Trivia: Onstage, on television, in the movies or in a serious interview, listening to and watching comedian/actor Robin Williams was an extraordinary experience. An improvisational master with a style comparable to Danny Kaye, his words rushed forth in a gush of manic energy. They punctuated even the most basic story with sudden subject detours that often dissolved into flights of comic fancy, bawdy repartee, and unpredictable celebrity impressions before returning earthward with some pithy comment or dead-on observation.Born in Chicago on July 21st, 1951, Williams was raised as an only child and had much time alone with which to develop his imagination, often by memorizing Jonathan Winters' comedy records. After high school, Williams studied political science at Claremont Men's College, as well as drama at Marin College in California and then at Juilliard. His first real break came when he was cast as a crazy space alien on a fanciful episode of Happy Days. William's portrayal of Mork from Ork delighted audiences and generated so great a response that producer Garry Marshall gave Williams his own sitcom, Mork and Mindy, which ran from 1978 to 1982. The show was a hit and established Williams as one of the most popular comedians (along with Richard Pryor and Billy Crystal) of the '70s and '80s.Williams made his big screen debut in the title role of Robert Altman's elaborate but financially disastrous comic fantasy Popeye (1980). His next films included the modestly successful The World According to Garp, The Survivors, Moscow on the Hudson, Club Paradise, The Best of Times. Then in 1987, writer-director Barry Levinson drew from both sides of Williams - the manic shtickmeister and the studied Juliard thesp - for Good Morning, Vietnam, in which the comedian-cum-actor portrayed real-life deejay Adrian Cronauer, stationed in Saigon during the late sixties. Levinson shot the film strategically, by encouraging often outrageous, behind-the-mike improvisatory comedy routines for the scenes of Cronauer's broadcasts but evoking more sober dramatizations for Williams's scenes outside of the radio station. Thanks in no small part to this strategy, Williams received a much-deserved Oscar nomination for the role, but lost to Michael Douglas in Wall Street.Williams subsequently tackled a restrained performance as an introverted scientist trying to help a catatonic Robert De Niro in Awakenings (1990). He also earned accolades for playing an inspirational English teacher in the comedy/drama Dead Poets Society (1989) -- a role that earned him his second Oscar nomination. Williams's tragi-comic portrayal of a mad, homeless man in search of salvation and the Holy Grail in The Fisher King (1991) earned him a third nomination. In 1993, he lent his voice to two popular animated movies, Ferngully: The Last Rain Forest and most notably Aladdin, in which he played a rollicking genie and was allowed to go all out with ad-libs, improvs, and scads of celebrity improvisations.Further successes came in 1993 with Mrs. Doubtfire, in which he played a recently divorced father who masquerades as a Scottish nanny to be close to his kids. He had another hit in 1995 playing a rather staid homosexual club owner opposite a hilariously fey Nathan Lane in The Birdcage. In 1997, Williams turned in one of his best dramatic performances in Good Will Hunting, a performance for which he was rewarded with an Oscar for Best Supporting Actor.Williams kept up his dramatic endeavors with both of his 1998 films: the comedy Patch Adams and What Dreams May Come, a vibrantly colored exploration of the afterlife. He next had starring roles in both Bicentennial Man and Jakob the Liar, playing a robot-turned-human in the former and a prisoner of the Warsaw ghetto in the latter. Though it was obvious to all that Williams' waning film career needed an invigorating breath of fresh air, many may not have expected the dark 180-degree turn he attempted in 2002 with roles in Death to Smoochy, Insomnia and One Hour Photo. Catching audiences off-guard with his portrayal of three deeply disturbed and tortured souls, the roles pointed to a new stage in Williams' career in which he would substitute the sap for more sinister motivations.Absent from the big-screen in 2003, Williams continued his vacation from comedy in 2004, starring in the little-seen thriller The Final Cut and in the David Duchovny-directed melodrama The House of D. After appearing in the comic documentary The Aristocrats and lending his voice to a character in the animated adventure Robots in 2005, he finally returned full-time in 2006 with roles in the vacation laugher RV and the crime comedy Man of the Year. His next project, The Night Listener, was a tense and erosive tale of literary trickery fueled by such serious issues as child abuse and AIDS.Williams wasn't finished with comedy, however. He lent his voice to the cast of the family feature Happy Feet and Happy Feet 2, played a late night talk show host who accidentally wins a presidential election in Man of the Year, portrayed an enthusiastic minister in License to Wed, and played a statue of Teddy Roosevelt that comes to life in Night at the Museum and its sequel Night at the Museum: Battle of the Smithsonian. He would also enjoy family-friendly comedic turns in World's Greatest Dad, Shrink, and Old Dogs.In 2013, he returned to television, playing the head of an advertising agency in The Crazy Ones; the show did well in the ratings, but was canceled after only one season. He also played yet another president, Dwight Eisenhower, in Lee Daniel's The Butler. Williams died in 2014 at age 63.

