Trivia: S. Epatha Merkerson is a Tony-nominated and Obie-winning, African-American stage actress, but is best known for her portrayal of detective squad chief Lt. Anita Van Buren in the series Law and Order. Born and raised in Detroit as the youngest of five children, she was a fine arts graduate of Wayne State University and began her New York theater career in the late 1970s. Merkerson was nominated for a Tony award for Best Actress for her performance as Berniece in The Piano Lesson and won an Obie award in 1992 for her work in I'm Not Stupid. Her screen credits include Jacob's Ladder and Loose Cannons and, perhaps most visibly, her role as Joe Morton's terrified wife in James Cameron's Terminator 2: Judgment Day. Merkerson made her television debut as Reba, the Mail Lady on Pee Wee's Playhouse, and has appeared on The Cosby Show, among other series, but her most important single television appearance may have been in the first season Law and Order show "Mushrooms," in which she portrayed the grief-stricken mother of an 11-month-old boy who is shot accidentally. Her work was not only memorable to the audience during that key first season, but also to the producers, who later picked Merkerson for the role of the new detective squad chief in the series' fourth season--a role she continued to play for over ten years. Merkerson's talent on the small screen led to roles in numerous TV movies such as Breaking Through and A Mother's Prayer, as well as roles in such films as Radio and The Rising Place. Still, her monumental gifts in both presence and interpretation may not have truly been utilized until she took the part of a strong matriarch who runs a 1960's boarding house in HBO's mini series Lackawanna Blues. Her first leading role in almost twenty years on screen, her performance earned her an Emmy Award as well as a Golden Globe. After her triumphant turn in Lackawanna Blues she returned to the big-screen in Craig Brewer's follow-up to Hustle & Flow, Black Snake Moan co-starring Christina Ricci and Samuel L. Jackson.Over the coming years, Merkerson would appear in a number of films, like The Six Wives of Henry Lefay and Mother and Child.

Trivia: Educated at Yale and the Sorbonne, Sam Waterston, born November 15th, 1940, is far more than the "general purpose actor" he was pegged to be by one well-known film historian. A respected player on the stage, screen, and television, Waterston has cultivated a loyal following with his quietly charismatic, unfailingly solid performances. After beginning his career on the New York stage -- where he has continued to perform throughout his long career -- Waterston made his film debut in The Plastic Dome of Norma Jean in 1966. For a long time, his film career was not nearly as remarkable as his work on the stage and television, although non-New York audiences were made acutely aware of the depth and breadth of Waterston's talents when, in 1973, he starred in the television adaptation The Glass Menagerie (appearing alongside Katherine Hepburn) and -- also on TV -- in Tony Richardson's A Delicate Balance. The following year, the actor further impressed television audiences when he starred as Benedick in the CBS TV adaptation of Joseph Papp's staging of Much Ado About Nothing. Also in 1974, Waterston proved to be the best of the screen's Nick Carraways when he was cast in that expository role in the The Great Gatsby; subsequent films ranged from the midnight-movie favorite Rancho Deluxe (1975) to the unmitigated disaster Heaven's Gate (1981). In the late '70s, Waterston was "adopted" by Woody Allen, joining the director's ever-increasing unofficial stock company for such films as Interiors (1978), Hannah and Her Sisters (1986), September (1987), and Crimes and Misdemeanors. Waterston was nominated for an Academy award for his powerful portrayal of a conscience-stricken American journalist in The Killing Fields (1984); three years later he appeared in Swimming to Cambodia, Spalding Gray's acclaimed documentary about the making of the film. Subsequent film appearances included a turn as Kathleen Turner's hilariously timid husband in Serial Mom (1994) and a role in Ismail Merchant's The Proprietor in 1996.However, Waterston has continued to make his greatest mark on television, starring in the acclaimed The Nightmare Years in 1989 and in the similarly lauded series I'll Fly Away and Law & Order. In addition, he has gained a certain amount of fame playing Abraham Lincoln multiple times: In 1988, he starred in Gore Vidal's Lincoln on television, while he won a Tony nod playing him in the Lincoln Center production of Abe Lincoln in Illinois and supplied the president's voice for Ken Burns' documentary The Civil War.Though Waterson is most recognizable for his work in Law & Order, he took on a variety of other television roles throughout the 1990s and 2000s, among them including a turn as the District Attorney Forrest Bedford in I'll Fly Away (the role would win him an Golden Globe). In 2012, Waterson joined the cast of HBO's The Newsroom.

