Trivia: S. Epatha Merkerson is a Tony-nominated and Obie-winning, African-American stage actress, but is best known for her portrayal of detective squad chief Lt. Anita Van Buren in the series Law and Order. Born and raised in Detroit as the youngest of five children, she was a fine arts graduate of Wayne State University and began her New York theater career in the late 1970s. Merkerson was nominated for a Tony award for Best Actress for her performance as Berniece in The Piano Lesson and won an Obie award in 1992 for her work in I'm Not Stupid. Her screen credits include Jacob's Ladder and Loose Cannons and, perhaps most visibly, her role as Joe Morton's terrified wife in James Cameron's Terminator 2: Judgment Day. Merkerson made her television debut as Reba, the Mail Lady on Pee Wee's Playhouse, and has appeared on The Cosby Show, among other series, but her most important single television appearance may have been in the first season Law and Order show "Mushrooms," in which she portrayed the grief-stricken mother of an 11-month-old boy who is shot accidentally. Her work was not only memorable to the audience during that key first season, but also to the producers, who later picked Merkerson for the role of the new detective squad chief in the series' fourth season--a role she continued to play for over ten years. Merkerson's talent on the small screen led to roles in numerous TV movies such as Breaking Through and A Mother's Prayer, as well as roles in such films as Radio and The Rising Place. Still, her monumental gifts in both presence and interpretation may not have truly been utilized until she took the part of a strong matriarch who runs a 1960's boarding house in HBO's mini series Lackawanna Blues. Her first leading role in almost twenty years on screen, her performance earned her an Emmy Award as well as a Golden Globe. After her triumphant turn in Lackawanna Blues she returned to the big-screen in Craig Brewer's follow-up to Hustle & Flow, Black Snake Moan co-starring Christina Ricci and Samuel L. Jackson.Over the coming years, Merkerson would appear in a number of films, like The Six Wives of Henry Lefay and Mother and Child.

Trivia: Educated at Yale and the Sorbonne, Sam Waterston, born November 15th, 1940, is far more than the "general purpose actor" he was pegged to be by one well-known film historian. A respected player on the stage, screen, and television, Waterston has cultivated a loyal following with his quietly charismatic, unfailingly solid performances. After beginning his career on the New York stage -- where he has continued to perform throughout his long career -- Waterston made his film debut in The Plastic Dome of Norma Jean in 1966. For a long time, his film career was not nearly as remarkable as his work on the stage and television, although non-New York audiences were made acutely aware of the depth and breadth of Waterston's talents when, in 1973, he starred in the television adaptation The Glass Menagerie (appearing alongside Katherine Hepburn) and -- also on TV -- in Tony Richardson's A Delicate Balance. The following year, the actor further impressed television audiences when he starred as Benedick in the CBS TV adaptation of Joseph Papp's staging of Much Ado About Nothing. Also in 1974, Waterston proved to be the best of the screen's Nick Carraways when he was cast in that expository role in the The Great Gatsby; subsequent films ranged from the midnight-movie favorite Rancho Deluxe (1975) to the unmitigated disaster Heaven's Gate (1981). In the late '70s, Waterston was "adopted" by Woody Allen, joining the director's ever-increasing unofficial stock company for such films as Interiors (1978), Hannah and Her Sisters (1986), September (1987), and Crimes and Misdemeanors. Waterston was nominated for an Academy award for his powerful portrayal of a conscience-stricken American journalist in The Killing Fields (1984); three years later he appeared in Swimming to Cambodia, Spalding Gray's acclaimed documentary about the making of the film. Subsequent film appearances included a turn as Kathleen Turner's hilariously timid husband in Serial Mom (1994) and a role in Ismail Merchant's The Proprietor in 1996.However, Waterston has continued to make his greatest mark on television, starring in the acclaimed The Nightmare Years in 1989 and in the similarly lauded series I'll Fly Away and Law & Order. In addition, he has gained a certain amount of fame playing Abraham Lincoln multiple times: In 1988, he starred in Gore Vidal's Lincoln on television, while he won a Tony nod playing him in the Lincoln Center production of Abe Lincoln in Illinois and supplied the president's voice for Ken Burns' documentary The Civil War.Though Waterson is most recognizable for his work in Law & Order, he took on a variety of other television roles throughout the 1990s and 2000s, among them including a turn as the District Attorney Forrest Bedford in I'll Fly Away (the role would win him an Golden Globe). In 2012, Waterson joined the cast of HBO's The Newsroom.

