Trivia: Chuck Connors attended Seton Hall University before embarking on a career in professional sports. He first played basketball with the Boston Celtics, then baseball with the Brooklyn Dodgers and Chicago Cubs. Hardly a spectacular player -- while with the Cubbies, he hit .233 in 70 games -- Connors was eventually shipped off to Chicago's Pacific Coast League farm team, the L.A. Angels. Here his reputation rested more on his cut-up antics than his ball-playing prowess. While going through his usual routine of performing cartwheels while rounding the bases, Connors was spotted by a Hollywood director, who arranged for Connors to play a one-line bit as a highway patrolman in the 1952 Tracy-Hepburn vehicle Pat and Mike. Finding acting an agreeable and comparatively less strenuous way to make a living, Connors gave up baseball for films and television. One of his first roles of consequence was as a comic hillbilly on the memorable Superman TV episode "Flight to the North." In films, Connors played a variety of heavies, including raspy-voiced gangster Johnny O in Designing Woman (1957) and swaggering bully Buck Hannassy in The Big Country (1958). He switched to the Good Guys in 1958, when he was cast as frontiersman-family man Lucas McCain on the popular TV Western series The Rifleman. During the series' five-year run, he managed to make several worthwhile starring appearances in films: he was seen in the title role of Geronimo (1962), which also featured his second wife, Kamala Devi, and originated the role of Porter Ricks in the 1963 film version of Flipper. After Rifleman folded, Connors co-starred with Ben Gazzara in the one-season dramatic series Arrest and Trial (1963), a 90-minute precursor to Law and Order. He enjoyed a longer run as Jason McCord, an ex-Army officer falsely accused of cowardice on the weekly Branded (1965-1966). His next TV project, Cowboy in Africa, never got past 13 episodes. In 1972, Connors acted as host/narrator of Thrill Seekers, a 52-week syndicated TV documentary. Then followed a great many TV guest-star roles and B-pictures of the Tourist Trap (1980) variety. He was never more delightfully over the top than as the curiously accented 2,000-year-old lycanthrope Janos Skorzeny in the Fox Network's Werewolf (1987). Shortly before his death from lung cancer at age 71, Chuck Connors revived his Rifleman character Lucas McCain for the star-studded made-for-TV Western The Gambler Returns: The Luck of the Draw (1993).

Trivia: A former Mousketeer, Johnny Crawford is best remembered for playing young Mark McCain on The Rifleman (1958-1963). His career slowed after he reached adulthood when he was relegated to supporting roles.

Trivia: The son of a brewery owner, steely-eyed American character actor Paul Fix went the vaudeville and stock-company route before settling in Hollywood in 1926. During the 1930s and 1940s he appeared prolifically in varied fleeting roles: a transvestite jewel thief in the Our Gang two-reeler Free Eats (1932), a lascivious zookeeper (appropriately named Heinie) in Zoo in Budapest (1933), a humorless gangster who puts Bob Hope "on the spot" in The Ghost Breakers (1940), and a bespectacled ex-convict who muscles his way into Berlin in Hitler: Dead or Alive (1943), among others. During this period, Fix was most closely associated with westerns, essaying many a villainous (or at least untrustworthy) role at various "B"-picture mills. In the mid-1930s, Fix befriended young John Wayne and helped coach the star-to-be in the whys and wherefores of effective screen acting. Fix ended up appearing in 27 films with "The Duke," among them Pittsburgh (1942), The Fighting Seabees (1943), Tall in the Saddle (1944), Back to Bataan (1945), Red River (1948) and The High and the Mighty (1954). Busy in TV during the 1950s, Fix often found himself softening his bad-guy image to portray crusty old gents with golden hearts-- characters not far removed from the real Fix, who by all reports was a 100% nice guy. His most familiar role was as the honest but often ineffectual sheriff Micah Torrance on the TV series The Rifleman. In the 1960s, Fix was frequently cast as sagacious backwoods judges and attorneys, as in To Kill a Mockingbird (1962).

Trivia: Bald, cadaverous, hollow-eyed, doom-voiced actor Milton Parsons began appearing in films in the late 1930s. In an era wherein being typecast in Hollywood assured an actor a steady paycheck, Parsons fattened his bank account by playing dozens of undertakers and morticians. He was also an effective psychotic type, most notably as the lead in 1942's The Hidden Hand. Parsons entered the "film noir" hall of fame in the tiny role of the jury foreman in 1947's They Won't Believe Me; the film's unforgettable final image was a screen-filling close-up of Parsons, gloomily intoning an all-too-late "Not Guilty." Active into the 1970s, Parsons showed up in TV series ranging from Twilight Zone to The Dick Van Dyke Show, his morbid appearance enhanced by the addition of a satanic goatee. Even in his last roles, Milton Parsons adhered strictly to type; in the 1976 TV movie Griffin and Phoenix, for example, he portrayed a guest lecturer at a support group for terminally ill cancer victims.

Trivia: Karl Swenson was one of the busiest performers in the so-called golden days of network radio. Swenson played the leading role in the seriocomic daily serial Lorenzo Jones, and was also heard on Our Gal Sunday as Lord Henry, the heroine's "wealthy and titled Englishman" husband. He carried over his daytime-drama activities into television, playing Walter Manning in the 1954 video version of radio's Portia Faces Life. From 1958 onward, Swenson was seen in many small roles in a number of big films: Judgment of Nuremberg (1961), How the West Was Won (1962), and The Birds (1963). One of his more sizeable movie assignments was the voice of Merlin in the 1963 Disney animated feature The Sword in the Stone. One of his last roles was the recurring part of Mr. Hansen on TV's Little House on the Prairie. Karl Swenson was married to actress Joan Tompkins.

Trivia: While studying art in his native London, John Abbott relaxed between classes by watching rehearsals of a student play. When one of the actors fell ill, Abbott was invited to replace him, and at that point he switched majors. He became a professional actor in 1934, joined the Old Vic in 1936, and made his first film, Mademoiselle Docteur, in 1937; later that same year he made his first BBC television appearance. Turned down for military service during World War II, Abbott joined the Foreign Office, working as a decoder in the British Embassy in Stockholm and working in similar capacities in Russia and Canada. In 1941, he took a vacation in New York, leaving his resumé and photo with various producers, just in case something turned up. On the very last day of his vacation, he was hired for a small role in Josef von Sternberg's The Shanghai Gesture (1941), thus launching the Hollywood phase of his career. Generally cast as a fussy eccentric, Abbott was seen at his very best as whining hypochondriac Frederick Fairlie in Warner Bros.' The Woman in White (1948). He also received at least one bona fide starring role in the 1943 quickie London Blackout Murders. In the late '40s, Abbott began amassing some impressive Broadway credits in such productions as He Who Gets Slapped, Monserrat, and Waltz of the Toreadors. He also appeared in 1950's Auto da Fe, which was specifically written for him by Tennessee Williams. Though still active in films and TV into the 1980s (he played Dr. Frankenstein in the ill-fated 1984 cinemadaptation of Kurt Vonnegut's Slapstick), John Abbott spent most of his twilight years as an acting teacher. Abbott died in a Los Angeles hospital on May 24, 1996, after a prolonged illness.