Trivia: Known for his outrageous, divinely comedic performances on stage and screen, Nathan Lane has led a career encompassing Broadway, television, and film. Born Joe Lane in Jersey City, New Jersey on February 3, 1956, Lane took his stage name from Nathan Detroit, the character he played to great acclaim in the 1992 Broadway version of Guys and Dolls.Lane made his film debut in 1987's Ironweed, and he spent the rest of the 1980s and early 1990s playing secondary roles in films like Joe Versus the Volcano (1990), Frankie and Johnny (1991), and Addams Family Values (1993). During this time, his stage career was thriving; in addition to his celebrated turn in Guys and Dolls (for which he won a Tony nomination, as well as Drama Desk and Outer Critics Circle Awards), he frequently collaborated with playwright Terrence McNally, who cast him in a number of his plays, including The Lisbon Traviata, in which Lane played an opera queen, and Love! Valour! Compassion!, in which he starred as Buzz, an HIV-positive musical aficionado who provides much of the play's comic relief and genuine anger. The actor won particular acclaim for his portrayal of the latter character, taking home Obie and Drama Desk Awards, as well as other honors, for his work.In 1994, the same year that he starred in the stage version of Love! Valour! Compassion! (his role was played in the film version by Jason Alexander), Lane gained fame of a different sort, lending his voice to Timon, a hyperactive meerkat in Disney's animated The Lion King. He reprised the role for the extremely successful movie's 1998 sequel. Two years after playing a meerkat, Lane finally became widely visible to screen audiences as Robin Williams' flamboyantly limp-wristed lover in The Birdcage, Mike Nichols' remake of La Cage aux Folles. The film helped to establish Lane--who was at the time starring on Broadway in A Funny Thing Happened on the Way to the Forum--as a comic actor worthy of big-screen exposure, and in 1997 he was given his own vehicle to display his talents, Mouse Hunt. Unfortunately, the film was a relative disappointment, as was Encore! Encore!, a 1998 sitcom that cast the actor as a Pavorotti-like opera singer alongside Glenne Headly and Joan Plowright. However, Lane continued to work steadily, appearing both on stage and in film. In 1999, he could be seen in At First Sight and Get Bruce, a documentary about comic writer Bruce Vilanch. The same year, he could also be heard in Stuart Little, a live action/animated adaptation of E.B White's celebrated children's book.Over the coming years, Lane would appear in several films, including a new big screen adaptation of The Producers and the fairy tale Mirror Mirror.

