure of The Majestic, Carrey returned again to both comedy and box-office success with 2003's Bruce Almighty. After handily proving that his power as a big-screen star was very much intact, Carrey wasted no time switching gears once again as he embarked on his most ambitious project to date, the 2004 mind-bending romantic-dramedy Eternal Sunshine of the Spotless Mind. Scripted by Charlie Kaufman and directed by Michel Gondry, the film garnered rave reviews and featured what was arguably Carrey's most subtly complex and subdued performance to date.Carrey's cartooney presence on screen would make him a natural fit for the kids' movie Lemony Snicket's A Series of Unfortunate Events in 2004, as well as other family films over the coming years like A Christmas Carol and Mr. Popper's Penguins. The actor would continue to explore dramatic roles, however, such as the dark thriller The Number 23 and the critically acclaimed I Love You, Phillip Morris.

Trivia: Born on June 15, 1964, Courteney Cox grew up with three older siblings in Mountain Brook, an affluent Alabama town. Though Cox participated in multiple extracurricular activities during her high school years, she did not exercise her taste for acting until she dropped out of the architecture program at Mount Vernon College. Landing a contract with the prestigious Ford Modeling Agency led Cox to several commercial appearances. Her first official role arrived in 1984, when she was cast as a young debutante in one episode of the long-running soap opera As the World Turns.Her big break, however, was rooted in director Brian De Palma's decision to feature Cox as the girl pulled from the audience in Bruce Springsteen's "Dancing in the Dark" video. Years later, after the actress had gained a great deal more notoriety, this short music-video appearance became a key piece of celebrity trivia in a multitude of magazines and entertainment shows. In 1985, she starred alongside Dean Paul Martin in the forgettable series Misfits of Science. Cox reappeared on the television screen as Michael J. Fox's girlfriend, Psychology major Lauren Miller, in the '80s sitcom Family Ties. Though Cox landed bit parts in a handful of mediocre films (Mr. Destiny, The Opposite Sex and How to Live with Them) after Family Ties wrapped in 1989, her status as an actress officially gelled in 1994, when she co-starred with Jim Carrey in Ace Ventura: Pet Detective, and, most notably, won the role of Monica Geller on the hugely successful sitcom Friends. This role brought her a nomination for an American Comedy Award, as well as a prominent role in Wes Craven's Scream trilogy. Cox's role as the notoriously cutthroat reporter Gale Weathers was significant not only in terms of critical acclaim, but also because the set of Scream was where she met fellow actor David Arquette, whom she married in 1999.Although she certainly attempted to match the big screen-success of her fellow Friends castmates with such efforts as 3000 Miles to Graceland (2001), and The Longest Yard (2005), Cox-Arquette fought a tortuous uphill battle, and never managed to land a part that brought her nearly as much goodwill as the high-strung Monica. She voiced Daisy the Cow in Steve Oedekerk's 2006 animated feature Barnyard, alongside an all-star cast that includes Danny Glover, Kevin James, Wanda Sykes, Sam Elliott and Andie MacDowell. The endeavor became a double-edged sword; on one hand, most critics detested the $50 million picture; on the other, it worked wonders at the box office, as one of the top grossers of its season. Cox-Arquette's decision to join the cast of the family-friendly superhero story Zoom alongside Tim Allen and Chevy Chase didn't prove nearly as capricious. The picture suffered from relentless (though arguably justifiable) critical drubbings and performed abysmally on a commercial front, grossing just over $4 million in the week that followed its premiere - from an estimated $60 million budget. It also became the latest in Allen's long line of box office stinkers that included Christmas with the Kranks, Joe Somebody, and many others; The New York Times's Jeannette Catsoulis moaned that it "bleeds boredom from every frame," while Entertainment Weekly's Lisa Schwartzbaum observed, "this lifeless family comedy sucks the joy from every joke it touches."That same year, the trades indicated Cox's forthcoming producer credit in longtime husband David Arquette's 2007 directorial debut, the slasher picture The Tripper, with Balthazar Getty, Paul Reubens and Lukas Haas. The Hostel-like story involved a group of potheads who travel to a Woodstock-esque concert for indulgence in sensual (and visceral) pleasures, but find themselves stalked by a psychotic. Cox and Arquette each cameo in the film. 2007 also found Cox returning to TV, producing and starring in the dramatic thriller Dirt, about the seedy side of an already seedy industry - the tabloid press. The show only ran until 2008, but Cox was soon onto the next project, the sitcom Cougar Town, which she produced and starred in as well. By 2011, she was back in the movies, working on Scream 4 -- though during the production of the film, she and husband/co-star David Arquette announced they were separating; their divorce was finalized in 2013.

