Trivia: Standing a burly 6'4", Liam Neeson was once described by a theatre critic as a "towering sequoia of sex." To say that he has undeniable charisma is certainly accurate, but it is a charisma composed as much of impressive talent as of broken-nosed physical appeal. Bearing both versatility and quiet forcefulness, Neeson has been touted as one of the most compelling actors of the late 20th century.Born June 7, 1952, in Ballymena, Northern Ireland, Neeson had an upbringing partially defined by his involvement in boxing. He became active in the sport as a teenager, earning his distinctive broken nose in the process; he stayed with boxing until he began experiencing black-outs from repeated blows to the head. Initially interested in a career as a teacher, Neeson attended Belfast's Queens College, but he aborted his studies after developing a desire to act. In 1976, he joined Belfast's Lyric Theatre, and two years later he began performing the classics at Dublin's famed Abbey Theatre. While he was with the Abbey, Neeson was discovered by director John Boorman, who cast him as Gawain in 1981's Excalibur. Following his part in that action fantasy, Neeson had supporting roles in such films as The Mission (1986), and he was featured in leads opposite Cher in Suspect (1987) and Diane Keaton in The Good Mother (1988). He got his first starring vehicle in 1990 with Sam Raimi's Darkman; unfortunately, the film was a relative disappointment. Neeson continued to do starring work in such films as Big Man (1991), which featured him as a boxer, Ethan Frome (1992), and Under Suspicion (1992), but ironically, it was his work on the stage that led to his true screen breakthrough. In 1992, the actor was turning in a Tony-nominated performance in Anna Christie opposite Natasha Richardson (whom he would marry in 1994) on Broadway. His work attracted the notice of Steven Spielberg, who was so impressed with what he saw that he cast Neeson as Oskar Schindler in his landmark Holocaust drama Schindler's List (1993). Neeson received Best Actor Oscar and British Academy Award nominations for his performance, and he subsequently didn't have to worry about finding work in Hollywood, or elsewhere, again.More high-profile work followed for Neeson, who went on to star in such films as Nell (1994), Rob Roy (1995), and Michael Collins (1996). However acclaimed his previous work had been, none of it received the hype of one of Neeson's 1999 projects, Star Wars: Episode I - The Phantom Menace. Although the film, which starred Neeson as a Jedi master, ultimately earned a galaxy's worth of negative reviews, it mined box office millions. Its success further enhanced Neeson's status as one of the world's most visible actors, and it even helped to downplay the disappointment of The Haunting, his other film that year.Neeson would enter the new millennium with a variety of projects on his to-do list, appearing in the Martin Scorsese period piece Gangs of New York in 2002, and the extremely popular romantic comedy Love Actually in 2003. The following year would find him tackling a meatier role, however, as he singed on to portray pioneering scientist and researcher on human sexuality Alfred Kinsey in the biopic Kinsey. The part would earn Neeson a Golden Globe nomination, and Neeson would follow its success with performances in Ridley Scott's Kingdom of Heaven, as well as one in the blockbuster superhero reboot Batman Begins in 2005. He would also sign on to provide the voice of lion king Aslan in the Chronicles of Narnia fantasy franchise.In 2008, Neeson starred in the thriller Taken, portraying a former CIA officer who employs his brutal skills learned on the job to find his kidnapped daughter. Audiences weren't accustomed to seeing the actor hold down the lead in an action film, but Neeson succeeded and the film was a categorical success. Sadly, the following year, Liam's wife actress Natasha Richardson died suddenly after suffering a severe head injury during a skiing accident. Neeson was left in care of their two children, Michael and Daniel, but was later able to resume his career. Neeson would find himself appearing in many action/adventure films over the coming years. He starred as the cigar-chomping ohn "Hannibal" Smith in the big-screen adaptation of The A-Team in 2010, and a man fleeing for his life and fighting for his identity in 2011's Unknown. The following year, Neeson played an oil driller stranded amid a pack of wolves in The Grey.

