Trivia: Model-turned-actress Natasha Henstridge first earned fame -- to say nothing of notoriety -- as Sil, the human-alien clone with a deadly need to mate and reproduce in Species (1995). Due to the strenuous demands of her character, the blonde, willowy Henstridge was required to spend much of the film naked, something that inspired plenty of testosterone-laced men's magazine profiles but little chance for critical respect. However, the actress persevered, gradually finding work in films that focused on her verbal skills rather than her ability to shed her clothing.Originally hailing from Springdale, Newfoundland, Henstridge grew up in Fort McMurray, Alberta, Canada. Leaving home at 14 to pursue a modeling career, she moved to Paris, eventually becoming successful enough to grace the cover of French Cosmopolitan when she was only 15. Henstridge also appeared in ads for Oil of Olay and Lady Stetson, but she soon realized that she was meant for a more creatively stimulating calling. Whether her starring role in Species could be deemed creatively stimulating is arguable, but it did provide Henstridge with her breakthrough. Unfortunately, she next opted for near-nonentity status in such critical missteps as the Jean-Claude Van Damme vehicle Maximum Risk (1996) and Species II (1998), which was nowhere near as commercially successful as its predecessor. Henstridge broke into new territory with the romantic comedy Dog Park (1998), co-starring alongside Janeane Garofalo and Luke Wilson. She continued to flex her comedic muscles in 2000 with The Whole Nine Yards, sharing the screen with a cast that included Matthew Perry, Bruce Willis, and Michael Clarke Duncan. Later that year, she appeared in Bounce, a romantic drama about a man (Ben Affleck) who falls in love with the widow (Gwyneth Paltrow) of the plane crash victim to whom he had given his seat on a doomed airplane. In 2001 Henstridge replaced an injured Courtney Love in John Carpenter's Ghosts of Mars, and over the course of the following decade she became increasingly active on the small screen, appearing in She Spies, Commander in Chief, Eli Stone, and The Secret Circle before turning up in the dubious sequel Raging Bull II in 2012.

Trivia: Michael Madsen, who admits to being more interested in delivering a good performance than the perks of fame, formerly worked as a gas station attendant in his hometown of Chicago, IL. The older brother of actress Virginia Madsen, Michael's first acting experience took place inside of Chicago's Steppenwolf Theatre, where he studied under the direction of fellow actor John Malkovich. This stage training provided him with the background needed to land a host of small roles, beginning with a bit part in the 1983 film WarGames. After relocating to Los Angeles, Madsen made several television and film appearances, including NBC's Emmy-winning Special Bulletin (1983), and The Natural (1984), director Barry Levinson's celebrated sports drama. Madsen continued to build credibility, gradually going on to land larger parts. Though his profile was raised substantially after appearing in the 1991 film Thelma & Louise, it was his 1989 performance as a psychotic killer in John Dahl's Kill Me Again that caught the attention of Quentin Tarantino, who would later give Madsen his true breakthrough opportunity in 1992's Reservoir Dogs. This ear-splitting performance earned Madsen critical acclaim, as well as further cementing his reputation for playing psychopathic murderers. Sure enough, Madsen would go on to perform in several decidedly evil roles. From the kitten-loving sociopath in The Getaway (1994), to mafia tough guy Sonny Black in Donnie Brasco, Madsen proved himself more than capable of playing a good bad guy. Rather than allowing himself to be typecast, however, Madsen readily accepted the role of a loving foster parent in Free Willy (1993), a seasoned alien assassin in Species (1995), and CIA Agent Damon Falco in director Lee Tamahori's Die Another Day (2002). Over the course of the next decade, however, the veteran actor largely stuck to his tough-guy image, though his reflective role in Quentin Tarantino's Kill Bill films displayed a sense of depth that most filmmakers fail to coax out of him.

