Trivia: A distinguished actor of the stage and screen, Danny Glover is known for his work in both Hollywood blockbusters and serious dramatic films. Towering and quietly forceful, Glover lends gravity and complexity to the diverse characters he has portrayed throughout his lengthy career.A native of San Francisco, where he was born July 22, 1947, Glover attended San Francisco State and received his dramatic training at the American Conservatory Theatre's Black Actors' Workshop. He made his film debut in Escape from Alcatraz (1979). In the early '80s, Glover made his name portraying characters ranging from the sympathetic in Places in the Heart (1984) to the menacing in Witness (1985) and The Color Purple (1984). He reached box-office-gold status with the three Lethal Weapon flicks produced between 1987 and 1992, playing the conservative, family-man partner of "loose cannon" L.A. cop Mel Gibson. Glover carried over his fiddle-and-bow relationship with Gibson into his off-screen life, and also contributed an amusing cameo (complete with his Lethal Weapon catch-phrase "I'm gettin' too old for this!") in Maverick (1994). In 1998, Glover again reprised his role for the blockbuster-proportioned Lethal Weapon 4, and that same year gave a stirring performance in the little-seen Beloved.In the following years Glover would walk the line between Hollywood heavyweight and serious-minded independent actor with a skill most actors could only dream of, with an affectinate role in Wes Anderson's 2001 comedy drama The Royal Tenenbaums and a surprising turn toward horror in Saw serving well to balance out lesser-seen but equally powerful turns in Boseman and Lena, 3 A.M., and Lars von Trier's Manderlay. The same year that Glover retreated into the woods as a haunted Vietnam veteran in the low-key drama Missing in America, he would turn in a series of guest appearances on the long-running television medical drama E.R. Despite a filmography that seemed populated with an abundance of decidedly serious dramas in the years following the millennial turnover, Glover did cut loose in 2006 when he took a role as Tim Allen's boss in The Shaggy Dog and stepped into the studio to offer vocal performances in the animated kid flicks The Adventures of Brer Rabbit and Barnyard. On television, Glover played the title role in Mandela (1987), cowpoke Joshua Deets in the 1989 miniseries Lonesome Dove, legendary railroad man John Henry in a 1988 installment of Shelley Duvall's Tall Tales, and the mercurial leading character in the 1989 "American Playhouse" revival of A Raisin in the Sun. For his role in Freedom Song as a caring father struggling to raise his young son in 1960s-era Mississippi, Glover was nominated for an Emmy award and took home an Image award for Outstanding Actor in a Television Movie, Mini-Series, or Dramatic Special. Glover played a proprietor of a struggling blues club in John Sayles' musical drama Honeydripper in 2007, and went on to participate in The Garden (2008), a documentary about a produce garden developed in the aftermath of the L.A. riots. He continued to tackle complex social issues as an executive producer for Trouble the Water, a 2008 documentary following the struggles of New Orleans residents in the wake of Hurricane Katrina, and as an associate producer for The Time That Remains (2009), a poignant series of short stories about Palestinians in Israel. Glover also worked as an associate producer for Uncle Boonmee Who Can Recall His Past Lives, an avante-gard fantasy drama that received the Palme d'Or at the 2010 Cannes Film Festival.

Trivia: A graduate of the University of Dubuque, Tony Danza was busy with a profitable if not spectacular career as a boxer when he began tentatively moving into acting. His first important TV role was, appropriately, as erstwhile boxer Tony Banta on the popular sitcom Taxi. During his Taxi years, Danza built up the screen image of the pugnacious, not overly bright lug with a golden heart. In 1984, Danza was cast as Tony Micelli, the widowed housekeeper of divorced career woman Angela Bower (Judith Light), on the weekly domestic comedy Who's the Boss? enjoying a popular eight-season run. Danza's first starring film role in She's Out of Control (1988), as the overprotective father of teenager Ami Dolenz, was more or less an extension of his TV work; the actor demonstrated a wider range in the supporting role of a dying baseball player in the 1994 remake of Angels in the Outfield. He executive produced The Jerky Boys movie, and continued to appear in projects such as the remake of 12 Angry Men, Glam, and The Garbage-Picking, Field Goal-Killing, Philadelphia Phenome. At the start of the next century he made a handful of appearances as himself on animated shows like Family Guy and King of the Hill, and he appeared in the made-for-TV holiday film Stealing Christmas.

