Trivia: One of the few movie "superstars" truly worthy of the designation, actor Sean Connery was born to a middle-class Scottish family in the first year of the worldwide Depression. Dissatisfied with his austere surroundings, Connery quit school at 15 to join the navy (he still bears his requisite tattoos, one reading "Scotland Forever" and the other "Mum and Dad"). Holding down several minor jobs, not the least of which was as a coffin polisher, Connery became interested in bodybuilding, which led to several advertising modeling jobs and a bid at Scotland's "Mr. Universe" title. Mildly intrigued by acting, Connery joined the singing-sailor chorus of the London roduction of South Pacific in 1951, which whetted his appetite for stage work. Connery worked for a while in repertory theater, then moved to television, where he scored a success in the BBC's re-staging of the American teledrama Requiem for a Heavyweight. The actor moved on to films, playing bit parts (he'd been an extra in the 1954 Anna Neagle musical Lilacs in the Spring) and working up to supporting roles. Connery's first important movie role was as Lana Turner's romantic interest in Another Time, Another Place (1958) -- although he was killed off 15 minutes into the picture. After several more years in increasingly larger film and TV roles, Connery was cast as James Bond in 1962's Dr. No; he was far from the first choice, but the producers were impressed by Connery's refusal to kowtow to them when he came in to read for the part. The actor played the secret agent again in From Russia With Love (1963), but it wasn't until the third Bond picture, Goldfinger (1964), that both Connery and his secret-agent alter ego became a major box-office attraction. While the money steadily improved, Connery was already weary of Bond at the time of the fourth 007 flick Thunderball (1965). He tried to prove to audiences and critics that there was more to his talents than James Bond by playing a villain in Woman of Straw (1964), an enigmatic Hitchcock hero in Marnie (1964), a cockney POW in The Hill (1965), and a loony Greenwich Village poet in A Fine Madness (1966). Despite the excellence of his characterizations, audiences preferred the Bond films, while critics always qualified their comments with references to the secret agent. With You Only Live Twice (1967), Connery swore he was through with James Bond; with Diamonds Are Forever (1971), he really meant what he said. Rather than coast on his celebrity, the actor sought out the most challenging movie assignments possible, including La Tenda Rossa/The Red Tent (1969), The Molly Maguires (1970), and Zardoz (1973). This time audiences were more responsive, though Connery was still most successful with action films like The Wind and the Lion (1974), The Man Who Would Be King (1975), and The Great Train Robbery (1979). With his patented glamorous worldliness, Connery was also ideal in films about international political intrigue like The Next Man (1976), Cuba (1979), The Hunt for Red October (1990), and The Russia House (1990). One of Connery's personal favorite performances was also one of his least typical: In The Offence (1973), he played a troubled police detective whose emotions -- and hidden demons -- are agitated by his pursuit of a child molester. In 1981, Connery briefly returned to the Bond fold with Never Say Never Again, but his difficulties with the production staff turned what should have been a fond throwback to his salad days into a nightmarish experience for the actor. At this point, he hardly needed Bond to sustain his career; Connery had not only the affection of his fans but the respect of his industry peers, who honored him with the British Film Academy award for The Name of the Rose (1986) and an American Oscar for The Untouchables (1987) (which also helped make a star of Kevin Costner, who repaid the favor by casting Connery as Richard the Lionhearted in Robin Hood: Prince of Thieves [1991] -- the most highly publicized "surprise" cameo of that year). While Connery's star had risen to new heights, he also continued his habit of alternating crowd-pleasing action films with smaller, more contemplative projects that allowed him to stretch his legs as an actor, such as Time Bandits (1981), Five Days One Summer (1982), A Good Man in Africa (1994), and Playing by Heart (1998). Although his mercurial temperament and occasionally overbearing nature is well known, Connery is nonetheless widely sought out by actors and directors who crave the thrill of working with him, among them Harrison Ford, Steven Spielberg, and George Lucas, who collaborated with Connery on Indiana Jones and the Last Crusade (1989), where the actor played Jones' father. Connery served as executive producer on his 1992 vehicle Medicine Man (1992), and continued to take on greater behind-the-camera responsibilities on his films, serving as both star and executive producer on Rising Sun (1993), Just Cause (1995), and The Rock (1996). He graduated to full producer on Entrapment (1999), and, like a true Scot, he brought the project in under budget; the film was a massive commercial success and paired Connery in a credible onscreen romance with Catherine Zeta-Jones, a beauty 40 years his junior. He also received a unusual hipster accolade in Trainspotting (1996), in which one of the film's Gen-X dropouts (from Scotland, significantly enough) frequently discusses the relative merits of Connery's body of work. Appearing as Allan Quartermain in 2003's comic-to-screen adaptation of The League of Extraordinary Gentlemen, the seventy-three year old screen legend proved that he still had stamina to spare and that despite his age he could still appear entirely believeable as a comic-book superhero. Still a megastar in the 1990s, Sean Connery commanded one of moviedom's highest salaries -- not so much for his own ego-massaging as for the good of his native Scotland, to which he continued to donate a sizable chunk of his earnings.

