Trivia: One of the few movie "superstars" truly worthy of the designation, actor Sean Connery was born to a middle-class Scottish family in the first year of the worldwide Depression. Dissatisfied with his austere surroundings, Connery quit school at 15 to join the navy (he still bears his requisite tattoos, one reading "Scotland Forever" and the other "Mum and Dad"). Holding down several minor jobs, not the least of which was as a coffin polisher, Connery became interested in bodybuilding, which led to several advertising modeling jobs and a bid at Scotland's "Mr. Universe" title. Mildly intrigued by acting, Connery joined the singing-sailor chorus of the London roduction of South Pacific in 1951, which whetted his appetite for stage work. Connery worked for a while in repertory theater, then moved to television, where he scored a success in the BBC's re-staging of the American teledrama Requiem for a Heavyweight. The actor moved on to films, playing bit parts (he'd been an extra in the 1954 Anna Neagle musical Lilacs in the Spring) and working up to supporting roles. Connery's first important movie role was as Lana Turner's romantic interest in Another Time, Another Place (1958) -- although he was killed off 15 minutes into the picture. After several more years in increasingly larger film and TV roles, Connery was cast as James Bond in 1962's Dr. No; he was far from the first choice, but the producers were impressed by Connery's refusal to kowtow to them when he came in to read for the part. The actor played the secret agent again in From Russia With Love (1963), but it wasn't until the third Bond picture, Goldfinger (1964), that both Connery and his secret-agent alter ego became a major box-office attraction. While the money steadily improved, Connery was already weary of Bond at the time of the fourth 007 flick Thunderball (1965). He tried to prove to audiences and critics that there was more to his talents than James Bond by playing a villain in Woman of Straw (1964), an enigmatic Hitchcock hero in Marnie (1964), a cockney POW in The Hill (1965), and a loony Greenwich Village poet in A Fine Madness (1966). Despite the excellence of his characterizations, audiences preferred the Bond films, while critics always qualified their comments with references to the secret agent. With You Only Live Twice (1967), Connery swore he was through with James Bond; with Diamonds Are Forever (1971), he really meant what he said. Rather than coast on his celebrity, the actor sought out the most challenging movie assignments possible, including La Tenda Rossa/The Red Tent (1969), The Molly Maguires (1970), and Zardoz (1973). This time audiences were more responsive, though Connery was still most successful with action films like The Wind and the Lion (1974), The Man Who Would Be King (1975), and The Great Train Robbery (1979). With his patented glamorous worldliness, Connery was also ideal in films about international political intrigue like The Next Man (1976), Cuba (1979), The Hunt for Red October (1990), and The Russia House (1990). One of Connery's personal favorite performances was also one of his least typical: In The Offence (1973), he played a troubled police detective whose emotions -- and hidden demons -- are agitated by his pursuit of a child molester. In 1981, Connery briefly returned to the Bond fold with Never Say Never Again, but his difficulties with the production staff turned what should have been a fond throwback to his salad days into a nightmarish experience for the actor. At this point, he hardly needed Bond to sustain his career; Connery had not only the affection of his fans but the respect of his industry peers, who honored him with the British Film Academy award for The Name of the Rose (1986) and an American Oscar for The Untouchables (1987) (which also helped make a star of Kevin Costner, who repaid the favor by casting Connery as Richard the Lionhearted in Robin Hood: Prince of Thieves [1991] -- the most highly publicized "surprise" cameo of that year). While Connery's star had risen to new heights, he also continued his habit of alternating crowd-pleasing action films with smaller, more contemplative projects that allowed him to stretch his legs as an actor, such as Time Bandits (1981), Five Days One Summer (1982), A Good Man in Africa (1994), and Playing by Heart (1998). Although his mercurial temperament and occasionally overbearing nature is well known, Connery is nonetheless widely sought out by actors and directors who crave the thrill of working with him, among them Harrison Ford, Steven Spielberg, and George Lucas, who collaborated with Connery on Indiana Jones and the Last Crusade (1989), where the actor played Jones' father. Connery served as executive producer on his 1992 vehicle Medicine Man (1992), and continued to take on greater behind-the-camera responsibilities on his films, serving as both star and executive producer on Rising Sun (1993), Just Cause (1995), and The Rock (1996). He graduated to full producer on Entrapment (1999), and, like a true Scot, he brought the project in under budget; the film was a massive commercial success and paired Connery in a credible onscreen romance with Catherine Zeta-Jones, a beauty 40 years his junior. He also received a unusual hipster accolade in Trainspotting (1996), in which one of the film's Gen-X dropouts (from Scotland, significantly enough) frequently discusses the relative merits of Connery's body of work. Appearing as Allan Quartermain in 2003's comic-to-screen adaptation of The League of Extraordinary Gentlemen, the seventy-three year old screen legend proved that he still had stamina to spare and that despite his age he could still appear entirely believeable as a comic-book superhero. Still a megastar in the 1990s, Sean Connery commanded one of moviedom's highest salaries -- not so much for his own ego-massaging as for the good of his native Scotland, to which he continued to donate a sizable chunk of his earnings.

