Trivia: An actor whose name became synonymous with all-American entertainment, Tom Cruise spent the 1980s as one of Hollywood's brightest-shining golden boys. Born on July 3, 1962 in Syracuse, NY, Cruise was high-school wrestler until he was sidelined by a knee injury. Soon taking up acting, he found that the activity served a dual purpose: performing satiated his need for attention, while the memorization aspect of acting helped him come to grips with his dyslexia. Moving to New York in 1980, Cruise's first big hit was Risky Business in 1982, in which he entered movie-trivia infamy with the scene wherein he celebrates his parents' absence by dancing around the living room in his underwear. The Hollywood press corps began touting Cruise as one of the "Brat Pack," a group of twenty-something actors who seemed on the verge of taking over the movie industry in the early '80s. Top Gun 1985 established Cruise as an action star, but again he refused to be pigeonholed, and followed it up with a solid characterization of a fledgling pool shark in the Martin Scorsese film The Color of Money in 1986, for which co-star Paul Newman earned an Academy Award. In 1988, he played the brother of an autistic savant played by Dustin Hoffman in Rain Man, a dramatic turn for sure, though Cruise had not yet totally convinced critics he was more than a pretty face.His chance came in 1989, when he played a paraplegic Vietnam vet in Born on the Fourth of July. Though his bankability faltered a bit with the expensive disappointment Far and Away in 1990 (though it did give him a chance to co-star with his-then wife Nicole Kidman), 1992's A Few Good Men brought him back into the game. By 1994, the star was undercutting his own leading man image with the role of the slick, dastardly vampire Lestat in the long-delayed film adaptation of the Anne Rice novel Interview with the Vampire. Although the author was vehemently opposed to Cruise's casting, Rice famously reversed her decision upon seeing the actor's performance, and publicly praised Cruise's portrayal.In 1996, Cruise scored financial success with the big-budget action film Mission: Impossible, but it was with his multilayered, Oscar-nominated performance in Jerry Maguire that Cruise proved once again why he is considered a major Hollywood player. 1999 saw Cruise reunited onscreen with Kidman in a project of a very different sort, Stanley Kubrick's Eyes Wide Shut. The film, which was the director's last, had been the subject of controversy, rumor, and speculation since it began filming. It opened to curious critics and audiences alike across the nation, and was met with a violently mixed response. However, it allowed Cruise to once again take part in film history, further solidifying his position as one of Hollywood's most well-placed movers and shakers.Cruise's enviable position was again solidified later in 1999, when he earned a Best Supporting Actor nomination for his role as a loathsome "sexual prowess" guru in Paul Thomas Anderson's Magnolia. In 2000, he scored again when he reprised his role as international agent Ethan Hunt in John Woo's Mission: Impossible II, which proved to be one of the summer's first big moneymakers. He then reteamed with Jerry Maguire director Cameron Crowe for a remake of Spanish director Alejandro Amenábar's Abre los Ojos titled Vanilla Sky. Though Vanilla Sky's sometimes surreal trappings found the film receiving a mixed reception at the box office, the same could not be said for the following year's massively successful sci-fi chase film Minority Report, directed by Steven Spielberg , or of the historical epic The Last Samurai, directed by Edward Zwick.For his next film, Cruise picked a role unlike any he'd ever played; starring as a sociopathic hitman in the Michael Mann psychological thriller Collateral. He received major praise for his departure from the good-guy characters he'd built his career on, and for doing so convincingly. By 2005, he teamed up with Steven Spielberg again for the second time in three years with an epic adaptation of the H.G. Wells alien invasion story War of the Worlds.The summer blockbuster was in some ways overshadowed, however, by a cloud of negative publicity. It began in 2005, when Cruise became suddenly vocal about his beliefs in Scientology, the religion created by science fiction author L. Ron Hubbard. Cruise publicly denounced actress Brooke Shields for taking medication to combat her postpartum depression, calling going so far as to call the psychological science a "Nazi science" in an Entertainment Weekly interview. On June 24, 2005, he was interviewed by Matt Lauer for The Today Show during which time he appeared to be distractingly argumentative in his insistence that psychiatry is a "pseudoscience," and in a Der Spiegel interview, he was quoted as saying that Scientology has the only successful drug rehabilitation program in the world.This behavior caused a stirring of public opinion about Cruise, as did his relationship with 27-year-old actress Katie Holmes. The two announced their engagement in the spring of 2005, and Cruise's enthusiasm for his new romantic interest created more curiosity about his mental stability. He appeared on The Oprah Winfrey Show on May 23, where he jumped up and down on the couch, professing his love for the newly-Scientologist Holmes. The actor's newly outspoken attitude about Scientology linked to the buzz surrounding his new relationship, and the media was flooded with rumors that Holmes had been brainwashed.Some audiences found Cruise's ultra-enthusiastic behavior refreshing, but for the most part, the actor's new public image alienated many of his viewers. As he geared up for the spring 2006 release of Mission: Impossible III, his ability to sell a film based almost purely on his own likability was in question for the first time in 20 years.Despite this, the movie ended up performing essentially as expected, and Cruise moved on to making headlines on the business front, when -- in November 2006 -- he and corporate partner Paula Wagner (the twin forces behind the lucrative Cruise-Wagner Productions) officially "took over" the defunct United Artists studio. Originally founded by such giants as Douglas Fairbanks and Charles Chaplin in 1921, UA was all but completely defunct. The press announced that Cruise and Wagner would "revive" the studio, with Wagner serving as Chief Executive Officer and Cruise starring in and producing projects.One of the fist films to be produced by the new United Artists was the tense political thriller Lions for Lambs, which took an earnest and unflinching look at the politics behind the Iraq war. This was followed by the World War II thriller Valkyrie. Cruise would find a solid footing as the 2010s progressed, with films like Mission: Impossible - Ghost Protocol and Rock of Ages. Cruise and Holmes would announce they were divorcing in 2012.