Trivia: Best known for her television work, Marg Helgenberger started acting in college theatrical productions while studying speech at Northwestern University. A native of Omaha, NE, where she was born on November 16, 1958, Helgenberger moved to New York after graduating from college and landed a role as a tough young policewoman on the soap opera Ryan's Hope. During her four-year tenure on the show, she also maintained her ties with the theater through her involvement with TADA, the Children's Theater Company.Following a move to Southern California, Helgenberger began guest starring on such television series as Matlock, thirtysomething, and HBO's Tales From the Crypt. She co-starred on the short-lived series Shell Game (1987) before getting her big break with the role of K.C., a tough prostitute, on the distinguished drama China Beach in 1988. Helgenberger's role won her two Emmy nominations and one win in 1990. Following the series' demise in 1991, Helgenberger returned to television guest-star status on ER, where she had a four-episode-long recurring role, and in the miniseries The Tommyknockers.A presence on the big screen since 1989, when she made her feature-film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000). Helgenberger would continue to appear in films like In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene Investigation.

Trivia: After more than a decade in the business, hard-working actor Mykelti Williamson achieved true fame as Tom Hanks' army buddy in Forrest Gump (1994). Born in St. Louis, Williamson and his family moved frequently during his childhood, finally settling in Los Angeles when he was 15. After studying acting in high school, Williamson landed a recurring role on Hill Street Blues in 1983. Working steadily in TV and movies throughout the 1980s, Williamson appeared in a number of films, including Walter Hill's Streets of Fire (1984); the pilot movie for the stylish cop series Miami Vice (1984); and the Goldie Hawn football comedy Wildcats (1986). By the 1990s, Williamson added a bona fide sleeper hit to his credits with his role as a paternal cop in Free Willy (1993). His transformative performance as Forrest's ill-fated shrimp-loving friend Bubba in the blockbuster, 1994 Best Picture winner Forrest Gump then earned Williamson critical raves, propelling him into a varied range of high-profile films. After appearing in Free Willy 2 (1995) and playing a small but attention-getting role as one of Lela Rochon's unworthy suitors in Waiting to Exhale (1995), Williamson joined forces with Al Pacino in Michael Mann's Heat (1995). Continuing to work in TV as well, Williamson acted in several series, co-starred as Negro League baseball player Josh Gibson in the well-received TV film The Soul of the Game (1996), played a black cavalryman in the TNT Western Buffalo Soldiers (1997), and joined the prestigious ensemble cast of 12 Angry Men (1997). Williamson continued to ride high as Nicolas Cage's ill cell mate in the summer blockbuster Con Air (1997), but his 1998 movie work in Primary Colors and Species 2 was personally overshadowed by his legal troubles when he was arrested for stalking his ex-wife and stabbing her friend. Acquitted of the charges, Williamson returned to form with a blistering performance as an Army colonel in David O. Russell's critically lauded Three Kings (1999). Williamson reprised his role as Lt. Gerard in the second TV series version of The Fugitive(2000). Despite pre-season hype and the prior success of other Fugitives, the series lasted only one season. Williamson then made another onscreen splash when he reunited with Heat director Michael Mann to appear as the flamboyant, shock-haired boxing impresario Don King in Mann's ambitious biopic Ali (2001). Williamson is married and has three daughters.