Trivia: Born in Los Angeles, Joseph Gordon-Levitt grew up in front of the camera as a child and teen actor. Winning his first major role at age seven in the TV movie Stranger on My Land (1988), Gordon-Levitt appeared in a number of TV movies and series during the late '80s and early '90s, including a recurring role on the hit sitcom Roseanne from 1993 to 1995. After making his feature film debut as the young version of Craig Sheffer in A River Runs Through It (1992), the young actor garnered further notice as the boy whose prayers are answered in the sleeper Angels in the Outfield (1994) and as Demi Moore's son in The Juror (1996). Gordon-Levitt achieved considerable TV fame, though, when he was cast in NBC's critical and popular hit Third Rock From the Sun (1996-present). As old/young alien Tommy Solomon, he cracked wise with multiple Emmy-winner John Lithgow and attracted teen fans. Making the most of the late-'90s teen movie resurgence during the series' hiatuses, Gordon-Levitt appeared in the teen slasher sequel Halloween: H20 (1998) and starred as one of the romantic schemers in the popular Shakespeare-via-high school comedy 10 Things I Hate About You (1999). After voicing the lead in the expensive animated flop Treasure Planet, Levitt made a conscious decision to shed his TV image. He appeared in a series of challenging indie films including Mysterious Skin, Brick, and The Lookout, and succeeded in redefining his public image. He appeared in Spike Lee's Miracle At St. Anna and the Iraq War drama Stop-Loss in 2008. The next year he starred in the big-budget action film G.I. Joe: The Rise of Cobra, but earned better reviews and more respect as the lead in the hit indie romantic comedy (500) Days of Summer. He was cast opposite Leonardo DiCaprio in Inception the next year, and earned arguably the best reviews of his career in 2011 when he starred in the cancer comedy 50/50 as a young man learning to cope with an unexpected, and possibly lethal, illness. He would team with director Chriotpher Nolan again in 2012 as part of the cast in The Dark Knight Rises, and Steven Spielberg cast him as Robert Todd in the director's long gestating biopic Lincoln. Levitt made his feature-length directorial debut in 2013, with Don Jon, which he also wrote and starred in.

Trivia: An Irish actress with strong roots in the theater, Brenda Fricker has excelled onscreen thanks to a matronly appearance that lends itself well to roles which call for an older woman with strong motherly instincts. Fricker started out working in local theater productions in Ireland, and continued on-stage with a stint at the National Theatre in London; before long, the talented rising starlet was taking the stage with both The Royal Shakespeare Company and Great Britain's Court Theater Company. Though, by the mid-'80s, Fricker had already garnered an impressive list of credits thanks to appearances in such made-for-television features as High Kampf (1973) and Your Man from 6 Counties (1976), it was her role as Nurse Roach in the popular U.K. series Casualty that first brought her to the attention of British television viewers. Fricker remained with the series for four years, and it was during that time that she courted international recognition with her role in the acclaimed 1989 drama My Left Foot. Cast as the determined mother of a talented writer and painter who suffers from cerebral palsy, Fricker turned in a memorable performance that placed her high on the list of A-list actors and earned her an Academy Award for Best Supporting Actress. Though such follow-up efforts as the miniseries Relative Strangers (1999) delivered on the promise shown in My Left Foot, it was roles in Home Alone 2: Lost in New York (1992), So I Married an Axe Murderer (1993), and Masterminds (1997) that kept Fricker's face familiar to stateside audiences. In 1998, she stepped into a leading role in the period drama Painted Angels, playing a sympathetic madam. In the early 2000s, Fricker's career continued to flourish on both U.K. and Canadian television, and in roles in such high-profile projects as Veronica Guerin (2003) and Going Down: The Rise and Fall of Heidi Fleiss (2004).

Trivia: A reclusive character actor with an elongated, skull-like face, manic eyes and flexible facial expressions, Christopher Lloyd is best known for portraying neurotic, psychotic, or eccentric characters. He worked in summer stock as a teenager, then moved to New York. After studying with Sanford Meisner at the Neighborhood Playhouse, he debuted on Broadway in Red, White and Maddox in 1969. Lloyd went on to much success on and off Broadway; for his work in the play Kaspar (1973) he won both the Obie Award and the Drama Desk Award. His screen debut came in the hugely successful One Flew Over the Cuckoo's Nest (1975), in which he played a mental patient. He went on to appear in a number of films, but first achieved national recognition for playing the eccentric, strung out, slightly crazy cab-driver "Reverend" Jim in the TV series Taxi from 1979-83; he won two Emmy Awards for his work. He extended his fame to international proportions by playing the well-meaning, wild-haired, mad scientist Doc Brown in Back to the Future (1985) and its two sequels; this very unusual character continued the trend in Lloyd's career of portraying off-the-wall nuts and misfits, a character type he took on in a number of other films in the '80s, including The Addams Family (1991), in which he played the crazed uncle Fester. His "straight" roles have been infrequent, but include Eight Men Out (1989).