Trivia: Actress Kelly McGillis claims to have been a lonely, overweight adolescent who found an escape from her misery through acting. She studied at Pacific Conservatory of Performing Arts and Julliard, making an impressive film debut as the erstwhile lady friend/"savior" of drunken poet Tom Conti in 1983's Reuben, Reuben. McGillis spent considerable time with an Amish family to prepare for her next important film role as a young Amish widow in 1985's Witness; the family wasn't happy in retrospect, claiming that Kelly misrepresented her interest in their lifestyle. The actress's best role since Witness has been as the attorney defending rape victim Jodie Foster in The Accused (1988); during production, McGillis made public the story of her own earlier rape, and became a militant advocate for assault victim' rights. In 1992, McGillis was second-billed in The Babe (1992) as Claire Hodgson, the no-nonsense second wife of baseball great Babe Ruth (John Goodman). She subtly spoofed her breakout role in Witness in the comedy North, and went on to appear in a variety of projects including We the Jury, Perfect Prey, The Settlement, and At First Sight, After appearing in The Monkey's Mask in 200, she disappeared from screens (outside of voiceover work) until 2010's Skate Land, and having a major role in 2011's The Innkeepers.

Trivia: Lanky blond and balding actor Anthony Edwards' career reached a pinnacle with his role as the easy-going Dr. Green on the hit NBC television series E.R.. While his rise to fame seems sudden, the actor has been in the business since he was 12 years old. At that young age, Edwards began acting on stage. For the next five years he would act in over 30 plays before going to study at the prestigious Royal Academy of Arts in London in 1980. He also studied drama at USC, Los Angeles. While there he made his feature-film debut in Fast Times At Ridgemont High (1982). Unlike many actors who are typecast into certain roles in particular genres, Edwards has remained firmly between genres, having played in everything from teen exploitation flicks (Revenge of the Nerds [1984]), and serious drama (Mr. North [1988]), to actioners (Top Gun [1986]) and thrillers (Downtown [1990]). In 1992, Edwards had a recurring and memorable role as the environmentally-hypersensitive Bubble man on the popular offbeat CBS TV show Northern Exposure. He continued to work on ER until the show's 8th season in 2001, and co-starred Daryl Hannah and Ben Foster in the fantasy drama Northfolk in 2003. Edwards continued to find success as an actor and producer throughout the mid-2000s, and in 2007 took on the role of Inspector William Armstrong in Zodiac, director David Fincher's docudrama chronicling the gruesome story of the serial murderer known as the Zodiac killer. In 2008 he starred in The Dark Lurking, a sci-fi thriller, and starred along with Minnie Driver and Uma Thurman in the independent comedy Motherhood the following year. In 2010 he co-starred in director Rob Reiner's coming-of-age comedy Flipped.

Trivia: Born December 31, 1959, actor Val Kilmer's chameleon-like ability to plunge fully and breathlessly into his characters represents both the gift that catapulted him to fame in the mid eighties, and that which - by its very nature of anonymity - held him back from megastardom for some time. Such an ability - doubtless, the result of exhaustive, heavily-disciplined training and rehearsal - also explains Kilmer's alleged on-set reputation as a perfectionist (which caused a number of major directors to supposedly tag him as 'difficult'), but the results are typically so electric that Kilmer's influx of assignments has never stopped. He is also extraordinarily selective about projects. Trying valiantly to maintain a firm hold on his career, he turned down offers for box office blockbusters including Blue Velvet, Dirty Dancing, and Indecent Proposal for personal and artistic reasons. A Los Angeles native, Kilmer acted in high school with friend Kevin Spacey before attending the Hollywood Professional School and Juilliard. He appeared on the New York stage and in Shakespeare festivals before his cinematic debut as the rock idol Nick Rivers in the Zucker-Abrahams-Zucker spy spoof Top Secret! (1984). An absurd role which Kilmer plays with complete sincerity, it reveals genuine musical talent and Kilmer achieves complete credibility as a rock star. Throughout the eighties, Kilmer played as diverse an assortment of roles as could be found: he was the goofy, playfully sarcastic, egghead roommate and mentor to Gabe Jarrett in Martha Coolidge's Real Genius, the cocky Ice Man in Top Gun, and warrior Madmartigan in the Ron Howard/George Lucas fantasy Willow (1988). Kilmer's cinematic breakthrough arrived in 1991, for his portrayal of rock icon Jim Morrison in Oliver Stone's The Doors; some speculated that Stone hired Kilmer solely on the basis of the musical gifts showcased seven years prior in Top Secret!. As the philosophical, death-obsessed rocker (and druggie) Morrison, Kilmer performed a number of the Doors songs on the soundtrack, sans dubbing. Kilmer played other American icons in his next two films - gunslinger Doc Holliday in Tombstone and the spirit of Elvis in True Romance; both did remarkable business at the box office. Due to his persistent need for an on-set dialogue with his directors, Kilmer clashed with Michael Apted on the set of Thunderheart (1992) and Joel Schumacher on the set of Batman Forever. He openly refused to repeat the Bruce Wayne role for Batman and Robin (1997). Instead, Kilmer headlined Michael Mann's 1995 Heat with two legends, Robert De Niro and Al Pacino. This time around, he met with a more accommodating (or at least more tolerant) director, Michael Mann. Working with another acting veteran, he co-starred with Michael Douglas for the hunting adventure The Ghost and the Darkness. Unfortunately, his next few films were disappointments, particularly The Saint and The Island of Dr. Moreau. He switched gears a few times with little success, turning to romantic drama in At First Sight and to science fiction in Red Planet, but neither fit his dramatic intensity. After lending his booming voice to the part of Moses in the Dreamworks animated film The Prince of Egypt (1998), Kilmer appeared in The Salton Sea (1991) as a tormented drug addict. In 2003, he lined up quite a few projects, including the crime thriller Mindhunters and the drama Blind Horizon. In the same year he earned a starring role as another aggressive American icon, John Holmes ("the John Wayne of porn"), for the thriller Wonderland (2003). That same fall, Kilmer re-teamed with Ron Howard for the director's lackluster Searchers retread, The Missing (2003). He also re-collaborated with Oliver Stone (for the first occasion since The Doors) in the director's disappointing historical epic Alexander (2004), opposite Angelina Jolie, Anthony Hopkins, and Colin Farrell. He returned to form (and a leading role) in 2005, with the comedy-thriller Kiss, Kiss, Bang, Bang. Kilmer (per his trademark ability) once again cut way against type, this time as a flagrantly (and aptly named) homosexual detective, Gay Perry, who lives and works in Tinseltown. When it opened in October 2005, the picture drew an avid response from critics and lay viewers alike, and brought in solid box office returns. The actor packed in an astonishingly full schedule throughout 2006, with no less than six onscreen appearances through the end of that year, in large and small-scaled productions - all extremely unique. Kilmer returned to his 1998 Dreamworks part with the lead role of Moses in Robert Iscove's stage musical The Ten Commandments, mounted at the Kodak Theatre in Hollywood. Then, in a most unusual move that recalled Richard Gere's work for Akira Kurosawa and Burt Lancaster's work for Luchino Visconti, Kilmer went cross-cultural, by joining the cast of Polish director Piotr Uklanski's Summer Love (2006), screened at the Venice International Film Festival. It marked the first "Polish spaghetti western" and gracefully spoofed the genre; Kilmer appears as "The Wanted Man." The Disney studios sci-fi-action thriller Deja Vu teamed Kilmer and Denzel Washington (under the aegis of Kilmer's former Top Gun cohorts, Tony Scott and Jerry Bruckheimer) as feds who travel back in time to stop a terrorist's (Jim Caviezel) attempt to blow up a ferry. He also voiced the character of Bogardus in Marc F. Adler and Jason Maurer's family-friendly animated adventure Delgo. In 2008, NBC revived the classic series Knight Rider, and needed a distinct voice to play the super-intelligent car. Kilmer stepped in to play the iconic role, but he also signed on for numerous other simultaneous projects, including Werner Herzog's semi sequel Bad Lieutenant: Port of Call - New Orleans (2009), Shane Dax Taylor's troubled, disappointing melodrama Bloodworth (2010), and Francis Ford Coppola's horror opus Twixt, which co-starred Bruce Dern, Elle Fanning and Ben Chaplin. Kilmer met British actress Joanne Whalley on the set of Willow in 1987; they married the following year and teamed up onscreen in John Dahl's Kill Me Again (1989). The couple had two children before the marriage ended in 1996.

