Trivia: A proud descendant of U.S. Supreme Court Chief Justice John Marshall, Marshall Thompson moved from his home town of Peoria, Illinois to the West Coast when his dentist father's health began to flag. Intending to follow his father's example by taking pre-med at Occidental Junior college, Thompson was sidetracked by a love of performing, inherited from his concert-singer mother. His already impressive physique pumped by several summers as a rodeo-rider and cowpuncher, Thompson was offered a $350-per-week contract by Universal studios in 1943. He accepted, expecting to use the money to pay for his college tuition. As it happened, Thompson never returned to the halls of academia; from 1944 onward he worked steadily as a film actor at Universal, 20th Century-Fox, MGM and other studios, sometimes as a lead, more often in supporting roles. For a while, he was typed as a mental case after convincingly portraying a psycho killer in MGM's Dial 119 (1950). He also acted in something like 250 TV programs, and for eight weeks in 1953 co-starred with Janet Blair in the Broadway play A Girl Can Tell. The boyish enthusiasm of his early screen roles a thing of the past, Thompson provided maturity and authority to his two-dimensional roles in such Saturday-matinee melodramas as Cult of the Cobra (1955), It! The Terror From Beyond Space (1958), Fiend Without a Face (1958), and First Man Into Space (1959), assignments that indirectly led to his first TV-series starring stint as the miniaturized hero of World of Giants (1959). In 1960, Thompson briefly went the "dumb sitcom husband" route in the weekly Angel. In 1961, the staunchly patriotic Thompson starred in and directed the low-budget feature A Yank in Vietnam, which he would later insist, with some justification, was the first up-close-and-personal study of that unfortunate Asian conflict (alas, good intentions do not always make good films; abysmally bad, Yank in Vietnam lay on the shelf until 1965). During the early 1960s, Thompson worked in close association with producer Ivan Tors as an actor and director of animal-oriented short subjects. The actor's fascination with African wildlife was later manifested in his two-year starring stint on Tors' TV series Daktari (1966-68), an outgrowth of the feature film Clarence the Cross-Eyed Lion, in which Thompson both starred and collaborated on the script. After playing character parts in such films as The Turning Point (1977) and The Formula (1980), Thompson spent the bulk of the 1980s in Africa, where he assembled the internationally syndicated documentary series Orphans of the Wild. While on a visit to Michigan in 1992, Marshall Thompson died of congestive heart failure.

Trivia: A sadly neglected supporting actress, Ann Doran played everything from Charley Chase's foil in Columbia two-reelers of the late '30s to James Dean's mother in Rebel Without a Cause (1955) and also guest starred in such television shows as Superman, Petticoat Junction, Bewitched, and The A Team. A former child model and the daughter of silent screen actress Rose Allen (1885-1977), Doran made her screen bow in Douglas Fairbanks' Robin Hood (1922) but then spent the next 12 years or so getting herself an education. She returned to films in 1934 and joined the Columbia short subject department two years later. While with Columbia, Doran worked on all of Frank Capra's films save Lost Horizon (1937) and she later toiled for both Paramount and Warner Bros., often receiving fine reviews but always missing out on the one role that may have made her a star. Appearing in more than 500 films and television shows (her own count), Doran worked well into the 1980s, often unbilled but always a noticeable presence.

Trivia: One of the most prolific of the "Who IS that?"school of character actors, Dabbs Greer has been playing small-town doctors, bankers, merchants, druggists, mayors and ministers since at least 1950. His purse-lipped countenance and Midwestern twang was equally effective in taciturn villainous roles. Essentially a bit player in films of the 1950s (Diplomatic Courier, Deadline USA, Living It Up), Greer was given more screen time than usual as a New York detective in House of Wax (1953), while his surface normality served as excellent contrast to the extraterrestrial goings-on in Invasion of the Body Snatchers (1956) and It! The Terror from Beyond Space. A television actor since the dawn of the cathode-tube era, Greer has shown up in hundreds of TV supporting roles, including the "origin" episode of the original Superman series, in which he played the dangling dirigible worker rescued in mid-air by the Man of Steel. Greer also played the recurring roles of storekeeper Mr. Jones on Gunsmoke (1955-60) and Reverend Robert Alden on Little House on the Prairie (1974-83). Showing no signs of slowing down, Dabbs Greer continued accepting roles in such films as Two Moon Junction (1988) and Pacific Heights (1990) into the '90s. He died following a battle with kidney and heart disease, on April 28, 2007, not quite a month after his 90th birthday.

Trivia: Making his movie bow in 1941, Paul Langton became a contract player at MGM, frequently appearing in war films. During the 1950s, Langton was seen in character parts like publicist Buddy Bliss in Big Knife (1955). He often showed up in horror films, notably The Snow Creature (1954), The Incredible Shrinking Man (1957; as the hero's brother), It! The Terror From Beyond Space (1958) and The Cosmic Man (1959). Paul Langton achieved TV stardom in the role of Leslie Harrington on the prime time serial Peyton Place (1964-68).

Trivia: Richard Benedict came to the U.S. from his native Sicily when he was 7. Before entering the army, Benedict pursued a reasonably successful career as a prizefighter. In Hollywood from 1945, Benedict was often cast as an amiable second lead (as in Olsen and Johnson's See My Lawyer), though he also could be a persuasive heavy if that's what the part called for. His biggest A-picture role was as the entombed prospector in Billy Wilder's trenchant The Big Carnival (1951, aka Ace in the Hole). In the early 1960s, Richard Benedict turned to directing, working on such network TV series as Hawaiian Eye and Charlie's Angels.

Trivia: Canadian-born, Los Angeles-reared, Shirley Patterson was voted "Miss California of 1940," as good an entry into films as any at the time. She contracted with Columbia in 1942 and was assigned the female lead opposite Lewis Wilson in the 15-chapter serial Batman the following year. Like so many other starlets, Patterson lent her blonde beauty to all kinds of low-budget fare, from Three Stooges comedies to B-Westerns with Russell Hayden and Charles Starrett, all part of a grooming regimen that also included walk-ons in such major fare as Joan Crawford's They All Kissed the Bride (1942) and Jean Arthur's The More the Merrier (1943). When the studio dropped her option, she moved over to low-budget PRC for a series of Eddie Dean oaters. Retiring to raise a family in 1947, Patterson surprisingly resurfaced in the mid-'50s, co-starring in such sci-fi classics as World Without End (1956), The Land Unknown (1957), and It! The Terror from Beyond Space (1958), under the name Shawn Smith. She also did her fair share of television, including Bachelor Father, Wyatt Earp, and Passport to Danger, and later did volunteer work with the John Tracy Clinic for the hearing impaired, a hospital founded by her good friend Spencer Tracy.

Trivia: Born Raymond Benard, Corrigan was a big, handsome, tough star of cowboy films. After working as an electrician and gym teacher, he entered films in 1934 as a stunt man and bit player; for his excellent physique, he was hired as a body-double for Tarzan star Johnny Weissmuller. By 1936 he starred in serials and action pictures; one serial, Undersea Kingdom, featured him as the character "Crash Corrigan," and he adopted the name as his film pseudonym. His best-known role was that of Tucson Smith in two dozen films featuring the "Three Mesquiteers" (himself, Bob Livingston, and Max Terhune); from 1937-43, the Three Mesquiteers made the western money-makers top ten list, peaking at #5 in 1938. In the '40s he appeared in a series of films (which he co-produced) with another cowboy trio, this one called "The Range Busters." Afterwards he retired and became a businessman; his business interests included Corriganville, a ranch and "small-town" movie set he rented out to western movie production companies.