Trivia: Jerry Orbach often commented, without false modesty, that he was fortunate indeed to have been a steadily working actor since the age of 20. Such was an understatement: graced with not only formidable dramatic instinct but one of American theater's top singing voices, Orbach resisted others' attempts to peg him as a character actor time and again and established himself as one of the most unique talents in entertainment per se. Television producer Dick Wolf perhaps put it best when he described Orbach as "a legendary figure of 20th century show business" and "one of the most honored performers of his generation."A native of the Bronx, Orbach was born to an ex-vaudevillian father who worked full time as a restaurant manager and a mother who sang professionally on the radio. The Orbachs moved around constantly during Jerry's youth, relocating from Gotham to Scranton to Wilkes-Barre to Springfield, Massachusetts and eventually settling in Chicago - a mobility that gave the young Orbach an unusual ability to adapt to any circumstance or situation, and thus presaged his involvement in drama. Orbach later attended Northwestern University, trained with Herbert Berghof and Lee Strasberg, and took his Gotham theatrical bow in 1955, as an understudy in the popular 1955 revival of Bertolt Brecht and Kurt Weill's The Threepenny Opera, eventually playing the lead role of serial killer Macheath. During the Threepenny run, Orbach made his first film appearance in the Manhattan-filmed low budgeter Cop Killer (1958). In 1960, Orbach created the role of flamboyant interlocutor El Gallo in the off-Broadway smash The Fantasticks, and later starred in such Broadway productions as Carnival (1961), Promises Promises (1966), Chicago (1975) and 42nd Street (1983). By day, Orbach made early-1960s appearances in several New York-based TV series, notably The Shari Lewis Show. In the early years, Orbach's film assignments were infrequent, but starting around 1981, with his pivotal role as officer Gus Levy in Sidney Lumet's masterful urban epic Prince of the City, the actor generally turned up in around one movie per year. His more fondly remembered screen assignments include the part of Jennifer Grey's father in Dirty Dancing (1987), Martin Landau's shady underworld brother in Woody Allen's Crimes and Misdemeanors (1989) the voice of the Chevalieresque candellabra in the Disney cartoon feature Beauty and the Beast (1990), and Billy Crystal's easily amused agent in Mr. Saturday Night (1992). Orbach perhaps made his most memorable contribution to television, however. After headlining a brief, short-lived detective series entitled The Law and Harry McGraw from September 1987 to February 1988 (a spinoff of Murder, She Wrote), Orbach landed a role that seemed to draw heavily from his Prince of the City portrayal: Detective Lennie Briscoe, a sardonic, mordant police investigator on Wolf's blockbuster cop drama Law & Order.Orbach carried the assignment for twelve seasons, and many attributed a large degree of the program's success to him.Jerry Orbach died of prostate cancer at the age of 69 on December 28, 2004. Three years later, Orbach turned up, posthumously, on subway print advertisements for the New York Eye Bank. As a performer with nearly perfect vision, he had opted to donate his eyes to two women after his death - a reflection on the remarkable humanitarian ideals that characterized his off-camera self.

Trivia: Born August 10th, 1972, Texan model-turned-actress Angie Harmon's private life (and concomitant rise to fame) bear closer correlation to a fairy tale than to a factual account. Born Angela Michelle Harmon in the Dallas suburb of Highland Park in the late summer of 1972, Harmon never sought out celebrity; it beckoned to her. An "accidental" discovery by the esteemed Kim Dawson Modeling Agency and a win of Seventeen Magazine's cover-girl contest (at age 15) launched Harmon on the path to modeling, but once she reached Manhattan, Harmon discovered a deep-seated love of drama. Harmon then survived a series of not-so-prestigious early roles (including a very brief stint on the exploitationer Baywatch Nights and a turn as a dysfunctional suburbanite in John Duigan's ugly allegory Lawn Dogs), to establish herself as a respected and esteemed actress.Harmon first garnered national attention in the late '90s, as Abbie Carmichael, an assistant district attorney on the hit prime-time drama Law & Order -- a role she maintained for multiple seasons. Beginning in 2003, the actress segued from television into cinematic roles, with generally promising results. Her highest-profile turns include contributions to the family-oriented spy comedy Agent Cody Banks (2003), the action thriller End Game (2005), and the Jim Carrey/Téa Leoni comedy Fun With Dick and Jane (2005).Harmon made coast-to-coast headlines in March 2000 when she received a marriage proposal from then-boyfriend Jason Sehorn, a running back for the New York Giants, on The Tonight Show with Jay Leno. Sehorn popped the question in front of Elton John and a nationwide TV audience. Harmon immediately accepted on the air, and the two wed a short time later, parenting children in successive years before annoucing their split in 2014. In her private life, Harmon is also an outspoken born-again Christian and an advocate of conservative political causes. She and Sehorn co-hosted the Lifetime special Together: Stop Violence Against Women (2003) to spread awareness and prevention of domestic abuse. In fall 2007, Harmon took on a lead role in the ABC detective series Women's Murder Club as Lindsay Boxer, one of four women who band together to solve crimes in the city of San Francisco; the series was an instant success. In 2010, Harmon begun work on Rizzoli & Isles in the leading role of Detective Jane Rizzoli, a hard-working law enforcer entrusted with solving some of Boston's toughest cases.