Trivia: Born in Switzerland to German parents, Ursula Andress first sought out film work while on a holiday to Rome (she later insisted that the producers came to her first). After a string of cheap films, Andress was brought to the U.S. as the New Dietrich, although the only things she actually had in common with Marlene Dietrich were German heritage and a magnificent legs. In 1957, Andress married American actor John Derek, who supervised every aspect of her career in much the same way that he'd later mold Bo Derek. The marriage ended unhappily, although the couple remained friends. She became an international sensation through her bikini-clad appearance as Honey Rider in the first James Bond movie Dr. No (1962), a role for which she was paid 10,000 dollars. Within a year, Andress was sharing billings with Frank Sinatra and Dean Martin in Four for Texas, and Elvis Presley in Fun in Acapulco (both 1963); she also posed for a now much-sought-after nude layout in Playboy magazine. After this her burst of super-celebrity, Andress settled into a series of increasingly humdrum films. During the making of 1981's Clash of the Titans, she linked up with the film's much younger leading man Harry Hamlin, who became the father of her child. Although Andress continued to make movies in the 1980s and '90s. In 1985 she appeared as Marie Antoinette in Liberte, Egalite, Choucroute, and the next year she was cast in the made-for-TV biopic Peter the Great. A late-career highlight was her appearance in Matthew Barney's ongoing Cremaster project.

Trivia: Brooklyn-born actor John Joseph Patrick Ryan borrowed his stage name "Jack Lord" from a distant relative. Spending his immediate post-college years as a seafaring man, Lord worked as an engineer in Persia before returning to American shores to manage a Greenwich Village art school and paint original work; he flourished within that sphere (often signing his paintings "John J. Ryan,") and in fact exhibited the tableaux at an array of prestigious institutions including the Metropolitan Museum of Art and the Modern Museum of Art. Lord switched to acting in the late 1940s, studying under Sanford Meisner at New York's Neighborhood Playhouse. In films and television from 1949, Lord (a performer with stark features including deep-set eyes and high cheekbones) played his share of brutish villains and working stiffs before gaining TV fame as star of the critically acclaimed but low-rated rodeo series Stoney Burke (1962). At around the same time, Lord played CIA agent Felix Leiter in the first James Bond film, Dr. No. From 1968 through 1980, Lord starred on the weekly cop drama Hawaii Five-O; producers cast him as Steve McGarrett, a troubleshooter with the Hawaii State Police who spent his days cruising around the islands, cracking open individual cases, and taking on the movers and shakers in Hawaiian organized crime, particularly gangster Wo Fat (Khigh Dhiegh), who eluded capture until the program's final month on the air. Lord also wrote and directed several episodes. After Hawaii 5-0 folded, Jack Lord attempted another Hawaii-based TV series, but M Station: Hawaii (1980) never got any farther than a pilot film. Lord died of congestive heart failure in his Honolulu beachfront home at the age of 77, in January 1998. He was married to Marie Denarde for 50 years.

Trivia: Intense, incisive Canadian-born actor Joseph Wiseman first set foot on stage with a Manhattan-based Italian acting troupe. One of his earliest Broadway appearances was as a townsman in the Pulitzer Prize-winning Abe Lincoln in Illinois (1939). He went on to share the spotlight with such notables as Helen Hayes, Katherine Cornell, Tallulah Bankhead, and Julie Harris. Wiseman's first important film role was the whining, psychopathic burglar in Detective Story (1951), a part he'd previously played on Broadway. One of his most colorful roles (though hardly his personal favorite) was the Fu Manchu-like title character in Dr. No (1962). A busy film and TV actor into the 1980s, Joseph Wiseman was also active with the Lincoln Repertory Theater in New York. Wiseman died in the fall of 2009 at age 91, following a period of declining health.

