Trivia: Hawaii-born Jason Momoa first caught the attention of the fashion industry when he was discovered by designer Takeo in 1999. The 20 year old began a modeling career, which he soon transformed into an acting career, appearing in Baywatch Hawaii and Stargate Atlantis. In 2009, Momoa took on a role in the thriller The Game, before joining the cast of the acclaimed period series Game of Thrones in 2011. That same year, Momoa took on the title role in a hard hitting remake of Conan the Barbarian. Even though Conan failed to conquer the box office, Momoa's career kept charging forward thanks to his involvement eith the hit Game of Thrones, and in 2012 the actor could be seen opposite action icon Sylvester Stallone in the gritty Walter Hill actioner Bullet to the Head.

Trivia: A handsome actor whose skills on stage and screen are only rivaled by his remarkable voice, Patrick Wilson made a name for himself in theater before making a gradual transition to the silver screen. The Norfolk, VA, native pursued his higher education at the famed Carnegie Mellon University, where he stood out from the pack when he was awarded the Charles Willard Memorial Award for Undergraduate Excellence in Music Theatre before earning his B.F.A. in drama in 1995. The next year, Wilson took the lead for a national tour of Carousel, followed by a performance in a Goodspeed Opera House production of Lucky in the Rain. After a memorable turn as pianist Erwin "Chopin" Boots in a La Jolla Playhouse production of Barry Manilow's Harmony, Wilson performed in the nonmusical, six-hour stage version of The Cider House Rules. Though his supposed "breakthrough" role in a stage production of Bright Lights, Big City failed to cement his career, the rising star made his Broadway debut in The Gershwin's Fascinating Rhythm shortly thereafter. Wilson's true breakthrough did eventually come when he took the lead for a stage version of the popular film The Full Monty, and in 2001, he made his screen debut in Dark Stories: Tales from Beyond the Grave. Though that film went largely unseen, a role in HBO's acclaimed miniseries Angels in America found his transition to the big screen moving along smoothly. The following year, Wilson tackled his biggest role to date in the eagerly anticipated historical drama The Alamo (2004) before gearing up for a key part in Joel Schumacher's Phantom of the Opera (also 2004).

Trivia: Was raised in the Magnolia Projects of New Orleans. Competed as a hurdler for the California Golden Bears in college. Was previously an architect and city planner before beginning his acting career. Was awarded Yale School of Drama's esteemed Herschel Williams Prize. Made his professional acting debut playing Cadillac in the musical drama series The Get Down, which was created by Baz Luhrmann.