Trivia: A remarkably prolific and versatile talent, Gene Hackman was a successful character actor whose uncommon abilities and smart career choices ultimately made him a most unlikely leading man. In the tradition of Spencer Tracy, he excelled as an Everyman, consistently delivering intelligent, natural performances which established him among the most respected and well-liked stars of his era. Born January 30th, 1930 in San Bernardino, CA, Hackman joined the Marines at the age of 16 and later served in Korea. After studying journalism at the University of Illinois, he pursued a career in television production but later decided to try his hand at acting, attending a Pasadena drama school with fellow student Dustin Hoffman; ironically, they were both voted "least likely to succeed." After briefly appearing in the 1961 film Mad Dog Coll, Hackman made his debut off-Broadway in 1963's Children at Their Games, earning a Clarence Derwent Award for his supporting performance. Poor Richard followed, before he starred in 1964's production of Any Wednesday. Returning to films in 1964, Hackman earned strong notices for his work in Warren Beatty's Lilith and 1966's Hawaii, but the 1967 World War II tale First to Flight proved disastrous for all involved. At Beatty's request, Hackman co-starred in Bonnie and Clyde, winning a Best Supporting Actor Oscar nomination and establishing himself as a leading character player. After making a pair of films with Jim Brown, (1968's The Split and 1969's Riot), Hackman supported Robert Redford in The Downhill Racer, Burt Lancaster in The Gypsy Moths, and Gregory Peck in Marooned. For 1970's I Never Sang for My Father, he garnered another Academy Award nomination. The following year Hackman became a star; as New York narcotics agent Popeye Doyle, a character rejected by at least seven other actors, he headlined William Friedkin's thriller The French Connection, winning a Best Actor Oscar and spurring the film to Best Picture honors. Upon successfully making the leap from supporting player to lead, he next appeared in the disaster epic The Poseidon Adventure, one of the biggest money-makers of 1972. After co-starring with Al Pacino in 1973's Scarecrow, Hackman delivered his strongest performance to date as a haunted surveillance expert in Francis Ford Coppola's 1974 classic The Conversation and went on to tap his under-utilized comedic skills in Mel Brooks' Young Frankenstein. Arthur Penn's grim 1975 thriller Night Moves and the Western Bite the Bullet followed before the actor agreed to The French Connection 2. While remaining the subject of great critical acclaim, Hackman's box-office prowess was beginning to slip: 1975's Lucky Lady, 1977's The Domino, and March or Die were all costly flops, and although 1978's Superman -- in which he appeared as the villainous Lex Luthor -- was a smash, his career continued to suffer greatly. Apart from the inevitable Superman 2, Hackman was absent from the screen for several years, and with the exception of a fleeting appearance in Beatty's 1981 epic Reds, most of his early-'80s work -- specifically, the features All Night Long and Eureka -- passed through theaters virtually unnoticed.Finally, a thankless role as an ill-fated war correspondent in Roger Spottiswoode's acclaimed 1983 drama Under Fire brought Hackman's career back to life. The follow-up, the action film Uncommon Valor, was also a hit, and while 1984's Misunderstood stalled, the next year's Twice in a Lifetime was a critical success. By the middle of the decade, Hackman was again as prolific as ever, headlining a pair of 1986 pictures -- the little-seen Power and the sleeper hit Hoosiers -- before returning to the Man of Steel franchise for 1987's Superman 4: The Quest for Peace. No Way Out, in which he co-starred with Kevin Costner, was also a hit. In 1988, Hackman starred in no less than five major releases: Woody Allen's Another Woman, the war drama Bat 21, the comedy Full Moon in Blue Water, the sports tale Split Decisions, and Alan Parker's Mississippi Burning. The last of these, a Civil Rights drama set in 1964, cast him as an FBI agent investigating the disappearance of a group of political activists. Though the film itself was the subject of considerable controversy, Hackman won another Oscar nomination. During the 1990s, Hackman settled comfortably into a rhythm alternating between lead roles (1990's Narrow Margin, 1991's Class Action) and high-profile supporting performances (1990's Postcards From the Edge, 1993's The Firm). In 1992, he joined director and star Clint Eastwood in the cast of the revisionist Western Unforgiven, appearing as a small-town sheriff corrupted by his own desires for justice. The role won Hackman a Best Supporting Actor Academy Award. The performance helped land him in another pair of idiosyncratic Western tales, Wyatt Earp and The Quick and the Dead. In 1995, he also co-starred in two of the year's biggest hits, the submarine adventure Crimson Tide and the Hollywood satire Get Shorty. Three more big-budget productions, The Birdcage, The Chamber, and Extreme Measures, followed in 1996, and a year later Hackman portrayed the President of the United States in Eastwood's Absolute Power. In 1998, Hackman lent his talents to three very different films, the conspiracy thriller Enemy of the State, the animated Antz, and Twilight, a noirish mystery co-starring Paul Newman and Susan Sarandon. Moving into the new millennium with his stature as a solid performer and well-respected veteran well in place, Hackman turned up in The Replacements in 2000, and Heist the following year. 2001 also found Hackman in top form with his role as the dysfunctional patriarch in director Wes Anderson's follow-up to Rushmore, The Royal Tenenbaums. Hackman's lively performance brought the actor his third Golden Globe, this time for Best Actor in a Musical or Comedy.