Trivia: Tall, slender, and graceful brunette actress Sean Young has had a busy film career, but has yet to make it past mid-range stardom. This may be partially due to some of the negative publicity generated through her personal life. Before coming to Hollywood in 1980 to perform in Jane Austen in Manhattan, Young had been a New York model and a dancer. Fans of the sci-fi epic Blade Runner (1982) remember Young for playing the sympathetic "replicant" Rachael. Although she appeared in several major features by 1987, Young didn't get much notice as a potential star until after she co-starred with Kevin Costner in the thriller No Way Out (1987). Her love scenes with Costner generated considerable heat on and off the screen. In 1989, Young made entertainment news when her former co-star from The Boost (1988), James Woods, filed a harassment suit against her claiming that she had repeatedly threatened him after their affair soured. Young retaliated by hitting the talk show circuit to deny the claims, all the while continuing her acting career. That year, she was scheduled to play Vicki Vale in Tim Burton's Batman, but broke her collarbone during a riding scene with Michael Keaton and was replaced by Kim Bassinger, something she publicly disputed with Burton. Through the '90s, Young continued to appear regularly onscreen.

Trivia: Widely regarded as one of the most accomplished NFL players in the history of the league, Dan Marino held sway as the quarterback of the Miami Dolphins for 17 years (1983-2000). On the field, Marino racked up a litany of accomplishments, including (though not limited to): the greatest number of yards, touchdowns, and completions achieved over the course of one season; five back-to-back Pro Bowl nominations; and the NFL Man of the Year Award. Following Marino's retirement from the NFL in 2000, he moved into work as a television pundit, hosting such football-themed programs as HBO's Inside the NFL and CBS's The NFL Today. Both during and after his career as an NFL mainstay, Marino also made cameo appearances as himself in a number of Hollywood features, including Ace Ventura: Pet Detective (1994) and Bad Boys II (2003).

Trivia: Ex-gang member Tone-Loc is probably best known for his hit 1989 rap songs "Wild Thing" and "Funky Cold Medina" than for his acting career. Nevertheless, Loc was not welcomed into the hip-hop community, despite his debut Loc-ed After Dark being only the second rap album to top the Billboard charts. After the poor performance of his second album, 1991's Cool Hand Loc, Loc turned his attentions to acting. He appeared several times in Charles S. Dutton's sitcom Roc, and also had supporting roles in Ace Ventura: Pet Detective, Heat, and Titan A.E., among others. Born Anthony Smith on March 3, 1966, in Los Angeles, Loc still lives in the city of his birth. He spends his free time hanging out with his children and, as he told the Iowa State Daily in 1999, finding ways to make money. He shouldn't have much trouble with the latter -- the rapper/actor put out a new album and tour in 2001, and took on a starring role in Thieves, a television series starring John Stamos.

Trivia: Formerly a schoolteacher, Texas-born Noble Willingham has been essaying crusty character roles since 1969. Willingham's resumé includes a brace of location-filmed Peter Bogdanovich films, The Last Picture Show (1971) and Paper Moon (1973), and the role of Clay Stone in both of Billy Crystal's City Slickers comedies. Among his TV-movie credits is the part of President James Knox Polk in 1985's Dream West. A regular on several TV series (The Ann Jillian Show, Texas Wheelers, Cutter to Houston, AfterMASH, When the Whistle Blows), Willingham is best known to 1990s viewers as Mr. Binford (of Binford Tools) in Home Improvement and C. D. Parker in Walker, Texas Ranger. Noble Willingham's most recent film assignments include Ace Ventura, Pet Detective (1994) Up Close and Personal (1996) and Space Jam (1996). In 2000, Willingham left Walker, Texas Ranger to run for Congress in Texas. After losing the election to his Democratic opponent, Max Sandlin, Willingham returned to acting with a supporting role in the Val Kilmer thriller Blind Horizon. Sadly, the part would be the actor's last. In early 2004, at the age of 72, Willingham passed away at home from natural causes.