Trivia: Tim Robbins ranks among contemporary cinema's most acclaimed and provocative voices; a multifaceted talent, he has proved so adept at wearing the various hats of actor, writer, and director that no less a figure than the legendary filmmaker Robert Altman declared him the second coming of Orson Welles. Born October 16, 1958, in West Covina, CA, he was the son of folk singer Gil Robbins; raised in Greenwich Village, he made his performing debut alongside his father on a duet of the protest song "Ink Is Black, Page Is White." At the age of 12, Robbins joined the Theater for the New City, remaining a member for the next seven years; he also joined his high-school drama club, an experience which afforded him his first opportunities to direct for the stage. After briefly attending the State University of New York at Plattsburgh, he relocated to Los Angeles to study at UCLA; there he also joined the Male Death Cult, an intramural softball team comprised of his fellow drama students. After graduating, the teammates reunited to form the Actors' Gang, an avant-garde theater troupe noted for productions of works by the likes of Bertolt Brecht and Alfred Jarry. After guest starring on television series including Hill Street Blues and St. Elsewhere, in 1984 Robbins made his film debut with a bit part in the feature Toy Soldiers. His first starring role came in 1985's teen sex romp Fraternity Vacation. Small roles in hits including Top Gun and The Sure Thing followed before a breakout performance as a doltish fastballer in Ron Shelton's hit 1988 baseball comedy Bull Durham. An onscreen romance with co-star Susan Sarandon soon expanded into their offscreen lives as well, and the twosome became one of Hollywood's most prominent couples. A series of starring roles in films including 1989's misbegotten Erik the Viking and 1990s Jacob's Ladder followed, before Altman's 1992 showbiz satire The Player won Robbins Best Actor honors at the Cannes Film Festival. That same year, he wrote, directed, starred, and performed the music in Bob Roberts, a mock-documentary brutally parodying right-wing politics.Upon appearing in Altman's 1993 ensemble piece Short Cuts, Robbins enjoyed starring roles in four major 1994 releases: The Hudsucker Proxy, I.Q., Ready to Wear (Prêt-à-Porter), and the Oscar-nominated The Shawshank Redemption. However, his most acclaimed project to date was 1995's Dead Man Walking, a gut-wrenching examination of the death penalty, which earned him an Oscar nomination for Best Director; Sean Penn, portraying a death-row inmate, garnered a Best Actor nomination while Sarandon won Best Actress honors. After a three-year hiatus from acting, Robbins returned to the screen in 1997 with the comedy Nothing to Lose; he soon announced plans to mount a film adaptation of Cradle Will Rock, the Marc Blitzstein play first staged by Orson Welles six decades earlier. The film, which examined the relationship between art and politics in 1930s America, premiered at the 1999 Cannes Film Festival. That same year, audiences could view Robbins as a clean-cut suburban terrorist opposite Jeff Bridges in Arlington Road, as well as see the fruits of his directorial work in Cradle Will Rock. Robbins opened the year 2000 with a brief but nonetheless fun role as the maddeningly calm Ian in High Fidelity. The early 2000s presented a series of misfires for Robbins -- AntiTrust (2001), Mission to Mars (2000), and Human Nature (2001), writer Charlie Kaufman's eagerly awaited follow-up to Being John Malkovich, fared rather badly in theaters -- though his versatility and respect within the industry remained solid. The polarizing presidential elections of 2002 certainly thrust Robbins into the political spotlight, if not major big-screen successes. After multiple appearances on Politically Incorrect and various awards shows gave Robbins a platform for some of his views concerning the right-wing agenda, the legitimacy of the Bush administration, and the controversial pre-emptive action in Iraq, the planned screening of Bull Durham (and a subsequent appearance from Robbins and Susan Sarandon) for the 15th anniversary of the film at the Baseball Hall of Fame was surprisingly cancelled in what Robbins claimed was a retaliatory measure.By the end of 2003, the controversy was a distant memory with Robbins hitting it big with audiences and critics alike in the film adaptation of Mystic River. The performance, which saw Robbins as a tragic adult who couldn't overcome a devastating childhood, eventually won the actor his second Golden Globe along with his first ever Oscar.Robbins followed up his Oscar win by switching gears substantially. In 2004, audiences could find him as a caricature of a cutthroat PBS newsman in an extended cameo in Anchorman and starring opposite Samantha Morton in the futuristic sci-fi thriller Code 46. In 2004 Robbins wrote and staged a satire about the Iraq war titled Embedded. He returned to the big-screen as the father in the science-fiction family fantasy Zathura. In the same year he turned in a memorable supporting performance as a deranged survivor of an alien attack in Steven Spielberg's War of the Worlds. One year later he played a white police officer in Philip Noyce's anti-Apartheid drama Catch a Fire. And though Robbins' politics seemed to overshadow his celebrity in the first years of the new millennium, film roles in City of Ember and Green Lantern, as well as an appearance on SNL alum Fred Armisen's satirical television series Portlandia kept the longtime actor in the public eye as he continued to hone his directoral skills with the made-for-television movie Possible Side Effects, and episodes of the popular HBO series Treme. Meanwhile, in 2010, Tim Robbins & the Rogue's Gallery Band released their self-titled debut album.