Trivia: Equally at home playing leads and character roles, actor Alec Baldwin is known for his work in just about every genre, from action thrillers to comedies to dramas. Born April 3, 1958, in Massapequa, Long Island, he was the second of six children (brothers William, Daniel, and Stephen would also become actors). Baldwin was a political science major at George Washington University before he decided to become an actor; following his change in vocation, he studied drama at NYU and the Lee Strasberg Theatre Institute. Early in his career, Baldwin was a busy man, simultaneously playing a role on the TV daytime drama The Doctors and performing in Shakespeare's A Midsummer Night's Dream on-stage in the evenings. A few years after making his 1980 Broadway debut, the actor moved to Los Angeles, where he landed a part in the television series Knots Landing. He made his film debut in 1987 with a starring role in Forever, Lulu, which led to work in a number of major films. From 1988 to 1989 alone, Baldwin appeared in no less than seven films, including Tim Burton's black comedy Beetlejuice, Mike Nichols' Working Girl, Jonathan Demme's Married to the Mob, and Oliver Stone's Talk Radio. In 1990, Baldwin achieved big-budget success playing ace CIA agent Jack Ryan in the undersea thriller The Hunt for Red October. The film's popularity won him acclaim, so Baldwin surprised many by foregoing the opportunity to reprise his role in the sequel Patriot Games (he was replaced by Harrison Ford) in favor of returning to Broadway to star as Stanley Kowalski in A Streetcar Named Desire. Although his decision paid off -- he received a Tony nomination for his performance -- it also marked the point at which Baldwin's star wattage began to flicker. His 1991 film, The Marrying Man proved to be an all-out flop (although it did provide him an introduction to co-star Kim Basinger, whom he would marry in 1993), and the critical success of his next two films, Prelude to a Kiss and Glengarry Glen Ross was overshadowed by a subsequent string of flops, including Malice (1993), The Getaway (1994), and The Juror (1996). The actor rebounded a bit with his role in Al Pacino's acclaimed documentary Looking for Richard (1996) but then had the unfortunate luck of starring in the 1998 Bruce Willis disaster Mercury Rising. However, the following year proved more fortuitous for Baldwin, as he starred in the coming-of-age comedy Outside Providence, as well as in the crime drama Thick As Thieves and the ethical drama The Confession, appearing alongside Amy Irving and Ben Kingsley. In addition, the actor made an uncredited appearance in Notting Hill, sending up his macho Hollywood persona as Julia Roberts' piggish actor boyfriend.Baldwin started off the 2000s by re-teaming with David Mamet on the Hollywood satire State and Main as a lecherous leading man with a weakness for underage girls. He provided narration for Wes Anderson's The Royal Tenenbaums, and was one of the few people to escape unscathed from Michael Bay's Pearl Harbor. Although he continued to make headlines because of his politics, as well as his ongoing legal scuffles with now ex-wife Kim Basinger, Baldwin continued to do strong work in the comedies Along Came Polly (2004) and Fun with Dick and Jane (2005), and scored his first-ever Academy Award nomination for Best Supporting Actor playing a menacing casino manager in 2003's The Cooler. He became a part of Martin Scorsese's stock company playing Juan Trippe in 2004's The Aviator, following it up as a federal agent in love with the Patriot Act in 2006's The Departed.Baldwin's longstanding association with the venerable sketch comedy show Saturday Night Live (he has hosted over ten times) paid great dividends when he was hired to play the part of the boss on former SNL head writer Tina Fey's fall 2006 sitcom 30 Rock. He earned universal raves for his work on the show, and would earn a Golden Globe nomination every single year of the show's run, winning the award three times. He'd also pick up no less than five Emmy nods, winning that award twice as well. Baldwin was positively beloved on the series, but he would also continue to work in film as well, most notably in the 2009 romcom It's Complicated, which he starred in with Meryl Streep, and the 2012 Woody Allen ensemble film To Rome with Love.

