Trivia: One of the few movie "superstars" truly worthy of the designation, actor Sean Connery was born to a middle-class Scottish family in the first year of the worldwide Depression. Dissatisfied with his austere surroundings, Connery quit school at 15 to join the navy (he still bears his requisite tattoos, one reading "Scotland Forever" and the other "Mum and Dad"). Holding down several minor jobs, not the least of which was as a coffin polisher, Connery became interested in bodybuilding, which led to several advertising modeling jobs and a bid at Scotland's "Mr. Universe" title. Mildly intrigued by acting, Connery joined the singing-sailor chorus of the London roduction of South Pacific in 1951, which whetted his appetite for stage work. Connery worked for a while in repertory theater, then moved to television, where he scored a success in the BBC's re-staging of the American teledrama Requiem for a Heavyweight. The actor moved on to films, playing bit parts (he'd been an extra in the 1954 Anna Neagle musical Lilacs in the Spring) and working up to supporting roles. Connery's first important movie role was as Lana Turner's romantic interest in Another Time, Another Place (1958) -- although he was killed off 15 minutes into the picture. After several more years in increasingly larger film and TV roles, Connery was cast as James Bond in 1962's Dr. No; he was far from the first choice, but the producers were impressed by Connery's refusal to kowtow to them when he came in to read for the part. The actor played the secret agent again in From Russia With Love (1963), but it wasn't until the third Bond picture, Goldfinger (1964), that both Connery and his secret-agent alter ego became a major box-office attraction. While the money steadily improved, Connery was already weary of Bond at the time of the fourth 007 flick Thunderball (1965). He tried to prove to audiences and critics that there was more to his talents than James Bond by playing a villain in Woman of Straw (1964), an enigmatic Hitchcock hero in Marnie (1964), a cockney POW in The Hill (1965), and a loony Greenwich Village poet in A Fine Madness (1966). Despite the excellence of his characterizations, audiences preferred the Bond films, while critics always qualified their comments with references to the secret agent. With You Only Live Twice (1967), Connery swore he was through with James Bond; with Diamonds Are Forever (1971), he really meant what he said. Rather than coast on his celebrity, the actor sought out the most challenging movie assignments possible, including La Tenda Rossa/The Red Tent (1969), The Molly Maguires (1970), and Zardoz (1973). This time audiences were more responsive, though Connery was still most successful with action films like The Wind and the Lion (1974), The Man Who Would Be King (1975), and The Great Train Robbery (1979). With his patented glamorous worldliness, Connery was also ideal in films about international political intrigue like The Next Man (1976), Cuba (1979), The Hunt for Red October (1990), and The Russia House (1990). One of Connery's personal favorite performances was also one of his least typical: In The Offence (1973), he played a troubled police detective whose emotions -- and hidden demons -- are agitated by his pursuit of a child molester. In 1981, Connery briefly returned to the Bond fold with Never Say Never Again, but his difficulties with the production staff turned what should have been a fond throwback to his salad days into a nightmarish experience for the actor. At this point, he hardly needed Bond to sustain his career; Connery had not only the affection of his fans but the respect of his industry peers, who honored him with the British Film Academy award for The Name of the Rose (1986) and an American Oscar for The Untouchables (1987) (which also helped make a star of Kevin Costner, who repaid the favor by casting Connery as Richard the Lionhearted in Robin Hood: Prince of Thieves [1991] -- the most highly publicized "surprise" cameo of that year). While Connery's star had risen to new heights, he also continued his habit of alternating crowd-pleasing action films with smaller, more contemplative projects that allowed him to stretch his legs as an actor, such as Time Bandits (1981), Five Days One Summer (1982), A Good Man in Africa (1994), and Playing by Heart (1998). Although his mercurial temperament and occasionally overbearing nature is well known, Connery is nonetheless widely sought out by actors and directors who crave the thrill of working with him, among them Harrison Ford, Steven Spielberg, and George Lucas, who collaborated with Connery on Indiana Jones and the Last Crusade (1989), where the actor played Jones' father. Connery served as executive producer on his 1992 vehicle Medicine Man (1992), and continued to take on greater behind-the-camera responsibilities on his films, serving as both star and executive producer on Rising Sun (1993), Just Cause (1995), and The Rock (1996). He graduated to full producer on Entrapment (1999), and, like a true Scot, he brought the project in under budget; the film was a massive commercial success and paired Connery in a credible onscreen romance with Catherine Zeta-Jones, a beauty 40 years his junior. He also received a unusual hipster accolade in Trainspotting (1996), in which one of the film's Gen-X dropouts (from Scotland, significantly enough) frequently discusses the relative merits of Connery's body of work. Appearing as Allan Quartermain in 2003's comic-to-screen adaptation of The League of Extraordinary Gentlemen, the seventy-three year old screen legend proved that he still had stamina to spare and that despite his age he could still appear entirely believeable as a comic-book superhero. Still a megastar in the 1990s, Sean Connery commanded one of moviedom's highest salaries -- not so much for his own ego-massaging as for the good of his native Scotland, to which he continued to donate a sizable chunk of his earnings.

