Trivia: A former band clarinettist and vocalist, Hal Linden studied drama at the American Theatre Wing. His big Broadway break came in 1958, when he was engaged to understudy Sydney Chaplin in the musical comedy Bells are Ringing; Linden played Chaplin's character, Jeffrey Moss, a handful of times on Broadway and on a full-time basis in the touring company (reportedly, he also showed up in the 1960 film version of Bells are Ringing, though the "official" starting point of his film career was 1979's When You Comin' Back, Red Ryder?) During the 1960s, Linden's time was occupied by his stage work in musicals like Wildcat, The Apple Tree and Illya Darling; from time to time, he'd pop up on a Manhattan-filmed TV series like Car 54 Where Are You? or The Defenders and was a regular on the CBS daytime drama Search for Tomorrow. In 1974, Linden won a Tony award for his work in the Broadway musical The Rothschilds. The next year, Barney Miller, a sitcom for which Linden had lensed a pilot in 1972, was picked up as a mid-season replacement by ABC. Linden would play harried Greenwich village police captain Barney Miller from 1975 through 1980, collecting five Emmy nominations, but-astonishingly -- no actual awards. Hal Linden's subsequent TV series work has included hosting stints on the ABC informational weeklies Animals, Animals, Animals and FYI, and top-billed starring roles on Blacke's Magic (1988), Jack's Place (1992) and One of the Boys (1994); he co-starred in the latter with another perennial Emmy Awards bridesmaid, Suzanne Pleshette.His less than extensive big-screen resume includes A New Life, Killers in the House, and Time Changer.

Trivia: Born Barbara Berman, Barrie was a supporting actress onscreen from 1956, when she appeared in the James Dean vehicle Giant. She won Cannes Film Fetival Best Actress Award for her star role in One Potato, Two Potato. Barrie was nominated for Best Supporting Actress Oscar for her work in Breaking Away.

Trivia: Slouch-shouldered, basset-faced character actor Abe Vigoda was the son of a Lower East Side tailor. Making his first stage appearance at 17, Vigoda used his GI Bill allotment to study at the American Theatre Wing. He then toiled away in obscurity for nearly 20 years before he was "discovered" by the public in the role of John the Gaunt in Joseph Papp's 1961 staging of Richard II. Another decade would pass before Vigoda attained worldwide fame as the treacherous Tessio in The Godfather. In 1974, he was tested for the minor role of Grimaldi in the upcoming TV sitcom Barney Miller; instead, he landed the role of dour, droopy-eyed Inspector Fish (and a good thing, too; the Grimaldi character was written out after only a few weeks). Vigoda remained with Barney Miller from 1975 to 1977, then was spun off into his own Fish series, which lasted until 1978. Bedeviled with legal problems during the early 1980s, Vigoda nonetheless was able to keep busy as a supporting actor in films (Joe vs. the Volcano, Look Who's Talking) and television; he also periodically returned to the stage, frequently in the Boris Karloff role in Arsenic and Old Lace. Abe Vigoda's 1990s projects have included such roles as Gus Molino in Harlem (1993) and Alaskan Grandpa in North (1994), a voice over stint in the 1994 animated feature Batman: Mask of the Phantom, and a recurring role in the 1991 weekly-TV revival of Dark Shadows. He continued to work steadily appearing in a variety of projects including Jury Duty, Good Burger, and Just the Ticket. He worked intermittently in the 21st century, but Vigoda did star in a well-liked ad for a candy bar that aired during the 2010 Super Bowl and he became a regular face at celebrity roasts where he was often the butt of old age jokes. Vigoda died in 2016, at age 94.

Trivia: The son of a wealthy office-supplies dealer, American actor Maxwell Gail Jr. excelled in high-school sports, spending his senior year as an exchange student in Germany. Upon earning collegiate degrees from both Williams University and University of Michigan, he became a teacher in Detroit's inner city, partially to ensure himself a draft deferment. Frustrated at trying to communicate with his sullen poverty-level students, Gail chucked it all to head for San Francisco, where he worked as a guidance counselor. Again, the frustrations of the job got to him, compelling Gail to seek employment as a cocktail-lounge pianist. Trying out for a play on a whim in 1970, Gail finally found his life's calling. He spent the early '70s haunting the casting offices, accepting small TV roles as heavies and bullies. A guest spot as a tough lug on the 1974 sitcom Friends and Lovers caught the attention of producer Danny Arnold, who cast Gail as Detective Stanley "Wojo" Wojohowicz on the new comedy series Barney Miller. Gail played "Wojo" until the series' cancellation in 1980, at which point he re-entered the guest-star pool. Since that time Max Gail Jr. has been seen as a reporter on the short-lived 1983 adventure series Whiz Kids, and as the father of Dweezil Zappa and Moon Unit Zappa on the even shorter-lived 1990 sitcom Normal Life.