Trivia: Ex-marine and ex-newspaper reporter Scott Glenn was ideally suited to the action-oriented films that would become his lot in the 1980s and 1990s. After learning the rudiments of his craft at the Actors Studio and appearing off-Broadway, Glenn made his film bow in 1970's The Baby Maker. He was rescued from low-budget cycle flicks by director Robert Altman, who cast Glenn as Pfc. Glenn Kelly in Nashville (1975). As rangy and rugged off-camera as on, Glenn was one of the few film actors of recent years to flourish in western roles: among his more impressive credits within this genre are Cattle Annie and Little Britches (1981), Silverado (1985), My Heroes Have Always Been Cowboys (1993), and, stretching a point a bit, Urban Cowboy (1980). Glenn has been equally laudable in such suit-and-tie roles as Jodie Foster's FBI chief in The Silence of the Lambs (1991), in "military" assignments like astronaut Alan Shepard in The Right Stuff (1981) and the U.S. sub commander in Hunt for Red October (1990). As a tribute to Robert Altman, the director who elevated him to "A" pictures back in 1975, Scott Glenn accepted a drastic cut in salary to portray "Himself" in Altman's The Player (1992). Over the next several years, Glenn remained active on screen, appearing in films like Training Day, The Virgin Suicides, The Bourne Ultimatum, W., and The Paperboy.

Trivia: One of the most famous film personalities to hail from the South Pacific, New Zealand-bred actor Sam Neill possesses the kind of reassuring handsomeness and soft-spoken strength that have made him an ideal leading man. Born Nigel Neill to a military family in Omagh, Northern Ireland, Neill relocated to New Zealand in 1953 at the age of six. There he picked up the nickname that would become his stage name, and attended both the University of Canterbury and the University of Victoria before beginning his acting career. Neill labored as a director/editor/screenwriter for the New Zealand National Film Unit for several years; he made his first movie in 1975 and scored his first significant film success four years later as the romantic lead opposite Judy Davis in director Gillian Armstrong's My Brilliant Career. Shortly thereafter, Neill was brought to England under the sponsorship of star James Mason (who undoubtedly recognized the marked similarity between his acting style and Neill's). The actor's subsequent movie work included two memorable collaborations with actress Meryl Streep and director Fred Schepisi: Plenty (1985) and A Cry in the Dark (1988). Neill's British TV credits were highlighted by his starring role in the unorthodox espionage drama Reilly: Ace of Spies (1983), for which he won the British television BAFTA Best Actor award. He also began working on American films during the '80s, including the 1981 Omen sequel The Final Conflict (in which he demonstrated a considerable breadth of range as Satan's son Damien) and the 1987 TV miniseries Amerika. Neill also kept busy with projects down under, with perhaps his most memorable film being Dead Calm (1989), a masterfully crafted thriller that starred the actor as Nicole Kidman's husband.Neill truly came to international prominence during the '90s (as evidenced by his guest spot as a cat burglar on an episode of The Simpsons). He experienced a bumper-crop year in 1993, portraying the raptor-fearing Dr. Alan Grant in Steven Spielberg's blockbuster Jurassic Park, before returning to New Zealand to portray Holly Hunter's taciturn, unexpectedly violent husband in The Piano (1993). He was also honored with the Order of the British Empire that same year. Neill continued to work on a wealth of diverse international projects throughout the rest of the decade, notably John Duigan's Sirens (1994), which cast him as a '30s bohemian artist; the Australian satire Children of the Revolution (1996), reuniting him with Judy Davis; Revengers' Comedies (1997), which cast him as a suicidal businessman; the acclaimed miniseries Merlin (1998), in which he played the titular wizard; Robert Redford's The Horse Whisperer (1998), as the husband of Kristin Scott Thomas (the two had previously co-starred in Revengers' Comedies); and Bicentennial Man (1999), which featured the actor as the head of a family who purchases an uncannily human robot played by Robin Williams.Though Neill was notably absent from the 1997 sequel The Lost World: Jurassic Park, the second sequel in the series, 2001's Jurassic Park III, found the stalwart actor once again fleeing ornery dinosaurs on a tropical island and living to tell the tale. A turn as Victor Komarovsky in the made-for-TV remake of Doctor Zhivago quickly followed, and over thecourse of the next decade Neill would alternate frequently between television (Triangle, Merlin's Apprentice) and film (Wimbledon, Dayberakers), while still managing to land the occasional meaty role in projects like The Tudors (2007) and Dean Spanley (2008). In 2011, Neill brought an impressive air of menace to the ecological thriller The Hunter with his turn as an outwardly benevolent Aussie with a dark secret, and the following year he returned to television as a federal agent on the trail of convicts who mysteriously vanished without a trace in Alcatraz. In addition to acting and managing a New Zealand winery, Neill directed an acclaimed 1995 documentary about the New Zealand film industry, Cinema of Unease: A Personal Journey by Sam Neill.