Trivia: The fragile, luminous beauty of actress Jessica Lange belies the inner strength and vitality she exhibits in the characters she portrays. Though not among Hollywood's most high-profile stars, she became one of its most respected dramatic actresses. For Lange, however, the road to respect was a long one, due in large part to her disastrous debut in the lavish Dino de Laurentiis stinker King Kong.Lange had a peripatetic childhood. Born a traveling salesman's daughter in Cloquet, MN, in 1949, she moved at least 18 times while growing up. She studied art for two years at the University of Minnesota before running off to Paris, where she studied mime and danced in the chorus of the Opera Comique. She later moved to New York, where she worked as a waitress and model until she was chosen to play the part of a giant gorilla's romantic obsession in the 1976 remake of King Kong. Unfortunately, Lange's acting abilities at the time were not all that remarkable, and she was roundly ridiculed for her performance. It would be three years before she appeared in another film. She made good use of that time, however, studying drama and networking with industry figures. She was romantically involved with choreographer/director Bob Fosse when he cast her as the angel of death in All That Jazz (1979). She next played a supporting role in How to Beat the High Co$t of Living (1980), but did not break through into major stardom until she was cast opposite Jack Nicholson in Bob Rafelson's The Postman Always Rings Twice (1981). It was in this film that she first displayed the dangerous sexuality and galvanizing charisma that would lead pooh-poohing critics to recant their earlier assessment that Lange was all looks and no talent.The following year marked a turning point in Lange's career. After much lobbying with numerous directors, she finally employed novice Graeme Clifford for Frances, her self-produced adaptation of former actress Frances Farmer's autobiography, Will There Ever Be a Morning? Lange played the title role in the wrenching drama, and became so caught up in the many traumas of Farmer's tragic life (something that was allegedly complicated by Lange's personal tragedies during her own youth), that she nearly suffered a breakdown. Despite the trials of playing the character, Lange later considered it her favorite role. On a more positive note, while shooting the film, she also met actor/playwright Sam Shepard, the man who would father two of her three children and become her long-term lover. (She previously had a daughter by dancer Mikhail Baryshnikov.)Later in 1982, Lange changed gears and appeared as the beautiful object of Dustin Hoffman's obsession in Tootsie. Though she played the only non-comic role in the romantic comedy, she won an Oscar for Best Supporting Actress. She also netted a Best Actress nod for Frances, making her the first actress to receive two Academy Award nominations in a single year. Over the next decade, Lange received Best Actress nominations three more times (for Country, Sweet Dreams -- in which Lange, who admits she can't sing, played country music heroine Patsy Cline -- and The Music Box) before finally winning the award for playing a mentally unstable military wife in Blue Sky (1994). If Lange's film appearances sometimes seemed sporadic, it was due to her willingness to take time off to be with her family, as well as a desire to work on the stage. In 1991, she starred as Blanche Dubois opposite Alec Baldwin in a Broadway revival of Tennessee Williams' A Streetcar Named Desire. Although her stage debut received mixed reviews, Lange later turned in a more finely rendered Blanche in the 1995 TV version of the play, and reprised her role again for its 1996 London production. Lange also appeared in two films in 1995, notably Rob Roy with Liam Neeson. Two years later, she starred with Jennifer Jason Leigh, Michelle Pfeiffer, and Jason Robards Jr. in Jocelyn Moorehouse's moderately well-received adaptation of Jane Smiley's A Thousand Acres. She then appeared in another star-studded affair alongside Anthony Hopkins, Jonathan Rhys-Meyers, and Alan Cumming in Titus, Julie Taymor's 1999 rendering of Shakespeare's Titus Andronicus.Lange disappeared from screens in the early 2000s (partly due to the shelving of Prozac Nation), but came back with three films in 2003. She played Albert Finney's wife in Tim Burton's Big Fish, the wife of a man who undergoes a sex change in Normal, and she was one of the famous people in the enigmatic Bob Dylan movie Masked and Anonymous. She also starred with Sam Shepard in Wim Wenders' 2004 film Don't Come Knockin'. Lange co-starred with Bill Murray and Frances Conroy in 2005's psychological drama Broken Flower in the role of a pet analyst whose outward eccentricity belies a deep inner strength. In 2011, Lange won praise from fans and critics alike for her portrait of Constance, a steely, yet deeply damaged widow in the FX hit American Horror Story. She reprised the role for the show's 2nd season in 2012.