Trivia: Angular Anglo-Latino actor Gregory Sierra began showing up on screen in 1971 in such films as The Wrath of God. Sierra quickly familiarized himself with TV viewers via his continuing role as Julio Fuentes in the weekly sitcom Sanford and Son. He left Sanford in January of 1975 to accept the part of detective sergeant Chano Amenguale on Barney Miller, a role he held down until the fall of 1976. Next up, Sierra starred as Dr. Tony Menzies on A.E.S. Hudson Street, a 1978 TV comedy that folded after six weeks despite positive critical comment. Two years later, he was cast as South American revolutionary "El Puerco" on the nighttime serial spoof Soap, figuring prominently in the series' up-in-the-air final episode in 1981. Gregory Sierra's more recent television roles have included Lt. Victor Maldonado on the NBC sci-fier Something is Out There (1988), and the ill-fated Lt. Lou Rodriguez on the trendy 1980's cop show Miami Vice.

Trivia: "As familiar as a favorite leather easy chair" is how one magazine writer described the craggy, weather-beaten face of ineluctable character actor James Gregory. Indeed, it is hard to imagine any time in the past six decades that Gregory hasn't been seen on stage, on TV or on the big screen. There were those occasional periods during the 1930s and 1940s when he was working on Wall Street rather than acting, and there were those uniformed stints in the Marines and the Naval Reserve. Otherwise, Gregory remained a persistent showbiz presence from the time he first performed with a Pennsylvania-based travelling troupe in 1936. Three years later, he was on Broadway in Key Largo; he went on to appear in such stage hits as Dream Girl, All My Sons, Death of a Salesman and The Desperate Hours. In films from 1948, Gregory was repeatedly cast as crusty no-nonsense types: detectives, military officers, prosecuting attorneys and outlaw leaders. With his bravura performance as demagogic, dead-headed senator Johnny Iselin in The Manchurian Candidate (1962), Gregory launched a second career of sorts, cornering the market in portraying braggadocio blowhards. One of his best characterizations in this vein was as the hard-shelled Inspector Luger in the TV sitcom Barney Miller. He played Luger for six seasons (1975-78, 1979-81), with time out for his own short-lived starring series, Detective School (1978). He also played Prohibition-era detective Barney Ruditsky on The Lawless Years (1959-61) and T. R. Scott in The Paul Lynde Show (1972), not to mention nearly 1000 guest appearances on other series. James Gregory has sometimes exhibited his sentimental streak by singing in his spare time: he has for many years been a member of the SPEBQSA, which as any fan of The Music Man can tell you is the Society for the Preservation and Encouragement of Barbershop Quartet Singing in America.

Trivia: Moonfaced, curly-headed comic actor Art Metrano went to junior college in Stockton, California on a football scholarship; he later transferred to the College of the Pacific, majoring in acting. Returning to New York, Metrano tried to find work -- only to head back to the West Coast on the advice of an astrologer. Supporting himself as an automatic telephone system salesman, Metrano began attaining small TV parts, which led to his being cast in They Shoot Horses, Don't They? At a Christmas party, Metrano began cutting up with an improv bit in which he pretended to be a sleight-of-hand artist; the routine consisted of his humming the song "Fine and Dandy" as he'd proceed to pull invisible handkerchiefs out of his pocket and extricate himself from non-existent handcuffs. This "do-nothing magician" act led to several guest spots on The Tonight Show, Laugh-In and The Dean Martin Show, and a regular stint on 1970's The Tim Conway Hour (the theme song of which was, inevitably, "Fine and Dandy"). By 1971, Metrano was costarring in a '30s-era sitcom The Chicago Teddy Bears, playing a soft-hearted gangster. The series was axed after 13 weeks, consigning Metrano to the guest-star circuit. Art Metrano subsequently showed up in such films as Seven (1979), Breathless (1983) and Malibu Express (1984); he also had regular roles on TV's Movin' On (1974), Amy Prentiss (1974), Joanie Loves Chachi (1982), Loves Me Loves Me Not (1977) and Tough Cookies (1986).