Trivia: Sidney Poitier was to Hollywood what Jackie Robinson was to major league baseball: simply put, the man who broke the color barrier. An actor, director, and producer, he forever altered the racial perceptions long held by both motion picture audiences and executives, rising to superstar status in an industry forever dominated on both sides of the camera by whites while becoming the first African-American ever to take home an Oscar for Best Actor. Born February 20, 1927, in Miami, FL, Poitier grew up in poverty in the British West Indies. After quitting school at the age of 13, he later joined the U.S. Army, serving in World War II as a medical assistant. Upon his release from duty he relocated to New York City, where he auditioned for the American Negro Theater. When his heavy Bahamian accent prompted laughter from producers, Poitier spent the next six months honing his elocution skills, practicing his enunciation by repeating radio routines, and finally gaining admission to the theatrical troupe's ranks after his second audition.Handsome and athletic, Poitier made his Broadway debut in 1946 in an all-black production of Lysistrata, and moved into films four years later with No Way Out. His impressive turn in 1955's gritty The Blackboard Jungle brought him closer to stardom, and in 1958 he earned his first Academy Award nomination opposite Tony Curtis in Stanley Kramer's social drama The Defiant Ones. The film's focus on racial politics, as well as his increasing popularity with audiences of all racial backgrounds, solidified Poitier's standing as a key figure in the burgeoning civil rights movement, as roles in features including 1959's Porgy and Bess and 1961's Raisin in the Sun established him as the premier black actor of his generation. For 1963's The Lilies of the Field, he made history as the first African-American actor to win an Oscar in a leading role, and with the mainstream success of 1965's A Patch of Blue and 1967's To Sir, With Love, his ascent to superstardom was complete. Much to his credit, Poitier continued to make racially provocative films; in 1967 he appeared in Kramer's Guess Who's Coming to Dinner as the black fiancé of a white woman, while in the same year's Best Picture-winning In the Heat of the Night, he starred as a Philadelphia police detective facing prejudice while investigating a murder in the Deep South. In 1969, Poitier founded the First Artists Production Company, and in 1972 -- at the peak of the blaxploitation era which his earlier success made commercially viable -- announced his directorial debut with Buck and the Preacher. He directed and starred in his next three films (1973's Warm December, 1974's Uptown Saturday Night, and 1975's Let's Do It Again) before starring in Ralph Nelson's 1975 South African political thriller The Wilby Conspiracy, after which he returned to the director's chair with 1977's A Piece of the Action.After directing the 1980 comedy Stir Crazy, Poitier began to decrease his workload; he helmed two more features, 1982's Hanky Panky and 1984's Fast Forward, but then disappeared from filmmaking for the next several years. In 1988, Poitier appeared onscreen for the first time in over a decade in Roger Spottiswoode's thriller Shoot to Kill, followed by a supporting turn in the espionage drama Little Nikita. Upon directing 1990's disastrous Bill Cosby comedy Ghost Dad, he starred as Supreme Court Justice Thurgood Marshall in the television feature Separate But Equal, and in 1992 appeared in the star-studded Sneakers. After another extended absence, Poitier returned in 1995 in the TV movie Children of the Dust, and in 1996 he starred in the long-awaited follow-up to his '67 success To Sir With Love, TV's To Sir With Love 2.A frequent author in addition to his acting, Poitier's book Life Beyond Measure: Letters to My Great-Granddaughter was published in 2008, and the following year he was awarded the Presidential Medal of Freedom.

Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.

Trivia: Trained at the RSC, Scottish actor Nicol Williamson made his professional bow with the Dundee rep in 1960. The following year, he performed with the Arts Theatre at Cambridge, and also made his London debut. His first major success came in 1964 with John Obsorne's Inadmissible Evidence. He won a Tony award for his performance in the Osborne play when it transferred to Broadway in 1965, and three years later repeated his characterization for the film version. Williamson's 1968 staging of Hamlet, which like Evidence played in both London and New York, was immensely popular and enormously controversial; some recall the night when, halfway through a soliloquy, Williamson brusquely apologized for his "bad" performance and stormed offstage. In films from 1964, Williamson played a cocaine-benumbed Sherlock Holmes in The 7 Percent Solution (1977), an introspective Little John in Robin and Marian (1978) and an eccentric Merlin in Excalibur (1981). His TV credits on both sides of the Atlantic included such roles as Lennie in Of Mice and Men, Lord Mountbatten in The Last Viceroy, King Ferdinand in the 1995 TV movie Christopher Columbus, and Richard Nixon in a 1974 dramatization of the White House Tapes. Williamson also appeared in a number of one-man shows, including the off-Broadway Nicol Williamson's Late Show and a 1994 play based on the life of John Barrymore. Nicol Williamson was married to actress Jill Townsend.

Trivia: India-born lead actress, onscreen from 1975.