Trivia: James Earl Jones is a distinguished African American actor instantly recognizable for his deep, resonant Shakespearean voice and wide smile. The son of prizefighter and actor Robert Earl Jones, he was raised on a farm. In college, he briefly studied medicine but switched to drama. After serving with the Army he enrolled at the American Theater Wing in New York. He made his Broadway debut in 1957, then went on to appear in many plays before spending several seasons with Joseph Pap's New York Shakespeare Festival. Jones' biggest success onstage was as the star of The Great White Hope on Broadway (1966-68); for his work (portraying heavyweight champion Jack Jefferson) he received a Tony award. He had a small part in Stanley Kubrick's Dr. Strangelove (1964), but did not begin to appear onscreen much until the '70s. In addition to stage and occasional film work, he also appeared as an African chieftain in the TV series Tarzan and was one of the first black actors to be cast as a regular on the soap opera The Guiding Light in 1967. Reprising his stage role, he received a Best Actor Oscar nomination and won a Golden Globe award for his work in the screen version of The Great White Hope (1970) and went on from there to have a busy screen career. He starred in the TV series Paris in 1979-80. Beginning in 1977, he provided the melodiously wicked voice of the villainous Darth Vader in the three Star Wars films. Since then he has continued to appear on screen (over 40 films to date), stage, and television. He also continues to provide voiceovers (he can frequently be heard on the CNN television network). His portrayal of the grouchy, reclusive writer opposite Kevin Costner in Field of Dreams (1989) is among his most notable turns. In 1987 he won another Tony Award, this time for his portrayal of a frustrated baseball player in August Wilson's Fences. Most recently, Jones provided the voice for Mufasa, the regal patriarch in Disney's animated film The Lion King (1994).

Trivia: Another illustrious graduate of London's Central School of Speech and Drama, Joss Ackland made his first professional stage appearance at 17 in the 1945 production The Hasty Heart. For the next decade, Ackland learned his craft in a variety of regional theatre troupes, taking time out for an unheralded film debut in 1949's Seven Days to Noon. He quit acting in 1955 to manage a Central African tea plantation, finding creative outlets as a playwright and radio disc jockey. Upon his return to the British theatre in 1957, Ackland joined the Old Vic. From 1962 through 1964, he was associate director of the Mermaid Theatre. He subsequently established himself on the West End musical stage, playing such showcase roles as Captain Hook in Peter Pan and Juan Peron in Evita. Launching his film career proper in 1965, Ackland has flourished in characterizations calling for outsized gestures and orotund vocal calisthenics. Among his better-known screen roles are Greta Scacchi's decadent, untrustworthy aristocrat husband in White Mischief (1988), and homicidal South African diplomat Arjen Rudd in Lethal Weapon 2 (1990). On TV, Ackland was seen as C.S. Lewis in the 1985 BBC production of Shadowlands, and as Isaac in the 1994 made-for-cable Biblical drama Jacob. He has also provided voiceovers for the animated features A Midsummer's Night's Dream (1961) and Watership Down (1978). Over the coming decades, Ackland would appear in several projects over the coming decades, including K-19: The Widowmaker, Asylum, and Flawless.