Trivia: Once relegated to decorative parts for years and long acknowledged as the wife of Tom Cruise, Nicole Kidman spent the latter half of the 1990s and the first decade of the new millennium earning much-deserved critical respect. Standing a willowy 5'11" and sporting one of Hollywood's most distinctive heads of frizzy red hair, the Australian actress first entered the American mindset with her role opposite Cruise in Days of Thunder (1990), but it wasn't until she starred as a homicidal weather girl in Gus Van Sant's 1995 To Die For that she achieved recognition as a thespian of considerable range and talent. Though many assume that the heavily-accented Kidman hails from down under, she was actually born in Honolulu, Hawaii, on June 20, 1967, to Australian parents. Her family, who lived on the island because of a research project that employed Kidman's biochemist father, then moved to Washington, D.C. for the next three years. After her father's project reached completion, Nicole and her family returned to Australia.Raised in the upper-middle-class Sydney suburb of Longueville for the remainder of the 1970s and well into the eighties, Kidman grew up infused with a love of the arts, particularly dance and theatre. Kidman took refuge in the theater, and landed her first professional role at the age of 14, when she starred in Bush Christmas (1983), a TV movie about a group of kids who band together with an Aborigine to find their stolen horse. Brian Trenchard-Smith's BMX Bandits (1983) -- an adventure film/teen movie -- followed , with Kidman as the lead character, Judy; it opened to solid reviews. Kidman then worked for the gifted John Duigan (The Winter of Our Dreams, Romero) twice, first as one of the two adolescent leads of the Duigan-directed "Room to Move" episode of the Australian TV series Winners (1985) and, more prestigiously, as the star of Duigan's acclaimed miniseries Vietnam (1987).In 1988, Kidman got another major break when she was tapped to star in Phillip Noyce's Dead Calm (1989). A psychological thriller about a couple (Kidman and Sam Neill) who are terrorized by a young man they rescue from a sinking ship (Billy Zane), the film helped to establish the then-21-year-old Kidman as an actress of considerable mettle. That same year, her starring performance in the made-for-TV Bangkok Hilton further bolstered her reputation. By now a rising star in Australia, Kidman began to earn recognition across the Pacific. In 1989, Tom Cruise picked her for a starring role in her first American feature, Tony Scott's Days of Thunder (1990). The film, a testosterone-saturated drama about a racecar driver (Cruise), cast Kidman as the neurologist who falls in love with him. A sizable hit, it had the added advantage of introducing Kidman to Cruise, whom she married in December of 1990.Following a role as Dustin Hoffman's moll in Robert Benton's Billy Bathgate (1991), and a supporting turn as a snotty boarding school senior in the masterful Flirting (1991), which teamed her with Duigan a third time, Kidman collaborated with Cruise on their second film together, Far and Away (1992). Despite their joint star quality, gorgeous cinematography, and adequate direction by Ron Howard, critics panned the lackluster film.Kidman's subsequent projects, My Life and Malice ( both 1993), were similarly disappointing, despite scattered favorable reviews. Batman Forever (1995), in which she played the hero's love interest, Dr. Chase Meridian, fared somewhat better, but did little in the way of establishing Kidman as a serious actress even as it raked in mile-high returns at the summer box office. Kidman finally broke out of her window-dressing typecasting when Gus Van Sant enlisted her to portray the ruthless protagonist of To Die For (1995). Directed from a Buck Henry script, this uber-dark comedy casts Kidman as Suzanne Stone, a television broadcaster ready and eager to commit one homicide after another to propel herself to the top. Displaying a gift for impeccable comic timing, she earned Golden Globe and National Broadcast Critics Circle Awards for Best Actress. Further critical praise greeted Kidman's performance as Isabel Archer in Jane Campion's 1996 adaptation of Henry James' The Portrait of a Lady. Now regarded as one of the hottest actresses in Hollywood, Kidman starred opposite George Clooney in the big-budget action extravaganza The Peacemaker (1997) and opposite Sandra Bullock in the frothy Practical Magic (1998). In 1999, Kidman starred in one of her most controversial films to date, Stanley Kubrick's Eyes Wide Shut. Adapted from Arthur Schnitzler's Traumnovelle and cloaked in secrecy from the beginning of its production, the film also stars Cruise as Kidman's physician husband. During the spring and summer of 1999, the media unsurprisingly hyped the couple's onscreen pairing as the two major selling points. However, despite an added measure of intrigue from Kubrick's death only weeks after shooting wrapped, Eyes Wide Shut repeated the performance of prior Kubrick efforts by opening to a radically mixed reaction.As the new millennium arrived, problems began to erupt between Kidman and Tom Cruise; divorce followed soon after, and the tabloids swirled with talk of new relationships for the both of them. She concurrently plunged into a string of daring, eccentric film roles much edgier than what she had done before. The trend began with a role in Jez Butterworth's Birthday Girl (2001) as a Russian mail order bride, and Baz Luhrmann's Moulin Rouge (2001), which cast her, in the lead, as a courtesan in a 19th century Paris hopped up with late 20th century pop songs. The picture dazzled some and alienated others, but once again, journalists flocked to Kidman's side.Following this success (the picture gleaned a Best Picture nod but failed to win), Kidman gained even more positive notice for her turn as an icy mother after the key to a dark mystery in Alejandro Amenabar's spooky throwback, The Others. When the 59th Annual Golden Globe Awards finally arrived, Kidman received nominations for her memorable performances in both films. Though it couldn't have been any further from her flamboyant turn in Moulin Rouge, Kidman's camouflaged role as Virginia Woolf in the following year's The Hours (2002) (she wears little makeup and a prosthetic nose), for which she delivered a mesmerizing and haunting performance, kept the Oscar and Golden Globe nominations steadily flowing in for the acclaimed actress. The fair-haired beauty finally snagged the Best Actress Oscar that had been so elusive the year before. Post-Oscar, Kidman continued to take on challenging work. She played the lead role in Lars von Trier's Dogville, although she declined to continue in Von Trier's planned trilogy of films about that character. She swung for the Oscar fences again in 2003 as the female lead in Cold Mountain, but it was co-star Renee Zellweger who won the statuette that year. Kidman did solid work for Jonathan Glazer in the Jean-Claude Carriere-penned Birth, as a woman revisited by the incarnation of her dead husband in a small child's body, but stumbled with a pair of empty-headed comedies, Frank Oz's The Stepford Wives and Nora Ephron's Bewitched (both 2005), that her skills could not save. She worked with Sean Penn in the political thriller The Interpreter in 2005. For the most part, Kidman continued to stretch herself with increasingly demanding and arty roles throughout 2006. In Steven Shainberg's Fur: An Imaginary Portrait of Diane Arbus, Kidman plays controversial housewife-cum-photographer Diane Arbus. Meanwhile, Kidman returned to popcorn pictures by playing Mrs. Coulter in Chris Weitz's massive, $150-million fantasy adventure The Golden Compass (2007), adapted from Philip Pullman's His Dark Materials series of books. She also headlined the sci-fi thriller The Invasion, a loose remake of the classic Invasion of the Body Snatchers. Also in 2007, Kidman teamed up with Noah Baumbach for a starring role as a supremely dysfunctional mother in Margot at the Wedding (2007). The actress then set out to recapture her Moulin Rouge musical success with a turn in director Rob Marshall's 8 1/2 remake Nine (2009), teamed up with indie cause-célèbre John Cameron Mitchell and Aaron Eckhart for the psychologically-charged domestic drama Rabbit Hole (2010), and starred opposite Jennifer Aniston and Adam Sandler in the Dennis Dugan-helmed comedy Go With It (2011). Kidman would spend the next few years continuing her high level of activity, appearing in movies like Trespass and The Paperboy.

