Trivia: Like his legendary father Woody Guthrie, Arlo Guthrie is best known as a politically oriented singer/songwriter. In 1969, Guthrie starred in the feature film version of his only hit song, "Alice's Restaurant," the humorous tale of his arrest for littering and his attempts to avoid the draft.

Trivia: Supporting actress, onscreen from the late '60s.

Trivia: Authoritative American character actor James Broderick is best known to filmgoers of the flower-power generation for his performance as Alice's husband in the 1969 film Alice's Restaurant. It was but one of many incisive film characterizations for Broderick, who was equally effective in such films as The Group (1966), The Taking of Pelham One Two Three (1973) and Dog Day Afternoon (1975). From 1976 through 1980, Broderick played lawyer/patriarch Doug Lawrence in the weekly TV drama Family; he had previously starred in the detective series Brenner, playing the rookie-cop son of Edward Binns (who wasn't that much older). James Broderick was the father of contemporary film star Matthew Broderick, who paid homage to his dad by prominently displaying the elder Broderick's photograph in the 1990 film The Freshman.

Trivia: Versatile character actor MacIntyre Dixon has played supporting roles in films and on television ranging from comedies (Alice's Restaurant) to Shakespearean dramas (Kevin Kline's innovative adaptation of Hamlet). At one time, Dixon and partner Richard Libertini performed in Stewed Prunes, a nightclub comedy revue.

Trivia: Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies. Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. In the years to come, Walsh would remain active on screen, appearing in films like Youth in Revolt and providing the voice of Olaf on the animated series Pound Puppies.

Trivia: After making his acting debut onstage, bald, heavily mustached Canadian character actor Graham Jarvis began showing up in bits in such films as In the Heat of the Night (1967), Alice's Restaurant (1970, as the music teacher) and What's Up Doc. He is best known to TV addicts as Charlie Haggers, the unctuous husband/manager of would-be country singer Loretta Haggers (Mary Kay Place) in Mary Hartman, Mary Hartman (1976-77), and as officious-vice principal Dyrenforth in the syndicated version of Fame (1985-87). Of his many TV-movie credits, Graham Jarvis' convincing turn as John Ehrlichmann in Blind Ambition (1982) features prominently.

Trivia: Though her film credits are slim, Tony-nominated actress Eleanor Wilson molded a successful career on Broadway in addition to being a noted contributor to the Berkshire Playhouse in Stockbridge, MA. A native of Chester, PA, who majored in chemistry at Hollins College before studying at Boston's Museum of Fine Art and New York's New School for Social Research, Wilson may have seemed an unlikely candidate for a career on-stage before shifting her focus to acting at Pennsylvania's Hedgrow Theater. Following her Broadway debut in Watch on the Rhine, Wilson would continue to appear both on and off-Broadway in numerous productions throughout the 1950s. One of the first actresses to perform for troops during World War II, Wilson's later role as the landlady in Alice's Restaurant (1969) endeared the actress to those unfortunate enough to miss her numerous stage performances. Her sole other screen credit came as the mother of Warren Beatty's character in the 1981 film Reds. Retiring in 1984 to concentrate on mathematical abstract paintings, Eleanor Wilson died of lung cancer in her Williamstown, MA, home in May 2002. She was 93.