Trivia: Immediately upon his graduation from Harvard, actor Richard Jordan made the first of his over 100 New York stage appearances. Jordan's theatrical credits include a number of directorial assignments and eight years with Joseph Papp's New York Shakespeare Festival (at one time, Jordan was married to fellow Papp regular Kathleen Widdoes; he also fathered a child by actress Blair Brown). Though some previous reference works list a "Richard Jordan" as appearing in films from 1964, this Richard Jordan didn't make his first picture until 1971. As busy in TV movies as he was in theatrical features, Jordan played such leading roles as Joseph Armagh in the 1976 miniseries Captain and the Kings (a performance that won him a Golden Globe award), and Frederick in Woody Allen's Interiors (1978). Ever fascinated with the dark side of human nature, Jordan played many an unsympathetic role, notably Albert Speer in the 1981 TV movie The Bunker and rabble-rousing Georgia prosecutor Hugh Dorsey in the 1987 video biopic The Murder of Mary Phagan.

Trivia: A child actor on British television from 1968, Peter Firth has been in films since 1973's Brother Sun, Sister Moon. Full theatrical stardom came Firth's way in 1973 with his disturbingly convincing portrayal of horse-mutilating stable boy Arthur Strang in Peter Shaffer's Equus. He repeated this role in the 1977 film version, earning a Golden Globe Award and an Academy Award nomination. He went on to such film characterizations as the title character in Joseph Andrews (1977), Angel Clare in Tess (1977) and Ivan Patten in Hunt for Red October (1990). His credits in the past decade have included Shadowlands (1993), An Awfully Big Adventure (1995), and a voiceover in the Disney animated feature The Rescuers Down Under (1990). Peter Firth returned to British TV in 1994 as star of the weekly Heartbeat.

Trivia: For several years, the name of British actor Tim Curry was known only to the privileged few who'd seen his performance as transvestite mad scientist Dr. Frank N. Furter in the stage and screen versions of The Rocky Horror Picture Show. By one of those wondrous quirks of fate, the 1975 Rocky Horror film was resuscitated from its disappointing initial run and became the archetypal "midnight movie," and for nearly two decades its faithful fans have lined up in front of theaters in bizarre costumes and makeup, toting toilet paper and toast (suitable for throwing at the screen). Unlike these fans, Curry was not content to relive his past triumphs, but moved on to such prestige assignments as the role of Mozart in the Broadway production of Amadeus and the part of William Shakespeare in a TV movie biography. A polished farceur, Curry was seen at his best in comedy film roles, notably the repressed music teacher in Oscar (1991) and the supercilious concierge in Home Alone 2: Lost in New York (1992). But audiences must have their villains, and Curry has aimed to please in such insidious roles as Cardinal Richelieu in 1993's Three Musketeers (possibly the most lascivious Richelieu ever -- so much so that Milady De Winter pulls out a knife and threatens to "change his religion.") Curry's heart remained in the theater, and for an unfortunately short period in the early '90s he excelled in the Peter O'Toole role in a musical stage version of the 1982 film My Favorite Year. He has also contributed his vocal talents to such animated cartoon series as Peter Pan and the Pirates, winning an Emmy for his con brio portrayal of Captain Hook. Curry's reputation preceded him when he was hired to give voice to a nasty character on Hanna-Barbera's Paddington Bear cartoon series in 1988; appropriately, even the character's name was Mr. Curry.In 1990 Curry played one of pop culture's scariest clowns when he took the part of Pennywise in a small-screen adaptation of It, and a few years later he was the fiendish Cardinal Richelieu in The Three Musketeers. He continued to work steadily in projects as diverse as Congo, Muppet Treasure Island, McHale's Navy, and Addams Family Reunion where he took over the part of Gomez Adams after the passing of Raul Julia. He became well-known to a whole new generation of fans doing voices for The Wild Thornberrys, Rugrats, and Jimmy Neutron at the beginning of the 2000s. He was eventually cast as Mr. Salamone, the forever put-upon hotel employee who is subjected to the whims of little Eloise in a series of made-for-TV movies based on the enduringly popular children's books. In 2010 he appeared in John Landis' comedy Burke & Hare.