Trivia: Considered one of Great Britain's most consistently brilliant players, John Hurt was at his best when playing victims forced to suffer mental, physical, or spiritual anguish. A small man with a slightly sinister countenance and a tenor voice that never completed the transition between early adolescence and manhood, Hurt was generally cast in supporting or leading roles as eccentric characters in offbeat films. The son of a clergyman, Hurt was training to be a painter at St. Martin's School of the Arts when he became enamored with acting and enrolled in London's Royal Academy of Dramatic Art instead. He made his theatrical and film debuts in 1962 (The Wild and the Willing). Though he frequently appeared on-stage, Hurt, unlike his many colleagues, was primarily a film and television actor. He gave one of his strongest early performances playing Richard Rich in Fred Zinnemann's A Man for All Seasons (1966). His subsequent work remained high quality through the '70s. On television, Hurt made his name in the telemovie The Naked Civil Servant and furthered his growing reputation as the twisted Caligula on the internationally acclaimed BBC miniseries I, Claudius (1976). He received his first Oscar nomination for playing a supporting role in the harrowing Midnight Express and a second nomination for his sensitive portrayal of the horribly deformed John Merrick -- but for his voice, Hurt was unrecognizable beneath pounds of latex and makeup. In 1984, Hurt was the definitive Winston Smith in Michael Radford's version of Orwell's 1984. Other memorable roles include a man who finds himself hosting a terrifying critter in Alien (1979), his parody of that role in Mel Brooks' Spaceballs (1987), an Irish idiot in The Field (1990), and in Rob Roy (1995).In 1997, Hurt played the lead role of Giles De'ath (pronounced day-ath) for the comedy drama Love and Death on Long Island. The film, which follows a widower (Hurt) who forms an unlikely obsession with a teen heartthrob who lives in Long Island and occasionally stars in low-brow films. Love and Death was praised for its unlikely, yet poignant portrait of unrequited love. The same year, Hurt took on the role of a multi-millionaire willing to fund a scientist's (Jodie Foster) efforts to communicate with alien life in Contact. Hurt took a voice role in the animated series Journey to Watership Down and its sequel, Escape to Watership Down in 1999, and again for The Tigger Story in 2000. In 2001, Hurt joined the cast of Harry Potter & the Sorcerer's Stone to play the small but vital role of wand merchant Mr. Ollivander, and narrated Lars von Trier's experimental drama Dogville. Later, Hurt played an American professor in Hellboy (2004), and won praise for his portrayal of a bounty hunter in The Proposition, a gritty Western from director John Hillcoat. Hurt continued to work in small but meaty supporting roles throughout the next several years, most notably in the drama Beyond the Gates (2005), for which he played a missionary who arrived in Rwanda just before genocide erupted, and as the tyrannical Chancellor Sutler in director James McTiegue's adaptation of Alan Moore's graphic novel V for Vendetta (2006). In 2010, Hurt reprised his role of Mr. Ollivander for Harry Potter and the Deathly Hallows, Part 1, and for its sequel in 2011. The actor co-starred with Charlotte Rampling in Melancholia (2011), Lars von Trier's meditation on depression, and played the Head of the British Secret Intelligence Service in the multi-Academy Award nominated spy thriller Tinker, Tailor, Soldier, Spy the same year. In 2013, Hurt appeared in the futuristic sci-fi movie Snowpiercer and later played the War Doctor in the 50th anniversary special of Doctor Who. The following year, Hurt played the King of Thrace in Hercules. Hurt died in 2017, just days after his 77th birthday.