Trivia: Born in Oklahoma of Cherokee-Irish stock, Ben Johnson virtually grew up in the saddle. A champion rodeo rider in his teens, Johnson headed to Hollywood in 1940 to work as a horse wrangler on Howard Hughes' The Outlaw. He went on to double for Wild Bill Elliot and other western stars, then in 1947 was hired as Henry Fonda's riding double in director John Ford's Fort Apache (1948). Ford sensed star potential in the young, athletic, slow-speaking Johnson, casting him in the speaking role of Trooper Tyree in both She Wore a Yellow Ribbon (1949) and Rio Grande (1950). In 1950, Ford co-starred Johnson with another of his protégés, Harry Carey Jr., in Wagonmaster (1950). Now regarded as a classic, Wagonmaster failed to register at the box office; perhaps as a result, full stardom would elude Johnson for over two decades. He returned periodically to the rodeo circuit, played film roles of widely varying sizes (his best during the 1950s was the pugnacious Chris in George Stevens' Shane [1953]), and continued to double for horse-shy stars. He also did plenty of television, including the recurring role of Sleeve on the 1966 western series The Monroes. A favorite of director Sam Peckinpah, Johnson was given considerable screen time in such Peckinpah gunfests as Major Dundee (1965) and The Wild Bunch (1969). It was Peter Bogdanovich, a western devotee from way back, who cast Johnson in his Oscar-winning role: the sturdy, integrity-driven movie house owner Sam the Lion in The Last Picture Show (1971). When not overseeing his huge horse-breeding ranch in Sylmar, California, Ben Johnson has continued playing unreconstructed rugged individualists in such films as My Heroes Have Always Been Cowboys (1991) and Radio Flyer (1992), in TV series like Dream West (1986, wherein Johnson was cast as frontier trailblazer Jim Bridger), and made-for-TV films along the lines of the Bonanza revivals of the 1990s.

Trivia: After attending State University of New York at Purchase, Jay O. Sanders made his off-Broadway debut in a 1976 production of Shakespeare's Henry V. Three years later, he graduated to Broadway in Loose Ends. Sanders' first major film role was Charles Rawlings, the husband of novelist Marjorie Rawlings (Mary Steenburgen) in Cross Creek (1980). He went on to spend a year in the role of feckless resident physician Dr. Gene Pfeiffer in TV's After MASH (1982). He later portrayed Steven Kordo in the 1987-88 (and last) season of the serialized prime time weekly Crime Story. In the 1990s, Jay O. Sanders played real-life "political prisoner" Terry Anderson in the made-for-TV film Hostages (1993), and was also seen in such theatrical features as JFK (1991) and Angels in the Outfield (1994). Bit roles in such Hollywood comedies as For Richer or Poorer and The Odd Couple II helped keep Sanders a familiar face to moviegoers between frequent independent roles. Meanwhile, the busy character actor also found steady work narrating audio books and television shows such as Nova and Wide Angle. In 2011 he joined the cast of Law & Order: Criminal Intent as Captain Joseph Hannah, but by then the show was in its tenth and final season. Guest appearances on such high-profile television series' as Pan Am, Blue Bloods, and Person of Interest were quick to follow.

Trivia: American actor Dermot Mulroney is decidedly in tune with the 1990s: his film characters are often eccentric, unpredictable, and total strangers to personal hygiene. Curiously, when called upon to appear as a scruffy street kid in Where the Day Takes You (1992), Mulroney seemed a bit too squeaky-clean. An alumnus of Northwestern University, he first made moviegoers' acquaintance in 1988 with Sunset and as part of the Brat Pack western Young Guns. In the acclaimed Longtime Companion (1990), Mulroney played a collar-and-tie type who was still essentially an outsider due to the character's homosexuality and vulnerability to AIDS. Much of Mulroney's subsequent work has gone largely unseen, including the dismal Bad Girls (1994).

Trivia: An actor of imposing stature, Tony Longo has played many roles that utilized his substantial frame. Born in New Jersey, Longo began his acting career by making appearances on TV shows like Laverne & Shirley and CHiPS, a plan that would prove extremely fruitful as the actor would wrack up countless such appearances over the coming decades. Additionally, Longo extended his efforts toward movies, as well, playing roles in films like The Cooler and The Violent Kind.

