Trivia: A dancer from childhood, Buddy Ebsen headlined in vaudeville in an act with his sister Velma. In 1935, Ebsen was signed by MGM as a specialty performer in The Broadway Melody of 1936, wherein he was shown to good advantage in several solos. He worked in a number of subsequent musicals, including Shirley Temple's Captain January (1936), teaming with Shirley for the delightful number "At the Codfish Ball." MGM assigned Ebsen to the role of the Scarecrow in 1939's The Wizard of Oz, but Ray Bolger, who'd been cast as the Tin Man, talked Ebsen into switching roles. The move proved to be Ebsen's undoing; he found that he was allergic to the silver makeup required for the Tin Man, fell ill, and was forced to bow out of the film, to be replaced by Jack Haley (however, Ebsen's voice can still be heard in the reprises of "We're Off to See the Wizard").Ebsen then returned to the stage, taking time out to provide the dancing model for a electronically operated wooden marionette which later was used at Disneyland. In 1950 Ebsen returned to films as comical sidekick to Rex Allen, gradually working his way into good character parts in "A" pictures like Night People (1955). Walt Disney, who'd remembered Ebsen from the dancing marionette, offered the actor the lead in his 1954 three-part TV production of Davy Crockett, but at the last moment engaged Fess Parker as Davy and recast Buddy as Crockett's pal George Russel. Ebsen continued to pop up in films like 1961's Breakfast at Tiffany's (as Audrey Hepburn's abandoned hometown husband), and in TV westerns, where he often cast his image to the winds by playing cold-blooded murderers. Comfortably wealthy in 1962 thanks to his film work and wise business investments, Ebsen added to his riches by signing on to play Jed Clampett in the TV sitcom The Beverly Hillbillies, which ran for nine years to excellent ratings. A millionaire several times over, Ebsen planned to ease off after Hillbillies, but in 1972 he was back in TV in the title role of Barnaby Jones. Few observers gave this easygoing detective series much of a chance, but they weren't counting on Ebsen's built-in popularity; Barnaby Jones lasted until 1980. The actor now confined himself to special events appearances and occasional guest-star roles, though he did play the recurring part of Lee Horsley's uncle in the final season of the TV mystery show Matt Houston (1983-85). One of Buddy Ebsen's final roles was in the 1993 theatrical film version of The Beverly Hillbillies -- not as Jed Clampett but in a cameo as Barnaby Jones!

Trivia: For as long as she could remember, Irene Ryan was performing on some stage or other. From the 1920s onward, she and her husband Timothy Ryan formed the popular vaudeville duo Tim and Irene. They carried over their song, dance and snappy patter into a brief series of two-reel comedies and several radio programs. During her first burst of filmmaking activity in the 1940s, Ryan played comedy relief parts in a number of B pictures scripted by her husband. Her standard characterization at this time was the traditional wisecracking, man-hungry spinster. During and after her divorce, Ryan continued accepting roles of varying sizes in such pictures as Woman on the Beach (1948), My Dear Secretary (1948), Mighty Joe Young (1949), Bonzo Goes to College (1952) and Blackbeard the Pirate (1952). By the early 1960s, Ryan was (as she would later cheerfully admit) pretty much washed up in show business. All this changed when she was invited to audition for an upcoming sitcom about a family of mountaineers who suddenly come into a fortune. Ryan read one single line and was hired on the spot: she played Granny on The Beverly Hillbillies from 1962 through 1971, never missing an opportunity to express gratitude for her involvement in so popular a project. No sooner had Hillbillies folded than Irene Ryan was cast in a show-stopping role in the 1971 Broadway musical Pippin, scoring yet another personal success--which, sadly, turned out to be her last.

Trivia: Though she appeared in feature films before and after the much-loved '60s sitcom The Beverly Hillbillies, American actress Donna Douglas will always be remembered as the buxom, blue-eyed tomboy Elly May Clampett. She was born Doris Smith in Pride, LA, and grew up to be very much like Elly May in that she always had a special affinity for animals and nature. As a teen, Douglas was a cheerleader and won some beauty contests, notably the title of Miss New Orleans 1957. From there Douglas appeared as the Letters Girl on The Perry Como Show and later appeared on The Steve Allen Show as a Billboard Girl. She made her feature-film debut in Career Girl (1959) and followed it up with a co-starring role in the Rock Hudson/Doris Day screwball comedy Lover Come Back (1960). She was cast as Elly May in 1962 and remained with the series through its demise in 1971. Later, she returned for a Beverly Hillbillies made-for-TV reunion movie in 1981. In 1965, Douglas starred opposite Elvis Presley in Fred de Cordova's Frankie and Johnnie. It would be her last film that had nothing to do with Hillbillies. Whereas some actors deeply resent being so closely associated with a single role, Donna Douglas embraced Elly Mae and continued to make public appearances in costume. A devout Christian, Douglas was also a noted gospel singer. Douglas died in 2015, at age 81.