Trivia: Tom Skerritt is probably the best-known actor whose name is never remembered. A rugged "outdoors" type, Skerritt briefly attended Wayne State University and UCLA before making his film bow in War Hunt (1962). His subsequent film and TV roles were sizeable, but so adept was Skerritt at immersing himself in his character that he seemed to have no tangible, recurrent personality of his own. Billed second as "Duke" in the original M*A*S*H* (1970), Skerritt did his usual finely-honed job, but audiences of the time preferred the demonstrative, mannered acting technique of Elliott Gould, Donald Sutherland and Robert Duvall; significantly, Skerritt's character was not carried over into the even more unsubtle M*A*S*H TV series. Finally, in 1980, Skerritt began to attain a following with his authoritative performance in Alien. Since that time, there's been no stopping him. He posed in a popular series of "Guess?" Jeans ads, appeared as a 1987-88 regular on "Cheers," starred in 1992's A River Runs Through It (directed by his long-ago War Hunt costar Robert Redford), and won a 1994 Emmy for his work on the TV series "Picket Fences."Skerritt would continue to work at a remarkable pace, usually appearing in several projects a year. From 1999's family drama The Other Sister to 2003's war thriller Tears of the Sun, the actor could be spotted by fans of seemingly every area of film throughout the 90's and 2000's. In 2006, he took a recurring role in the hit primetime drama Brothers and Sisters, and in 2008 he signed on for the redneck comedy Beer for my Horses. He went on to appear in Whiteout, Multiple Sarcasms, and he made a cameo as himself in the R rated talking teddy bear movie Ted.

Trivia: Canadian actor Michael Ironside has specialized in tough, steel-fisted villainous film roles. Ironside played the ruthless brain-splitting cult leader in Scanners (1981), the unethical cop in Cross Country (1983), and the megalomaniacal cyborg in Spacehunter: Adventures in the Forbidden Zone (1984), among other wicked characterizations. He was also seen as Dick Wetherly in Top Gun, 1986's biggest hit, and as General Katana in Highlander II: The Quickening (1991). He'd go on to appear in films like The Machinist and Terminator Salvation, as well as TV series like ER, SeaQuest DSV: 2032, and Desperate Housewives.

Trivia: Although she has also proven herself as a dramatic actress, Meg Ryan used her blonde hair, blue eyes, and effervescent personality to greatest effect in romantic comedies of the 1980s and '90s. Initially getting her start on television, Ryan became a star with her titular role in the smash 1989 comedy When Harry Met Sally, earning both fame and permanent notoriety for her ability to fake an orgasm for Billy Crystal during a scene in a New York restaurant.The daughter of a casting agent, Ryan was born Margaret Mary Emily Anna Hyra in Fairfield, Connecticut on November 19, 1961. Raised in New York, she went on to study journalism at New York University. In need of money to pay for her night classes, Ryan turned to acting to raise some extra cash. With her mother's help, she landed a role on a short-lived television series, and then made her film debut in Rich and Famous. The 1981 film -- director George Cukor's last -- cast Ryan as Candice Bergen's daughter, and proved to be a positive enough experience that the young actress was soon looking for more work. A lucky break led to her being cast in the daytime drama As the World Turns, on which she performed from 1982 until 1984.After appearing in Amityville 3-D (1983), Ryan secured more auspicious work when she was cast as the wife of doomed flyboy Goose (Anthony Edwards) in Top Gun (1986). Although her role was minor, the film's success paved the way for more work for the actress, and the following year she starred in Innerspace, a comedy that cast her as Dennis Quaid's girlfriend. Her onscreen status as Quaid's love interest soon became off-screen reality, and after starring together in D.O.A. (1988), the two married in 1991.In 1989, Ryan had her breakthrough role as Sally Albright in Rob Reiner's When Harry Met Sally. The following year, she starred opposite Tom Hanks in Joe Versus the Volcano. Although the film received a lukewarm critical and commercial reception, it began an onscreen collaboration between Ryan and Hanks that would prove to be very successful in future films. Before she next appeared onscreen with Hanks, Ryan took an uncharacteristic turn towards the purely dramatic, playing Jim Morrison's drug-addicted wife Pamela in Oliver Stone's The Doors (1991). She received wide critical praise for her portrayal, proving that she was capable of extending her range beyond light comedy. She further demonstrated her capabilities in the dark 1993 drama Flesh and Bone. Her performance as a hitchhiker received strong notices, although the film, which cast her opposite husband Quaid, was largely ignored by audiences.That same year, Ryan returned to romantic comedy, starring opposite Hanks in Sleepless in Seattle. Nominated for a Golden Globe for her work, she then starred in another romantic comedy, I.Q., the following year. However, 1994 also brought more dramatic roles with Restoration, a period drama that cast Ryan as Robert Downey, Jr.'s doomed love, and When a Man Loves a Woman, in which she played an alcoholic. After further bucking her bubbly persona with a turn as a Gulf War solider in Courage Under Fire (1996) and a somewhat nasty portrayal of a vengeful ex-girlfriend in Addicted to Love (1997), Ryan again starred opposite Hanks in You've Got Mail (1998). Another romantic comedy, it put the actress back in her most successful milieu and was popular among critics and audiences alike. That same year, Ryan had further success starring opposite Nicolas Cage in the romantic drama City of Angels, and essayed the unlikely role of a world-weary exotic dancer in Hurlyburly.2000 saw Ryan return to comedy, starring alongside Lisa Kudrow and Diane Keaton in Keaton's Hanging Up and also serving as the producer of the supernatural thriller Lost Souls. However, it was Ryan's offscreen activities that same year that truly aroused the public's notice and allowed her to break away from her perky, girl-next-door persona more effectively than any number of dramatic film roles could ever hope to: following the news of her affair with Proof of Life co-star Russell Crowe, Ryan and husband Quaid filed for divorce. Ironically, this real-life drama mirrored the premise of Proof, a romantic drama in which the wife (Ryan) of a man kidnapped in South America enlists the help of a "freelance hostage negotiator" (Crowe) to find her husband, only to enter into an adulterous affair with the negotiator.In 2001, Ryan took a short break from feature films in order to participate in a documentary titled In the Wild: The White Elephants of Thailand, though she would return to the top of the romantic-comedy It-list in the whimsical Kate and Leopold alongside then rising romantic lead Hugh Jackman. In 2002, Ryan provided interview footage with fellow acting colleagues Whoopi Goldberg, Diane Lane, Teri Garr, and Holly Hunter, among others, in Searching for Debra Winger, which was directed by Rosanna Arquette. In 2003, the actress reappeared on the scene for the release of In the Cut, a throwback to '70s psycho-sexual thrillers, which premiered at the Toronto Film Festival. In 2004, Ryan stared in Charles S. Dutton's feature-length directorial debut, which is based on the real-life story of Jackie Kallen, a small-time Michigan woman turned successful boxing manager. For her next film, Ryan joined the cast of the 2007 ensemble drama In the Land of Women, and then headlined another ensemble production, The Women, a poorly recieved update of the 1939 George Cukor film with the same name. 2009's Serious Moonlight, directed by Cheryl Hines, would be her last film before she took a long hiatus from acting.