Trivia: A square-jawed blonde with steely blue eyes, actor Neal McDonough had essayed every role from psychopath to dunce before roles in HBO's Band of Brothers and Minority Report (2002) found him gaining a reputation as the man to cast if a script called for a dependable, all-American tough guy. Though his screen presence has been growing steadily in the first years of the new millennium, it wasn't long ago that McDonough was considering abandoning his career as an actor. A native of Dorchester, MA, easygoing McDonough attended Barnstable High School before graduating from Syracuse University and later training as an actor at the London Academy of Dramatic Arts and Sciences. Taking to the stage following his graduation, it wasn't long before McDonough was appearing in such productions as Waiting for Lefty and A Midsummer Night's Dream, and in 1991 he took home a Best Actor Dramalogue Award for his role in Away Alone. McDonough began his move into film with a minor role in 1990's Darkman, and the same year appearances in such popular television series as China Beach and Quantum Leap ensured that his face would remain a familiar one to audiences. Following a turn as Lou Gehrig in the 1991 made-for-television feature Babe Ruth, McDonough's television career began to take off, and through the mid-'90s he found frequent work on the small screen with the exception of such features as Angels in the Outfield (1994). A childhood dream came true for the lifelong Star Trek fan when he was cast in the Star Trek: First Contact (1996), and that same year McDonough voiced Dr. Bruce Banner in the animated television series The Incredible Hulk. His career shifting increasingly toward feature work in the late '90s, McDonough took on memorable roles in such features as Circles (1998) and the quirky pseudo-horror film Ravenous (1999). Though the frustration of never receiving a truly gratifying role caused him to reconsider his chosen career, McDonough's big break was just around the corner. Cast as 1st Lt. Lynn "Buck" Compton in director Steven Spielberg's acclaimed HBO miniseries Band of Brothers, McDonough's role as the troubled soldier who suffers a nervous breakdown in the chaos of war finally gave the actor a chance to flex his chops and caught the attention of series producer Spielberg, who immediately approached him for a role in Minority Report. Cast as the best friend of Tom Cruise's character, McDonough was now a recognizable Hollywood figure and was quickly developing a solid screen persona. Subsequently returning to the small screen for the television series Boomtown, McDonough was cast in the role formerly occupied by Jimmy Smits, who dropped out at the last minute. As McDonough began preparation for roles in Timeline (2003) and Walking Tall (2004), it seems as if the dependable actor might finally be edging toward leading-man status. Though that may not have been the case when McDonough accompanied his onscreen brothers into the woods to expose the skeletons in the family closet in the 2005 drama American Gothic, a more amiable turn as a dedicated friend attempting to help his best pal find a man to father her child in the comedy drama Silent Men went a long way in making the actor a bit more likeable to viewers. The following year McDonough could be seen treading water opposite Kevin Costner and Ashton Kutcher in the Coast Guard drama The Guardian. He continued to work steadily in a variety of films including Clint Eastwood's Flags of our Fathers, The Hitcher, I Know Who Killed Me, 88 Minutes, and Traitor. In 2008 he joined the cast of the successful ABC drama Desperate Housewives in that program's fifth season.

Trivia: Black supporting actor, occasional lead, onscreen from the late '70s.