Trivia: Jesse L. Martin is proof that talent and popularity are not mutually exclusive. When the award-winning stage actor joined the cast of NBC's Law and Order in its tenth season, the program's already high ratings increased by 40 percent. Martin's debut episode drew the largest audience in Law and Order's history and positive press attracted more viewers throughout the season. The once starving artist is now both a critic's darling and one of T.V. Guide's "Sexiest People on Television," confirming that he is an actor with genuinely wide appeal. Martin was born Jesse Lamont Watkins on January 18, 1969, in Rocky Mountain, VA. He is the youngest of five sons. Martin's parents, truck driver Jesse Reed Watkins and college counselor Virginia Price, divorced when he was a child. Ms. Price eventually remarried and the boys adopted their stepfather's surname. When Martin was in grade school, the family relocated to Buffalo, NY, and the move was not an immediate success: Martin hated to speak because of his thick Southern accent and was often overcome with shyness. A concerned teacher influenced him to join an after-school drama program and cast him as the pastor in The Golden Goose. Being from Virginia, the young Martin played the character the only way he knew how: as an inspired Southern Baptist preacher. The act was a hit, and Martin emerged from his shell. The actor attended high school at Buffalo School for the Performing Arts, where he was voted "Most Talented" in his senior class. He later enrolled in New York University's prestigious Tisch School of the Arts Theater Program. After graduation, Martin toured the states with John Houseman's Acting Company. He appeared in Shakespeare's Rock-in-Roles at the Actors Theater of Louisville and The Butcher's Daughter at the Cleveland Playhouse, and returned to Manhattan to perform in local theater, soap operas, and commercials. Finding that auditions, regional theater, and bit parts were no way to support oneself, Martin waited tables at several restaurants around the city. He was literally serving a pizza when his appearance on CBS's Guiding Light aired in the same eatery. Martin made his Broadway debut in Timon of Athens, and then performed in The Government Inspector with Lainie Kazan. While employed at the Moondance Diner, he met the late playwright Jonathan Larson, who also worked on the restaurant's staff. In 1996, Larson's musical Rent took the theater world by storm -- with Martin in the part of gay computer geek Tom Collins. The '90s update of Puccini's La Bohème earned six Drama Desk Awards, five Obie Awards, four Tony Awards, and the Pulitzer Prize. Martin soon landed roles on Fox's short-lived 413 Hope Street and Eric Bross' independent film Restaurant (1998). Ally McBeal's creator, David E. Kelly, attended Rent's Broadway premiere and remembered Martin when the show needed a new boyfriend for Calista Flockhart's Ally. The actor's performance as Dr. Greg Butters on Ally McBeal caught David Duchovny's eye, who then cast Martin as a baseball-playing alien in a 1999 episode of The X-Files that he wrote and directed. While still shooting Ally McBeal, Martin heard rumors that actor Benjamin Bratt planned to leave the cast of Law and Order. Martin tried out for the show years before and won the minor role of a car-radio thief named Earl the Hamster, but decided to wait for a bigger part. With the opportunity presenting itself, Martin begged Law and Order producer Dick Wolf for Bratt's role. Wolf hoped to cast him, and upon hearing that CBS and Fox both offered Martin development deals, he gave the actor the part without an audition. During his first year on Law and Order, Martin co-produced the one-man show Fully Committed, about the amusing experiences of a waiter at an upscale restaurant. A skilled vocalist -- he sang in Rent, on Ally McBeal, and The X-Files -- Martin later appeared in the Rocky Horror Picture Show anniversary special and hopes to star in a big-screen biography of his mother's favorite singer, Marvin Gaye. Over the coming decade, Martin would appear in several more pictures, like The Cake Eaters, the big screen adaptation of Rent, and the TV series The Philanthropist.