Trivia: Although he had been appearing in both film and television productions since the mid-'80s, it took nearly two decades for actor Courtney B. Vance to finally receive recognition. The Detroit native was bitten by the acting bug while a student at Harvard, and though he had originally intended to study history, he felt the lure of the stage and was soon appearing in productions at Harvard before eventually joining the Boston Shakespeare Company. After graduation, Vance continued his acting career at the Yale School of Drama, and it was there that he first gained notice for his role opposite James Earl Jones in the August Wilson drama Fences. In 1987, Vance made his film debut in the war drama Hamburger Hill, and though he remained true to his stage roots in the ensuing years, screen roles kept rolling in. The actor climbed the credits throughout the 1990s with a series of supporting roles in The Hunt for Red October (1990), Beyond the Law (1992), and The Adventures of Huck Finn (1993). 1995 proved something of a breakthrough year for the rising star, with roles in Panther, Dangerous Minds, and The Last Supper offering him more screen time than ever. In 1996, Vance held his own as a minister opposite Denzel Washington and Whitney Houston in The Preacher's Wife. Drawing from his own faith -- which had recently been reawakened by the suicide of his father -- for the role, Vance also had memorable performances in Cookie's Fortune in 1999 and Space Cowboys the following year. He portrayed Martin Luther King Jr. in the dramatic miniseries Parting the Waters (2000) and made another solid impression on television viewers the next year with a role in the popular series Law & Order: Criminal Intent.Vance would stick with the series for five years, concurrently appearing on the long-running medical drama ER. By the time he had finished his run on both programs, he was on to the science fictions series Flash Forward from 2009-2010, before signing on to appear alongside Michael Biehn in the post-apocalyptic horror flick The Divide in 2011.

Trivia: Fred Dalton Thompson spent 25 years as an active Nashville and Washington, D.C., attorney before making his film debut playing himself in a 1985 retelling of the true tale of a Tennessee woman who took on the state's crooked governor in Marie. When Thompson won more acclaim than the film's stars Sissy Spacek and Jeff Daniels, he decided to add "character actor" to his resumé, and went on to appear in numerous major features. Standing 6'5," he was a commanding presence and was usually cast as an authoritarian. Thompson put his film career on hold when he made a successful bid to become a Tennessee senator in 1994, then picked up where he left off when his term ended, playing DA Arthur Branch on Law & Order, along with other supporting film roles. Thompson returned to politics with an attempt at the 2008 presidential election, but was unsuccessful, and soon resumed his acting career. He played horse breeder Arthur Hancock in Secretariat (2010) and appeared in the Hank Williams biopic The Last Ride (2011). One of his final acting roles was as an FBI Director in the short-lived NBC series Allegiance in 2015. Thompson died later that year, at age 73.

Trivia: Though a multihyphenate ad extremis who racked up a litany of influential accomplishments in the theater, modern art, and film worlds, distinguished Tomas Arana is perhaps best known for his contributions to cinema as a character actor, where he initially specialized in portrayals of period figures from ancient times. Over the course of his career Arana set himself apart from the pack by refusing to limit himself to productions from one country; he seemed equally at home working in the U.S., Italy, and Japan.A native of San Francisco, Arana received formal, classical training in stage work at the American Conservatory Theatre, then hitchhiked all over Europe, working as an itinerant artist and collaborating with giants including Andy Warhol, Robert Rauschenberg, and Joseph Beuys. Upon returning to the States, Arana began signing for film roles; memorable studio parts included Lazarus in Martin Scorsese's The Last Temptation of Christ (1988), Leginov the cook in The Hunt for Red October (1990), and Quintus in Ridley Scott's Best Picture winner Gladiator (2000). As time rolled on, Arana also turned up in independent films such as the porn star coming of age drama This Girl's Life (2003) and the natural horror shlockfest Frankenfish (2004). International directors with whom he collaborated include Liliana Cavani, Carlo Verdone, and Michele Soavi. Theatrically, Arana made headlines by serving as producer and starring in numerous productions with the Naples-based theatrical ensemble Falso Movimento.