Trivia: An actor who hovered far too long on the brink of stardom before getting his due recognition, Adrien Brody spent much of his early career falling victim to the slings and arrows of outrageous PR. Possessing undeniable talent and looks that recall both the wasted elegance of an Aubrey Beardsley illustration and a young and hungry Al Pacino, Brody spent much of the 1990s as a candidate for his generation's "next big thing." But despite roles in two high-profile movies -- Terrence Malick's The Thin Red Line (1998) and Spike Lee's Summer of Sam (1999) -- and the publicity that accompanied them, it was not until Brody was cast as the lead in Roman Polanski's The Pianist (2002) that he won the recognition which had previously eluded him.Born on April 14, 1973, in New York City, Brody was raised in Queens. The son of a schoolteacher and a celebrated photojournalist, he was drawn to acting from an early age. Brody's first taste of show business came when he was 12-years-old and performed as a magician at children's parties; with his mother's encouragement, he subsequently enrolled in acting classes, attending both the American Academy of Dramatic Arts and the High School for the Performing Arts. He found his earliest work in off-Broadway productions, and made his television debut in 1998 with a PBS movie and a turn as Mary Tyler Moore's son in the comedienne's ill-fated sitcom Annie McGuire. Following his professional debut, the actor returned to school and attended a year of college before being cast in Steven Soderbergh's 1993 Depression-era drama King of the Hill. The film, which cast Brody as its protagonist's delinquent mentor, met with wide critical acclaim and presented him with new opportunities. He won roles in several films, including 1994's Angels in the Outfield and 1997's The Last Time I Committed Suicide, a paean to the beat generation that co-starred Keanu Reeves, Gretchen Mol, and Claire Forlani. That same year, Brody had lead parts in The Undertaker's Wedding and Six Ways to Sunday, two fairly obscure films that paved the way for both more high-profile work and a turn as one of Vanity Fair's "Hot, Young, and Full of Fun" cover boys. With the 1999 cover and principal roles in two highly anticipated films, The Thin Red Line and Summer of Sam, Brody seemed perfectly positioned to step into the limelight. Unfortunately, his scenes in the former ended up on the cutting room floor, victims of time constraints. But Brody's turn as a bisexual punk in the latter earned positive notices, and was hailed by numerous critics as one of the strongest points in Lee's flawed but compelling film. Brody continued to do solid work in films like Barry Levinson's Liberty Heights (1999) and Ken Loach's Bread and Roses (2000), but it wasn't until he was cast as the eponymous protagonist of Roman Polanksi's The Pianist that critics -- and the Academy -- really took notice of his work. For his portrayal of the real-life Wladyslaw Szpilman, a Polish pianist struggling to survive the Holocaust in the Warsaw Ghetto, Brody invested himself mentally, emotionally, and physically in the role, and was rewarded for his dedication with numerous honors, including the French César and an Oscar that made him the youngest-ever recipient of the Best Actor award. Many observers felt the quality of his performance in the film was matched by that of his acceptance speech, given only days after the U.S. went to war with Iraq: after bestowing a long kiss on a very surprised Halle Berry, who presented him with the award, he went on to give a speech that managed to combine heartfelt gratitude with an eloquent plea for peace and goodwill. It was an accomplishment that brought much of the ceremony's audience to a standing ovation and ensured that although fame had eluded him in the past, Brody had finally and deservedly won his time in the limelight.Brody followed up his triumph as The Village idiot in M. Night Shyamalan's allegorical film, and starred in the little-seen psychological thriller The Jacket. However, in 2005, Brody starred in Peter Jackson's gargantuan remake of King Kong. He returned to more independent films as a man attempting to unravel the mysterious death of George Reeves in Hollywoodland, and teamed with Todd Haynes in his unconventional Bob Dylan biopic I'm Not There: Suppositions on a Film Concerning Dylan. Brody would cement himself as a leading in Hollywood over the coming years, with appearances in everything from precocious, indie-fare like Darjeeling Limited and The Brothers Bloom to action explosions like Predators and Wrecked.