Trivia: One of Hollywood's more well-established and often underrated actresses, Dianne Wiest possesses a versatility that has allowed her to go from playing hookers to flamboyant stage actresses to some of the most memorable matriarchs this side of Barbara Billingsley. Born in Kansas City, Missouri, Wiest decided to forgo a ballet career in favor of the theatre while attending the University of Maryland. She made her off-Broadway debut in 1976's Ashes; three years later she won the coveted Obie and Theatre World awards for her work in The Art of Dining. She made her first film, It's My Turn, in 1980, then returned to the stage, appearing with Joseph Papp's New York Shakespeare Festival and on Broadway in 1982's Frankenstein. In the mid-1980s, Wiest returned to films, where (except for the occasionally foray into live performing) she has remained ever since. Often as not, Wiest has been cast in maternal roles, most memorably in Footloose (1984), The Lost Boys (1987), Parenthood (1989), Edward Scissorhands (1990) and The Birdcage (1996). Some of her best screen work can be found in her neurotic, self-involved characterizations for director Woody Allen. Beginning with a cameo as a hooker in The Purple Rose of Cairo (1985), she has been generously featured in five Allen films, winning Academy Awards for her dazzling performances as unlucky-in-love Holly in Hannah and Her Sisters (1986) and hyperbolic stage actress Helen Sinclair in Bullets Over Broadway (1994). Wiest could be seen playing another motherly figure in Robert Redford's 1998 adaptation of The Horse Whisperer; that same year, she appeared as one of Sandra Bullock and Nicole Kidman's otherworldly aunts (along with Stockard Channing) in Practical Magic. In 1999, she could be seen in the made-for-TV The Simple Life of Noah Dearborn, starring alongside Sidney Poitier. Her big-screen career continued with I Am Sam, A Guide to Recognizing Your Saints, Dan in Real Life, and Synecdoche New York. She also found interesting work on television playing a DA on Law & Order for a couple of seasons, and playing the psychiatrist of a psychiatrist on HBO's In Treatment. She appeared in Rabbit Hole in 2010, and was Diane Keaton's flighty sister in Darling Companion.

Trivia: A prolific film, television, and theater actress, Megan Follows became a TV star as Anne Shirley in Canadian television's adaptation of L.M. Montgomery's popular Anne of Green Gables books. Born in Toronto to two actors, Follows began acting on TV as a toddler. After she appeared in several Canadian features and shows, and made her American movie debut in Stephen King's Silver Bullet (1985), her performance as Montgomery's feisty redheaded orphan in the acclaimed 1985 miniseries Anne of Green Gables and the 1987 sequel Anne of Avonlea won her two Gemini awards and made her an international name. Supposedly putting her career-making turn as Anne behind her, Follows continued to act in plays and movies throughout the 1980s and early '90s, including TV movies Sin of Innocence (1986) with a young Dermot Mulroney, Inherit the Wind (1988), and Back to Hannibal: The Return of Tom Sawyer and Huck Finn (1990) (as a grown up Becky Thatcher). The versatile actress also played Anne of Green Gables co-star Colleen Dewhurst's daughter in the grim Canadian drama Termini Station (1991), and voiced the role of Clara in the animated feature The Nutcracker Prince (1990). Follows devoted the rest of the 1990s to starting a family, acting in Canadian TV movies and starring in the Canadian feature comedy Reluctant Angel (1997). She began the next decade, though, by reprising her most famous role (as a now fully adult, aspiring writer in New York) in Anne of Green Gables: The Continuing Story (2000).

Trivia: Nick Chinlund's handsome, rugged exterior makes him an ideal candidate for roles in such high-profile, high-octane releases as Con Air and Tears of the Sun, so casting directors may be tempted to steer him toward films that make use of his somewhat imposing physical presence; nonetheless, the talented stage and screen actor also possesses the chops needed to highlight such little-seen indies as Amy's Orgasm and Chutney Popcorn. That rare combination offers great potential for crossover appeal, so audiences on both sides of the blockbuster spectrum can find reasons for appreciating an actor of Chinlund's caliber. The New York native started out as a jock, but his aspirations on the court were sidelined by a college basketball injury; however, it didn't take long for him to see the silver lining in his career-halting accident, and he soon veered toward acting. Though Chinlund would remain at Brown University in the following years, a shift toward drama classes soon convinced him that his future didn't lie on the well-polished planks of the basketball court, but the well-worn boards of the theater stage. Roles in such Williamstown Theater Festival productions as Mother Courage and Little Oedipus helped the fresh-faced hopeful make a name for himself in the theater community, and shortly after graduation, Chinlund opted to kick-start his feature career by making the move to Los Angeles. In addition to an impressively creepy early role in a pair of X-Files episodes entitled "Irresistable" and "Orison," Chinlund also made a mark in such features as Lethal Weapon 3, Bad Girls, and Eraser. While small-screen roles in episodes of Third Watch and Buffy the Vampire Slayer found Chinlund continuing to make a name for himself among television viewers, his performances in such character-driven dramas as A Brother's Kiss and Once in the Life saw the emerging actor eschewing more action-oriented fare in favor of roles in more down-to-earth features. Though supporting roles in Training Day, Below, and Tears of the Sun did find Chinlund's visibility rising among the multiplex set, it was his participation in such efforts as Goodnight, Joseph Parker (in which he played the eponymous character) that seemed to draw him the most praise from critics. In 2004, Chinlund rejoined Below director David Twohy for a role opposite action icon Vin Diesel in the eagerly anticipated Pitch Black sequel, The Chronicles of Riddick.