Trivia: Possessing a pair of the most elegantly piercing steel blue eyes ever to be captured on celluloid, German cult actor Udo Kier has made a distinct mark for himself in the world of cinema with roles in everything from obscure European exploitation films to the most mainstream of Hollywood fare. Though as an actor Kier has made a name for himself by essaying frequently bizarre and sometimes sadistic film roles, the man himself is almost the complete opposite of the characters he portrays onscreen, exuding a flamboyant and personable earthy elegance that stands in stark contrast to his unforgettably cold, vampiric screen presence. Born in October of 1944 in Cologne, Germany, it may come as no surprise that Kier's incredibly dramatic birth would easily rival the intensity of any of the future actor's film roles. As war raged outside the serene confines of the hospital, Kier's mother requested a few moments alone with her newborn son immediately following his birth. Moments later the hospital was bombed and Kier's mother began the grueling task of digging herself and her son from out of the rubble. His father absent for much of his youth, Kier had a chance encounter with an aspiring young filmmaker named Rainer Werner Fassbinder before moving to Britain at the age of 18 to study English and acting. Shortly after Kier's arrival, director Mike Sarne offered him the role of a gigolo in The Road to St. Tropez (1966), and with that film the young actor made his screen debut. Though Kier would appear in a few films rounding out the 1960s, it was his part in the controversial 1970 film The Mark of the Devil that would truly set his career path in motion. His role as a witch hunter apprentice who meets a gruesome demise horrified audiences, and the film was subsequently banned in many areas of the world. Increasingly prolific in the following years, it was a pair of Paul Morrissey films from the mid-'70s that would leave an indelible impression on not only European audiences, but American audiences as well. It was while on a flight from Rome to Munich that Kier made the acquaintance of director Morrissey, and shortly thereafter Kier was cast in the role of Baron Frankenstein in Andy Warhol's Frankenstein (aka Flesh for Frankenstein). Filled to the brim with satirical gore and graphic violence, the notorious film immediately garnered an X-rating though it would become a hit with strong-stomached audiences who could appreciate its dark humor. Released that same year, Andy Warhol's Dracula (aka Blood for Dracula) once again found Kier relishing in gore-drenched satire. In 1977 Kier would appear before old friend Fassbinder's lens in the television drama The Stationmaster's Wife and play a small role in Italian horror director Dario Argento's Suspiria. The remainder of the 1970s as well as the majority of the 1980s, found Kier appearing frequently in European exploitation films with such lurid titles as G.I. Bro (1977) and Prison Camp Girls, Jailed for Love (1982). Though sharp-eyed American audiences could catch glimpses of Kier in such films as Moscow on the Hudson (1984) (in which he appeared uncredited), it was during this period that Kier would work almost exclusively in Europe. Though American audiences didn't necessarily bear witness to most of Kier's work in the 1980s, his career continued to flourish overseas and the actor began to develop a strong personal and professional relationship with director Lars von Trier. Following his appearance in von Trier's Medea (1987), Kier would not only appear in all of the director future films, but also become the godfather of von Trier's daughter Agnes as well. It was Kier's role in director Gus Van Sant's My Own Private Idaho (1991) that brought the actor back to stateside audiences, and following his memorable appearance in the film, Kier would appear in such big-budget American films as Johnny Mnemonic (1995), Armageddon (1998), and Blade (also 1998). Despite appearances in such mainstream comedies as Ace Ventura: Pet Detective (1994), Kier would remain true to his European roots by simultaneously appearing in numerous foreign films such as von Trier's Europa (1991) and the gleefully amoral Terror 2000 (1992). With the millennial turnover bringing Kier more stateside exposure than ever, following a memorable turn in Shadow of the Vampire (2000), the tireless actor would appear in no less than eight films in 2001 alone, including Werner Herzog's Invincible and the apocalyptic thriller Meggido: The Omega Code 2. His feature career continuing to flourish, Kier could now be considered a full-fledged star, as appearances in numerous commercials and music videos by such popular acts as Korn virtually guaranteed that while he might not necessarily be a household name, his face would be instantly recognizable by virtually anyone. Though he continued to appear in numerous mainstream films, his experimental side could be evidenced with his participation in director von Trier's film Dimension. The production of the film would span 30 years, following the actors (without makeup) as they aged. The actors and director got together once a year to shoot a scene. Spending much of his free time in nature, Kier enjoys gardening, enjoying the company of his dog, and working on his home in California.