Trivia: One of Hollywood's more well-established and often underrated actresses, Dianne Wiest possesses a versatility that has allowed her to go from playing hookers to flamboyant stage actresses to some of the most memorable matriarchs this side of Barbara Billingsley. Born in Kansas City, Missouri, Wiest decided to forgo a ballet career in favor of the theatre while attending the University of Maryland. She made her off-Broadway debut in 1976's Ashes; three years later she won the coveted Obie and Theatre World awards for her work in The Art of Dining. She made her first film, It's My Turn, in 1980, then returned to the stage, appearing with Joseph Papp's New York Shakespeare Festival and on Broadway in 1982's Frankenstein. In the mid-1980s, Wiest returned to films, where (except for the occasionally foray into live performing) she has remained ever since. Often as not, Wiest has been cast in maternal roles, most memorably in Footloose (1984), The Lost Boys (1987), Parenthood (1989), Edward Scissorhands (1990) and The Birdcage (1996). Some of her best screen work can be found in her neurotic, self-involved characterizations for director Woody Allen. Beginning with a cameo as a hooker in The Purple Rose of Cairo (1985), she has been generously featured in five Allen films, winning Academy Awards for her dazzling performances as unlucky-in-love Holly in Hannah and Her Sisters (1986) and hyperbolic stage actress Helen Sinclair in Bullets Over Broadway (1994). Wiest could be seen playing another motherly figure in Robert Redford's 1998 adaptation of The Horse Whisperer; that same year, she appeared as one of Sandra Bullock and Nicole Kidman's otherworldly aunts (along with Stockard Channing) in Practical Magic. In 1999, she could be seen in the made-for-TV The Simple Life of Noah Dearborn, starring alongside Sidney Poitier. Her big-screen career continued with I Am Sam, A Guide to Recognizing Your Saints, Dan in Real Life, and Synecdoche New York. She also found interesting work on television playing a DA on Law & Order for a couple of seasons, and playing the psychiatrist of a psychiatrist on HBO's In Treatment. She appeared in Rabbit Hole in 2010, and was Diane Keaton's flighty sister in Darling Companion.

Trivia: Most fans got their first taste of Dan Futterman when he played the son of Robin Williams in 1996's The Birdcage. Futterman actually began his professional acting career in 1991, however, when he was cast in the stage production of Club Soda just two years after he graduated from Columbia University. He continued with other successful stage roles, like Louis Ironson in the Broadway production of Angels in America in 1993.It was around this same time that Futterman began his on-screen career, appearing in the TV movie Daughters of Privilege, and in his first feature-film role with the critically acclaimed The Fisher King in 1991. Steady work continued to come until the 32-year-old actor was cast in a recurring role in the series Judging Amy in 1999. He stayed with the show until its run ended in 2005. It was around this time that another of Futterman's projects got off the ground as well; he'd been working on a screen adaptation of Gerald Clarke's book Capote, and it was in 2005 that the script's final product was released in theaters to a flood of success and praise. The film was nominated for five Oscars, and star Philip Seymour Hoffman took one home for Best Actor. Futterman would go on to write the successful HBO series In Treatment, as well as the film Foxcatcher.Futterman would also continue to appear in front of the camera, appearing in films like A Mighty Heart and Hello, I Must Be Going.

