Trivia: Defying her mother's wishes, African-American actress Isabel Sanford secretly worked as a nightclub performer in her teens. Upon winning 3rd prize in an Apollo Theatre amateur contest, Sanford could keep her new career a secret no longer. Married to a house painter who worked only on a seasonal basis, she held down a full-time job as a keypunch operator at the New York City department of Welfare, spending her evenings acting with such groups as Harlem Y and the American Negro Theatre. Seeking out better opportunities, Sanford packed her family into a bus and headed to Hollywood in the early 1960s. Her breakthrough film role was in Stanley Kramer's Guess Who's Coming to Dinner; she played Tillie the cook, who heartily disapproved of the upcoming interracial marriage between Katharine Houghton and Sidney Poitier (the hardest part of this assignment was not mouthing the "controversial" dialogue but preparing dinner in a key scene; Sanford had never learned to cook!) On the strength of this film, Isabel Sanford was hired for several guest spots on The Carol Burnett Show, which led to her most famous characterization: Louise Jefferson, the acerbic but loving wife of "movin' on up" Sherman Hemsley, on the immensely popular sitcom The Jeffersons (1975-82).

Trivia: Was employed by a major airline when she was cast on The Jeffersons; continued working for the airline during her first few seasons on the show. Is also a singer; released an album, It's Never Too Late, in 2006. Reunited with actress Regina King, who played her daughter on the 1980s sitcom 227, in a 2012 episode of Southland.

Trivia: Long before Roseanne Barr's "domestic goddess," Phyllis Diller parlayed her life as a housewife into a profitable stand-up comedy career. The daughter of an insurance man, Phyllis Driver had hopes of becoming a concert pianist, and to that end attended Chicago's Sherwood Music Conservatory. Her zany behavior while attending Northwestern University and her 1939 elopement with her first husband Sherwood Diller put a temporary end to her musical career. Several years and many children later, a bored Diller went to work for the advertising department of a California department store, then got a writing job at an Oakland radio station. A knack for making people laugh at church and club functions prompted Diller (with her husband's encouragement) to set her sights on a comedy career. She studied acting and scrutinized the techniques of her favorite male comedians, finally making her nightclub debut in 1955 at San Francisco's Purple Onion, a progressive nightclub which presaged the "comedy workshops" of today. Eighty-nine additional weeks at the Purple Onion enabled Diller to hone her skills to perfection; her first comedy record album appeared in 1959, with numerous TV and stage appearances quickly following suit. Diller developed an outrageous comedy persona, complete with grotesque wigs, garish costumes and her trademarked cackling laugh. Though always a favorite with live audiences, Diller was never quite able to sustain her appeal on film: her 1966 TV series The Pruitts of Southhampton was unsuccessful, as was her only starring feature film, Did You Hear the One About the Travelling Saleslady? (1968). She fared somewhat better as a supporting actress in several Bob Hope comedy films of the late 1960s (Hope was a longtime Diller fan). In later years, Diller periodically altered her public personality, "improving" her plain but distinctive facial features with plastic surgery, concentrating more time on piano concerts and less on stand-up comedy and confining her TV appearances to Home Shopping programs and "psychic hotline" infotainment half-hours. Perhaps Phyllis Diller's "funny hausfrau" throne was eventually usurped by younger talents, but one must not forget that Diller was the one who stuck her neck out first, blazing the trail for the many Roseannes and Brett Butlers who followed.Her film work was sporadic but highlights include The Adding Machine and Did You Hear The One About the Traveling Salesman? as well as the documentaries Wisecracks and The Aristocrats, and the animated film A Bug's Life. Diller died in 2012 at the age of 95.

Trivia: Spent early years on a farm in Beaufort, SC, where his father was a farm worker and moonshiner. Spent three years an amateur boxer with only one defeat. Made 1964 U.S. Olympic team as an alternate, but when a fighter was injured, he stepped in and won the only U.S. gold medal. Turned pro in 1965. Became heavyweight champion by defeating Jimmy Ellis in 1970 and was dethroned by George Foreman in 1973. Beat Muhammad Ali in 1971 in the Fight of the Century, the first of their three meetings. Ali would go on to win in 1974, and in the Thrilla in Manila in 1975. Was inducted into the U.S. Olympic Hall of Fame in 1989, and the International Boxing Hall of Fame in 1990. Owned a gym in Philadelphia, and trained son Marvis—a heavyweight contender. Toured with a band as Smokin' Joe Frazier and the Knockouts. Released an autobiography in 1996: Smokin' Joe: The Autobiography. Was diagnosed with liver cancer in September 2011.