Trivia: With lean hangdog looks that make him a natural for the criminals and fringe dwellers he usually plays, Tim Roth has the uncanny and incredibly effective ability to make sleaze look sexy, or at least raggedly photogenic. Since his debut in the made-for-TV Made in Britain at the age of 18, Roth has joined fellow Briton Gary Oldman as one of the leading interpreters of society's underbelly. His ability has been particularly appreciated by director Quentin Tarantino, who helped to propel Roth to international recognition with prominent roles in Resevoir Dogs and Pulp Fiction in the early '90s. Since then, Roth has continued to portray a variety of gritty characters, occasionally making room for the odd sympathetic or lighthearted role.Born in London on May 14, 1961, to a journalist father and landscape painter mother, Roth initially wanted to become a sculptor. After an education at London's Camberwell School of Art, he decided to try his hand at acting, first appearing in a production of Jean Genet's The Screens. Roth's television debut in the 1981 film Made in Britain garnered critical raves for the actor, who portrayed a poverty-stricken juvenile delinquent with profanity-spewing gusto. The same year, he appeared with Gary Oldman in Mike Leigh's Meantime, a made-for-TV movie that was eventually released theatrically, but Roth's bona fide screen debut didn't come until 1984, when he played an apprentice hitman in Stephen Frears' The Hit. Co-starring Terence Stamp and John Hurt, the film did moderately well and earned Roth an Evening Standard Award for Most Promising Newcomer. Thanks to such positive notices, the young actor continued to find work throughout the rest of the decade, making appearances in a variety of films, including former Kinks frontman Ray Davies' 1985 musical Return to Waterloo. In 1990, Roth began to enjoy a limited amount of international attention, thanks to two starring roles, his acclaimed portrayal of Vincent Van Gogh in Robert Altman's Vincent and Theo and a title role in the critically lauded film adaptation of Tom Stoppard's Rosencrantz and Guildenstern Are Dead. Starring opposite Gary Oldman, Roth made an impression on many a filmgoer, including Quentin Tarantino. Tarantino cast Roth as undercover policeman Mr. Orange in his 1992 ensemble piece Resevoir Dogs, a film that allowed the actor to prove he could do an American accent and bleed to death convincingly. The success of Resevoir Dogs paved the way for more Hollywood work for Roth. In a drastic departure from his previous work, he next starred in the 1993 comedy Bodies, Rest & Motion alongside Bridget Fonda, Phoebe Cates, and Eric Stoltz. The following year, Roth returned to more familiar territory, as a hit man in Little Odessa and as one of the robbers who catalyzes the action of Tarantino's Pulp Fiction. After the enormous success of the latter film, the actor appeared the same year in the psychologically terrifying TV adaptation of Joseph Conrad's Heart of Darkness alongside John Malkovich, who played the unhinged Kurtz. After a disastrous third collaboration with Tarantino, the critically and commercially disemboweled Four Rooms (1995), Roth had significantly greater success portraying an ominously prissy English nobleman in Rob Roy, winning a Best Supporting Actor Oscar nomination for his work, along with a Golden Globe nomination and a British Academy Award. Staying true to his habit of jumping from genre to genre, Roth next appeared as a convict with a jones for Drew Barrymore in Woody Allen's musical comedy Everyone Says I Love You (1996) before playing a mobster in 1930s Harlem in Hoodlum (1997). Roth remained in a down and dirty milieu for his next film, Vondie Curtis-Hall's Gridlock'd, which featured the actor, as well as Thandie Newton and Tupac Shakur, as modern-day heroin addicts. Although the film received critical praise, it failed to make a significant impression at the box office. Roth's subsequent films unfortunately suffered from similarly lackluster performances: 1998's Liar went straight to video and the actor's film with Cinema Paradiso director Giuseppe Tornatore, La Leggenda del Pianista Sull'Oceano, remained mired in obscurity. However, Roth continued to keep busy with other projects, appearing in the 1998 Sundance entry Animals (And the Tollkeeper) and making his directing debut the same year with The War Zone. Though it gained positive critical notice for its' downbeat story of a disfunctional family skidding towards oblivion, the subject matter found the film getting little exposure even though it won multiple film festival awards. Roth's next turn as the menacing General Thade in Tim Burton's Planet of the Apes (2001) would be arguably his most mainstream, prolific and scenery-chewing role to date. As the sinister simian on an obsessive quest to kill Mark Wahlberg's Capt. Leo Davis at any cost, Roth provided more than enough gusto to adequately fill the film's evil villian quota. While the film was a box-office hit, Roth opted to follow it up by returning to more obscure films. However, his visibility was raised considerably in 2004 by a pair of projects. First, he acted alongside the likes of Oscar-winners Chris Cooper and Richard Dreyfuss in director John Sayles' highly-anticipated political film Silver City and then showed up opposite Jennifer Connelly and John C. Reilly in Dark Water.He starred in the 2007 Francis Coppola film Youth Without Youth as well as the English-language remake of Funny Games. He was one of the main players in 2008's The Incredible Hulk, then enjoyed a well-regarded run on the FOX procedural show Lie To Me. In 2010 he played the title character in Pete Smalls Is Dead, and two years later he acted opposite Richard Gere in the drama Arbitrage.

