Trivia: The daughter of film star Robert Montgomery, Elizabeth Montgomery made her television bow on her father's popular 1950s anthology series. Her first film was 1955's The Court Martial of Billy Mitchell, for which she was generously reviewed as one of the most dynamic young actresses of her time. Often cast in hypertense roles, Montgomery won an Emmy for her portrayal of a conniving gun moll on a 1959 episode of TV's The Untouchables. She shifted to domestic comedy with ease in the role of Samantha Stephens, the attractive witch heroine of the long-running (1964-1973) TV sitcom Bewitched. After this project folded, Montgomery returned to dramatic roles with a vengeance, spending the next two decades starring as abused, beleaguered women in such TV movies as A Case of Rape (1974) and The Legend of Lizzie Borden (1975). In her last made-for-TV project, Montgomery portrayed real-life reporter Edna Buchanan. Among Elizabeth Montgomery's husbands were actors Gig Young, producer/director William Asher, and Robert Foxworth.

Trivia: Actor Dick York started out as a child performer on radio, playing important roles in such airwaves favorites as Jack Armstrong, the All-American Boy. In the early '50s, York began showing up in New York-based instructional films, including a now-infamous reel about proper dating etiquette. Establishing himself as one of Broadway's most versatile young character actors, he was seen in such major productions as Tea and Sympathy, Bus Stop, and Night of the Auk. In films from 1955, York's most famous movie role was schoolteacher Bertram Cates in Inherit the Wind, the 1960 dramatization of the Scopes Monkey Trial. Though a prolific TV guest star, he didn't settle down on a weekly series until 1962, when he co-starred with Gene Kelly and Leo G. Carroll in a short-lived video adaptation of Going My Way. Two years later, he landed his signature role: Darren Stephens, the eternally flustered husband of glamorous witch Samantha Stephens (Elizabeth Montgomery), in Bewitched. He remained with the series until 1969, when a recurring back ailment (the legacy of an on-set injury suffered while filming the 1959 feature They Came to Cordura) forced York to relinquish the role of Darren to Dick Sargent. Though he was for all intents and purposes retired from acting, York remained active on behalf of several pro-social causes. He was the founder of Acting for Life, an organization designed to help the homeless help themselves. Living a spartan existence in Grand Rapids, MI, an increasingly infirm Dick York tirelessly continued giving of himself for the benefit of others until his death from emphysema in 1992.

Trivia: At age three Agnes Moorehead first appeared onstage, and at 11 she made her professional debut in the ballet and chorus of the St. Louis Opera. As a teenager she regularly sang on local radio. She earned a Ph.D. in literature and studied theater at the American Academy of Dramatic Arts. She began playing small roles on Broadway in 1928; shortly thereafter she shifted her focus to radio acting, becoming a regular on the radio shows March of Time, Cavalcade of America, and a soap opera series. She toured in vaudeville from 1933-36 with Phil Baker. In 1940 she joined Orson Welles's Mercury Theater Company, giving a great boost to her career. Moorehead debuted onscreen as Kane's mother in Welles' film Citizen Kane (1941). Her second film was Welles' The Magnificent Ambersons (1942), for which she received a Best Supporting Actress Oscar nomination; ultimately she was nominated for an Oscars five times, never winning. In films, she tended to play authoritarian, neurotic, puritanical, or soured women, but also played a wide range of other roles, and was last onscreen in 1972. In the '50s she toured the U.S. with a stellar cast giving dramatic readings of Shaw's Don Juan in Hell. In 1954 she began touring in The Fabulous Redhead, a one-woman show she eventually took to over 200 cities across the world. She was also active on TV; later audiences remember her best as the witch Endora, Elizabeth Montgomery's mother, in the '60s TV sitcom Bewitched. Moorehead's last professional engagement was in the Broadway musical Gigi. She died of lung cancer in 1974. She was married to actors John Griffith Lee (1930-52) and Robert Gist (1953-58).

Trivia: Whimsical, expressive comic actor Charles Ruggles was the son of a Los Angeles wholesale druggist. Intending to become a doctor, Ruggles was sidetracked into theatre, making his debut in a 1905 San Francisco stock company production of Nathan Hale. Because of his medium height and flexible facial and vocal expressions, Ruggles was able to play everything from teenagers to grandpas during his formative years in stock. In 1914, the actor first set foot on a Broadway stage in Help Wanted. One year later, he appeared in his first film, a now-lost adaptation of Ibsen's Peer Gynt. Though there would be a smattering of subsequent silent film appearances, Ruggles' heart remained in his stage work -- he starred in such long-running productions as The Passing Show of 1918 (1918), The Demi-Virgin (1921), Battling Butler (1923), and his biggest stage success, Queen High (1930). While appearing in the Rodgers and Hart musical Spring is Here (1929), Ruggles made his talking picture bow in Gentleman of the Press (1929), portraying the first in what would turn out to be a long line of drunken reporters. In 1932, Ruggles was teamed with Mary Boland in If I Had A Million. The two farceurs worked so well together that they would subsequently costar in such memorable film comedies as Six of a Kind (1934), Ruggles of Red Gap (1935), Early to Bed (1936), and Boy Trouble (1939). By the late 1930s, Ruggles was securely established as one of Hollywood's favorite befuddled comedy-relief players, though in such films as Exclusive (1937) and The Parson of Panamint (1941) he proved equally expert at straight dramatics. In 1949, Ruggles began a 12-year movie moratorium, returning to the stage and distinguishing himself in television. He headlined two early TV series, The Ruggles and The World of Mr. Sweeney, and lent his vocal skills (sans screen credit) to the "Aesop and Son" component of the classic cartoon weeklies "Rocky and His Friends" (1959-61) and "The Bullwinkle Show" (1961-62). He returned to films in 1961, recreating his award-winning Broadway role in The Pleasure of His Company. Ruggles' best-remembered TV work of the 1960s included his recurring role as Mrs. Drysdale's rakish father in the popular sitcom "The Beverly Hillbillies." With the Disney film Follow Me, Boys! (1966) and the 1967 TV staging of Rodgers and Hammerstein's Carousel, Ruggles quietly brought his six-decade acting career to a close. A few years before his death in December of 1970, Ruggles was asked by a reporter what his future plans were. With the wry smile, twinkling eyes, and self-effacing humor that characterized his best screen work, Charlie Ruggles answered, "Forest Lawn, I guess. After you've played everything I have, there ain't no more."

Trivia: Character actor David White is best remembered for playing advertising executive Larry Tate on the popular '60s sitcom Bewitched (1964-1972), but he began his career as a movie actor in 1957 with The Sweet Smell of Success. White died of a heart attack in 1990. He was married to actress Mary Welch.