Trivia: It was a pair of misfortunes that led darkly handsome Adrian Pasdar to become an actor. While studying literature at the University of Florida, he showed promise as a football player and might have made it a career had not an auto accident at the end of his freshman year taken him permanently off the field and sent him to his native Philadelphia. The son of a heart surgeon, Pasdar passed his recuperation time apprenticing as a set builder for the People's Light and Theatre Company until he seriously injured his thumb and again had to rethink his options. Injured enough to receive disability payments, Pasdar decided to become an actor and so enrolled at the Lee Strasberg Theater Institute in New York. Upon graduation, Pasdar successfully auditioned for a part in Top Gun (1986). In fact, director Tony Scott was impressed enough by Pasdar to write a small part, that of Chippie, just for him. Top Gun's success led Pasdar to a larger role in the youthful sci-fi/adventure Solarbabies (1986). The following year, Pasdar played a hapless Oklahoma cowboy who is seduced by a vampire and forced to join her roving band of bloodsuckers in Kathryn Bigelow's cult favorite Near Dark; Pasdar garnered acclaim for his role. He has subsequently specialized in independent films while only making the occasional major feature. In addition to his feature-film efforts, Pasdar continues working on-stage and appearing on television. He is particularly drawn to avant-garde and offbeat television pieces such as Big Time (1989). In 1996 Pasdar played a psychotic, ambitious corporate executive in the short-lived Fox Network series Profit. Since then, Pasdan finds himself in increasing demand as a supporting actor in films such as Ties to Rachel and A Brother's Kiss (both 1997).

Trivia: Lead actor, onscreen from the '80s.

Trivia: Muscular character actor Rick Rossovich was in his early twenties when he showed up as a teenaged military-academy cadet named Pig in The Lords of Discipline (1983). Rossovich's most famous film role was Chris McDowell, the handsome but tongue-tied suitor to delectable Daryl Hannah in the 1987 Cyrano de Bergerac update Roxanne. Rossovich's TV series manifest includes such recurring roles as Geller in McGruder and Loud (1985) and football coach Spud Lincoln in Sons and Daughters (1991). And during the first (1994-95) season of the NBC megahit E/R, Rick Rossovich was seen as Dr. John Taglieri.

Trivia: Supporting and occasional lead actor Whip Hubley (born Grant Hubley) made his film debut in St. Elmo's Fire (1985). He has gone on to appear in feature films and television films. His sister, Season Hubley, is an actress.

Trivia: Upon leaving the Midwest where he was born, raised, and educated (University of Iowa), James Tolkan headed for New York, where he studied acting with Stella Adler. In movies since 1969, Tolkan has been seen in gritty urban character roles in such films as The Friends of Eddie Coyle (1973), Author! Author! (1981), Off Beat (1985), and Made in Heaven (1987). In the first two Back to the Future films, Tolkan appeared as acerbic high school teacher Strickland; in Top Gun (1986), he was seen as Stinger; and in Dick Tracy (1990), he showed up as minor criminal Numbers. On television, James Tolkan appeared on the short-lived 1985 Mary Tyler Moore sitcom Mary as mobster Lester Mintz, and on both installments of the two-episode Sunset Beat (1990), in which he played Captain Parker.