Trivia: Eric Stoltz has appeared in a number of major and minor features and on television. While growing up, the pale, slender, and red-haired Stoltz spent time in American Samoa. His interest in acting began in high school where he not only acted in productions, but also occasionally accompanied them on piano. While attending U.S.C., Stoltz studied theater arts but left the program to study under Stella Adler, William Taylor, and Peggy Feury. Afterward, Stoltz spent a season in Edinburgh performing with an American repertory company. Upon his return stateside, Stoltz appeared in the television movie version of humorist Erma Bombeck's novel The Grass Is Always Greener Over the Septic Tank (1978). He would appear in three more television films before making his film debut in Amy Heckerling's Fast Times at Ridgemont High (1982) alongside such other would-be stars as Sean Penn, Anthony Edwards, and Jennifer Jason Leigh. From there, Stoltz appeared in a series of low-budget films such as Running Hot (1982) and Surf 2 (1984), and he might well have remained at that level had he not been cast as Rocky Dennis in Peter Bogdanovich's Mask (1986). Playing a young teen suffering from lionitis, a terminal disease that drastically deforms the skull, Stoltz had to wear pounds of makeup and prosthetics (the makeup won Oscars for designers Zoltan Elek and Michael Westmore) that left him with only his voice, his eyes, and his body with which to convey emotions. Starring opposite Cher, who played his drug-addicted biker-chick mother, Stoltz gave a moving performance that earned him critical and audience acclaim. But though it made Stoltz popular, full-fledged stardom eluded him and he continued appearing in moderately successful and low-budget films, including John Hughes' romantic drama Some Kind of Wonderful (1987). In addition to his film work, Stoltz has had a busy Broadway career that began in 1988 with a Tony-nominated starring role in a revival of Thornton Wilder's Our Town, and a sporadic television career making guest appearances on such series as Mad About You and in TV movies. Stoltz has occasionally produced films such as Mr. Jealousy (1997). In 2002 Stoltz reteamed with Killing Zoe director Rogery Avery for the pitch-black college comedy The Rules of Attraction, and the following decade found him increasingly active on the small screen with roles in Will & Grace, Close to Home, Grey's Anatomy, and the 2009 Battlestar Galactica spin-off Capricia. Meanwhile, back on the silver screen, Stoltz earned accolades for his leading role as a conflicted barber of German heritage forced to suppress his American patriotism after moving his family to a post-World War II military base which houses a German POW camp.

Trivia: Sturdy Scots actor Andrew Keir played Prince John on the 1958 British TV series Ivanhoe and was seen in such swordfests as The Pirates of Blood River (1961) and The Viking Queen (1967). Keir's other screen assignments have included the role of Agrippa in the 1963 spectacle Cleopatra and the 1971 Hammer horror Blood From the Mummy's Tomb (1971). Keir is best known to "Fantastic Cinema" fanatics for his portrayal of Professor Quatermass in the 1967 film Quatermass and the Pit, and for his performance as Wyler in the "Doctor Who" feature Daleks: Invasion Earth 2150 AD (1966). Andrew Keir was most recently seen in the boisterous historical epic Rob Roy (1995).