Trivia: After a four-year hitch with the Naval Reserve, actor Steven Hill made his first New York stage appearance in Ben Hecht's A Flag is Born (1946), which also featured a young Marlon Brando. Hill made his film debut in 1950, then returned to the Navy for two more years before settling down to acting on a permanent basis. He was particularly busy in the so-called Golden Age of live TV drama, appearing in such prestigious video offerings as The Trial of Sacco and Vanzetti (1959). In 1966, he was cast as Daniel Briggs--as in "Good morning, Mr. Briggs"--on the hit TV adventure series Mission: Impossible. He left this lucrative assignment in 1967, reportedly because his Orthodox Jewish faith prevented him from filming on weekends; his replacement was Peter Graves as "Mr. Phelps" (in 1989, Hill guest-starred on the short-lived Mission: Impossible revival). Hill remained very much in demand throughout the 1980s and 1990s playing parental and authority-figure roles in such films as Yentl (1983) Heartburn (1986) and Billy Bathgate (1991). Contemporary TV viewers are most familiar with Steven Hill for his work as Michael Steadman's father on thirtysomething (1987-91) and DA Adam Schiff on the weekly TVer Law and Order, a role he stayed with from 1990 to 2000. Hill died in 2016, at age 94.

Trivia: Jerry Orbach often commented, without false modesty, that he was fortunate indeed to have been a steadily working actor since the age of 20. Such was an understatement: graced with not only formidable dramatic instinct but one of American theater's top singing voices, Orbach resisted others' attempts to peg him as a character actor time and again and established himself as one of the most unique talents in entertainment per se. Television producer Dick Wolf perhaps put it best when he described Orbach as "a legendary figure of 20th century show business" and "one of the most honored performers of his generation."A native of the Bronx, Orbach was born to an ex-vaudevillian father who worked full time as a restaurant manager and a mother who sang professionally on the radio. The Orbachs moved around constantly during Jerry's youth, relocating from Gotham to Scranton to Wilkes-Barre to Springfield, Massachusetts and eventually settling in Chicago - a mobility that gave the young Orbach an unusual ability to adapt to any circumstance or situation, and thus presaged his involvement in drama. Orbach later attended Northwestern University, trained with Herbert Berghof and Lee Strasberg, and took his Gotham theatrical bow in 1955, as an understudy in the popular 1955 revival of Bertolt Brecht and Kurt Weill's The Threepenny Opera, eventually playing the lead role of serial killer Macheath. During the Threepenny run, Orbach made his first film appearance in the Manhattan-filmed low budgeter Cop Killer (1958). In 1960, Orbach created the role of flamboyant interlocutor El Gallo in the off-Broadway smash The Fantasticks, and later starred in such Broadway productions as Carnival (1961), Promises Promises (1966), Chicago (1975) and 42nd Street (1983). By day, Orbach made early-1960s appearances in several New York-based TV series, notably The Shari Lewis Show. In the early years, Orbach's film assignments were infrequent, but starting around 1981, with his pivotal role as officer Gus Levy in Sidney Lumet's masterful urban epic Prince of the City, the actor generally turned up in around one movie per year. His more fondly remembered screen assignments include the part of Jennifer Grey's father in Dirty Dancing (1987), Martin Landau's shady underworld brother in Woody Allen's Crimes and Misdemeanors (1989) the voice of the Chevalieresque candellabra in the Disney cartoon feature Beauty and the Beast (1990), and Billy Crystal's easily amused agent in Mr. Saturday Night (1992). Orbach perhaps made his most memorable contribution to television, however. After headlining a brief, short-lived detective series entitled The Law and Harry McGraw from September 1987 to February 1988 (a spinoff of Murder, She Wrote), Orbach landed a role that seemed to draw heavily from his Prince of the City portrayal: Detective Lennie Briscoe, a sardonic, mordant police investigator on Wolf's blockbuster cop drama Law & Order.Orbach carried the assignment for twelve seasons, and many attributed a large degree of the program's success to him.Jerry Orbach died of prostate cancer at the age of 69 on December 28, 2004. Three years later, Orbach turned up, posthumously, on subway print advertisements for the New York Eye Bank. As a performer with nearly perfect vision, he had opted to donate his eyes to two women after his death - a reflection on the remarkable humanitarian ideals that characterized his off-camera self.