Trivia: American actor Brian Kelly is best remembered for playing ranger Porter Ricks in the television adventure series Flipper (1964-1968). Tall and handsome, Kelly also appeared in feature films such as Thunder Island (1963). Kelly's career came to an abrupt end in 1971 when a motorcycle he borrowed blew up leaving him with a speech impediment and partially paralyzed on the right side of his body.

Trivia: Low-budget company PRC's late entry in the Singing Cowboy sweepstakes, Eddie Dean (born Glosup) had gained some recognition as a singer on the popular National Barn Dance radio program back in 1934 and was later a featured performer on Gene Autry's Melody Ranch and the Judy Canova Show. It was Autry who offered Dean a chance for a movie career. The year was 1938 and the film was Western Jamboree. For the next eight years the rather gawky-looking singer would play supporting roles in scores of low-budget westerns, appearing in five Hopalong Cassidy Westerns (1939-1940) and the serial The Lone Ranger Rides Again (1939). Ironically, Dean was not asked to sing until Harmony Trail (1944), a Ken Maynard Western in which he appeared as himself and performed his own "On the Banks of the Sunny San Juan" and "Boogie Woogie Cowboy." That brought him to the attention of PRC, who was without a singing cowboy star to compete with Republic's Gene Autry and Roy Rogers. The ramshackle little studio certainly believed in his potential, releasing the initial five Eddie Dean music westerns in Cinecolor and thus making Dean the star of the first B-western series in color. Old-timer Emmett Lynn was cast as comic relief and the studio also added the black-garbed Al La Rue, a Humphrey Bogart lookalike destined for B-Western stardom himself. Rather homely in appearance, Dean nevertheless performed well in fights and looked comfortable on a series of ever-changing equine co-stars. Dean later explained that he changed horses often in order never to be upstaged by his four-footed sidekick. Dean's crooning of his own western ballads was of course always one of the films' main selling points, but it wasn't the only one and Dean soon garnered a following among less demanding Western fans. Part of the success may be attributed to the presence of stammering Roscoe Ates, who had replaced Emmett Lynn and would become Dean's best remembered sidekick. Of Dean's films, at least one stands out in the crowded field of low-budget westerns: The Hawk of Powder River (1948), which had a girl villain (Jennifer Holt, whom Dean is forced to kill. In 1946, Dean and Ates appeared in the supporting cast of PRC's Down Missouri Way (1946), the singing cowboy's only non-western until his final film, Varieties on Parade (1951). Mainly due to budget constraints, Eddie Dean never really came close to rivaling the success of Gene Autry and Roy Rogers -- nor indeed the popularity of his non-singing PRC colleague Al La Rue. He continued as a prolific country & western performer and also contributed songs to other artists including "One Has My Name, the Other Has My Heart", a hit for Jimmy Wakely, and "I Dreamed of a Hill Billy Heaven", which became one of Tex Ritter's most successful recordings. In 1978, Eddie Dean received a "Pioneer Award" by the Academy of Country Music and was inducted into the Western Music Association's "Hall of Fame" in 1990. In his last years, Dean was a frequent and very welcome guest at B-Western memorabilia shows.

Trivia: Peter Leeds played straight man to some of the most popular comedians of the mid- to late 20th century, including Bob Hope, Lucille Ball, Milton Berle, Carole Burnett, and Johnny Carson. Leeds was also a fine dramatic actor. He spent most of his 40-plus-year career on television, appearing an astonishing 8,000 times on situation comedies and variety shows. Leeds has appeared on Broadway, in feature films, and on over 3,000 radio shows and was a popular voice-over artist. A native of Bayonne, NJ, Leeds received his training at the Neighborhood Playhouse. He made his film debut with a bit part in Public Enemies (1941). Leeds hooked up with Bob Hope in 1954 for a television special and continued working with Hope on specials and 14 U.S.O. tours through 1991. During the '70s, Leeds spent five years as the president of the Los Angeles chapter of AFTRA and later served on the actors' union's national and local Board of Directors. In 1992, AFTRA repaid his many years of service with its highest honor, the Gold Card. Leeds later served on the Board of Governors for the Academy of Television Arts & Sciences. Leeds died of cancer on November 12, 1996, at age 79.

Trivia: Character actor Karl Lukas was most famous for playing "Lindstrom" opposite Henry Fonda in the Broadway version of Mister Roberts(1948). While he spent most of his four-decade-long career on stage, he also dabbled in television and the occasional feature film. Lukas made his screen debut playing the "inspector" in the Lucille Ball/Desi Arnaz comedy The Long Long Trailer (1954). His other film credits include The Watermelon Man (1970), The Shaggy D.A. (1976), and Memories of Me (1988). Lukas also guest-starred on such television series as Family Affair, St. Elsewhere, and Little House on the Prairie.