Trivia: A descendent of a long line of talented actors including father James and sister Tyne, boyishly handsome screen regular Tim Daly has endured to overcome a post Wings career slump with a successful series of film and television roles. The New York City native first took to the stage in summer stock while studying at Bennington College; he followed graduation with a few seasons at Providence's Trinity Square Repertory and then made his off-Broadway debut in 1984 with Fables for Friends. Daly's film career got off to a healthy start with his role as a young expectant father in Diner (1982), though in the years that followed, the fresh-faced star was relegated mostly to small-screen roles. A Broadway bow opposite Annette Bening in Coastal Disturbances proved that Daly did indeed have the talent to make it as an actor if casting directors could see past his youthful exterior, and with his upcoming role in Wings, the rising star would prove his worth not only at comedy but drama as well. Cast opposite Steven Weber as one of two brothers who own a small Nantucket airline, Daly stayed with Wings through the series' seven-year run (1990-1997). During that time, he also utilized the predictable production schedule as a means to experiment with dramatic roles in a series of memorable made-for-television features. If audiences had pigeonholed Daly as a small-screen lightweight, a role as cult leader David Koresh in In the Line of Duty: Ambush in Waco showed that the versatile actor was capable of much more. Some of Daly's other roles from the mid-'90s may have proved less than memorable, but his vocal contributions to the animated television series Superman (for which he voiced the Man of Steel himself) kept him busy before he landed the role of astronaut James Lovell in the acclaimed HBO miniseries From the Earth to the Moon (1998). As audiences began to realize Daly's talent thanks to memorable parts in Storm of the Century (1999) and an updated version of the television classic The Fugitive, it seemed as if the veteran actor might have finally overcome his youthful outward appearance to command some respect. Though Daly would indeed impress with his role as Dr. Richard Kimble in The Fugitive, the series lasted only one season and it would be two years before he would return to the screen in the made-for-television drama The Outsider. In the years that followed, Daly's film career experienced something of a revival when he was cast in such high-profile releases as Basic (2003) and Against the Ropes (2004). The longtime actor also made his directorial debut in 2004 with the mournful drama Bereft. Daly became well-known for his portrayal of a naturopathic doctor Pete Wilder on NBC's drama series Private Practice. After leaving the show at the end of the 5th season, Daly voiced the character of Superman in Justice League: Doom (2012). This wasn't the first time the actor voiced the legendary superhero; he also worked on the 2010 animated feature Superman/Batman: Apocalypse. Daly maintained his TV roots, with guest arcs on The Mindy Project and Hot in Cleveland, before taking a regular role on Madam Secretary in 2014.

Trivia: Mention the name Steven Weber to any television fanatic, and odds are their eyes will soon gloss over with fond memories of the popular early-'90s sitcom Wings. Despite the popularity of his small-screen past, though, the handsome actor has gone on to prove his versatility in a number of features, both made-for-television and otherwise. Born in Queens, NY, to a nightclub singer and a comic manager, Weber discovered his love of acting around the age of three while appearing in a series of television commercials. He followed up a stint at New York's High School of the Performing Arts with an education at New York's prestigious State University at Purchase, and after working a series of odd jobs, Weber made his film debut in the 1984 Matt Dillon comedy The Flamingo Kid. A role on the enduring daytime soap opera As the World Turns introduced Weber to his first wife, Finn Carter, a few short years later. After appearing as a rock star in Los Angeles and as John F. Kennedy in The Kennedys of Massachusetts (both 1990), Weber was more than ready to take the lead in his own sitcom. Cast as the half-owner, along with brother Joe (Timothy Daly), of a Nantucket-based airline, Weber's charisma and comic talents went a long way in supporting the show over the course of its enduring eight-year run. Of course, Weber wasn't content to simply sit back and enjoy the success of Wings; in addition to the popular show, the actor turned up in supporting roles in numerous features including Single White Female (1992), Jeffrey (1995), and Leaving Las Vegas (also 1995). By the time the show came to an end in 1997, Weber had divorced Finn Carter and married actress Juliette Hohnen, and was ready to find out what else he had to offer to the