Trivia: Born August 10th, 1972, Texan model-turned-actress Angie Harmon's private life (and concomitant rise to fame) bear closer correlation to a fairy tale than to a factual account. Born Angela Michelle Harmon in the Dallas suburb of Highland Park in the late summer of 1972, Harmon never sought out celebrity; it beckoned to her. An "accidental" discovery by the esteemed Kim Dawson Modeling Agency and a win of Seventeen Magazine's cover-girl contest (at age 15) launched Harmon on the path to modeling, but once she reached Manhattan, Harmon discovered a deep-seated love of drama. Harmon then survived a series of not-so-prestigious early roles (including a very brief stint on the exploitationer Baywatch Nights and a turn as a dysfunctional suburbanite in John Duigan's ugly allegory Lawn Dogs), to establish herself as a respected and esteemed actress.Harmon first garnered national attention in the late '90s, as Abbie Carmichael, an assistant district attorney on the hit prime-time drama Law & Order -- a role she maintained for multiple seasons. Beginning in 2003, the actress segued from television into cinematic roles, with generally promising results. Her highest-profile turns include contributions to the family-oriented spy comedy Agent Cody Banks (2003), the action thriller End Game (2005), and the Jim Carrey/Téa Leoni comedy Fun With Dick and Jane (2005).Harmon made coast-to-coast headlines in March 2000 when she received a marriage proposal from then-boyfriend Jason Sehorn, a running back for the New York Giants, on The Tonight Show with Jay Leno. Sehorn popped the question in front of Elton John and a nationwide TV audience. Harmon immediately accepted on the air, and the two wed a short time later, parenting children in successive years before annoucing their split in 2014. In her private life, Harmon is also an outspoken born-again Christian and an advocate of conservative political causes. She and Sehorn co-hosted the Lifetime special Together: Stop Violence Against Women (2003) to spread awareness and prevention of domestic abuse. In fall 2007, Harmon took on a lead role in the ABC detective series Women's Murder Club as Lindsay Boxer, one of four women who band together to solve crimes in the city of San Francisco; the series was an instant success. In 2010, Harmon begun work on Rizzoli & Isles in the leading role of Detective Jane Rizzoli, a hard-working law enforcer entrusted with solving some of Boston's toughest cases.