Trivia: Growing up in Scotland, the descendent of Irish immigrants, Brian Cox always felt an affinity to American cinema that eventually led him to pursue his career stateside. Born on June 1, 1946, in Dundee, Scotland, Cox knew he wanted to act from an early age, but identified more with the characters portrayed in American films than in "zany British comedies," to use his phrase. While working at the local theater, where he started by mopping the stage, the 15-year-old Cox would watch the actors and study their styles to separate the wheat from the chaff. He attended drama school in London and got caught up in British theater and television during the 1970s. Cox landed on Broadway in the early '80s, but found more closed doors than open ones. It was while performing a play transplanted from the U.K. that a casting agent for Michael Mann's Manhunter (1986) noticed him. The film would become the first cinematic treatment of Thomas Harris' Hannibal Lecter (spelled "Lecktor" at the time) character, which Anthony Hopkins would make his own in Silence of the Lambs (1991). Cox was cast in the role, paving the way for the success that had eluded him until his 40th year.Despite the breakthrough, Cox remained better identified with television than film during the late '80s and early '90s, though his roles significantly increased in number. His initiation to regular film work came through appearances in two 1995 sword epics, Braveheart and Rob Roy. Over the latter half of the 1990s he materialized in character-actor roles -- police officers, doctors, fathers -- in such films as The Long Kiss Goodnight (1996), Kiss the Girls (1997), Rushmore (1998), and The Minus Man (1999). Although he appears more often in American than British cinema, Cox has also paid homage to his Scottish and Irish roots, such as playing an IRA heavy in Jim Sheridan's The Boxer (1997).In 2001, Cox secured major acclaim -- and an American Film Institute nomination for best supporting actor -- with the release of L.I.E., the debut film of director Michael Cuesta. Like Todd Solondz' critical darling Happiness (1998), the film presents a child molester (Cox) as one of its major characters without condemning him, if not actually leaving him altogether unjudged. Cox's complicated, intense portrayal enabled such shades of gray, raising the character above the bottom rung of the morality food chain.As the decade continued, so did Cox's visibility in bigger hollywood films. In 2002 alone, he took on substantial roles in The Bourne Identity, The Rookie, The Ring, The 25th Hour, and Adaptation, a film that saw him stealing scenes with an appropriately over-the-top turn as blowhard screenwriting guru Robert McKee. The following year audiences could see him in the blockbuster comic-book sequel X2: X-Men United, and in 2004 he starred alongside Brad Pitt and Orlando Bloom in the epic retelling of the Iliad, Troy. He returned to the Bourne franchise for The Bourne Supremacy, and appeared in the thriller Red Eye. He was the psychiatrist in the comedy Running With Scissors, and in 2007 portrayed Melvin Belli in David Fincher's Zodiac. He was cast in the geriatric action film Red, and joined up with Wes Anderson a second time to lend his voice to a bit part in Fantastic Mr. Fox. In 2011 Ralph Finnes tapped Cox to play Menenius in his big-screen adaptation of The Bard's Coriolanus.

Trivia: When he was 30 in 1995, Glasgow-born actor Brian McCardie's name appeared for the first time in the credits of a major film, the Scottish historical epic Rob Roy. Wearing a traditional tartan kilt, McCardie portrayed the younger brother of the rebel highland brigand Rob (Liam Neeson), who was lionized in the Sir Walter Scott novel. In that same year, McCardie co-starred with Armand Assante in Kidnapped, a highly entertaining TV production also set in Scotland and based on a classic Robert Louis Stevenson novel. In both of these roles, McCardie gained a devoted following in his native Scotland -- and caught the attention of movie bigwigs. Consequently, he landed roles in other high-profile productions. One was The Ghost and the Darkness (1996), in which he shared the screen with Michael Douglas and Val Kilmer. Although the film received reviews ranging from bad to mediocre, McCardie was praised as one of the bright spots in the production. A year later, he appeared in another major production, Speed 2: Cruise Control, an okay action film, then co-starred in the romantic comedy 200 Cigarettes in 1999, again earning the praise of many critics. After acting in two other films -- Rituals and Resolutions (2000) and Beyond the City Limits (2002) -- McCardie signed on to do two more films in 2003, Mr. Barrington and Battle Above the Clouds. McCardie has also appeared in various TV series in Great Britain.