worlds of film and television. Though a role in the made-for-television adaptation of The Shining failed to erase the memory of Jack Nicholson's terrifying interpretation of the role, Weber did prove memorable in Seinfeld creator Larry David's bitter-flavored comedy Sour Grapes (1998). The following few years would find Weber playing things relatively low-key onscreen; he returned to the small screen to moving effect with the 1999 made-for-television drama Love Letters. In 2000, Weber essayed a supporting role in director Mike Figgis' experimental comedy drama Timecode, and that same year he would return to sitcom territory with the short-lived Cursed. Though that particular effort may not have quite lived up to potential, Weber did gain positive notice for his role in the little-seen independent thriller Sleep Easy, Hutch Rimes (2000). After appearing opposite Alan Alda in the made-for-television feature Clubland (2001), Weber joined the cast of the popular small-screen drama Once and Again later that same year.Weber's enduring appeal has led to a steady stream of recent television work, both as a guest star and in regular roles. After wrapping up on Once and Again, he appeared as Will's brother Sam on Will & Grace; chairman of the fictional NBS network on the surprisingly short-lived dramedy Studio 60 on the Sunset Strip; a flirtatious co-worker romancing Sarah Walker (Rachel Griffths) during a stint on Brothers & Sisters; a regular role on another short-lived show, 2010's Happy Town; and a recurring role on 2 Broke Girls as Caroline's (Beth Behrs) jailed father, Martin Channing.

Trivia: A uniquely gifted and versatile actor possessing the distinct ability to immerse himself in a role so convincingly that he becomes almost unrecognizable -- from a quality obsessed restaurateur (Big Night, 1996) to a master criminal bent on world domination (Spy Kids, 2001) -- one can always count on Tony Shalhoub to deliver a memorable performance no matter how small his role may be.Well-known to television audiences for his extended stint as a self-deprecating cabbie on the long-running series Wings, Shalhoub made the often-painful transition from television to film with a grace seldom seen. Born on October 9th, 1953 in Green Bay, WI, Shalhoub developed his passion for theater at the youthful age of six when he volunteered via his sister to play an extra in a high-school production of The King and I. Shalhoub was hooked. After earning his master's degree from the Yale Drama School and spending four seasons at the American Repertory Theater in Cambridge, MA, Shalhoub packed his bags for New York where he began a luminous career on Broadway. Broadway brought Shalhoub success not only in his career, but in his personal life as well: he was nominated for a Tony for his role in Conversations With My Father and he met his future wife, actress Brooke Adams, while acting in The Heidi Chronicles. It was not long after his Broadway success that Shalhoub made his feature debut, as a doctor in the 1990 AIDS drama Longtime Companion.Shalhoub's film career has been a testament to his range and a compliment to his abilities. Though prone to comedy, his dramatic roles have gained him just as much, if not more, recognition than his comedic roles. Winning the Best Supporting Actor award from the National Society of Film Critics for his well-researched role in Big Night (1996), Shalhoub expanded his dramatic film repertoire with roles in A Civil Action and The Siege (both 1998), while always maintaining his knack for humor (1997's Men in Black). Shalhoub's role as the ultra-mellow "anti-Scottie" in the Star Trek send-up Galaxy Quest (1999) proved that his comic persona was indeed still as sharp as ever. Sticking in the sci-fi/fantasy mold for his roles in Imposter and Spy Kids (both 2001), Shalhoub once again proved that he could do 180-degree character turnarounds with ease.Though Shalhoub would stay in sci-fi mode for his role in Men in Black 2, he would return to solid ground with his role as an obsessive-compulsive detective in the well-received television pilot Monk (2002). Directed by Galaxy Quest helmer Dean Parisot, the pilot for Monk successfully paved the way for the curiously innovative USA series to follow and found the actor warmly re-embracing the medium that had propelled him to stardom. As Monk's popularity continued to grow, Shaloub found success on the big screen in the role of a gifted psychologist for The Great New Wonderful (2005), and voiced the lovable Luigi in Cars (2006) and Cars 2 (2011). In 2007, he worked alongside John Cusack and Samuel L. Jackson for the supernatural horror film 1408.

Trivia: Father was a real-estate attorney. Studied acting in the Stanislavsky School in Dublin in addition to her education at New York University. Best known for her work as ticket agent Fay Cochran on the NBC sitcom Wings, which ran from 1990 to 1997.