Trivia: Half of the producing tandem behind the most testosterone-laden action flicks, the name Jerry Bruckheimer has become synonymous with explosive pyrotechnics and machine-gun fire. The producer of such hits as Beverly Hills Cop (1984), Top Gun (1986), and Days of Thunder (1990), Bruckheimer dissolved his partnership with hard-partying producer Don Simpson in 1995, only weeks before Simpson's death and after 14 tumultuous years together. Despite a reputation for quantity over quality, Bruckheimer has remained one of Hollywood's most successful producers ever, putting his distinctive stamp on such adrenaline-fueled hits as Con Air (1997) and Armageddon (1998).The son of German-Jewish immigrants, Bruckheimer was born on September 21, 1945. He grew up poor, living in a tiny house in a blue-collar Jewish section of Detroit. Dropped off at a weekly matinee by his mother and salesman father, Bruckheimer developed a love for the cinema that eventually channeled him toward photography. He won several local prizes before fleeing Detroit for Madison Avenue, by way of the University of Arizona, where he received a degree in psychology, and on the strength of a Bonnie and Clyde spoof he helmed for Pontiac. The future producer left a lucrative advertising job in New York to accept low-paying film work in the early '70s, part of the pursuit of his dream. He worked with director Dick Richards on his first few projects, as associate producer on The Culpepper Cattle Company (1972) and producer on Farewell, My Lovely (1975) and March or Die (1977). Bruckheimer began gaining notice through a pair of Paul Schrader films, the Richard Gere hustler film American Gigolo (1979), and the feline horror flick Cat People (1982). But it was his first pairing with old buddy Don Simpson, on the 1983 surprise smash Flashdance, that kicked off his string of hits, which has continued more or less unabated. The underdog story of a Pittsburgh arc welder with dreams of ballet dancing, Flashdance used a synthesis of music, sex, quick edits, and bold aspirations to rake in 95 million dollars -- an incredible take for an unheralded R-rated film, making it the third-highest box-office haul of 1983. Bruckheimer and Simpson were on the map and then some. Forming Simpson-Bruckheimer Productions and signing a long-term deal with Paramount, Bruckheimer and Simpson complemented each other well, likening their partnership to a strong marriage, but without the sex. Simpson's extensive industry contacts and Hollywood ladder climbing earned him the nickname "Mr. Inside," while Bruckheimer's practical experience with filmmaking, much of it through advertising, qualified him as "Mr. Outside." With both sides covered, the pair could do no wrong. Their popcorn films fed the public's need for the loud and the proud, quickly assuming iconic status and elevating such actors as Tom Cruise (Top Gun) and Eddie Murphy (Beverly Hills Cop) to bona-fide superstardom. In 1990, the team dissolved its deal with Paramount "by mutual agreement," and began a non-exclusive, five-year pact with Disney subsidiary Hollywood Pictures the following year. Initially slowed, but undaunted, Bruckheimer and Simpson had their next big wave of hits in 1995, releasing Dangerous Minds, Crimson Tide, and Bad Boys in quick succession and reaffirming their relevance. However, Simpson's behind-the-scenes drug problems were damaging the partnership irreparably, and Bruckheimer called off the professional union at the end of that successful year, at the close of production on The Rock (1996). Simpson died a month later of heart failure. As both Mr. Inside and Mr. Outside, Bruckheimer excelled. Con Air was a hit in 1997, and the Bruce Willis asteroid flick Armageddon grossed the second most of any film released in 1998, at just over 200 million dollars. Bruckheimer achieved mid-level success -- but at the cost of ever-growing critical disdain -- with the releases of Enemy of the State (1998), Gone in 60 Seconds (2000), and Coyote Ugly (2000). Hoping to mix Oscar credentials with his traditional blend of wham-bam thrills, Bruckheimer provided the muscle behind Michael Bay's 150-million-dollar-plus World War II action-romance Pearl Harbor (2001). But critics and the Academy were not as receptive to this film as to such epic tragedies as Titanic (1997) and Saving Private Ryan (1998), and issued Bruckheimer across-the-board raspberries. The film was considered an unqualified dud, its 200-million-dollar take well short of expectations. Bruckheimer did achieve a measure of redemption later that year with the release of Black Hawk Down. Ridley Scott's re-creation of an ill-fated U.S. military mission in Somalia, the film scored raves and four Oscar nominations, winning for its editing and sound. Bruckheimer expanded his production empire into television crating the enormously successful CSI franchise, as well as Without a Trace, and the multiple Emmy winning reality show The Amazing Race. He continued producing feature films as eclectic as Kangaroo Jack and Bad Company, but in 2003 he helped steer the massively successful Pirates of the Caribbean: The Curse of the Black Pearl. That film was so successful Disney agreed to finance two sequels to be produced simultaneously. The first of those to hit theaters, Dead Man's Chest, shattered box-office records for biggest opening day and biggest opening weekend, and was the first film to take in over $100 million in two days. The next film in the franchise, At World's End, was no disappointment either, and another installment, On Stranger Tides, was added in 2011 to the same box office success.Meanwhile, Bruckheimer's winning streak producing TV continued with shows like Without a Trace, The Forgotten, Take the Money & Run, the CSI family, and more. Additionally, Bruckheimer signed on to produce the big screen adaptation of The Lone Ranger in 2013.

Trivia: Noted producer Don Simpson was a co-founder of the prestigious Don Simpson/Jerry Bruckheimer Productions, a company responsible for a number of highly successful features of the '80s through the early '90s, including Flashdance (1983), Top Gun (1986), and Crimson Tide (1995). Born in Seattle, WA, but raised in Anchorage, AK, Simpson began his highly successful career in San Francisco representing Warner Bros. as an account executive at the Jack Woodell Agency. He moved to Warner Bros. in 1971 and became a marketing executive. His first assignment was to promote the studio's quasi-sequel to Woodstock, Medicine Ball Caravan (1971). It was not until Simpson became friends with producer Steve Tisch while the latter was moving from New York to L.A. that Simpson became interested in the nuts and bolts aspect of the film industry. Tisch provided much support while Simpson struggled to find a niche as a producer. He got his first real break when Tisch introduced him to Jerry Bruckheimer. Next the well-connected Tisch introduced Simpson to Paramount's vice president of production during the mid-'70s, Richard Sylbert. Simpson impressed Sylbert enough to get hired as a production executive. By 1981, Simpson had been promoted to Paramount's president of production. After that, Simpson and Bruckheimer began their successful partnership with American Gigolo (1979). The two producers proved dynamite together, but like the explosive, they were volatile. Bruckheimer was the outgoing one and did not hesitate to do whatever it took to promote a film, even if it meant standing atop a submarine in the midst of Venice Harbor to tout their 1995 film Crimson Tide at that year's Venice Film Festival. Simpson, on the other hand, was quiet and complicated. His tendency toward substance abuse began interfering with his professional life in 1990, after they signed what they called a "dream deal" with Paramount. Blaming the duo's tendency toward extravagant spending, the studio destroyed their contract after only nine months. The two signed with Disney in 1991, but Simpson was seldom seen around the offices. Knowing that his partner was caught up in drug abuse, but not willing to throw away such a lucrative relationship, Bruckheimer and Simpson's many powerful friends covered for the errant producer at Disney. Simpson was allegedly undergoing drug rehabilitation with his doctor and long-time friend, Stephen Ammerman, when the latter was found dead of an overdose in Simpson's poolhouse on August 14, 1996. After that, Simpson fell into a deep depression and was unable to assist Bruckheimer with the production chores on their latest film, The Rock (1996), starring Sean Connery. Still Bruckheimer remained loyal and said nothing of Simpson's problems until December 1995, when he publicly announced that while he and Simpson were still good friends, their partnership would be dissolved. Simpson was busy planning new projects at Disney when he was found dead in his Bel-Air home on January 19, 1996. At first the cause of death was unknown, but later police deduced that the 52-year-old producer probably died of heart failure.