Trivia: Born January 8, 1929 in Malerkotla, Punjab, India, to Shia Muslim parents of "rather good aristocratic Mogul stock," Saeed was the oldest of four children. After a variegated education in Muslim, Hindu and Church of England schools, where he amused his classmates with impressions of movie stars, Jaffrey graduated with honors in English Literature and earned a Masters in history from Allahabad University. He agreed to follow his father's wishes in pursuing a teaching career, but took a few months off before beginning his appointment to travel in Delhi. Friends he met on the train invited him to a coffee house, where he learned All India Radio was hiring English-speaking announcers. He auditioned, was accepted, and embarked on a performing career instead, joining All India Radio and founding an English-language theater troupe in Delhi in 1951. During his troupe's 1954 performance of The Eagle Has Two Heads, Jaffrey became infatuated with actress Madhur Bahadur. The two traveled to New York City in 1956, where Jaffrey took classes at The Actor's Studio (a classmate was Marilyn Monroe) and later traveled on a Fulbright scholarship to study drama at Catholic University of America in Washington, D.C. Saeed and Madhur married in 1958 and had three daughters, but Jaffrey's relentless womanizing sabotaged their marriage. (Don't cry for Madhur Jaffrey, however - after their divorce she became a celebrated expert in Indian cuisine, writing many cookbooks on the subject.)After retreating back to London post-divorce, Jaffrey struggled to make ends meet, moonlighting as a sales assistant at Harrods department store while working for BBC's World Service international radio service, where his Urdu, Hindi and English fluency made him valuable. He worked occasionally in British television, but his upwards climb didn't truly begin until he was cast in John Huston's The Man Who Would Be King, starring Michael Caine and Sean Connery. Caine and Jaffrey had become friends when both were cast in The Wilby Conspiracy, and Caine recommended him to Huston. Further roles in Gandhi, My Beautiful Laundrette (for which he received a BAFTA nomination), and TV series like The Jewel in the Crown and Coronation Street cemented his reputation in Britain.While making inroads in Britain, Jaffrey also had a parallel acting career in Bollywood, begun after his role in Satyajit Ray's The Chess Players. He made more than 100 films in his Indian movie career, often changing costumes and reading the script in a limo transporting him from one movie set to another. Despite this breakneck pace, he still took time to research his roles, including working as a paanwalla (a hawker selling a stimulating herbal chew wrapped in leaves) for 15 days for a role in the romantic comedy Chashme Buddoor. The Guinness Book of World Records recognized him for "Most Appearances in International Films" (18) in 2000.Jaffrey's final decades showed no sign of slowing down. He married his manager Jennifer Sorrell in 1980, told all of his candid bed-hopping adventures in his autobiography Saeed: An Actor's Journey, and wrote and starred in many radio plays, including the 1997 World Service series "A Suitable Boy" where he performed all 86 voice characters. In 1995 he was awarded an Order of the British Empire, Britain's highest civilian award, and was the first Asian actor to do so. He died in 2015, at age 86.

Trivia: Tall, strikingly handsome Dutch actor Rutger Hauer, the son of drama teachers, ran away from his Amsterdam home at age 15 and spent a year aboard a freighter. After coming home, he took a variety of odd jobs while attending night classes to study acting. Afterwards he joined an experimental theater troupe, remaining with them for five years. He then landed a role in a Dutch TV series in which he played a swashbuckler. He debuted onscreen as the lead in Paul Verhoeven's erotically graphic film Turkish Delight (1973); his English-speaking debut came two years later in Ralph Nelson's The Wilby Conspiracy (1975), but it failed to establish him in Hollywood and he returned to making European films. He finally broke through in America as the sociopathic cold-blooded terrorist in the Sylvester Stallone vehicle Nighthawks (1981), after which he was frequently cast as steel-cold heavies in American films. However, his range extends beyond bad guys, as shown (for example) in his role oppposite Michelle Pfeiffer in the medieval romance Ladyhawke (1985). Most of his films since 1981 have been made in America.

Trivia: Darkly handsome Austrian-born leading man, Helmut Dantine had finely chiseled features and deep-set eyes. A fugitive from the German Anschluss of Austria, he moved to California in 1938. Soon thereafter he joined the Pasadena Community Players, gaining enough acting experience to make his film-debut playing a Nazi in International Squadron (1941) with Ronald Reagan. Soon he had cornered the market on young Nazi characters in Hollywood films, particularly after his popular performance as a downed and wounded Luftwaffe pilot in Mrs. Miniver (1942), his third film. Later Dantine was promoted to stardom by Warner Brothers, who gave him his first lead role in Edge of Darkness (1943). He went on to play leads and second leads in many films of the '40s and '50s, but made few films after 1958. In 1958 he directed the unmemorable film Thundering Jets. After marrying the daughter of Nicholas M. Schenck, the former president of Loew's Inc., he became the vice president of the Schenck Enterprises film production and distribution organization in 1959; in 1970 he became its president. In the '70s Dantine was the executive producer of three films, two of which he appeared in.

Trivia: Jut-jawed leading man Patrick Allen was born in Malawi, raised in Canada, and made a theatrical name for himself in England. Quite comfortable in military authority roles, Allen was equally convincing as a British officer in I Was Monty's Double (1957) as he was as a German officer in Night of the Generals (1967). In the 1960s, he gained TV fame as the eponymous star of the weekly adventure series Crane. He was seen intermittently as the wicked Colonel Sebastian Moran on The Return of Sherlock Holmes (1983), and was cast as Sarah Ferguson's father in the made for television Fergie and Andrew: Behind Palace Doors (1992). He is also a familiar voice-over presence in British and Canadian TV commercials. Patrick Allen is the husband of actress Sarah Lawson.