Trivia: Chris Elliott may have been born with a funny spoon in his mouth -- he's the son of Bob Elliott, the more deadpan half of the famous comedy duo Bob and Ray -- but he's developed his own offbeat brand of humor and gained his own substantial cult following. Elliott began his show business career as a standup comic, but he first gained public attention as a writer and performer on Late Night With David Letterman, helping that show define a new age of ironic comedy, and winning two Emmys as part of Letterman's writing team. Elliott played the sarcastic firebrand to Letterman's perturbable Midwestern reserve. He starred in sketches as the Panicky Guy, the Fugitive Guy, and the Guy Under the Seats, a character who lived in a cramped passageway underneath the audience, and would occasionally interrupt the show to chat with Letterman. As a result of Elliott's growing popularity on Late Night, his acting career took off. Or, to be more precise, he got bit parts in Michael Mann's Manhunter, James Cameron's The Abyss, and the Francis Ford Coppola segment of New York Stories. Elliott also went on to star in two hilarious, but little-seen half-hour comedy shows for Cinemax. FDR -- A One Man Show featured Elliott playing Chris Elliott, a pompous egomaniacal actor portraying FDR in a one-man show of tremendous historical inaccuracy, while Action Family economically combined satire of TV police dramas with a satire of a typical living room family sitcom. Around this time, Elliott published a Mommy Dearest-style mock exposé about his childhood, Daddy's Boy: A Son's Shocking Account of Life With a Famous Father, which featured chapter-by-chapter rebuttals from his father, Bob, and a foreword by David Letterman.In 1990, Elliott, with help from talented collaborators like David Mirkin, Bob Odenkirk, and Adam Resnick, starred in a bizarrely funny sitcom, Get a Life. The character Elliott played, Chris Peterson, a 30-year-old paperboy, was not a far cry from his previous television personae. Peterson was a dimwitted, balding, doughy, sarcastic, celebrity-worshipping dolt, with a hilariously high degree of self-regard. He was an utter failure who somehow convinced himself he was doing great. Bob Elliott played Chris Peterson's father on the show. The mucky mucks at the fledgling Fox network didn't understand the show, and were hoping Peterson would be cuddlier. Elliott would later remember a network exec optimistically comparing the character to "Tom Hanks in Big." The show had disastrous ratings. Despite support from savvier TV critics, Fox gave up on the show quickly, and canceled Get a Life after two seasons. The show had gained a passionate cult following and some episodes were eventually released on DVD and syndicated briefly on the USA Network. Get a Life was later recognized for its influence on other, more successful programs, including The Simpsons and South Park.Elliott also had key supporting roles in the smash hit Groundhog Day, opposite Bill Murray, and in the unsuccessful rap mockumentary CB4 with Chris Rock. In 1994, he joined the cast of Saturday Night Live. Despite the addition of other talented comic actors (Randy Quaid, Michael McKean, and Janeane Garofalo), it was a dismal season, and Elliott was put off by the lack of collaborative spirit among some of the long-term cast members. He moved on after one season.This was also the period of Elliott's greatest professional disappointment -- the failure of the feature film he co-wrote and starred in, Cabin Boy. His frequent collaborator Adam Resnick co-wrote the film, and, at the urging of producer Tim Burton, also directed it. Letterman makes a brief, but very funny cameo appearance. The film has developed a small cult following, particularly among devotees of Get a Life, but it was a box-office flop. While the filmmakers themselves have acknowledged that Cabin Boy fell short of their expectations, Elliott was stung by the viciousness of the reviews. Elliott went through a creative dry spell after this, appearing in a recurring role in the Tea Leoni sitcom Flying Blind, and gaining more national visibility as a spokesman for Tostitos snack chips. He also continued making guest appearances on a variety of sitcoms. Since then, Elliott has appeared in supporting roles in a number of silly comedies (Snow Day, sequels to The Nutty Professor, and Scary Movie) and has developed a fruitful relationship with the Farrelly brothers, appearing in Kingpin, Osmosis Jones, and, most notably, in their smash hit, There's Something About Mary. He was also heard as the voice of Dogbert on the short-lived animated series, Dilbert, and he was a regular on the appropriately named, ill-fated Steven Weber series, Cursed.