Trivia: Jesse L. Martin is proof that talent and popularity are not mutually exclusive. When the award-winning stage actor joined the cast of NBC's Law and Order in its tenth season, the program's already high ratings increased by 40 percent. Martin's debut episode drew the largest audience in Law and Order's history and positive press attracted more viewers throughout the season. The once starving artist is now both a critic's darling and one of T.V. Guide's "Sexiest People on Television," confirming that he is an actor with genuinely wide appeal. Martin was born Jesse Lamont Watkins on January 18, 1969, in Rocky Mountain, VA. He is the youngest of five sons. Martin's parents, truck driver Jesse Reed Watkins and college counselor Virginia Price, divorced when he was a child. Ms. Price eventually remarried and the boys adopted their stepfather's surname. When Martin was in grade school, the family relocated to Buffalo, NY, and the move was not an immediate success: Martin hated to speak because of his thick Southern accent and was often overcome with shyness. A concerned teacher influenced him to join an after-school drama program and cast him as the pastor in The Golden Goose. Being from Virginia, the young Martin played the character the only way he knew how: as an inspired Southern Baptist preacher. The act was a hit, and Martin emerged from his shell. The actor attended high school at Buffalo School for the Performing Arts, where he was voted "Most Talented" in his senior class. He later enrolled in New York University's prestigious Tisch School of the Arts Theater Program. After graduation, Martin toured the states with John Houseman's Acting Company. He appeared in Shakespeare's Rock-in-Roles at the Actors Theater of Louisville and The Butcher's Daughter at the Cleveland Playhouse, and returned to Manhattan to perform in local theater, soap operas, and commercials. Finding that auditions, regional theater, and bit parts were no way to support oneself, Martin waited tables at several restaurants around the city. He was literally serving a pizza when his appearance on CBS's Guiding Light aired in the same eatery. Martin made his Broadway debut in Timon of Athens, and then performed in The Government Inspector with Lainie Kazan. While employed at the Moondance Diner, he met the late playwright Jonathan Larson, who also worked on the restaurant's staff. In 1996, Larson's musical Rent took the theater world by storm -- with Martin in the part of gay computer geek Tom Collins. The '90s update of Puccini's La Bohème earned six Drama Desk Awards, five Obie Awards, four Tony Awards, and the Pulitzer Prize. Martin soon landed roles on Fox's short-lived 413 Hope Street and Eric Bross' independent film Restaurant (1998). Ally McBeal's creator, David E. Kelly, attended Rent's Broadway premiere and remembered Martin when the show needed a new boyfriend for Calista Flockhart's Ally. The actor's performance as Dr. Greg Butters on Ally McBeal caught David Duchovny's eye, who then cast Martin as a baseball-playing alien in a 1999 episode of The X-Files that he wrote and directed. While still shooting Ally McBeal, Martin heard rumors that actor Benjamin Bratt planned to leave the cast of Law and Order. Martin tried out for the show years before and won the minor role of a car-radio thief named Earl the Hamster, but decided to wait for a bigger part. With the opportunity presenting itself, Martin begged Law and Order producer Dick Wolf for Bratt's role. Wolf hoped to cast him, and upon hearing that CBS and Fox both offered Martin development deals, he gave the actor the part without an audition. During his first year on Law and Order, Martin co-produced the one-man show Fully Committed, about the amusing experiences of a waiter at an upscale restaurant. A skilled vocalist -- he sang in Rent, on Ally McBeal, and The X-Files -- Martin later appeared in the Rocky Horror Picture Show anniversary special and hopes to star in a big-screen biography of his mother's favorite singer, Marvin Gaye. Over the coming decade, Martin would appear in several more pictures, like The Cake Eaters, the big screen adaptation of Rent, and the TV series The Philanthropist.

Trivia: Tall, thin, and blonde, Oscar-nominated actress Lindsay Crouse has been appearing onscreen since the mid-'70s -- though contemporary, television-savvy fans may be more familiar with her thanks to memorable small-screen roles on Buffy the Vampire Slayer, Providence, and Hack. Crouse is a New York City native and the daughter of Life With Father author Russel Crouse; her literary father named her after his longtime writing partner Howard Lindsay. An education at Radcliffe first led Crouse to a career as a dancer, though it wasn't long before she began leaning toward acting; she made her screen debut in 1976's All the President's Men. Roles in Slap Shot (1977) and The Verdict (1982) found Crouse managing to hold her own opposite screen heavy Paul Newman, and after remaining under the direction of Sidney Lumet for Daniel (1983), Crouse earned an Oscar nod for her performance opposite Sally Field in the 1984 drama Places in the Heart. With the exception of a season of Hill Street Blues, Crouse would stick mainly to feature films for the remainder of the 1980s. Her leading role as a conflicted psychiatrist in 1987's House of Games (under the direction of then-husband David Mamet) seemed to capitalize on her status as one of John Willis' Screen World's "Most Promising New Actors of 1984." If the 1990s found Crouse edging almost exclusively into small-screen work, the occasional feature, such as The Juror (1996) and Prefontaine (1997), proved that she had lost none of her enduring big-screen appeal. Indeed, Crouse was equally effective in both film and television; small-screen roles in Norma Jean and Marilyn and If These Walls Could Talk (both 1996) proved just as compelling as her turn in Michael Mann's acclaimed 1999 drama The Insider. In 2000, Crouse took on the role of Caroline Ingalls in the made-for-TV family film Beyond the Prairie: The True Story of Laura Ingalls Wilder. Before returning to the character in the 2002 sequel, she played supporting roles in Imposter and Cherish (both 2002).