Trivia: A screenwriter and adjunct assistant professor at Michigan State University, Jim Cash scripted Hollywood films ranging from Top Gun (1986) to Sister Act (1992). Along with his writing partner, Jack Epps, Jr., Cash, a native of East Lansing, worked prolifically up until his March 24, 2000, death. He was 59 years old.

Trivia: Born in New York City, Ralph Nelson first became interested in theater while attending Bryant High School, and won a New York Times oratorical contest in 1932. He came to Broadway as an errand boy and ascended to the stage, working with Katharine Cornell, Leslie Howard, and the Lunts during the '30s. He was part of the stage company of Irving Berlin's This Is the Army during World War II, and managed to write an award-winning one-act play while serving as an Army Air Force flight instructor. His first full-length play, The Wind Is Ninety, also won an award from the National Theater Conference. Nelson came to early television as an actor, but quickly moved into the director's chair, and it is estimated that he was director and/or producer for upwards of 1000 presentations during the next decade. He was hired to direct the premiere telecast of Playhouse 90 -- where he earned an Emmy for his direction of Rod Serling's Requiem for a Heavyweight (which he later directed on screen), and was also a mainstay of such drama shows as G.E. Theater and Lux Theater. In 1963, Nelson directed the topical drama Lillies of the Field, which earned Sidney Poitier an Oscar as Best Actor. His subsequent films, including Fate Is the Hunter, Soldier in the Rain, and Father Goose, were all successful and remain interesting to look at, despite the fact that only the last has aged well. Nelson moved into serious westerns earlier than almost any other American filmmaker of the 1960's with Duel at Diablo (1966), but his major film of this period was Charly (1968), a drama for which Cliff Robertson won an Oscar. He moved back toward topical political subjects with the racial drama ...Tick...Tick...Tick... (1970) and Soldier Blue (1970), and made the only serious drama ever to come out of Hollywood about South Africa and apartheid, The Wilby Conspiracy (1975), starring Poitier and Michael Caine. Nelson's later films, including A Hero Ain't Nothing but a Sandwich (1977) were passionate and finely made, but embraced subjects to which the public in the post-Watergate era failed to connect. He returned to directing for television during the final years of his career, and scored a modest success with Christmas Lillies of the Field (1979), a follow-up to his 1963 hit.

Trivia: American actor Sterling Hayden was a Hollywood leading man of the '40s and '50s who went on to become a character actor in later years. At age 16 he dropped out of school to become a mate on a schooner, beginning a life-long love affair with the sea; by age 22 he was a ship's captain. Extremely good looking, he modeled professionally to earn enough money to buy his own vessel; this led to a movie contract with Paramount in 1940. Within a year he was famous, having starred in two technicolor movies, Virginia (1941) and Bahama Passage (1942); both featured the somewhat older actress Madeleine Carroll, to whom he was married from 1942-46. With these films, Paramount began trumpeting him as "The Most Beautiful Man in the Movies" and "The Beautiful Blond Viking God." Shortly after making these two films he joined the Marines to serve in World War II. After the war he landed inconsequential roles until a part as a hoodlum in The Asphalt Jungle (1950) demonstrated his skill as an actor. After this his career was spotty, marked for the most part by inferior films (with some notable exceptions, such as Dr. Strangelove [1964]) and frequent abandonment of the screen in favor of the sea. It was said that Hayden was never particularly interested in his work as an actor, vastly preferring the life of a sailor. His obsession with the sea and his various voyages are described in his 1963 autobiography, Wanderer, in which he also expresses regret for having cooperated with the House Un-American Activities Commission during the early '50s McCarthy-Era "witch trials." He published a novel in 1976, Voyage: A Novel of 1896; it was named as a selection of the Book of the Month Club.

Trivia: American leading man William Bishop studied law at the University of West Virginia before settling upon an acting career. He came to Hollywood at the tail end of the "victory casting" period, when the major studios were hiring any and all handsome young actors to fill the gap until the major male stars like Gable and Fonda came back from the war. Under contract to MGM, Bishop was seen in sizeable but non-descript supporting roles in such films as A Guy Named Joe (1943) and Song of the Thin Man (1947). In the 1950s, the muscular, jut-jawed Bishop specialized in westerns like The Texas Rangers (1952), Redhead from Wyoming (1953) and Phantom Stagecoach (1954). His best showing during this period was as Carter Doone in Columbia's Technicolor costumer Lorna Doone (1952). For 39 weeks in 1954, Bishop costarred with Michael O'Shea and James Dunn in It's a Great Life, a TV sitcom about two ex-GIs living together in a small apartment. William Bishop died of cancer in his Malibu home at the age of 42; he had just completed work on his last film, The Oregon Trail (1959), in which he was billed just below star Fred MacMurray.

Trivia: Former model and chorus girl Katherine Hoffman was signed by Paramount in 1941, where she was billed as Katherine Booth. Moving to MGM in 1942, she changed her screen name to Karin Booth and was given the standard studio "star" build-up. After acquitting herself nicely in MGM's The Unfinished Dance (1947) and The Big City (1948), Karin was dropped by the studio for reasons that remain unclear. Karin Booth continued working in films into the 1950s, usually in such lower-berth programmers as The Cariboo Trail (1950), Tobor the Great (1955) and The World Was His Jury (1958); she retired in 1959.

Trivia: Signed up by MGM's dramatic school directly after graduating from the University of Southern California, American actor James Millican was groomed for that studio's stable of young leading men. Instead, he made his first film, Sign of the Cross (1932), at Paramount, then moved on to Columbia for his first important role in Mills of the Gods (1934). Possessor of an athletic physique and Irish good looks, Millican wasn't a distinctive enough personality for stardom, but came in handy for secondary roles as the hero's best friend, the boss' male secretary, and various assorted military adjutants. According to his own count, Millican also appeared in 400 westerns; while such a number is hard to document, it is true that he was a close associate of cowboy star "Wild Bill" Elliott, staging a number of personal-appearance rodeos on Elliott's behalf. Fans of baseball films will recall James Millican's persuasive performance as Bill Killefer in the Grover Cleveland Alexander biopic The Winning Team.