Trivia: British actress Honor Blackman began as a J. Arthur Rank contractee, where she was groomed for demure "English rose" types in films like Fame is the Spur (1947) and Quartet (1948). Honor would not realize major stardom until 1962, when she was cast as leather-clad karate expert Cathy Gale in the British TV adventure series The Avengers (until recently, U.S. audiences were permitted to see only the Avengers episodes featuring Ms. Blackman's successors, Diana Rigg and Linda Thorson). International stardom ensued when Honor was seen in another martial-arts gig as the gloriously yclept Pussy Galore in Goldfinger (1964). She has played a wide variety of roles since, with special emphasis on droll comedy. Honor Blackman's last picture was the 1978 remake of The Cat and the Canary, though she continues to appear in British television, most recently on the weekly series The Upper Hand (1990-93).

Trivia: Brassy blonde leading lady Shirley Eaton could be labelled the British equivalent of such American "blonde bombshells" as Barbara Nichols, Joyce Jameson and Joi Lansing. From her first film appearance in 1954 onward, Eaton excelled in roles calling for equal parts comic know-how and feminine pulchritude. Later in her career, Eaton essayed a number of straight dramatic roles. Shirley Eaton is best known for her brief assignment as the unfortunate gold-painted girl in the 1964 James Bond caper Goldfinger, though it was necessary to hire a voice actress to dub over Shirley's provincial speech patterns.

Trivia: A Hawaiian native of Korean heritage, Harold Sakata earned his interesting nickname after he played the villainous Odd Job in the James Bond thriller Goldfinger (1964). Before turning to acting, Sakata had been a professional wrestler and Hawaii's light-heavyweight weightlifting champion and an Olympic silver medalist for the U.S. in the same sport in 1948. In addition to his film career, Sakata made the occasional guest appearance on television series such as Gilligan's Island. He died of cancer in 1982.

Trivia: Cec Linder was born in Poland, began his acting career in his adopted country of Canada, then established himself by playing American characters in British films. The actor's most famous movie role was James Bond's CIA counterpart Felix Leiter in 1965's Goldfinger. From 1960 through 1964, Linder portrayed Peter Ames on the CBS TV soap opera The Secret Storm, and later replaced William Prince in the role of Ben Travis on The Edge of Night. Shortly before his death at the age of 61, Cec Linder essaying the recurring part of a district attorney in several of the American made-for-TV Perry Mason feature films.

Trivia: Born into a theatrical family, British actor Bernard Lee first trod the boards at age six. Supporting himself as a fruit salesman, Lee attended the Royal Academy of Dramatic Art, making his West End stage bow in 1928. In films from 1934, Lee showed up in dozens of bits and minor roles, his screen time increasing throughout the 1950s. He showed up prominently as the resident police inspector in several of the "Edgar Wallace" "B"-picture series of the early 1960s. In 1962, Lee was cast as M, the immediate superior to Secret Agent 007 James Bond, in Dr. No. Bernard Lee continued to portray M in all subsequent Bond endeavors, up to and including 1979's Moonraker; he also essayed the role in the 1967 Bond spin-off, Operation Kid Brother, which starred Sean Connery's younger brother Neil.