Trivia: A veritable mainstay on mid-'70s U.S. television, Renaissance performer Charo (née María Rosario Pilar Martínez Molina Baeza) began life in Murcia, Spain, in 1951 and commenced her foray into show business by learning the guitar at the hands of the legendary Latin jazz maestro Andrés Segovia. Her success in that sphere yielded a lucrative recording contract in Europe and a movie role in the feature Don Juan Tenerio. Her career further expanded when she met, fell in love with, and married the famed bandleader Xavier Cugat -- a man over 50 years her senior. In seemingly no time, Charo joined Cugat's stage act as a dancer, and the ensemble hit nightspots across the U.S. including Caesar's Palace, The Tropicana, and The Flamingo. Charo earned the nickname "The Cuchi-Cuchi Girl" for her trademark exclamation "Cuchi! Cuchi!" By the 1970s, Charo's reputation caught fire and she turned up as a small-screen regular on The Tonight Show Starring Johnny Carson (reportedly sitting on his guest couch in excess of 45 times), and on the prime-time situation comedy The Love Boat (1977-1986). Though Boat's producers never officially tapped Charo as a regular cast member, she set a record number of guest spots on that program, and expanded her acting resumé with work on such features as Airport '79: Concorde (1979), Moon Over Parador (1988), and Thumbelina (1994); she also participated in season three of MTV's The Surreal Life (2004), alongside Flavor Flav, Dave Coulier, and others. Charo temporarily retired from touring as a musical act when her son, Shel, reached the age of five. She divorced Cugat in 1978 and married her second husband, Swedish Kjell Rasten, that same year.

Trivia: Pop singer who acted in a few films, onscreen from 1974.

Trivia: Hemsley is a short, aggressive black comic actor. He came to acting late; after working for the Post Office he moved to New York in the late '60s, hoping to find theater work. Soon he won the choice role of Gitlow in the Broadway musical Purlie (1970), and his performance made a strong, lasting impression on TV producer Norman Lear. When Lear's TV sitcom All in the Family became a hit, Lear created the character of George Jefferson, Archie Bunker's black neighbor; after deciding that his first choice for the role was all wrong, in 1973 Lear tracked Hemsley down in San Francisco, where the latter was appearing in the play Don't Bother Me, I Can't Cope. Hemsley was signed for the role, and played it from 1973-85; from 1975-85 he was the costar of the spinoff sitcom The Jeffersons, a top-rated show for many years, for which Hemsley at one point earned $60,000 per episode. He later starred in Amen (1986-91). In 1981 he reprised his Broadway role in the cable-TV production of Purlie. He debuted onscreen in Love at First Bite (1979), appearing with Isabel Sanford, his TV wife. His screen appearances have been few.

Trivia: On television, supporting actress Roxie Roker may best be remembered for playing outspoken Helen Willis for ten years on the popular television sitcom The Jeffersons. She and TV husband Franklin Cover comprised the first interracial married couple on network television. But in addition to television, Roker had also found success on stage and in the occasional feature film. Miami-born and Brooklyn-raised, Roker graduated from Howard University with a drama degree and then flew to England to study at the Shakespeare Institute in Stratford-on-Avon. During the 1960s, Roker supported herself with a secretarial job at NBC's New York office while trying to find acting jobs. Roker launched her drama career off-Broadway in productions such as Jean Genet's The Blacks. Between 1967 and '68, Roker hosted a local community television show, but that wasn't close enough to acting, so she quit to practice her craft full time. With the Negro Ensemble Company she appeared in Ododo and Rosalie Pritchet. In 1974, she earned an Obie and a Tony nomination for The River Niger. In 1975, shortly after moving to Los Angeles, Norman Lear cast Roker in The Jeffersons. In addition to this role, Roker occasionally guest-starred on other series and appeared in television movies. Her feature-film appearances were rare. Roker made her debut in Claudine (1974). In the '90s, Roker resumed her stage career, appearing in a theatrical version of The Jeffersons and then touring opposite Mary Martin and Carol Channing in Legends. Roker's son, Lenny Kravitz is a noted rock musician and record producer.