Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: The daughter of actor Efrem Zimbalist Jr., Stephanie Zimbalist was raised on the family's Encino, CA, ranch and educated at some of America's finest private schools. Zimbalist attended Stanford University as a science major, then took acting and singing lessons at Juilliard. After appearing on-stage with Anthony Hopkins in The Tempest, she launched her TV career with an unsold NBC pilot in 1976. Gaining stardom in a variety of TV-movie roles, she turned down several series offers, finally acquiescing to the producers of the weekly adventure series Remington Steele. From 1982 to 1987, Zimbalist starred as glamorous private investigator Laura Holt, the largely reluctant teammate of handsome adventurer Remington Steele, played by Pierce Brosnan. Periodically resuming her stage career over the last two decades, Stephanie Zimbalist co-starred with Tommy Tune in the 1982 touring company of My One and Only, and has starred in several California-based theatrical productions.

Trivia: American actress Adrienne Barbeau was encouraged by her mother to take dancing and singing lessons. Adrienne was active in theatre both in high school and at Foothills Junior College; by age 19 she was touring Pacific military bases as a member of the San Jose Light Opera. After an unprepossessing job with a termite-control company, Adrienne set out for New York, paying the bills with a variety of jobs including go-go dancing in New Jersey nightclubs. In 1968 she was cast as Hodel in the long-running Broadway production Fiddler on the Roof, and three years later was featured in Grease, winning a Tony nomination through her rendition of "Look at Me, I'm Sandra Dee." From here, Adrienne was hired by Norman Lear to replace first-choice actress Marcia Rodd in the role of the divorced daughter on the controversial TV sitcom Maude. She played the role from 1972 through the series' cancellation in 1978, after which she began a whole new career as a successful horror-film star and sexy pin-up model. Adrienne married film director John Carpenter in 1979; most of her subsequent screen appearances were in such Carpenter-directed terrors as The Fog (1980), Escape from New York (1981) and Creepshow (1982). Perhaps Adrienne Barbeau's most enjoyable performance was as the Marlon Brando counterpart (!) in an uproarious distaff parody of Apocalypse Now, sublimely titled Cannibal Women in the Avocado Jungle of Death (1989). Barbeau would continue to act over the coming decades, appearing on TV shows like The Drew Carey Show, Carnivale, and the soap General Hospital.

Trivia: Billy Crystal notwithstanding, Argentine actor Fernando Lamas did not spend his entire career saying "You...look...MAHHHHvelous". A well-established film star in his native Buenos Aires, Lamas was brought to Hollywood in 1950 with an MGM contract. He went on to play several variations on the standard "Latin Lover" type, with occasional opportunities to display his well-trained singing voice. Beginning with the 1961 Spanish film The Magic Fountain, Lamas entered a whole new phase of his career as a director. In this respect, he was busiest on television, directing episodes of such series as Mannix, Alias Smith and Jones, Gavilan, and Falcon Crest. This last-named series starred Lorenzo Lamas, the son of Fernando and his third wife Arlene Dahl. At the time of his death, Fernando Lamas was married to wife number four, aquatic film star Esther Williams.

Trivia: The daughter of actor John Mills and novelist-playwright Mary Hayley Bell and the sister of actress Hayley Mills, she first appeared onscreen as an 11-week-old baby in her father's film In Which We Serve (1942), which was co-directed by her godfather, Noel Coward. Before the age of ten she acted in two more of her father's films. Her first adult role (and lead role) was in No, My Darling Daughter (1961), after which her film work was intermittent; she was rarely onscreen after the mid '70s. Her main focus has been the stage, mostly in London and occasionally on Broadway. She starred in the TV sitcom Nanny and the Professor and starred in a number of TV productions, winning an Emmy for her work in the TV movie QB VII (1975). She is married to actor Maxwell Caulfield, who is 18 years her junior.

Trivia: One was always reminded of a startled chipmunk when viewing the work of American actor John Schuck. After theatre and improv-comedy work, Schuck was cast as Painless Pole in the irreverent Robert Altman comedy M*A*S*H (1970). Midway through the film, Schuck's character contemplates killing himself, which segues into the film's famous "Last Supper" sequence and a full rendition of the M*A*S*H theme song Suicide is Painless. Schuck appeared in a few other Altman projects, then in 1971 was hired for the role of Sgt. Charles Enright on the TV series McMillan and Wife. Enright's function was to keep the plot wheels turning while stars Rock Hudson and Susan St. James battled for the best camera angles. Schuck left McMillan and Wife in 1975 to play a robot cop (that's what we said) in the short-lived Holmes and Yoyo. Later, equally brief TV series assignments of John Schuck included Turnabout (1979) and The New Odd Couple (1982); there was also a more widely seen performance as Ordell in the groundbreaking miniseries Roots (1977).