Trivia: George Dzundza's face slowly sank into the collective subconscious of American culture after nearly 30 years before the cameras. Audiences may be hard-pressed to name him, though his familiar face is like that of a distant cousin one has never met but keeps stumbling across while thumbing through old family photo albums. From his turn as an enraged, cheated-on spouse in the horror classic Salem's Lot (1979) to a recent turn as Robert De Niro's partner in 2002's City by the Sea, you can't get away from Dzundza once you've put a name to the face. Aggressively pursued by the president of the Stagers Society (who threatened to have him expelled lest he audition for an upcoming production) at college orientation, a nervous Dzundza hastily agreed and quickly landed the part. A quick rise through the theater circuit soon landed Dzundza some prime supporting roles on the small screen, and it wasn't long until he was gaining exposure on such diverse shows as Starsky and Hutch and The Waltons. In 1975, Dzundza made his film debut with a role in The Happy Hooker, and through the remainder of that decade and well into the '80s he frequently alternated between television and film. Following appearances in The Deer Hunter and Salem's Lot, Dzundza was cast as the lead in the short-lived sitcom Open All Night, and through the remainder of the decade he landed roles in such high-profile theatrical releases as Best Defense (1984), No Mercy (1986), and No Way Out (1987). It wasn't until 1990 that Dzundza would make a return to weekly television, though his role as Sgt. Max Greevey on Law & Order certainly made up for lost time. Even if he did leave the series after only one season, the decision ultimately served him well and his feature career subsequently flourished. As Dzundza's career advanced into the '90s, it also evolved and found him branching out by lending his voice to such animated television efforts as Superman and Batman: Gotham Knights. A short-lived stint opposite Christina Applegate followed with Jesse in 1998, and after moving back to features with roles in Instinct (1999) and City by the Sea, Dzundza settled nicely into the role of Father Tom "Grizz" Grzelak in the popular television series Hack in 2002.

Trivia: Long-time character actor James Cromwell has spent much of his career on stage and television, only occasionally appearing in feature films until the early '90s, when his film work began to flourish. The tall, spare actor first became known to an international audience with his role as the taciturn but kindly Farmer Hoggett, the owner of a piglet that wants to be a sheepdog, in the smash hit Babe (1995). His work in the film earned Cromwell an Oscar nomination for Best Supporting Actor, as well as numerous opportunities for steady work in Hollywood.The son of noted director John Cromwell and actress Kay Johnson, he originally aspired to become a mechanical engineer, attending both Vermont's Middlebury College and the Carnegie Institute of Technology (now Carnegie Mellon University). But after a summer spent on a movie set with his father, the acting bug bit, and Cromwell decided to become an actor. He started out in regional theater, acting and directing in a variety productions for ten years, and he was a regular performer at the Mark Taper Forum in Los Angeles. Cromwell made his television debut in the recurring role of "Stretch" Cunningham on All in the Family in 1974, and he subsequently spent the rest of the decade and much of the 1980s on television, as a regular on such shows as Hot L Baltimore and The Last Precinct. Cromwell also appeared in such miniseries as NBC's Once an Eagle and in such made-for-television movies as A Christmas Without Snow (1980). Cromwell made his feature film debut in the comedy Murder By Death (1976). His film work was largely undistinguished until Babe; following the film's success, he began appearing in more substantial roles in a number of popular films, including The People Vs. Larry Flynt (1996), in which he played Charles Keating; Star Trek: First Contact (1996), which cast him as the reluctant scientist responsible for Earth's first contact with alien life forms; and L.A. Confidential (1997), in which he gave a marvelously loathsome performance as a crooked police captain. Adept at playing nice guys and bottom-dwelling scum alike, Cromwell next earned strong notices for his portrayal of a penitentiary warden in The Green Mile (1999).The respected character actor continued strongly into the next decade with appearances in Clint Eastwood's Space Cowboys as well as the live-on-TV production of Fail Safe in 2000. He enjoyed a recurring role on E.R. in 2001. He played the president in the 2002 Jack Ryan movie The Sum of All Fears. In 2003 he took on a recurring role in the respected HBO drama Six Feet Under, and also appeared in the award-winning HBO adaptation of Angels in America. In 2006 he acted opposite Helen Mirren playing Prince Philip in The Queen, and played another head of state for Oliver Stone when he portrayed George Herbert Walker Bush in the biopic W. In 2011 he was the loyal butler to the main character in the Best Picture Oscar winner for that year, The Artist.

Trivia: A native of Newcastle, Australia, actress Sarah Wynter was 17 when she traveled to New York City to study drama. After appearing in a number of off-Broadway productions, she made her screen debut in the 1995 romantic drama Let It Be Me, and then landed a small role in Species II (1998). She found more substantial work playing Ben Chaplin's girlfriend in Lost Souls in 1999, and she could subsequently be seen as a Russian assassin in the Arnold Schwarzenegger thriller The Sixth Day (2000). In 2002, she joined the season 3 cast of the hit series 24, and followed it up with a recurring role on The Dead Zone. TV suited Wynter well, and she subsuquently took on a starring role on the drama Windfall in 2006. The series was canceled after 13 episodes, but the actress continued to stay in front of the camera, appearing on shows like Dead Like Me and Flight of the Conchords.

