Trivia: With his wild curly hair, large expressive blue eyes, slight lisp, and nervous mannerism, Gene Wilder seemed on the surface the epitome of the mild-mannered bookkeeper type, but a close look reveals a volatile energy lying beneath the milquetoast, a mad spark in the eye, and a tendency to explode into discombobulated manic hilarity, usually as a result of being unable to handle the chaos that surrounded his characters. In fact one might have labeled Wilder the consummate reactor rather than a traditional thespian. During the 1970s, Wilder starred in some of the decade's most popular comedies. Wilder was at his best when he was collaborating with Mel Brooks. Such films as The Producers, Young Frankenstein, and Blazing Saddles became modern American classics. The son of Russian-Jewish immigrants, Wilder was born Jerome "Jerry" Silberman in Milwaukee, WI. His father manufactured miniature beer and whiskey bottles. Wilder began studying drama and working in summer stock while studying at the University of Iowa. Following graduation, he furthered his dramatic studies at England's Bristol Old Vic Theatre School. Wilder was an exceptional fencer and while there won the school's fencing championship. Upon his return to the U.S., Wilder supported himself by teaching fencing. At other times, he also drove a limo and sold toys. After gaining experience off-Broadway in the early '60s, Wilder joined the Actors Studio. This led to several successful Broadway appearances. Wilder made his feature film debut playing a small but memorable role as a timid undertaker who is kidnapped by the protagonists of Arthur Penn's violent Bonnie and Clyde (1967). The following year he worked with Mel Brooks for the first time, co-starring opposite Zero Mostel in the screamingly funny Producers (1968). His role as the neurotic accountant Leo Bloom, who is seduced into a mad scheme by a once powerful Broadway producer into a crazy money-making scheme. Wilder's performance earned him an Oscar nomination. In his next film, Start the Revolution Without Me (1970), Wilder demonstrated his fencing prowess while playing one of two pairs of twins separated at birth during the years of the French Revolution. He demonstrated a more dramatic side in the underrated romantic comedy/drama Quackser Fortune Has a Cousin in the Bronx (aka Fun Loving) (1970). The following year, Wilder starred in what many fondly remember as one of his best roles, that of the mad chocolatier Willy Wonka in the darkly comic musical Willy Wonka and the Chocolate Factory. Despite these and other efforts, Wilder did not become a major star until Young Frankenstein (1974), a loving and uproarious send-up of Universal horror movies for which he and Brooks wrote the script. Following the tremendous success of Brooks' Blazing Saddles (1974), Wilder struck out on his own, making his solo screenwriting and directorial debut with The Adventures of Sherlock Holmes' Smarter Brother (1975) which co-starred fellow Brooks alumni Madeline Kahn and Marty Feldman. Like his subsequent directorial efforts the humor was fitful and the direction uneven. He did however have a minor hit as the director and star of The Woman in Red (1984). As an actor, Wilder fared better with the smash hit Silver Streak (1976). As much of a romantic action-adventure as it was a comedy, it would be the first of several successful pairings with comedian Richard Pryor. Their second movie together, Stir Crazy (1980), was also a hit while their third and fourth pairings in See No Evil, Hear No Evil (1989) and Another You (1990) were much weaker. While appearing in Hanky Panky, Wilder met and married comedienne Gilda Radner. When she passed away in 1989 from cancer, Wilder was reputedly devastated. He stopped making and appearing in films after 1991; he did, however, try his hand at situation comedy in the short-lived Something Wilder (1994-1995). In the 90s he wrote and starred in a couple of made for TV murder mysteries and in 2008 he was the subject of an affectionate documentary produced for TCM. Wilder died in August 2016 from complications of Alzheimer's disease.

