Trivia: Making her stage bow at age five in a community production of Alice in Wonderland, Linda Lavin spent the next ten years studying piano under the watchful eye of her stage mother. After majoring in theater arts at William and Mary College, Lavin appeared in stock in New Jersey, then weathered the chorus-audition rounds in New York, making her off-Broadway debut in a 1960 revival of Oh, Kay (1960). Two years later, she reached Broadway in A Family Affair. She went on to play Lois Lane (a la Ethel Merman) in the short-lived 1965 Broadway musical It's a Bird...It's a Plane...It's Superman, and when that show folded she starred in the off-Broadway production Wet Paint, which earned her a Theatre World Award. The musicomedy review The Mad Show followed, then Lavin was selected by director Alan Arkin to play Patsy Newquist (one of her favorite roles, and one that earned her the New York Critics' Outer Circle Award) in Jules Feiffer's Little Murders (1968). She subsequently played all the female roles in 1969's Cop-Out (another of her favorites) and Elaine Navazio in Neil Simon's Last of the Red Hot Lovers. From 1968 onward, Lavin made periodic trips to Hollywood. Her work as detective Janice Wentworth during the 1975-76 season of TV's Barney Miller led to a supporting role in the pilot episode of the proposed series Jerry. CBS nixed Jerry but signed Lavin to a development deal, which of course developed into her ten-season (1976-85) hitch as waitress Alice Hyatt in the popular sitcom Alice. Recalling that her counterpart in the 1975 film Alice Doesn't Live Here Anymore was an aspiring singer, Lavin inked her Alice contract on the assumption that the producers would permit her to sing--which they did, on practically every other network program except Alice. Returning to Broadway after her series folded, Lavin won a Tony award for her performance in Neil Simon's Broadway Bound, and also starred in Gypsy and The Sisters Rosensweig. She also made a brief return to TV as Edie Kurland in the one-season comedy Room for Two (1992). Linda Lavin was at one time married to actor Ron Leibman.

Trivia: Born to a Syrian-Lebanese family in Brooklyn, Victor Tayback grew up learning how to aggressively defend himself and those he cared about, qualities that he'd later carry over into his acting work. Moving to California with his family, the 16-year-old Tayback made the varsity football team at Burbank High. Despite numerous injuries, he continued his gridiron activities at Glendale Community College, until he quit school over a matter of principle (he refused to apologize to his coach for breaking curfew). After four years in the navy, Tayback enrolled at the Frederick A. Speare School of Radio and TV Broadcasting, hoping to become a sportscaster. Instead, he was sidetracked into acting, working as a cab driver, bank teller and even a "Kelly Girl" between performing gigs. Shortly after forming a little-theatre group called the Company of Angels, Tayback made his movie debut in Door-to-Door Maniac (1961), a fact he tended to exclude from his resumé in later years. His professional life began to improve in 1967, when he won an audition to play Sid Caesar's look-alike in a TV pilot. Throughout the early 1970s the bulging, bald-domed actor made a comfortable living in TV commercials and TV guest-star assignments, and as a regular on the detective series Griff (1973) and Khan (1975). In 1975, he was cast in the secondary role of Mel Sharples, the potty-mouthed short-fused owner of a greasy spoon diner, in the theatrical feature Alice Doesn't Live Here Anymore. When the film evolved into the weekly TV sitcom Alice in 1976, Tayback was engaged to recreate his "Mel" characterization. He remained with the program for the next nine years. In contrast to his gruff, abusive screen character, Tayback was dearly loved by the rest of the Alice cast, who regarded him a Big Brother and Father Confessor rolled into one. Five years after Alice's cancellation, Vic Tayback died of cancer at the age of 61; one of his last screen assignments was the voice of Carface in the animated feature All Dogs Go to Heaven.

Trivia: Supporting actor Philip McKeon got his start as a child model appearing in magazines, newspapers, and television commercials. He is best remembered for playing Tommy, the son of the title character in the long-running sitcom Alice (1976-1985). His younger sister, Nancy McKeon, is a successful television actress.

Trivia: In the early 1970s, after completing college, moved to California and became a Los Angeles County social worker. Took drama class in 1973 at Hollywood High School in Los Angeles. After she won an acting competition held by the school, decided to pursue a career in acting. Made first TV appearance in the 1974 made-for-TV drama I Love You...Goodbye. Assisted in the creation of the Latino Theater Company in Los Angeles. Appeared in the stage and movie adaptations of Zoot Suit and Real Women Have Curves. Won a National Board of Review award and received an Independent Spirit Award nomination for her performance in the 2000 film Chuck & Buck. Provided voice of Abuela Elena in the PBS animated series Maya and Miguel. Narrated the 2005 Independent Lens PBS documentary Maid in America, which featured women who work as domestics. By her own account, she has portrayed a maid more than 150 times in her career. Recipient of the National Hispanic Media Coalition Lifetime Achievement Award.

Trivia: Not every blacklistee spent his or her life as a victim -- some of them, such as Lionel Stander and Selena Royale, ended up pursuing successful second careers, and a few, including Stander and Jeff Corey, went on to very busy late-in-life acting careers. Allan Rich fits into both categories. Born in New York in 1926, he aspired to a performing career at an early age, and came of age in the midst of the Second World War. Rich got to work on-stage with the likes of Edward G. Robinson, Ralph Bellamy, Kim Hunter, and Henry Fonda, and seemed poised to make the jump to movies when the Red Scare swept over Hollywood. Like a lot of other New York-based actors who had made no secret of their belief in liberal values, Rich was blacklisted from the end of the 1940s. He followed a route, which was also followed by Lionel Stander, to Wall Street; though he was too "Red" to work in movies, Rich was sufficiently capitalist to succeed as a stock broker, and he eventually opened his own firm. He was successful enough to pursue his other great love -- contemporary art -- by opening a gallery on New York's Upper East Side. By the early '70s, however, Rich was drawn back into acting, in a stage production of Journey of the Fifth Horse, with Dustin Hoffman. In 1973, he made his long-delayed screen debut as District Attorney Herman Tauber in Sidney Lumet's Serpico. The following year, he was in The Gambler, and in 1975, he appeared in episodes of Baretta and Kojak. Over the decades since, Rich has appeared in movies as different as The Frisco Kid (1979), Frances (1982), Betsy's Wedding (1990), Highlander II: The Quickening (1991), Quiz Show, Disclosure (both 1994), and Amistad (1997), and in television productions ranging from Kojak and CHiPs in the 1970s through Hill Street Blues and Barney Miller in the 1980s, The Nanny and CSI in the 1990s to NYPD Blue and The Division in the 21st century. Playing featured and supporting roles as desk sergeants, attorneys (crooked and honest), judges (crooked and honest), college professors, doctors, and other professionals, Rich has used his resonant voice and skilled portrayals to evoke respect, contempt, cynicism, and laughter from audiences. Fans of Happy Days who lingered to the late seasons may remember Rich best for his role in the episode "Potsie Quits School," as the mean-tempered, cynical Prof. Thomas. He showed something more of his full range, however, in the 2004 NYPD Blue episode "You Da Bomb," portraying an aging Russian immigrant. Rich has also authored more than a half-dozen screenplays and had a film about Salvador Dali (based on his own friendship with the artist), in production as of 2004. Equally adept at comedic and sinister roles, Rich is one of the busiest character actors of his generation, which is poetic justice of a sort -- he was still earning a good living in his chosen profession (after having proved to be a better capitalist than most of his political foes), decades after those foes were in the ground and all-but-forgotten.