Trivia: With his dark hair and thick-set features that inevitably suggested an urban background, character actor John Costelloe came to specialize almost exclusively in portrayals of ethnic, inner-city types in big screen features and on television -- a trend that lent him particularly strongly to the crime and action genres, and the urban drama subgenre. Features in which Costelloe costarred over the years included the Ridley Scott-directed crime saga Black Rain (1989), the gritty Dutch Schultz biopic Billy Bathgate (1991), and Barbet Schroeder's noir remake Kiss of Death (1995). In 2008, Costelloe landed a small role opposite Meryl Streep and Philip Seymour Hoffman in director John Patrick Shanley's sexual abuse drama Doubt.

Trivia: Best known for creating the Law & Order franchise. At age 12, wrote a detective serial that ran for two years in his school paper. Attended Phillips Andover Academy in Massachusetts with future president George W. Bush. A former ad copywriter, helped create the "I'm Cheryl, fly me" campaign for National Airlines, as well as the toothpaste slogan "You can't beat Crest for fighting cavities." Serves as Monaco's honorary consul for Los Angeles, and is involved in the country's annual Monte-Carlo Television Festival. Received a star on the Hollywood Walk of Fame in March 2007. Signed a deal to write two novels for HarperCollins in July 2010.

Trivia: Once the vanguard of 1960s-1970s Hollywood New Wave, director Arthur Penn saw his cinematic fortunes decline with the mid-'70s rise of more straightforward blockbuster entertainment. Even as he struggled through the '80s and '90s, however, Penn's legacy was assured by such films as Little Big Man (1970), Night Moves (1975), and the pivotal masterwork Bonnie and Clyde (1967).Born in Philadelphia, Penn was trained to follow in his father's footsteps as a watchmaker, but by high school, he knew he preferred theater. While stationed at Fort Jackson, SC, during World War II, Penn formed a small drama circle with his fellow infantrymen, and continued his education as an actor at school in North Carolina and Italy after the war. Though Penn acted in Joshua Logan's theater company and studied with Michael Chekhov at the Actors Studio's Los Angeles branch, he opted for a career behind the scenes when he got a job at NBC TV in 1951. By 1953, Penn was writing and directing live TV productions for the Philco Playhouse and Playhouse 90. Earning a shot at feature films, Penn combined the Method acting concentration on character psychology with the story of legendary Western outlaw Billy the Kid in The Left-Handed Gun (1958). Starring Paul Newman as Billy and shot in crisp black-and-white, The Left-Handed Gun emphasized '50s rebel neuroses over pastoral spectacle, becoming more of a character study of youthful revolt spiked with dramatic violence than a typical good vs. bad oater. Though European audiences loved it, Americans were unimpressed. Having directed the Broadway success Two for the Seesaw that same year, Penn stuck with theater and quickly established a sterling reputation with consecutive Broadway hits: The Miracle Worker, Toys in the Attic, and All the Way Home.Penn returned to movies with the film adaptation of The Miracle Worker (1962). Resisting pressure to cast Elizabeth Taylor, Penn insisted that Anne Bancroft and Patty Duke reprise their stage roles as intrepid tutor Annie Sullivan and her blind and deaf charge Helen Keller. Saccharine-free and masterfully acted, The Miracle Worker became a hit, earning an Oscar nomination for Penn and Oscar wins for Bancroft and Duke. Penn's Hollywood glow quickly diminished, however, when star Burt Lancaster abruptly fired Penn two days into shooting on The Train (1964). Angry and undaunted, Penn proceeded to make the underrated and little seen Mickey One (1965). Shot with French New Wave aplomb and starring Warren Beatty, Mickey One eschewed all narrative certainty in its highly personal exploration of a nameless man's paranoid flight from the Mob, presaging the enormous influence New Wave technical freedom, genre revision, and ambiguity would have on Hollywood a few years later. Penn left filmmaking again in disgust after producer Sam Spiegel fired him from The Chase (1966) and recut the film. After a year off, however, Penn was coaxed back into movies by Beatty to helm Bonnie and Clyde. Though they clashed during production, Beatty saw to it that he and Penn could cast the film with unknowns from New York theater and TV, shoot with no studio interference on location in Texas, and edit the film in New York. With his producer-star's