Trivia: British lead actress, onscreen from the '40s.

Trivia: American actor John Kitzmiller appeared in many European films following military service during WW II. He started out while stationed in Italy. There he was asked to appear in a few Italian neorealist features. This lead to his playing the lead in Without Pity in 1948. After that he continued to act in Europe where he frequently played an angry black man fighting against racism. Kitzmiller's work in the Yugoslavian film Peace Valley earned him the "Best Actor" award at Cannes in 1957.

Trivia: Born into a theatrical family, British actor Bernard Lee first trod the boards at age six. Supporting himself as a fruit salesman, Lee attended the Royal Academy of Dramatic Art, making his West End stage bow in 1928. In films from 1934, Lee showed up in dozens of bits and minor roles, his screen time increasing throughout the 1950s. He showed up prominently as the resident police inspector in several of the "Edgar Wallace" "B"-picture series of the early 1960s. In 1962, Lee was cast as M, the immediate superior to Secret Agent 007 James Bond, in Dr. No. Bernard Lee continued to portray M in all subsequent Bond endeavors, up to and including 1979's Moonraker; he also essayed the role in the 1967 Bond spin-off, Operation Kid Brother, which starred Sean Connery's younger brother Neil.

Trivia: Her real name just wouldn't do for a marquee in the Bible Belt, so Canadian-born actress Lois Hooker became Lois Maxwell when she arrived in Hollywood. Maxwell appeared in one British picture and a handful of American programmers before she sought out better opportunities in the Italian film industry. She returned to Britain as a second lead and character actress in 1956. In 1970, Maxwell co-starred in the Canadian TV series Adventures in Rainbow County. Lois Maxwell is best remembered for her appearances as the coolly efficient, subtly predatory Miss Moneypenny in the James Bond films produced between 1962 and 1985 -- at least until she was unceremoniously dumped in favor of a younger actress for the two Timothy Dalton Bond epics of the late 1980s. Maxwell died at age 80 in September 2007.

Trivia: One of Great Britain's foremost pin-up girls, the delightful Martine Beswicke has managed the neat trick of being kinky and classy all in one. Billed as "Martin Beswick," Beswicke made her first film appearance as one of the fighting gypsy girls in the 1963 James Bond flick From Russia With Love; she returned to Bondland with a more substantial role in Thunderball (1965). After drawing attention away from a near-naked Raquel Welch in One Million Years B.C. (1966), Beswicke was awarded with the leading role in the similar Prehistoric Women (1967). She attracted the notice of the intelligentsia with her performance as a leather-clad lesbian in 1967's Penthouse, then went on to play half the title role in Dr. Jekyll and Sister Hyde (1971). By contrast, her portrayal of Xaviera Hollander in The Happy Hooker Goes to Hollywood was a model of restraint. American TV viewers were given ample opportunity to drink in the charms of Martine Beswicke in the 1979 miniseries The Innocent and the Damned -- not to mention her brief but impressive (and fully clothed) appearance in a well-circulated beer commercial of the early '80s.

Trivia: British actor Maxwell Shaw is best remembered for his television work, but he also appeared in a few feature films of the '60s and early '70s.

Trivia: Born in Canada, Harry Saltzman was raised in the United States, where he began his film production career in the 1940s. After several years in American and British television, Saltzman joined the Big Leagues in 1959, when, without a dime to his name, he offered to finance Woodfall Films, a British production company formed by playwright John Osborne and director Tony Richardson. Fortunately for everyone concerned, Saltzman never had to endure the humiliation of having the banks call in their loans: Woodfall's first two features, the "angry young man" dramas Look Back in Anger (1959) and The Entertainer (1960), were huge moneymakers. In later years, Woodfall partner Tony Richardson summed up Saltzman thusly: "He had the perfect mogul's figure--stocky, tubby, crinkly grey hair and the face of an eager coarse cherub." Moving on to form Eon Productions with producer Albert "Cubby" Broccoli in 1962, Saltzman bankrolled an inexpensive espionage thriller titled Dr. No. Thus was launched the James Bond series, one of the most financially successful group of films in motion picture history. Flying solo in 1965, Saltzman launched a second spy series with his cinemadaptation of Len Deighton's The Ipcress File. Harry Saltzman dissolved his partnership with Broccoli after the 1974 James Bond opus The Man With the Golden Gun; he produced one more film on his own, Nijinsky (1980), then retired after suffering a stroke at the age of 65.