Trivia: Born in the American Midwest, actor Henderson Forsythe received his MFA degree at the State University of Iowa, where he subsequently joined the faculty. After four years' Army service during and after WorldWar II, Forsythe headed to New York to put his acting training to practical use. He spent the next two decades commuting between New York and London, appearing in such stage productions as The Iceman Cometh, The Collection, Miss Lonelyhearts, Who's Afraid of Virginia Woolf and A Delicate Balance. The actor won a Tony award for his performance in the robust musical The Best Little Whorehouse in Texas, working in both the Broadway and London companies. Since seemingly the beginning of time, Henderson Forsythe played the role of Dr. David Stewart on the never-ending TV soap opera As the World Turns; he made additional regular TV appearances on The Brighter Day (1958), Eisenhower & Lutz (1988) and Nearly Departed (1989).

Trivia: Lead actor, onscreen from 1963.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Well-reputed for his "extreme" cinematic personifications in multiple genres, the American character player Peter Boyle doubtless made his onscreen personas doubly intense by pulling directly from his own personal journey to the top -- a wild, unlikely, and occasionally tortuous trek that found Boyle aggressively defining and redefining himself, and struggling constantly with a number of inner demons. Born October 18, 1935, in the hamlet of Northtown, PA, Boyle graduated from La Salle College and joined the Christian Brothers monastic order, under the name "Brother Francis." He prayed endlessly and earnestly until he developed callouses on his knees, but could never quite adjust to the monastic life, which he later declared "unnatural," with its impositions of fasting and celibacy. Dissatisfied, Boyle dropped out and headed for the Navy, but his brief enlistment ended in a nervous breakdown. With no other options in sight that piqued his interest, Boyle opted to pack his bags and head for New York City, where he worked toward making it as an actor. It made perfect sense that Boyle -- with his distinctively stocky frame, bald pate, oversized ears, and bulbous nose -- would fit the bill as a character actor -- more ideally, in fact, than any of his contemporaries on the American screen. He trained under the best of the best -- the legendary dramatic coach Uta Hagen -- while working at any and every odd job he could find. Boyle soon joined a touring production of Neil Simon's Odd Couple (as Oscar Madison) and moved to Chicago, where he signed on with the sketch comedy troupe The Second City -- then in its infancy. Around 1968, Haskell Wexler -- one of the most politically radical mainstream filmmakers in all of Los Angeles (a bona fide revolutionary) -- decided to shoot his groundbreaking epic Medium Cool in the Windy City, and for a pivotal and notorious sequence, mixed documentary and fictional elements by sending the members of his cast (Verna Bloom and others) "right into the fray" of the 1968 Democratic National Convention riots. Boyle happened to still be living in Chicago at the time of the tumult, which dovetailed rather neatly with Wexler's production and brought Boyle one of his first credited Hollywood roles -- that of the Gun Clinic Manager in the film. Unfortunately (and typically), Paramount cowed when faced with the final cut of the film -- terrified that it could incite riots among its youthful audience -- and withheld its distribution for a year. In the interim, Boyle landed the role that would help him "break through" to the American public -- the lead in neophyte writer-director John G. Avildsen's harrowing vigilante drama Joe (1970). The film casts Boyle as a skin-crawling redneck and bigot who wheedles an Arrow-collared businessman (Dennis Patrick) into helping him undertake an onslaught of death against the American counterculture. This sleeper hit received only fair reviews from critics (and has dated terribly), and Boyle reputedly was paid only 3,000 dollars for his contribution. But even those who detested the film lavished praise onto the actor's work -- in 1970, Variety