full support, Penn aimed to make the violence as brutal as possible, culminating with the incendiary quick-cut, slow-motion climax showing the eponymous glamour outlaws riddled by bullets. Though critics were repulsed by the bloodshed and the notion of criminals as beautiful doomed heroes, Beatty, armed with a rave by Pauline Kael and reports of audience enthusiasm, fought Warner Bros. for a re-release and Penn's combination of French New Wave style with an American genre finally made an impact. Hailed as a visionary work and embraced by the youthful Vietnam-era audience, Bonnie and Clyde became a pop-culture phenomenon, inspiring a cycle of revisionist gangster movies that included Thieves Like Us (1974) and Badlands (1973), making stars out of Faye Dunaway and Gene Hackman, and altering the visual language of Hollywood violence. Penn lost the Best Director Oscar, though, to The Graduate's (1967) Mike Nichols.Penn confirmed his place in the new Hollywood counterculture firmament with Alice's Restaurant (1969) and Little Big Man (1970). Adapted from Arlo Guthrie's song and starring Guthrie, Alice's Restaurant was a dreamy, satirical, fun, yet downcast look at life in a hippie commune that garnered Penn his third Oscar nod for directing. More epic in form and content, Little Big Man mordantly re-framed the glorious myth of the Western frontier as a tragic comedy of genocide and white stupidity and amorality. Though star Dustin Hoffman's misadventures as a snake oil salesman, gunfighter, and adopted Cheyenne provided comic relief, Penn's tough depiction of the Washita Massacre and different take on Custer's Last Stand powerfully revealed which side was "civilized." Though Little Big Man was a major hit, Penn took a hiatus from films (save for the omnibus documentary Visions of Eight [1973]) until Night Moves (1975). As with The Long Goodbye (1973) and Chinatown (1974), Night Moves recast the potent film noir detective as a man overwhelmed by the corruption he uncovers. Despite the presence of Gene Hackman as the doomed PI, Night Moves' rigorously downbeat tone was no longer in synch with audience tastes. Penn's next effort, The Missouri Breaks (1976), was intended to be a blockbuster pairing of Jack Nicholson and Marlon Brando as a horse thief and the gunfighter hired to kill him. Though Brando and Nicholson made a fascinating pair, the film's shifting tones and defiant eccentricity turned off audiences and critics. Penn didn't direct another film until his critique of the 1960s, Four Friends (1981).Never able to recapture his late-'60s success, Penn directed only the workmanlike spy actioner Target (1985) and thriller Dead of Winter (1987) before the barely released Penn & Teller Get Killed (1990) essentially ended his feature-film career. Returning to the more welcoming environs of TV, Penn scored a critical success with The Portrait (1993), a finely crafted character study starring Gregory Peck and Lauren Bacall. The made-for-cable feature Inside (1996) dealt with the kind of politically charged subject matter -- in this case, South African apartheid -- reminiscent of Penn's best films. Though he was long past retirement age, Penn, via his director son Matthew Penn, signed on as an executive producer for Law & Order's 2000 season to help punch up the long-running series' New York grit; a skill he exercised again helming an episode of Sidney Lumet's cable series 100 Centre Street (2001).

Trivia: Fred Dalton Thompson spent 25 years as an active Nashville and Washington, D.C., attorney before making his film debut playing himself in a 1985 retelling of the true tale of a Tennessee woman who took on the state's crooked governor in Marie. When Thompson won more acclaim than the film's stars Sissy Spacek and Jeff Daniels, he decided to add "character actor" to his resumé, and went on to appear in numerous major features. Standing 6'5," he was a commanding presence and was usually cast as an authoritarian. Thompson put his film career on hold when he made a successful bid to become a Tennessee senator in 1994, then picked up where he left off when his term ended, playing DA Arthur Branch on Law & Order, along with other supporting film roles. Thompson returned to politics with an attempt at the 2008 presidential election, but was unsuccessful, and soon resumed his acting career. He played horse breeder Arthur Hancock in Secretariat (2010) and appeared in the Hank Williams biopic The Last Ride (2011). One of his final acting roles was as an FBI Director in the short-lived NBC series Allegiance in 2015. Thompson died later that year, at age 73.