Trivia: "Bond -- James Bond," would have been nothing without Llewelyn -- Desmond Llewelyn. Llewelyn played the tweedy technophile who invented the bizarre gadgetry 007 used to thwart the sinister machinations of Dr. No, Goldfinger, and other dastardly villains in 17 Bond movies. Llewelyn's character was named Geoffrey Boothroyd, but no one in the Bond movies called him that. Instead, they called him "Q," short for "quartermaster." Like an army quartermaster who equips troops, Q equipped Sean Connery, Roger Moore, and other Bonds with the supplies of the espionage trade. Desmond Wilkinson Llewelyn was born in South Wales on September 12, 1914, the son of a Welsh coal-mining engineer. Interested in acting at an early age, he first studied accounting and law enforcement before enrolling in the Royal Academy of Arts at age 20. After joining the Royal Welsh Fusiliers at the onset of World War II, he fought in France as a second lieutenant and fell into enemy hands after a two-day battle with a German panzer division. He spent the next five years in German POW camps at Rottenburg, Laufen, and Warburg. He once tried to tunnel his way to freedom, but failed. Llewelyn returned to acting and began his film career in 1950 with a part in They Were Not Divided, then went on to appear in 31 other films, including the Bond films. Among the non-Bond films he appeared in, sometimes in quite minor roles, were Cleopatra (1963), Silent Playground (1964), Chitty Chitty Bang Bang (1968), Merlin (1992), and Taboo (1997). Between 1963 and the year of his death, 1999, he played in all but two of the Bond films -- more than any of the actors who starred as James Bond, including Connery, Moore, George Lazenby, Timothy Dalton, and Pierce Brosnan. As Q, Llewelyn was always irascible and cranky in response to 007's carefree nonchalance. Like a professor with a flippant student, he scolded Bond to pay attention and tutored his charge in the use of "Q toys," as his booby-trapped marvels came to be known. Still, Q was a master of mischief, a gray-haired boy who concocted an endless variety of spy paraphernalia and bizarre weapons, like the Rolex watch that could alter the path of a speeding bullet; the pen grenade that, with three clicks of a button, could be set to detonate in four seconds; the key ring that could open almost any lock in the world, release nerve gas, or simply explode; and the Lotus sports car that doubled as a submarine, complete with torpedoes and surface-to-air missiles.In real life, Llewelyn was all thumbs when it came to technology, and he was kind and gentle to all he encountered. On the movie set, his co-workers and other fans crowded around to observe when it came time for him to introduce his new marvel to the Bond de jour, and he spent as long as it took to sign autographs for anyone who wanted one. Ironically, it was an automobile, a blue Renault Megane, that killed Llewelyn. He died in a hospital shortly after the Renault collided with another car near Firle in East Sussex, England, on December 19, 1999. The crash site was not far from his home, Bexhill-on-Sea, south of London. He was survived by his wife Pamela, whom he married in 1938, and two sons. His son Ivor told Britain's Sky Television, "He was a kind, very lovable man, and as a father he was great."

Trivia: Her real name just wouldn't do for a marquee in the Bible Belt, so Canadian-born actress Lois Hooker became Lois Maxwell when she arrived in Hollywood. Maxwell appeared in one British picture and a handful of American programmers before she sought out better opportunities in the Italian film industry. She returned to Britain as a second lead and character actress in 1956. In 1970, Maxwell co-starred in the Canadian TV series Adventures in Rainbow County. Lois Maxwell is best remembered for her appearances as the coolly efficient, subtly predatory Miss Moneypenny in the James Bond films produced between 1962 and 1985 -- at least until she was unceremoniously dumped in favor of a younger actress for the two Timothy Dalton Bond epics of the late 1980s. Maxwell died at age 80 in September 2007.

Trivia: Tall, grim-faced British actor Martin Benson worked concurrently on stage and in films throughout the late 1940s. Benson's piercing eyes and steely voice were essential equipment in costume dramas and adventure films well into the 1980s. He is most familiar to American audiences for his portrayal of the dour Kralahome in The King and I (1956) and his interpretation of Mr. Solo, the ill-tempered American gangster with a "pressing engagement," in Goldfinger (1964). For 39 weeks in 1957, Martin Benson appeared as the Duke de Medici on the weekly Renaissance-based TV adventure series Sword of Freedom.

Trivia: Canadian supporting actor, onscreen from the '50s.

Trivia: Born in Canada, actor Bill Nagy spent the bulk of his career in England...playing Americans. He was particularly adept at gangsters and thugs, as witness such films as Joe MacBeth (1956) and Mickey Spillane's The Girl Hunters (1963) and his TV guest-star stints on The Avengers, The Saint, and Secret Agent. Nagy had a varied choice of roles in British/American productions like Road to Hong Kong (1962), A Countess from Hong Kong (1967) and The Adding Machine in Hong Kong...er, The Adding Machine (1968). In First Man into Space (1957), Nagy convincingly played a New Mexico police chief, although the film's British countryside was decidedly more forrested than the real American Southwest. In a later sci-fi assignment, Nagy played the President of a quasi-American nation where reproduction is a capital crime in the futuristic Z P G (1972). Perhaps the biggest moneymaking film with which Bill Nagy was associated was Goldfinger; as Midnight, Nagy was a member of a powerful gangster cartel which was inhospitably rubbed out by the villainous Mr. Goldfinger (Gert Frobe).

Trivia: A British character player of vast experience, Raymond Young began making films just after World War II. Adam and Evelyn (1949), The Assassination Bureau (1969), Scream and Die (1975), and the 1978 version of The 39 Steps are but four of Young's many film credits. In Goldfinger (1964), Young played Sierra, one of a roomful of high-profile gangsters liquidated by Mr. Goldfinger with a burst of poison gas. Raymond Young should not (and probably could not) be confused with Ray Young, who played the hirsute Bigfoot in the 1979 TV children's series Bigfoot and Wildboy.