called the picture "flawed" but described Boyle as "stunningly effective." Film historians continue to exalt the performance to this day. Innumerable roles followed for Boyle throughout the '70s, many in a similar vein -- from that of Dillon, the slimy underworld "friend" who betrays career criminal Robert Mitchum by handing him over to death's jaws in Peter Yates' finely-wrought gangster drama The Friends of Eddie Coyle, to that of Wizard, a veteran cabbie with a terrifying degree of "seen it all, done it all" jadedness, in Martin Scorsese's masterful neo-noir meditation on urban psychosis, Taxi Driver (1976), to Andy Mast, a sleazy private dick, in Paul Schrader's Hardcore (1979). In 1974, however, Boyle broke free from his pattern of creepy typecasting and temporarily turned a new leaf. He unveiled a deft comic flair by playing the lead in Young Frankenstein, Mel Brooks' daffy spoof of old Universal horror pictures. The film's two comic highlights have Boyle and Gene Wilder (as the grandson of Dr. Victor Frankenstein) soft-shoeing to "Puttin' on the Ritz," and Boyle and Gene Hackman (as a hapless, bearded blind man) farcically sending up the gothic cabin scene from Mary Shelley's novel in a riotous pas de deux. Boyle's subsequent forays into big-screen comedy proved decidedly less successful on all fronts, however. He played Carl Lazlo, Esquire, the solicitor of Bill Murray's Hunter S. Thompson, in producer/director Art Linson's Where the Buffalo Roam, the pirate Moon in Mel Damski's dreadful swashbuckling spoof Yellowbeard (1983), and Jack McDermott, a Jesus-obsessed escaped mental patient with delusions of healing, in Howard Zieff's The Dream Team (1989) -- all of which received lukewarm critical reactions and flopped with ticket-buyers. (Though it went undocumented as such, the Zieff role appeared to pull heavy influence from Boyle's monastic experience). A more finely tuned and impressive comic role arrived in 1992, when Boyle teamed with Andrew Bergman for an outrageous bit part in Bergman's madcap farce Honeymoon in Vegas. As Chief Orman, a moronic Hawaiian Indian who bears more than a passing resemblance to Marlon Brando, Boyle delighted viewers, and caught the attention of critics. Many read the role as less of an homage than a dig at Brando, who had viciously insulted one of Bergman's movies in the press. For many viewers, this ingenious sequence made the entire film worthwhile. On the whole, the actor continued to fare best with big-screen dramatic roles throughout the '80s and '90s. Highlights include his role as Detective Jimmy Ryan in Wim Wenders' film noir Hammett (1982); Commander Cornelius Vanderbilt, the assistant of South-American explorer William Walker, in Alex Cox's 1987 biopic Walker; and Captain Green in Spike Lee's Malcolm X (1992). In 1996, Boyle transitioned to the small screen for a permanent role as Frank Barone, the father of comedian Ray Romano's Ray Barone, on the hit CBS sitcom Everybody Loves Raymond. The series brought the actor his broadest popularity and exposure, especially among younger viewers -- a popularity not only attested to by the program's seemingly endless syndicated appearance on local stations and cable affiliates such as TBS, but by its initial series run -- it lasted nine seasons. Tragically, Peter Boyle died of multiple myeloma and heart disease almost exactly one year after Raymond took its final network bow, and shortly after his appearance in the holiday film The Santa Clause 3: The Escape Clause. He passed away in New York's Presbyterian Hospital, on December 12, 2006, only two months after his seventy-first birthday. Alongside his film and television work, Boyle occasionally acted on Broadway, off-Broadway, and repertory stages, in such productions as Carl Reiner's The Roast (1980), Sam Shepard's True West (1982), and Joe Pintauro's Snow Orchid (1982). Boyle met journalist Laraine Alderman in the early '70s, while she was interviewing Mel Brooks for Rolling Stone. They wed in 1977, with former Beatle John Lennon as Boyle's best man; the marriage lasted until Peter's death. The Boyles had two daughters, Lucy and Amy, both of whom outlived their father.