Trivia: Stage and screen actress, TV star, and the object of endless eating disorder rumors, Calista Flockhart earned fame, fortune, and post-feminist icon status as the eponymous heroine of David E. Kelley's acclaimed TV series Ally McBeal. Since becoming known for her role as the famously neurotic, mini-skirt-clad lawyer, Flockhart has been appearing in an increasing number of films, including Things You Can Tell Just by Looking at Her.Born on November 11, 1964, in Freeport, Illinois, Flockhart -- whose first name means "most beautiful" in Greek -- was raised as the daughter of a schoolteacher mother and a Krafts Food executive father. Because of her father's job, the family moved frequently, spending time in Iowa, Minnesota, and New York before settling in New Jersey. Flockhart, whose mother sparked her interest in theatre by taking her to theatre productions during high school, studied drama as a student at Rutgers University. After graduating, she headed to Manhattan to begin her professional stage career.After enduring years of relative poverty and sustained obscurity, the actress got her big break when she was chosen to play Laura in the 1994 Broadway production of Tennessee Williams' The Glass Menagerie. Her portrayal won her both a Theatre World Award and the attention of Hollywood casting agents, and that same year she made her film debut with a bit part in Quiz Show -- and had a more substantial role in Getting In, a black comedy directed by a then-unknown Doug Liman. In 1996, Flockhart moved into slightly more mainstream territory when she appeared as the fiancée of Robin Williams' son in The Birdcage; more recognition came her way the following year when she earned strong reviews for her performance as Natasha in a production of Chekov's The Three Sisters. 1997 proved to be a watershed year for Flockhart; in addition to rave stage reviews and a substantial role in the Kevin Bacon vehicle Telling Lies in America, she was cast as the star of Ally McBeal. The show turned out to be a sleeper hit, and Flockhart's titular Boston lawyer became an instantly recognizable name in the pop cultural lexicon. The actress' heightened exposure was reflected both in numerous magazine articles about her and in her star billing in Michael Hoffman's 1998 adaptation of A Midsummer Night's Dream, which included Kevin Kline, Michelle Pfeiffer, Rupert Everett, and Christian Bale amongst its other illustrious cast members. Two years later, still immersed in Ally McBeal popularity and endless media scrutiny about her weight (Flockhart's thinness has stirred rumors in an industry infamous for its emphasis on being thin), the actress headlined the ensemble cast of Things You Can Tell Just by Looking at Her. A film composed of four vignettes, it featured Flockhart as the lover of a terminally ill woman (Valeria Golino), and included Holly Hunter, Amy Brenneman, Cameron Diaz, Glenn Close, and Gregory Hines amongst its accomplished players.Flockhart worked alongside Matthew Broderick in the role of a psychotic girlfriend in The Last Shot (2004), and played a nurse in the psychological thriller Fragile (2005). While the actress declined a role in Desperate Housewives (the part went to Teri Hatcher), she co-starred with Sally Field, Rachel Griffiths, and Matthew Rhys in ABC's primetime series Brothers & Sisters (2006-2011). Flockhart married actor Harrison Ford in 2010, and continues to participate in a variety of political and social causes.

Trivia: Rubber-faced comic actor and vocal artist extraordinaire Hank Azaria initially plied his trade on the stand-up circuit, then subsequently landed stage appearances and tackled bit parts on television. Azaria scored his breakthrough in 1989 when he began providing a multitude of voices for the Fox network's groundbreaking animated series The Simpsons, an assignment that imparted the performer with an enviable degree of cult stardom. In 1991, Azaria nabbed a major role in the Fox live-action sitcom Herman's Head, which ran until 1994 and gave audiences a glimpse of the man responsible for the vocal intonations of some of the most famous characters to ever corrupt an animator's storyboard.A native of Queens, NY, where he was born into a family of Sephardic Jews on April 25, 1964, Azaria commenced film roles in the late 1980s, coincident with his Simpsons stardom. Work on that program (which, after graduating from a series of crude sketches on The Tracey Ullmann Show to its own animated sitcom, quickly shot up to qualify as the Fox network's most popular enterprise) easily outstripped Azaria's screen work in popularity and visibility for many years. Recurring parts included Indian convenience store owner Apu, quack doctor Nick Riviera, dim-witted bartender Moe, and the idiotic, pig-nosed Springfield