Trivia: Pamela Franklin was born in Japan, where her British father was a busy importer/exporter. Spending her early years in several Far East ports of call, Franklin was bundled off to England to study at the Elmhurst School of Ballet. At age 11, she made her motion-picture bow as the enigmatic "possessed" child, Flora, in 1961's The Innocents. Her American TV debut occurred in the 1963 Wonderful World of Disney two-parter "The Horse Without a Head." There was nothing Disneyesque about Franklin's portrayals of teen murderesses in both 1964's The Third Secret and 1965's Our Mother's House. Her first grown-up role (near-nude scene and all) was as the kidnap victim in Night of the Following Day (1969), but she was back to adolescents in Prime of Miss Jean Brodie (1969) as the rebellious, sexually inquisitive private-school student Sandy. Though still active in TV, Pamela Franklin made her last film in 1976.

Trivia: Lead actor, onscreen from the '70s. He is the brother of actor David Naughton.

Trivia: Born Krekor Ohanian, American actor Mike Connors was born and raised in the heavily Armenian community of Fresno, California. He studied law at UCLA, but distinguished himself in sports (he'd gotten in on a basketball scholarship). While in the Air Force, Connors switched his career goals to acting on the advice of producer/director William Wellman, who'd remembered Connors' college athletic activities. Hollywood changed young Mr. Ohanian's last name to Connors, and since this was the era of "Rocks" and "Tabs" it was decided that the actor needed a suitably rugged first name. So Connors spent his first few acting years as Touch Connors, a nickname he'd gotten while playing college football. His first picture was the Joan Crawford vehicle Sudden Fear (1952) but handsome hunks were a glut on the market in the early '50s, so Connors found himself in "B" pictures, mostly at bargain-basement American International studios. Renaming himself "Mike," Connors was able to secure the lead role as an undercover agent on the 1959 detective series Tightrope. The series was a hit but was dropped from the network due to complaints about excessive violence, though it cleaned up in syndication for years afterward. After a few strong but non-starring roles in such films as Good Neighbor Sam (1963) and Where Love Has Gone (1964), Connors landed the title role in Mannix (1967), a weekly TV actioner about a trouble-prone private eye. For the next eight high-rated seasons, Connors' Joe Mannix was beaten up, shot at, cold-cocked and nearly run over in those ubiquitous underground parking lots each and every week. The series ran in over 70 foreign countries, allowing Connors a generous chunk of profits percentages in addition to his lofty weekly salary-- which became loftier each time that the actor announced plans to retire. Mike Connors has starred in the 1981 series Today's FBI and filmed a cop-show pilot titled Ohanian (playing a character with his own real name), but nothing has quite captured the public's fancy, or been as lucrative in reruns, as Connors' chef d'ouevre series Mannix.

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.