Trivia: An actor who is equally adept at donning wigs and machine guns for period dramas and modern gangster films alike, Jason Flemyng is one of Britain's more versatile, unpredictable, and underrated performers. Born in London on September 25, 1966, Flemyng made his stage debut at the age of ten as the Tin Man in a school production of The Wizard of Oz. After studying drama at the National Youth Theatre and the London Academy of Music and Dramatic Arts, he was accepted into the Royal Shakespeare Company, where he stayed for three years. Flemyng broke into film and television in 1992, appearing in a number of made-for-TV movies and in John Schlesinger's Question of Attribution, an adaptation of Alan Bennett's play about the 1950s Burgess-Maclean-Philby spy scandal. Supporting roles and a lead in Indian Summer (1996), which cast him as a dancer with AIDS, followed, and in 1996, the actor garnered a measure of international recognition for his work in two films. One, Bernardo Bertolucci's Stealing Beauty, saw him sharing a scene with Liv Tyler, while the searing family drama Hollow Reed featured Flemyng as a white-collared child abuser who beats his girlfriend's young son.After a turn as an 18th-century composer in François Girard's The Red Violin (1998), Flemyng starred in perhaps his most internationally successful film to date, Guy Ritchie's Lock, Stock, and Two Smoking Barrels (1998). An incredibly stylish crime comedy set in London's rough East End, the film -- which starred Flemyng as one of a group of friends trying to pull off a heist -- was a surprise hit in both the U.K. and overseas, which resulted in widespread attention for its director and cast. Flemyng re-teamed with Ritchie in 2000 for Snatch, another heist picture. That same year, he also had a number of other projects lined up, including Bruiser, a thriller about a put-upon magazine grunt who strikes back at everyone who has wronged him, and The Body, a religious drama in which he appeared alongside Antonio Banderas and Derek Jacobi. Gaining increasing exposure in such films as Rock Star and From Hell (both 2001), Flemyng would soon re-team with Snatch co-star Vinnie Jones in the The Longest Yard remake Mean Machine (2001) before taking the lead in the comedy Lighthouse Hill (2002) and gearing up to go schizophrenic as the malevolent Dr. Jeckyl and Mr. Hyde in the eagerly anticipated comic book adaptation The League of Extrodinary Gentlemen (2003).

Trivia: British supporting actor, onscreen from the '80s.

Trivia: A former childhood thrush who has since moved on to find success as an actress, Scottish-born stage and screen star Shirley Henderson has come a long way from her working-class roots with roles in such internationally popular features as Bridget Jones's Diary, Once Upon a Time in the Midlands, and Harry Potter and the Chamber of Secrets. The eldest of three sisters whose striking voice set her apart from the pack, Henderson found early success on the local music circuit before moving on to study drama at Kirkaldy Technical College. Her tenure at Kirkaldy eventually led her to study at the acclaimed Guildhall School of Music and Drama, and it wasn't long before Henderson made an impression on the stages of The National Theater, The Royal Court, and the Hampstead Theater. Equally adept at performances of both the classical and contemporary variety, Henderson's stage experience served her well when she appeared opposite Robert Carlyle in the 1995 television series Hamish Macbeth. After going international the following year with a role in the big-screen hit Rob Roy, Henderson would next appear opposite Carlyle once again in the heroin-flavored arthouse hit Trainspotting. A key role in director Michael Winterbottom's 1999 drama Wonderland, coupled with critical acclaim for her role in the same year's Topsy-Turvy, gave Henderson a reputation for versatility and talent onscreen, with subsequent supporting roles in The Claim and 24 Hour Party People finding her becoming something of a stock player for Winterbottom. A role as the eponymous characters' best friend in the 2001 comedy Bridget Jones' Diary found Henderson's profile rising on the other side of the Atlantic, and in 2002, the then-36-year-old actress pulled off the unlikely feat of portraying Hogwarts student Moaning Myrtle in Harry Potter and the Chamber of Secrets. Arthouse success in Wilbur Wants to Kill Himself served well to balance out Henderson's mainstream success, and after appearing in a series of shorts, the increasingly busy actress appeared in no less than three films in 2004, including the eagerly anticipated sequel Bridget Jones: The Edge of Reason.