Trivia: Dialect comedians may not be politically acceptable these days, but American comic actor Larry Storch has never lacked work all the same. A product of the New York ethnic "melting pot," Storch amused his childhood friends (including lifelong chum Don Adams) with his dead-on impressions of the many Italians, Hispanics, Germans and Jews in his neighborhood. He advanced his skills for mimicry by virtually living in the local movie houses, memorizing the speech patterns of such character actors as Victor McLaglen, Guy Kibbee and Charley Grapewin. One of his first jobs after World War II navy service was as a writer on The Kraft Music Hall, where he was frequently required to substitute for the star, blustery actor Frank Morgan; years later, he revived his Morgan impression as Chumley on the cartoon series Tennessee Tuxedo (in which his old pal Don Adams voiced the title character). In 1951 Storch appeared in the Chicago revue Red White and Blue, which led to a stint as summer replacement for Jackie Gleason on the Dumont TV series Cavalcade of Stars. Storch's most common stamping grounds in the '50s was the nightclub stage; at one point he even ran his own club. Storch made his film bow in The Prince who was a Thief (51) which starred a friend from his Navy days, Tony Curtis. When Storch's career was on the wane in the early '60s, Curtis cast him in several of his vehicles of that period, including Who was That Lady (1960), wherein Storch recreated his Broadway role as an emotional Russian spy. After a semi-recurring role as Charlie the Drunk (who became besotted simply by talking about drinking) on the early '60s sitcom Car 54, Where are You?, Storch was cast as Corporal Agarn, comic sidekick of conniving cavalry sergeant O'Rourke (Forrest Tucker) on the western comedy weekly F Troop (1965-66). In addition to Agarn, Storch was permitted to play various foreign branches of the Agarn family, with appropriate broad accents. Since the cancellation of F Troop in 1966, Larry Storch has been a regular on The Queen and I (1969) and The Ghost Busters (1976), has worked periodically in films, and has appeared with great frequency in clubs (still doing "characterization" routines rather than one-liners) and on stage. In 1991, Larry Storch garnered excellent notices for his brief character turn in the off-Broadway play Breaking Legs.

Trivia: Yes, Karen Valentine is her real name; her Portuguese grandfather had Anglicized his surname of Valentin long before Karen was born. Her lifelong "nice-girl" reputation had its roots in her wholesome upbringing on a Sebastopol, California chicken ranch, and her straight-A high-school years, when she was a member in good standing of the Future Teachers of America. Unhappy with being regarded as too squeaky-clean for words, Valentine went out of her way to perform "hot" musical numbers while competing in such talent-and-beauty contests as Miss Teenage Santa Rosa and Miss Sonoma Country. While she never made Miss America, she did manage to make two appearances on the Ed Sullivan Show before reaching the age of 20. While acting in summer stock, she continued seeking out roles that would allow her to shed her goody-goody image. To keep her checkbook balanced between acting assignments, she worked as a model, waitress and switchboard operator. In 1969, Valentine was cast as well-meaning if slightly klutzy student teacher Alice Johnson on the weekly TV series Room 222, winning an Emmy Award for her efforts. A proven audience favorite, she starred in such lightweight TV-movies as Gidget Grows Up (1970), The Girl Who Came Gift-Wrapped (1972) and Coffee, Tea or Me (1973), and was a regular contributor to such daytime programs as Dinah's Place and The Hollywood Squares. Once her star had begun to fade, Valentine was finally able to break loose from her "America's sweetheart" image and attempt to play roles with depth and bite. But such TV series as Karen (1975) and Our Time (1985) were not enthusiastically received by viewers, nor were her laudable dramatic performances in such made-for-TV fare as Muggable Mary, Street Cop (1982) world-beaters in the ratings. From the mid-1970s to the late 1980s, Karen Valentine maintained an on-and-off relationship with the Disney studios, co-starring in such theatrical features as Hot Lead and Cold Feet and The North Avenue Irregulars (1979), and in Disney Sunday Movie TV presentations bearing titles like Skeezer (1987) and Perfect People (1988).

Trivia: Possibly in defiance of the old adage "those that can't do, teach," American actor Harold Gould gave up a comfortable professorship in the drama department of the University of California to become a performer himself. Building up stage and TV credits from the late '50s onward, Gould made his first film, Two for the Seesaw, in 1962. He divided his time between stage and screen for the rest of the '60s, winning an Obie Award for the off-Broadway production Difficulty of Concentration. Gould was prominently cast in such slick '70s products as The Sting (1973), Woody Allen's Love and Death (1975), and Mel Brooks' Silent Movie (1976) (as a classically gesticulating villain). Often nattily attired and usually comporting himself like a wealthy self-made businessman, Gould was generously employed on TV for three decades. He co-starred with Daniel J. Travanti in the 1988 American Playhouse production of I Never Sang for My Father, played WASP-ish Katharine Hepburn's aging Jewish lover in the TV movie Mrs. Delafield Wants to Marry (1986), and had regular stints on such series as The Long Hot Summer (1965), He and She (1967), Rhoda (1974) (as Rhoda's father), The Feather and Father Gang (1977), Washington: Behind Closed Doors (1977), Park Place (1981) Foot in the Door (1983), Spencer (1984) and Singer and Sons (1990). However, when the time came in 1974 to make a series out of the pilot film for Happy Days, an unavailable Harold Gould was replaced by Tom Bosley.

Trivia: The first person ever to appear on the cover of TV Guide, Desi Arnaz Jr. was not afforded this honor for his film or TV credits, but by virtue of his lineage. The son of television legends Lucille Ball and Desi Arnaz, Desi Jr. was born by Cesarean section on January 19, 1953--the very same day that his fictional counterpart "Little Ricky" was born on the immensely popular TV show I Love Lucy. So momentous was this event (at least to those people who had TV sets at the time) that it squeezed out the news of Eisenhower's inauguration on the front pages of the nation. When he was old enough to decide that he wanted to earn his celebrity rather than merely enjoy it, Desi helped form the rock band Dino, Desi and Billy with two teen-aged friends, one of whom was the son of Dean Martin. Desi made his acting debut (in a manner of speaking) on I Love Lucy in 1957, learned the rudiments of his craft in small parts on his mother's subsequent The Lucy Show (1962-68), then graduated to "regular" status on Mom's Here's Lucy. His first film appearance was in Red Sky at Morning in 1970. Although most of his films were not first rate, Desi Arnaz Jr.'s best film showing was in 1992's The Mambo Kings, in which he offered an intimidatingly accurate portrayal of Desi Arnaz Sr.