Trivia: Taking up dramatics while attending the University of Pittsburgh, Regis Toomey extended this interest into a profitable career as a stock and Broadway actor. He specialized in singing roles until falling victim to acute laryngitis while touring England in George M. Cohan's Little Nellie Kelly. In 1929, Toomey made his talking-picture bow in Alibi, where his long, drawn-out climactic death scene attracted both praise and damnation; he'd later claim that, thanks to the maudlin nature of this scene, producers were careful to kill him off in the first or second reel in his subsequent films. Only moderately successful as a leading man, Toomey was far busier once he removed his toupee and became a character actor. A lifelong pal of actor Dick Powell, Regis Toomey was cast in prominent recurring roles in such Powell-created TV series of the 1950s and 1960s as Richard Diamond, Dante's Inferno, and Burke's Law.

Trivia: Starting out as an assistant animator at the Walt Disney studios, John Dehner went on to work as a professional pianist, Army publicist, and radio journalist. From 1944 until the end of big-time radio in the early '60s, Dehner was one of the busiest and best performers on the airwaves. He guested on such series as Gunsmoke, Suspense, Escape, and Yours Truly, Johnny Dollar, and starred as British news correspondent J.B. Kendall on Frontier Gentleman (1958) and as Paladin in the radio version of Have Gun Will Travel (1958-1960). On Broadway, he appeared in Bridal Crown and served as director of Alien Summer. In films from 1944, Dehner played character roles ranging from a mad scientist in The Bowery Boys Meet the Monsters (1954) to Sheriff Pat Garrett in The Left-Handed Gun (1958) to publisher Henry Luce in The Right Stuff (1983). Though he played the occasional lead, Dehner's cocked-eyebrow imperiousness generally precluded any romantic entanglements; he once commented with pride that, in all his years as an actor, he never won nor kissed the heroine. As busy on TV as elsewhere, Dehner was seen regularly on such series as The Betty White Show (1954), The Westerner (1960), The Roaring '20s (1961), The Baileys of Balboa (1964), The Doris Day Show (1968), The Don Knotts Show (1969), Temperatures Rising (1973-1974), Big Hawaii (1977), Young Maverick (1979-1980), and Enos (1980-1981). He also essayed such TV-movie roles as Dean Acheson in The Missiles of October (1974). Working almost up to the end, John Dehner died of emphysema and diabetes at the age of 76.

Trivia: A trained painter, Australian-born Rod Taylor switched to acting in his early twenties, toting up Australian stage credits before making his first Aussie film, The Stuart Exposition, in 1951. A villainous stint as Israel Hand in the 1954 Australian/U.S. production Long John Silver gave evidence that Taylor might be able to handle leading roles. However, he was still among the supporting ranks in his first American film, The Virgin Queen (1955). Signed to a nonexclusive contract by MGM in 1957, Taylor was cast in predominantly American roles, and accordingly managed to submerge his Australian accent in favor of a neutral "mid-Atlantic" cadence; even when playing an Englishman in 1960's The Time Machine, he spoke with barely a trace of a discernable accent. His film career peaked in the early to mid 1960s; during the same period he starred in the TV series Hong Kong (1961), the first of several weekly television stints (other series included Bearcats, The Oregon Trail, Masquerade and Outlaws). He was so long associated with Hollywood that, upon returning to Australia to appear in the 1977 film The Picture Show Man, Taylor was cast as an American. In his later career, Taylor thrived in character roles as ageing, but still virile, outdoorsmen, appearing in television shows like The Oregon Trail and Outlaws. He had recurring roles on Falcon Crest, Murder, She Wrote and Walker, Texas Ranger before mostly retiring from acting. In 2009, director Quentin Tarantino lured him out of retirement with the chance to play Winston Churchill in Inglourious Basterds. Taylor died in 2015, at age 84.

Trivia: Had he been born a decade earlier, American actor Denver Pyle might well have joined the ranks of western-movie comedy sidekicks. Instead, Pyle, a Colorado farm boy, opted for studying law, working his way through school by playing drums in a dance band. Suddenly one day, Pyle became disenchanted with law and returned to his family farm, with nary an idea what he wanted to do with his life. Working in the oil fields of Oklahoma, he moved on to the shrimp boats of Galveston, Texas. A short stint as a page at NBC radio studios in 1940 didn't immediately lead to a showbiz career, as it has for so many others; instead, Pyle was inspired to perform by a mute oilfield coworker who was able to convey his thought with body language. Studying under such masters as Michael Chekhov and Maria Ouspenskaya, Pyle was able to achieve small movie and TV roles. He worked frequently on the western series of Roy Rogers and Gene Autry; not yet bearded and grizzled, Pyle was often seen as deputies, farmers and cattle rustlers. When his hair turned prematurely grey in his early '30s, Pyle graduated to banker, sheriff and judge roles in theatrical westerns -- though never of the comic variety. He also was a regular on two TV series, Code 3 (1956) and Tammy (1966). But his real breakthrough role didn't happen until 1967, when Pyle was cast as the taciturn sheriff in Bonnie and Clyde who is kidnapped and humilated by the robbers -- and then shows up at the end of the film to supervise the bloody machine-gun deaths of B&C. This virtually nonspeaking role won worldwide fame for Pyle, as well as verbal and physical assalts from the LA hippie community who regarded Bonnie and Clyde as folk heroes! From this point forward, Denver Pyle's billing, roles and salary were vastly improved -- and his screen image was softened and humanized by a full, bushy beard. Returning to TV, Pyle played the star's father on The Doris Day Show (1968-73); was Mad Jack, the costar/narrator of Life and Times of Grizzly Adams (1978-80); and best of all, spent six years (1979-85) as Uncle Jesse Duke on The Dukes of Hazzard. Looking stockier but otherwise unchanged, Denver Pyle was briefly seen in the 1994 hit Maverick, playing an elegantly dishonest cardshark who jauntily doffs his hat as he's dumped off of a riverboat. Pyle died of lung cancer at Burbank's Providence St. Joseph Medical Center at age 77.