Trivia: Fresh out of CCNY, David Margulies made his off-Broadway bow in Golden 6 (1958). Margulies made his first film, A New Leaf, in 1971, and two years later first appeared on Broadway in The Iceman Cometh. Shuttling between plays, movies and TV in the 1980s and 1990s, Margulies was most often cast as doctors, lawyers and rabbis. In Ghostbusters II (1989), David Margulies has several good scenes as the Mayor of New York. He originated the role of Roy Cohn in Angels in America on Broadway; one of his final roles was as Elie Weisel in the miniseries Madoff. Margulies died in 2016, at age 78.

Trivia: American actor Bill Zuckert's long career included appearances on stage, screen, radio, and television. He made his acting debut on radio in 1941. During the 1970s, he made frequent television appearances on programs ranging from Dynasty to The Mary Tyler Moore Show to Little House on the Prairie. Zuckert made his last appearance in two films of 1994, Ace Ventura, Pet Detective and Naked Gun 33 1/3: The Final Insult. Zuckert was an active member of the Screen Actors Guild and the American Federation of Television and Radio Artists. For the latter, he played a key role in developing a new member program. Zuckert also launched the practice of holding casting showcases for members of both guilds. Zuckert died of pneumonia in Woodland Hills, CA, at age 76.

Trivia: Character actress Alice Drummond built a solid background in theater before regularly playing interesting older ladies in film and television. During the '60s, she played Nurse Jackson on the gothic TV series Dark Shadows. Her early work was mostly confined to the stage, though, and by 1970 she had earned a Tony nomination for her performance in The Chinese & Dr. Fish. During the '80s she appeared in many feature films and television shows, usually in roles like eccentric old ladies on Night Court. One of her most recognizable parts was the librarian who is chased by a ghost through the New York Public Library in the opening scene of Ghostbusters. During the '90s, she got a few more substantial roles, like a patient in Awakenings and Ray Finkle's mother in Ace Ventura: Pet Detective. She found meager success with independent comedy dramas in the late '90s, starting with Adrienne Shelly's I'll Take You There. In 2001 she played Aunt Millie in Tom Rice's The Rising Place and in 2003 she was Grandma Dottie in Peter Hedges' Pieces of April. Drummond died in 2016, at age 88.

Trivia: Studied at the Actors Studio and with Stella Adler, whom he says was the biggest influence in his life. Considers the 1990 action-adventure Delta Force 2 some of his worst work. Has had roles in a number of Darren Aronofsky's films. Imitated some of his mother-in-law's facial expressions for his role as a retired drug-cartel enforcer in Breaking Bad. Doesn't consider himself a character actor, but a "weird-looking romantic lead."

Trivia: Fearsome American ex-boxer Randall "Tex" Cobb, in films from 1983, can usually be found playing born-to-raise-hell characters with names like Box, Wolf, Swede, or simply Big Harry Con. A godsend to comedy films, Cobb has menaced Chevy Chase in Fletch Lives (1985), Jim Varney in Ernest Goes to Jail (1990), Jim Carrey in Ace Ventura: Pet Detective (1993), and Leslie Nielsen in Naked Gun 33 1/3 (1994). Perhaps Randall "Tex" Cobb's nastiest cinematic alter ego was Leonard Smalls, the "Lone Biker of the Apocalypse" in the Coen brothers' Raising Arizona (1987).