Chief of Police, Clancy Wiggum. Though his Simpsons work continued unabated over the years, beginning in the mid-1990s Azaria branched out somewhat, placing a heavier emphasis on live-action portrayals. Even in that venue, however, his work tonally mirrored his animated contributions; he specialized in adroitly handling goofy, over-the-top character parts, often with an ethnic bent. The performer attained visibility and memorability, for example, as the klutzy and scantily-dressed gay houseboy Agador in The Birdcage (1995), Hector, a goofy Hispanic paramour with a permanent effeminate lisp, in Joe Roth's underrated showbiz comedy America's Sweethearts (2001), and Claude, a Gallic beach bum with no qualms about taking off with other men's wives, in John Hamburg's gross-out romantic comedy Along Came Polly (2004).Azaria has also departed from the boundaries of screen comedy from time to time, doing memorable work across genre lines in such films as Great Expectations (1998) (which cast him as Gwyneth Paltrow's lackluster fiancé), Mystery Men (1999) (as the superhero Blue Raja), and Tim Robbins' Cradle Will Rock (1999), a historical drama about art and politics in 1930s New York that cast Azaria as leftist playwright Marc Blitzstein. In 2005, Azaria presided as one of the many off-color monologuists in Penn Jillette's stand-up comedy showcase film The Aristocrats; the performer subsequently provided at least seventeen voices (including his usual series roles) for The Simpsons Movie (2007) and voiced both Abbie Hoffmann and Allen Ginsberg in the animated sequences of Brett Morgen's offbeat documentary Chicago 10 (2007).He appeared in the pre-historic comedy Year One, and provided several voices in Night at the Museum: Battle of the Smithsonian. He played an ethically challenged doctor in Love and Other Drugs, and portrayed Gargamel, the bad guy in the big-screen hit The Smurfs. He was in family film Hop, and lent his prodigious vocal talents to Happy Feet Two. In 2012 he acted in the biopic Lovelace.In July 1999, Azaria married actress Helen Hunt, with whom he co-starred in several episodes of the sitcom Mad About You. The two divorced within eighteen months.

Trivia: Designer label-clad force of nature, neurotic diva, and the owner of one of the most expansive mouths in the free world, Christine Baranski is one of the more distinctive actresses working on the stage and screen today. Known to television audiences for her portrayal of Cybill Shepard's brassy and unapologetically arrogant best friend on the sitcom Cybill, Baranski has also made a name for herself on the New York stage, where she has won a number of awards, and has worked as a character actress on a variety of films.Born in Buffalo, New York, on May 2, 1952, Baranski was influenced from a young age by her Polish grandparents, who were both actors. After studying acting at Julliard, she began working on the New York stage and on various TV shows, and made her film debut in 1982. The stage proved to be a particularly good medium for Baranski's talents; a staple of many New York productions, the actress earned Tony Awards and a number of other honors for her work in the Broadway productions of Tom Stoppard's The Real Thing and Neil Simon's Rumors. Usually cast as a supporting player onscreen, Baranski has done particularly notable work in Jeffrey (1995), in which she played a New York socialite; The Birdcage (1996), which featured her as the brassy mother of Robin Williams' grown son; and Cruel Intentions (1999), in which she did another hilarious turn as a New York socialite. In one of her rare excursions as a lead, Baranski gave a memorable performance as a struggling actress in Bowfinger (1999), sharing the screen with the likes of Steve Martin, Heather Graham, and Eddie Murphy.In 2002 Baranski appeared in the Best Picture Oscar winner Chicago, and she continued to work steadily on TV, in movies, and on stage appearing in projects as diverse as Eloise at the Plaza, Welcome to Mooseport, and the smash hit adaptation of the ABBA musical Mamma Mia! In 2009 she began work on the well-respected CBS drama series The Good Wife opposite Julianna Margulies.

Trivia: Loaned George Clooney $100 to pay for headshots when Clooney was still a struggling actor. Transitioned from being a character actor to behind-the-camera work in the early 2000s, receiving his first coproducer credit on the 2003 film Intolerable Cruelty. In 2005, he and his wife used their airline miles to purchase 16 plane tickets to evacuate survivors of Hurricane Katrina; they also opened their home to a family who had lost everything in the storm for five months while they put their lives back together. Cofounded the production company Smokehouse Pictures in 2006 with his longtime friend George Clooney.