Trivia: With a rangy handsomeness that makes him look as if he would be equally comfortable branding cattle, Matthew McConaughey found fame shortly after making his screen debut in Richard Linklater's 1993 Dazed and Confused. After being cast in two high-profile 1996 films, Lone Star and A Time to Kill, the actor was soon being hailed as one of the industry's hottest young leading men, inspiring comparisons to such charismatic purveyors of cinematic testosterone as Paul Newman and Tom Cruise.A product of Texas, McConaughey was born in Uvalde on November 4, 1969 and raised in Longview. The son of a substitute teacher and a former member of the Green Bay Packers, he excelled in sports as a high school student and was voted "Most Handsome" by his senior class. After graduating, McConaughey spent some time working in Australia and then returned to the States to attend the University of Texas at Austin. It was there that he met producer and casting director Don Phillips, who introduced him to director Linklater, and, after directing from UT in 1993 with a degree in film production, McConaughey was cast in Dazed and Confused. Although his role as Wooderson, a slacker old enough to know better, was relatively small, McConaughey succeeded in winning a degree of immortality with lines like, "That's what I like about high school girls: I keep getting older, they stay the same age." After Dazed, McConaughey took on a number of supporting roles in films of varying quality, appearing in everything from 1994's Return of the Texas Chainsaw Massacre to 1995's Boys on the Side, in which he was cast as Drew Barrymore's straight-arrow cop boyfriend. The latter film won him some notice, heightened a year later when he was cast in John Sayles' acclaimed Lone Star. McConaughey made a distinct impression in his small but pivotal role as the town's beloved late sheriff, Buddy Deeds, and was duly given his first leading role in Joel Schumacher's 1996 adaptation of John Grisham's A Time to Kill. Although the film met with lackluster reviews, McConaughey managed to attract favorable attention, holding his own against Samuel L. Jackson, Kevin Spacey, and Sandra Bullock.Finding himself elected to the throne of Hollywood Golden Boy, a status cemented by his appearance on the cover of the August 1996 Vanity Fair, McConaughey paradoxically followed his initial success with a string of small, largely unseen films before landing a starring role as a property lawyer in Amistad, Steven Spielberg's 1997 slave epic. The same year, he also starred in Contact, playing a New Age theologian in Robert Zemeckis' adaptation of Carl Sagan's best-selling novel. After again collaborating with Linklater in 1998 on The Newton Boys, in which he starred alongside Ethan Hawke, Skeet Ulrich, and Vincent D'Onofrio as the remarkably photogenic family of titular robbers, McConaughey banded together with off-screen pal Bullock on her directorial debut, the short Making Sandwiches, the same year. For all the hype surrounding the beginning of his career, by the time he was cast in the lead role of Ron Howard's EdTV, McConaughey had receded somewhat from the public eye, with many critics noting that despite his talent and physical attributes, the actor seemed to have trouble finding roles that would do him justice. But McConaughey's turn as the laid-back everyman who becomes an overnight celebrity when he allows his life to be broadcast on TV proved a relative success, with the actor winning praise for his endearingly dopey performance. The film itself garnered a number of positive reviews and gave a decent box office performance, and by the end of that year, McConaughey had his name attached to a number of projects, including those of his own production company, J.K. Livin'. In October 1999, McConaughey achieved notoriety of a different sort, when he was arrested for resisting transport after the Austin, Texas police responded to noise complaints about his late-night naked bongo-playing; drug charges against him were dropped for lack of a proper warrant.After submerging in a tense struggle to find a German Enigma machine in order to defeat the Nazis in the taut World War II thriller U-571 (2000), McConaughey sweetened things up a bit by co-starring alongside Jennifer Lopez in the romantic comedy The Wedding Planner (2002). A lightweight comedy that did little to further his appeal as an actor of dramatic or comic range, the film nevertheless kept McConaughey in the public eye and once again warmed him to a public unsure how to approach him after numerous rumors of bizarre behavior. McConaughey's performance as a cocky lawyer forced to re-evaluate his quest for happiness after a life-altering experience in 2001's 13 Conversations About One Thing forced critics and audiences to re-evaluate their approach to the eccentric actor, and he would next re-team with U-571 co-star Bill Paxton for the nail-biter sleeper Frailty (2001). In late 2001 and early 2002 the eccentric actor at last received favorable press after coming to the aid of both woman who fainted at the Toronto International Film Festival and a sound man who suffered a seizure during McConaughey's Access Hollywood interview for Reign of Fire (2002), and though the aforementioned film fared only moderately well at the box office, its kindly star seemed to be back in the public's good graces. McConaughey next opted to lighten things up a bit by co-starring alongside Kate Hudson in the romantic comedy How to Lose a Guy in 10 Days. In 2005, McConaughey and Al Pacino co-headlined D.J. Caruso's gritty gambling thriller Two for the Money. McConaughey stars as Brandon Lang, a onetime collegiate football hero with a knack for picking winners, who unofficially signs on as the protege - and later the nemesis - of Pacino's seedy high-roller. The film brought in only moderate returns and received mixed reviews from the press, but McConaughey fared substantially better with 2006's romantic comedy Failure to Launch. In the latter, he stars alongside Sex and the City star Sarah Jessica Parker as Tripp, a thirtysomething mama's boy whose parents coax him out of the house by setting him up with dreamgirl Paula (Parker). The film shot up to become the primo box office draw on its opening weekend and did incredible business thereafter. McConaughey would spend the 2000's enjoying leading man status, with memorable roels in We Are Marshall, Fool's Gold, Tropic Thunder, and Magic Mike.

Trivia: Played on the varsity football team in high school. Competed in a Golden Gloves amateur boxing competition at Madison Square Garden at the age of 17, but was soon after diagnosed with elbow tendinitis, ending his boxing career. Made his stage debut in his high school's production of Kismet. In 1999, played the role of Mitch in the Hartford Stage's production of A Streetcar Named Desire. Performed on Broadway as Mike in the Roundabout Theatre Company's production of Pal Joey in 2009.