Trivia: A veteran of film and television, Chris Noth is probably best known for his work on Law and Order and HBO's Sex and the City, the latter of which featured him as the charming but terminally untrustworthy Mr. Big, erstwhile boyfriend/bad habit of the series' heroine, Carrie Bradshaw (Sarah Jessica Parker). Hailing from Madison, WI, where he was born November 13, 1954, Noth moved around a lot throughout his childhood, living in England, Yugoslavia, and Spain. Returning to the States, he studied with the storied acting coach Stanford Meisner before being accepted into the prestigious Yale School of Drama.Noth got his start on the stage and in television performing at the American Shakespeare Festival in Stratford, CT, and appearing in productions with theater companies across the country, including the Manhattan Theater Club and Los Angeles' Mark Taper Forum. Working in television beginning in 1982, he did a number of shows before breaking into film with small parts in Off Beat (1986) and the Diane Keaton comedy Baby Boom (1987). Noth's big break came in 1989, when he was chosen to play Det. Mike Logan on Law and Order. Noth portrayed the young policeman for five seasons, winning both critical nods and fans, many of whom were saddened when his Law and Order contract was not renewed in 1995. Noth continued to work on television and did minor work in films such as Naked in New York (1994) before getting his next big break in the form of Sex and the City (1998). As Big, he was one of the few male characters who could hold his own in the presence of the series' strong female protagonists, played by Parker, Cynthia Nixon, Kim Cattrall, and Kristin Davis. The show proved to be an enormous critical and commercial hit, in the process winning Noth more fans. He would reprise the role for subsuquent big screen adaptations of the show, in addition to other films like My One and Only and Lovelace. Noth would also enoy successful turns on Law & Order: Criminal Intent, The Good Wife, and Titanic: Blood and Steel.

Trivia: Benjamin Bratt was already an experienced film and TV actor by the time his four-year stint as Det. Reynaldo "Rey" Curtis on NBC's long-running hit Law and Order made him famous. Born and raised in San Francisco, Bratt studied acting at UC-Santa Barbara and in his hometown. After roles in two short-lived 1980s TV series, Bratt made his film debut as John Travolta's foe in the shelved, then straight-to-cable Chains of Gold (1991). Concentrating on building a movie career, Bratt played supporting roles in the action films Demolition Man (1993), Clear and Present Danger (1994), and The River Wild (1994), as well as one of the lead roles in Bound by Honor (1993), about Chicano gang life. After joining Law and Order in 1995 as the coolly-passionate Curtis, the half-Peruvian Indian, half-Caucasian Bratt's chiseled looks received positive notices along with his acting, but rather than rest on his laurels, Bratt used his hiatus time to produce (with his director brother Peter Bratt) and star in the indie film Follow Me Home (1997). After leaving the show in 1999 (girlfriend Julia Roberts guest-starred in one of Bratt's last episodes), Bratt moved back to San Francisco to be closer to his family and focus on making movies. He costarred as Madonna's paramour in The Next Best Thing (2000).Untouched by The Next Best Thing's failure, Bratt joined the prestigious ensemble cast of Steven Soderbergh's acclaimed, Oscar-winning narcotics drama Traffic (2000), becoming nearly unrecognizable in a brief appearance as a sleazy drug dealer. Scoring his second Christmas 2000 hit, Bratt played off his smooth, sexy law enforcement officer image as Sandra Bullock's FBI ally-turned-love interest in the comedy Miss Congeniality (2000).Though the first half of 2001 was marked by his well-publicized break-up with Roberts, Bratt was poised to leave his days as tabloid fodder behind with his lead performance in the independent biopic Piñero (2001). Winning the title role over such high profile Latino actors as Jimmy Smits, Bratt's uncanny evocation of troubled Nuyorican writer and drug casualty Miguel Piñero attracted early dark horse Oscar buzz.Bratt would go on to find continued success on the small screen throughout the 2000's, in mini-series like The Andromeda Strain , and continually on Law and Order, which he would stick with until 2007. Bratt would also star on the TV series The Cleaner, as well as on the Grey's Anatomy spin-off Private Practice.

Trivia: Detroit-born Michael Moriarty was still in his teens when he received a Fulbright Fellowship to study acting at the London Academy of Music and Dramatic Arts. At 22, Moriarty played Octavius Caesar in a New York Shakespeare Festival production of Antony and Cleopatra, the first of many Shakespearean assignments. He made his Broadway bow in Trial of the Catonsville 9 and his film debut in 1972's Hickey and Boggs. In 1973 and 1974, no one was a likelier candidate for big-time stardom than Michael Moriarty. He starred as ingratiatingly egotistical ballplayer Henry Wiggen in theatrical feature Bang the Drum Slowly (1973), earned an Emmy for his portrayal of the Gentleman Caller in a TV adaptation of The Glass Menagerie, and won the Tony award for his work in the Broadway play Find Your Way Home. While his stage career flourished (he'd later star in well-received revivals of The Caine Mutiny Court Martial and My Fair Lady) his movie career was not as successful. It was television that made Moriarty a "name" in the eyes of the public, especially after his chillingly effective Emmy-winning turn as pasty-faced Nazi bureaucrat Erik Dorf in the 1978 miniseries Holocaust. In his film appearances of the late 1970s and early 1980s, Moriarty evinced a preference for working in director Larry Cohen's low-budget horror efforts, which brought little in the way of prestige but which assured him juicy leading roles. He was particularly good in Cohen's Q (1982), as a scuzzy, unprincipled mercenary who becomes the film's hero-by-default. From 1990 to 1994, Moriarty earned three Emmy nominations for his work as Assistant DA Ben Stone in TV's Law and Order; he left the series in 1995, complaining that Attorney General Janet Reno's criticisms of TV violence seriously endangered his ability to perform at fullest capacity. In addition to his considerable acting accomplishments, Moriarty is a superb jazz pianist; he has cut albums with his own jazz trio, and is a frequent performer at Michael's Pub, a New York nitery which occasionally features director Woody Allen on the clarinet. In addition, Michael Moriarty can be seen as the Governor of New Jersey in Crime of the Century, a 1996 TV-movie recreation of the Bruno Richard Hauptmann trial.