Trivia: Made his stage acting debut when he was 10 in a community theater production of the musical Oliver!Moved to New York to pursue an acting career making ends meet by working as a doorman at New York's Wellington Hotel.First professional acting job was in a 1986 Pepsi commercial that was Miami Vice-themed and directed by Ridley Scott.Was previously vice president of the Screen Actors Guild.Was the founding executive vice president of SAG-AFTRA.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Gates McFadden (aka Cheryl McFadden) primarily works in television and is best known for playing Dr. Beverly Crusher on the TV series Star Trek: The Next Generation (1987-1994), but she has also done some film work, including the Star Trek film series. McFadden has also worked as a choreographer on The Dark Crystal (1982), Dreamchild (1985), and Labyrinth (1986). McFadden made her film debut in The Muppets Take Manhattan (1984). In the thriller The Hunt for Red October (1990), she played Caroline Ryan, the wife of Jack Ryan (Alec Baldwin) (in the sequel, McFadden was replaced by Ann Archer). In addition to Star Trek: The Next Generation, McFadden has been a semi-regular on Mad About You, The Cosby Show, and Party of Five.

Trivia: A Swedish actor who has become known to American audiences thanks to roles in Breaking the Waves and Good Will Hunting, Stellan Skarsgård is one of Scandinavia's best-known and most well-respected performers. Renowned for giving measured characterizations that draw their strength from a delicate complexity, Skarsgård is one of those rare actors who is able to do strong work regardless of the quality of the material he is in, displaying the sort of quiet fortitude that allows him to survive even the worst screen fiascos.Born in Gothenburg on June 13, 1951, Skarsgård became a star in his country, when, as a teenager, he was cast on the TV series Bombi Bitt och jag. After his film debut in 1972, he did years of stage work with Stockholm's Royal Dramatic and made a number of dramas with the director Hans Alfredson, the most notable of which, Den Enfaldige Mordaren, featured Skarsgård in a Silver Berlin Bear-winning performance as a misunderstood man with a deformity. In 1988, Skarsgård got a tentative introduction to a transatlantic audience with a small role in Philip Kaufman's The Unbearable Lightness of Being; two years later, he had a similarly minor role in another international hit, The Hunt for Red October.Skarsgård's true international breakthrough came courtesy of his role as Emily Watson's husband in Lars Von Trier's highly acclaimed Breaking the Waves (1996). The actor more than held his own opposite Watson, who gave one of the year's most lauded performances, and he found previously unimagined opportunities available to him in Hollywood. In 1997, he starred as a frustrated mathematician in Gus Van Sant's award-winning Good Will Hunting and was also featured in Steven Spielberg's Amistad; his work in both films culminated in an Outstanding European Achievement in World Cinema award from the European Film Academy. Later that same year, the actor appeared in My Son the Fanatic as a German businessman with the unfortunate surname of Schitz -- he also gave a stellar portrayal of a detective who slowly loses his mind while investigating a murder in the Norwegian film Insomnia.A prolific actor, Skarsgård appeared in a number of small ambitious projects in 2000, including Passion of Mind with Demi Moore, Mike Figgis' Time Code, and Harlan County War. The following year, while he showed up in the poorly-received thriller The Glass House, Skarsgård gained critical praise for his performance in Taking Sides.2003 saw Skarsgård taking a role in Lars von Trier's highly anticipated Dogville and signing on for the oft-plagued The Exorcist: The Beginning. After several debacles, the prequel to the horror classic finally found its way to movie theaters in 2004, the same year the actor costarred in Antoine Fuqua's King Arthur. After going toe-to-toe with the Devil himself in 2005's Exorcist: The Beginning (as well as Paul Schrader's alternate cut Dominion: Prequel to the Exorcist), Skarsgård joined the crew of the Flying Dutchman in Pirates of the Caribbean: Dead Man's Chest and its follow-up Pirates of the Caribbean: At World's End, and went medieval in the Swedism Arn films. A chilling turn as the ruthless warden in the fact-based King of Devil's Island showed a downright malevolent side to Skarsgård, though it was subsequent roles in the Marvel Comics features Thor and the Avengers, as well as a turn as the mysterious Martin Vanger in David Fincher's The Girl with the Dragon Tattoo, that offered the veteran actor the most international exposure in the wake of his voyage on the high seas.

Trivia: Supporting actor, onscreen from the '70s.

Trivia: Supporting actor Anthony Peck made his first film appearance in Her Life as a Man (1983). He subsequently appeared frequently in major and low-budget features. He was a favorite of director John McTiernan and appeared in three of his biggest films, including the first two Die Hard movies. Peck made his final appearance in Roger Corman's direct-to-video effort Carnosaur 3: Primal Species (1996).