Trivia: Created an Asian American theater group called Lapu the Coyote That Cares, with two friends in college. Performs sketch comedy with his friend Marques Ray. His first regular acting role was on Nick Cannon's Wild 'N Out in 2006. Is a frequent contributor to Channel 101, an online TV network.

Trivia: Boasting brooding good looks which have allowed him to play both edgy heroes and fearsome villains, Temuera Morrison is one of New Zealand's best-recognized actors, and perhaps the most visible Maori performer in the world. Morrison was born in the tourist community of Rotorua; his instincts as a performer came naturally, given his father's career as a musician and the fact his uncle, Sir Howard Morrison, was one of the nation's best-loved entertainers. After completing high school, Morrison briefly worked with his uncle, but before long he decided to go into acting, and studied drama through New Zealand's Special Performing Arts Training Scheme. Morrison's SPATS training led to his first film role, in the drama Other Halves, and in 1988 he got to show some comic flair in the James Bond parody Never Say Die. In 1993, Morrison was hired as the Maori dialogue advisor on the international hit The Piano, but his big break came a year later, when Morrisonwas cast as Jake Heke, an alcoholic and abusive Maori husband and father, in the acclaimed drama Once Were Warriors. Morrison's vivid performance won him the Best Actor trophy at the 1994 New Zealand Film and TV Awards, and the attention brought Morrison to Hollywood. However, Morrison's initial American roles were in a handful of would-be blockbusters which died on the vine commercially speaking, including Barb Wire, The Island of Dr. Moreau, and Speed 2: Cruise Control. However, Morrison fared better at the box office with 2000's Vertical Limit, and the year before he made a triumphant return to New Zealand to star in the sequel to Once Were Warriors, What Becomes of the Broken Hearted? The film did not receive the same degree of international attention as the original, but it was popular and well-reviewed in New Zealand, and Morrison's second turn as Jake won him another Best Actor prize from the New Zealand Film and TV Awards. Morrison landed his biggest hit in 2002, when he was cast as Jango Fett in the eagerly anticipated Star Wars: Episode Two -- Attack of the Clones. ~ Mark Deming