Trivia: The daughter of an attorney father and writer mother, German-born Elisabeth Röhm spent the majority of her childhood and adolescence coming of age in New York. Röhm discovered an innate love of acting during her collegiate years (in the early '90s) and thereafter landed a regular role on the daytime drama One Life to Live. She graduated to fame, however, by virtue of two prime-time roles: Detective Kate Lockley on the supernatural drama series Angel (1999) and Assistant District Attorney Serena Southerlyn on NBC's Law & Order. Big-screen roles include supporting turns in Miss Congeniality 2: Armed and Fabulous (2005) and Aftermath (2008).

Trivia: Started modeling at age 13. Studied acting at JoAnna Beckson Studios in Manhattan. Breakthrough role was as Rosa Santos on All My Children. Appeared in the Brooks and Dunn music video "Ain't Nothing 'Bout You." Played series regular Connie Rubirosa on two editions of the Law & Order franchise.

Trivia: Danced for the Joffrey Ballet during her childhood. Studied Chinese at Vassar College and intended to be a translator before opting to become an actress. Starred in the Funny or Die online sitcom Halal in the Family alongside Aasif Mandvi. Was a passenger on the Amtrak train that crashed in Philadelphia on May 12, 2015.

Trivia: Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz. Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order. By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A.His career subsequently kicking into overdrive, the popular character actor was in increasingly high demand in the next few years, enjoying a productive run as a voice performer in such animated television series' as Justice League, Kim Possible, The Legend of Korra, and Ultimate Spider-Man (the latter of which found him reprising his role as J. Jonah Jameson), as well as turning in memorable performances in Jason Reitman's Juno, Mike Judge's Extract, and as a hard-nosed captain in the 2012 crime thriller Contraband. Meanwhile, in 2005, he joined the cast of TNT's popular crime drama The Closer as Assistant Chief Will Pope -- a role which no doublt played a part in the cast earning five Screen Actors Guild Award nominations for Best Ensemble Cast. Simmons continued to work steadily in movies, returning to the Spider-Man franchise in 2007. That same year he co-starred as the father of a pregnant teen in Juno, which led to him being cast regularly by that film's director Jason Reitman in many of his future projects including Up In the Air and Labor Day. It was Reitman who got Simmons the script for Whiplash, Damien Chazelle's directorial debut. The actor took the part of an abusive, but respected music teacher and the ensuing performance garnered Simmons multiple year-end awards including a Best Supporting Actor nomination from the Academy.

Trivia: Silly, adorable comedian Michael Showalter was born in New Jersey and attended Brown University in Rhode Island. During the late '80s, he joined a New York-based comedy troupe which formed the basis for a hilarious sketch-comedy show called The State. Although many episodes were created, only 26 aired on MTV. After the show ended, he joined up with co-stars David Wain and Michael Ian Black to form a new comedy troupe named Stella. Originally only a stage show in New York City, Stella has broadened to include short films, tours, and other such creative projects. Also on-stage, he wrote the play Sex, a.k.a. Wieners and Boobs, which has been produced in both New York and L.A. Showalter made his film debut in 1998 with small roles in the comedies Safe Men and Chocolate for Breakfast, but he may be best known as one of the brains behind the summer camp spoof Wet Hot American Summer. Showalter co-wrote the script and played both the lovable main character Coop and the old-timer emcee Alan Shemper. Starring many folks from The State, the film developed a healthy life on home video despite a meager theatrical release. After a few short-lived TV projects, he played small film roles in Kissing Jessica Stein, M. Night Shyamalan's Signs, and Operation Midnight Climax. He was also be seen in an episodes of HBO's Sex and the City and VH1's I Love the 80s. Projects for 2004 include voice work on Bill Plympton's animated feature Hair High.