Trivia: On stage from his teens (as part of the "Dancing Verselle Sisters" troupe), Jack Albertson worked in almost any form of live entertainment you could name: vaudeville, burlesque, legitimate stage, even opera. For two years he was straight man to comedian Phil Silvers on the Minsky's Burlesque Circuit, carrying over this partnership in Silvers' hit Broadway musicals High Button Shoes (1947) and Top Banana (1953). Albertson began taking bit roles in films in 1938; among his many fleeting film parts was the postal worker who redirected all of Santa Claus' mail to the New York Courthouse in Miracle on 34th Street (1947). On television, Albertson was a frequent guest star on the Burns and Allen Show and had regular roles on The Thin Man (1957-59) and Ensign O'Toole (1963). He also co-starred with Sam Groom on the 1971 syndicated series Dr. Simon Locke--at least until angrily walking off the series due to its severe budget deficiencies. Albertson became an "overnight success" with his portrayal of Martin Sheen's taciturn father in the 1964 Broadway play The Subject Was Roses, which earned him a Tony Award; he repeated the role in the 1968 film version, winning an Oscar in the process. Albertson added a pair of Emmies to his shelf for his performance as crotchety garage owner Ed Brown on the TV sitcom Chico and the Man (1974-77), and for his guest appearance on a 1975 episode of the variety series Cher. Jack Albertson was the brother of character actress Mabel Albertson.

Trivia: British comic actor Roy Kinnear received his training at the Theatre Workshop, and made his film debut in 1962's Tiara Tahiti. Short and already balding in his 20s, Kinnear resigned himself early on to character roles; his comic gifts enabled the actor to expand his range as a writer/performer on the fabled early-'60s British TV satirical series That Was the Week That Was. Kinnear became an American favorite for his role as mad scientist Victor Spinetti's harried assistant in the 1965 Beatles film Help!. It was the launching pad of a film career comprised mostly of comic relief and cameo roles. One of Kinnear's most popular film appearances was a two-minute bit specially written for him in A Funny Thing Happened on the Way to the Forum (1967), wherein the actor played a trainer of Roman gladiators who conducted his classes in the manner of a golf instructor. Richard Lester, director of both Help! and Forum, cast Kinnear as long-suffering lackey Planchet in the star-studded 1974 filmization of The Three Musketeers, and its sequel (shot simultaneously) The Four Musketeers (1974). With virtually every cast member -- especially Raquel Welch -- clowning it up in the Musketeers films, Kinnear's routines for the first time seemed intrusive. After a decade of variable roles, Kinnear was cast as The Common Man in the 1987 Charlton Heston remake of A Man for All Seasons; it was a brilliant tour de force, with Kinnear displaying a full and versatile range from low comedy to subtle pathos. While recreating his Planchet role in Return of the Musketeers, filmed on location in Spain, Roy Kinnear fell from a horse during a comic chase scene, suffered a heart attack, and died at the age of 54; that film premiered in 1989. Kinnear had completed work on his penultimate feature -- doing one of the voices for the kiddie cartoon The Princess and the Goblin -- not long before his death. It wrapped production in 1992 and took its stateside bow in 1994.

Trivia: Actor Peter Capell was born and raised in Berlin, Germany. In 1933, he came to the U.S. to work on stage and in radio. He was the executive producer of The Voice of America during most of the 1940s and appeared in several theatrical productions such as Hedda Gabler and Blood Wedding. Capell made his feature film debut in Walk East on Beacon (1952). He continued occasionally working in Hollywood films through the mid 1980s. Around 1955 Capell returned to Europe where he did the bulk of his film work. Because he was fluent in English, the German actor frequently dubbed films.

Trivia: The son of a British vicar, Michael Goodliffe began his acting career at the Stratford Shakespeare Festival. His theatrical activities were put on hold during WWII, when he served five years as a POW. Picking up where he left off in 1948, he entered films with The Small Back Room, then spent the next three decades playing a vast array of military officers, diplomats, and businessmen. His costume roles included Robert Walpole in Disney's Rob Roy (1953), Count de Dunois in Quentin Durward (1954), and Charles Gill in The Trial of Oscar Wilde (1960). Though never a star in films, he enjoyed leading man status on British television, notably in the TV series Sam (1973-1975). Michael Goodliffe was 62 when he committed suicide by jumping from a hospital window.

Trivia: With his chiseled, sharp features and distinctive raspy voice, American character actor Ed Peck was often cast as a policeman or a military man in feature films and television shows -- notably on the TV series Happy Days where he played police officer Kirk -- of the '60s through the early '80s. He made his debut on the afternoon television series Major Dell Conway of the Flying Tigers in the early '50s.