Trivia: A veteran of Chicago's free-form Organic Theatre, the boyish, personable John Heard won the Theatre World Award for his performance in the 1976 play Streamers, and two years later was the recipient of the Obie Award for two separate off-Broadway productions. He made his film bow as the harried correspondent for an underground newspaper in Joan Micklin Silver's Between the Lines. In Silver's 1979 Head Over Heels, Heard again received top billing, this time as the obsessive ex-lover of Mary Beth Hurt. One of his first "mainstream" leading roles was in Paul Schrader's erotic thriller Cat People (1981). Heard was agreeable, if a little bullheaded, as Macaulay Culkin's dad in the two Home Alone films; less agreeable was his portrayal of Tom Hanks' abrasive business rival in Big (1988) On television, Heard was seen as the tormented Reverend Dimmesdale opposite Meg Foster's Hester Prynne in the PBS production of The Scarlet Letter, and was heard as one of the celebrity voices on the made-for-cable Dear America: Letters Home From Vietnam (1987). John Heard was at one time married to actress Margot Kidder. He turned in fine supporting work in Beaches, and was the bad guy in the Tom Hanks hit Big. A well-respected character actor, Heard continued to work in projects as diverse as Rambling Rose, Radio Flyer, In the Line of Fire, and the comedy My Fellow Americans. He had a major part in the Brian De Palma thriller Snake Eyes in 1998, and the next year he had a brief recurring part on The Sopranos. He appeared in the 2000 biopic Pollock, and the next year was in the Shakespeare inspired high-school drama O. In 2002 he played legendary television executive Roone Arledge in the made for TV film Monday Night Mayhem, and in 2004 he appeared in the comedy White Chicks. He worked non-stop throughout the rest of the decade appearing in such films as The Great Debaters, The Guardian, and Formosa Betrayed. In 2007 he was cast in the short-lived ABC series Cavemen. In 2011 he was part of the ensemble in the well-regarded docudrama about the 2008 financial meltdown, Too Big to Fail.

Trivia: Though a film actor from 1963 and a stage performer before that, American leading man Sam Groom is best known for his work in the field of soap operas. After playing such supporting roles as Tom Eldredge in the 1965 As the World Turns prime-time spin-off Our Private World, Groom spent four years as Dr. Ross Mathews on NBC's Another World. Eventually leaving the series because he felt that daytime dramas offered "no dignity," he accepted the title role in the Canadian-produced nighttime series Dr. Simon Locke (1971). Though the series proved unsuccessful when it was syndicated to the U.S., its sponsor, Colgate-Palmolive, liked Groom enough to spin off the Locke character into another syndicated weekly, Police Surgeon, which ran until 1974. Sam Groom's most recent TV starring vehicle was the 1985 fantasy offering Otherworld.

Trivia: Played 10 different characters in the series Law & Order, Law & Order: Special Victims Unit and Law & Order: Criminal Intent.Best known for his work in Mystic River (2003) and The Day After Tomorrow (2004).

Trivia: Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz. Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order. By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A.His career subsequently kicking into overdrive, the popular character actor was in increasingly high demand in the next few years, enjoying a productive run as a voice performer in such animated television series' as Justice League, Kim Possible, The Legend of Korra, and Ultimate Spider-Man (the latter of which found him reprising his role as J. Jonah Jameson), as well as turning in memorable performances in Jason Reitman's Juno, Mike Judge's Extract, and as a hard-nosed captain in the 2012 crime thriller Contraband. Meanwhile, in 2005, he joined the cast of TNT's popular crime drama The Closer as Assistant Chief Will Pope -- a role which no doublt played a part in the cast earning five Screen Actors Guild Award nominations for Best Ensemble Cast. Simmons continued to work steadily in movies, returning to the Spider-Man franchise in 2007. That same year he co-starred as the father of a pregnant teen in Juno, which led to him being cast regularly by that film's director Jason Reitman in many of his future projects including Up In the Air and Labor Day. It was Reitman who got Simmons the script for Whiplash, Damien Chazelle's directorial debut. The actor took the part of an abusive, but respected music teacher and the ensuing performance garnered Simmons multiple year-end awards including a Best Supporting Actor nomination from the Academy.