Trivia: Highly intelligent and extremely well educated -- earning an M.A. at Stockholm's Royal Institute of Technology and a Fulbright Fellowship at M.I.T. -- Dolph Lundgren is better known for his athletic achievements than his intellectual pursuits. An internationally recognized kick-boxing champion, the 6' 6", 250-pound Lundgren was working as a doorman at a trendy New York disco when his personally produced exercise video Maximum Potential caught the eye of movie producers. His 1984 cinematic debut was a bit part in the James Bond opus A View to a Kill, which co-starred Lundgren's then-lover Grace Jones. (Earlier reports that Lundgren appeared in 1970's The Out-of-Towners were really out of town.) His breakthrough film role was as Drago, the automaton-like Russian ring opponent of Sylvester Stallone in Rocky IV (1985). The content of Lundgren's subsequent films is implicit in their titles: Masters of the Universe (in which Lundgren played bulging-biceped cartoon character He-Man), Universal Soldier (sharing the screen with fellow bodybuilder Jean-Claude Van Damme), Red Scorpion, Showdown in Little Tokyo, Army of One, etc. When Lundgren showed up as a street preacher in the futuristic Johnny Mnemonic (1995), one got the feeling that he was not going to be advocating peace on earth for long.

Trivia: The son of a steel-executive father and concert violinist mother, Ontario native Martin Short attended McMasters University, where he graduated in 1972 with a degree in social work. If you haven't spotted Short at your local youth center or settlement house, it's because he decided to pursue a performing career, encouraged by his fellow McMasters classmates Eugene Levy and Dave Thomas. Making his professional debut in a 1973 Toronto production of Godspell, Short joined Levy and Thomas at the Second City improv troupe in Edmonton, Alberta in 1977. Two years later, Short made his first film, Lost and Found, and also co-starred on the critically lauded but little-seen American sitcom The Associates. It was while appearing on SCTV Network 90 from 1982 through 1983 and Saturday Night Live from 1984 through 1985 that Short attained stardom with such distinctive comic characterizations as supercilious showbiz promoter Jackie Rogers Jr. and pointy-headed nerd Ed Grimley (this last-named character was spun off into an amusing Saturday morning cartoon series in 1989). He also scored big yocks with his devastating, dead-on impressions of such icons as Jerry Lewis and Katharine Hepburn (a lifelong Jerry Lewis fan, Short was invited to join Lewis as co-host of a cable-TV Martin and Lewis retrospective in 1993; he has yet to share the spotlight with the real Ms. Hepburn). Though an extremely likeable screen presence, the puckish Short has, like many of his Second City brethren, frequently been cast in films far beneath his talents, hitting bottom with 1994's Clifford. Happily, he has been extremely well-served in such films as Three Amigos (1986), Innerspace (1989), and the 1992 remake of Father of the Bride, in which he had an unbearably funny cameo as epicene wedding planner Franck Eggelhoffer. In 1993, Short made his Broadway debut, assuming the old Richard Dreyfuss role in a musical adaptation of the 1977 film The Goodbye Girl. The following year, Martin Short had another go at television, headlining the weekly (but not for long) Seinfeld rip-off The Martin Short Show. Subsequently donning a fat suit as Jiminy Glick in the Comedy Central talk-show parody Primetime Glick, Short skewerd Hollywood ni a way that only an insider could and in 2004 the character took the lead in his own feature -- Jiminy Glick in Lalawood. Meanwhile, guest appearances on Curb Your Enthusiasm, Arrested Development, Damages, Weeds, and How I Met Your Mother kept him busy as ever. Beginnig in 2010, Short voiced The Cat in the Hat in the popular PBS Kids series The Cat in the Hat Knows a Lot About That!, and in 2012 he essayed a variety of wacky characters in the musical comedy I, Martin Short, Goes Home, which found him reunited with a number of his former SCTV co-stars including Joe Flaherty and Eugene Levy.

Trivia: Attended the Academy of Live and Recorded Arts in London. Began his acting career as part of the Royal Shakespeare Company. Made his television debut in the movie Unwanted Woman in 1992. Appeared in several films associated with Ancient Greece – Troy (2004), 300 (2006) and Clash of the Titans (2010). Helped launch South London's Landor Theatre.