Trivia: British character actor Richard Vernon specialized in playing dignified, stiff upper-lipped nobles, military officers, and patriarchs in a wide variety of films and television programs. Though he had an uncredited bit part in Indiscreet (1958), Vernon did not make his formal film debut until he played Sir Edgar Hargreaves in Village of the Damned (1960).

Trivia: Born in England and raised in Shanghai, actor Burt Kwouk can best be described as a funnier variation of Bruce Lee. To be sure, many of his acting assignments have called for straight interpretations, notably his roles in such films Satan Never Sleeps (1961) and The Brides of Fu Manchu (1965). But Kwouk is best known for his role as karate champ Cato Fong, right-hand man of the hapless Inspector Clouseau (Peter Sellers). Trained by his boss to attack without warning (the better to keep Clouseau on guard and in shape), Cato has invariably done his job too well, kicking and chopping at the Inspector at the most inopportune times -- when Clouseau is making love, for example. As Cato, Bert Kwouk has appeared in the Blake Edwards-directed Clouseau films A Shot in the Dark (1964), Return of the Pink Panther (1975), The Pink Panther Strikes Again (1978) and Revenge of the Pink Panther (1979), and has guest-starred in two pastiche films made after Peter Sellers' death, Curse of the Pink Panther (1981) and Trail of the Pink Panther (1982). Outside the aegis of Blake Edwards, Kwouk has taken action-oriented parts in films like Rollerball (1980) and Air America (1990). For several years in the '80s, Kwouk played a Japanese commandant on the British TV series Tenko. Kwouk continued to work steadily through the 2010s, including a recurring role on Last of the Summer Wine. He died in 2016, at age 85.

Trivia: The career of producer/director Garry Marshall was marked by many peaks, including such classic television sitcoms as The Odd Couple (1970-1975), Happy Days (1974-1984), and Mork and Mindy (1978-1982), and the phenomenally popular feature film Pretty Woman (1990). A Brooklyn native, Marshall (born Gary Marsciarelli) was the son of an industrial filmmaker and a dance instructor. His sister, Penny Marshall, is a comic actress and noted film director. Marshall majored in journalism at Northwestern University and subsequently served a stint in the army before becoming a reporter for the New York Daily News. He was also a jazz drummer in a band before becoming a television comedy scriptwriter for such artists as Joey Bishop and Phil Foster and the writer for Jack Parr on The Tonight Show.Marshall moved to Los Angeles in 1961, but he didn't make it big until he teamed up with writer Jerry Belson. Together, they penned numerous episodes for several sitcoms, notably The Dick Van Dyke Show and The Lucy Show. In 1970, Marshall produced The Odd Couple, which starred Jack Klugman and Tony Randall and was based on a popular Neil Simon play and movie. He reached his apex as a television producer during the '70s, with such hits as Laverne and Shirley (1976-1983), (a Happy Days spin-off starring sister Penny), and Mork and Mindy. In addition to his producing and television directorial efforts, Marshall occasionally appeared as a supporting actor. In features, Marshall co-produced and co-wrote (with Belson) his first film, How Sweet It Is!, in 1968. A year later, the two produced and penned The Grasshopper. Marshall made his directorial feature film debut in 1982 with Young Doctors in Love, a comic look at daytime serials. As a film director, Marshall's output received uneven critical reviews. Films such as the Goldie Hawn/Kurt Russell vehicle Overboard and the Bette Midler/Barbara Hershey melodrama Beaches (1988) had good box-office business, but were considered of average quality. 1990's Pretty Woman was Marshall's first big movie hit. Following its tremendous success, he tried his hand at a serious drama with Frankie and Johnny (1991) starring Al Pacino and Michelle Pfeiffer. Later, Marshall's films tended more toward sentimental and straight dramas such as The Twilight of the Golds (1997) and The Other Sister (1999). Marshall returned to comedy -- and to his teaming of Julia Roberts and Richard Gere -- in 1999 with Runaway Bride. Remaining an active director well into his 70s, Marshall helped to launch Anne Hathaway's career by taking the helm for both 2001's The Princess Diaries and its 2004 sequel, though his subsequent, holiday-themed ensemble comedies Valentine's Day (2010), New Year's Eve (2011) and his final film Mother's Day (2016) largely flatlined with critics and moviegoers - with New Year's Eve earning him his first-ever Razzie Award. In addition to his work behind the camera, Marshall occasionally appeared as an actor in films and television shows alike. During the mid-'90s, many TV audiences came to recognize him for playing Candice Bergen's ratings-crazy boss, Stan Lansing, on Murphy Brown. Marshall died July 18, 2016, of complications of pneumonia.