Trivia: Distinguished character actor Tim Kelleher built his career out of playing everymen with a rough-cut and slightly somber demeanor, which lent him perfectly to portrayals of such types as NARCs, urban cops, military lieutenants, and slightly shady corporate flunkies. A Bronx native, Kelleher moved to Staten Island at the age of four, where he attended primary and secondary school (playing and excelling at football), but moved to New Jersey not long after and finished high school in that locale. Kelleher attended Villanova University in Pennsylvania, then enrolled in a religious order known as the Society of Jesus (the Jesuits) and did work for it before returning to New York City and founding his own theatrical troupe, the Colony, primarily devoted to putting on its own original plays (including several authored by Kelleher). An experience playing a role in a non-Colony production helped Kelleher secure an agent, and soon after he moved to Hollywood (in the late '80s), landing roles in a myriad of features, including Black Rain (1989), Malcolm X (1992), Clockers (1995), Matchstick Men (2003), and Flash of Genius (2008). He was particularly memorable in Flash, as a Ford employee sent out on multiple occasions to attempt to buy off Robert Kearns (Greg Kinnear) with an out-of-court settlement.

Trivia: As the eldest member of the Cusack acting dynasty -- the sister of John, Joan, Susie, and Bill Cusack -- Ann Cusack was raised, like her siblings, in the affluent Chicago suburb of Evanston, but achieved fame and success as a comedic actress somewhat later than the others. Born in 1961, Cusack received her formal education at the Piven Theater Workshop (studying basic improvisation with Joyce and Byrne Piven) and later at New York University's Tisch School for the Arts, where she studied dramatic performance under the aegis of the legendary playwright and theatrical and film director David Mamet. Cusack landed her premier feature-film role at the age of 30, as Shirley Baker, a WWII-era baseball player with a more than slight illiteracy problem, in Penny Marshall's summer 1992 comedy A League of Their Own (alongside Tom Hanks, Geena Davis, Madonna, and Rosie O'Donnell). In the process, Cusack imparted to the film some of its biggest and most unanticipated laughs -- no mean feat, given that cast.The turn did not go unnoticed, and parts rolled in steadily for the remainder of the 1990s and into the 2000s. The characterizations began small, with low billing -- such as that of a waitress in Harold Becker's poorly received 1993 thriller Malice, and that of a TV woman in Mike Nichols' 1996 La Cage aux Folles redo The Birdcage. Not long after, however, Cusack received her highest television billing (up through that time) when cast as Karen Foxworthy, TV wife and second-string to redneck-obsessed comedian Jeff Foxworthy, in the second season (1996-1997) of the short-lived sitcom The Jeff Foxworthy Show. Unfortunately, the show folded in 1997.The parts continued unabated, however, in films of varying reception. Cusack teamed up with her brothers John and Bill and sister Joan, as well as Dan Aykroyd and Minnie Driver, in the sadly overlooked dark comedy Grosse Pointe Blank (1997, a work that John co-produced and co-scripted). Ann fared worse (as did the entire cast) by signing on for a re-team with director Mike Nichols in that helmer's 2000 turkey What Planet Are You From?, starring Annette Bening and Garry Shandling. Cusack then made intermittent appearances on such series programs as Charmed and Frasier during the late '90s and early 2000s. In 2006, Cusack essayed the supporting role of Deanna in Aaron Wiederspahn's The Sensation of Sight (2006), a moody, evocative drama (and festival cause célèbre) about a dissatisfied middle-class man (David Strathairn) who drops out of his life and takes a job selling encyclopedias.

Trivia: Trina McGee-Davis has guest-starred on several television series, including Picket Fences and Family Matters. McGee-Davis also frequently works in off-Broadway theatrical productions. She made her feature film debut in the Sylvester Stallone action vehicle Daylight (1996).

Trivia: American actress Madeleine Lee Gilford (also occasionally credited as simply Madeleine Lee) began performing on the radio as a child. Later she turned to playing character roles on-stage, in feature films, and even industrial films. She was the sister of author Fran Lee and married to Jack Gilford until his death in 1990.