Trivia: The handsome blonde actor Cary Elwes (pronounced El-Ways) was born in London to a portrait painter and an interior designer. He moved to the U.S. to study at Sarah Lawrence College, but made his film debut in the U.K. with the coming-of-age drama Another Country (1984), co-starring alongside fellow handsome young actors Rupert Everett and Colin Firth. He soon started a pattern of appearing in historical dramas and other period pieces, first with Lady Jane (1985), opposite Helena Bonham Carter, and then as the lead role in Maschenka (1986), based on the book by Vladimir Nabokov. However, he didn't make his international film breakthrough until 1987 with Rob Reiner's classic adventure fairy tale The Princess Bride. He seemed to possess a timeless quality essential for the role of Westley, the sensitive-yet-daring farm boy who becomes the swashbuckling Dred Pirate Roberts and gallantly fights for his love. Continuing with historical films, he capably handled a Southern accent for the Civil War drama Glory and then tried a one-time stint as associate producer for the little-seen drama Leather Jackets. Next, he made a successful jump to broad comedy with lead roles in Hot Shots! (1991) and Robin Hood: Men in Tights (1993). Switching to darker themes, he played Lord Arthur Holmwood in Bram Stoker's Dracula (1992) and Alicia Silverstone's object of obsession in The Crush (1993). The following year, he briefly returned to adventures for The Jungle Book before moving on to playing authority figures in the thrillers Twister and Kiss the Girls. In the late '90s, he voiced cartoons and appeared in a few made-for-TV movies and miniseries until 1999, when he transformed his usually slender frame for the role of portly producer John Houseman (Orson Welles' colleague) in Tim Robbins' Cradle Will Rock. He continued portraying cinematic legends in his next few films, including the German cinematographer Fritz Arno Wagner in Shadow of the Vampire and pioneering producer Thomas H. Ince in The Cat's Meow. In 2001,he played a reoccurring role on The X-Files as FBI Assistant Brad Follmer and returned to romantic comedy adventures as Prince Regent Edgar in Ella Enchanted (2003).He was the lead in the infamous 2004 slasher movie Saw, and had a lead part in the 2006 National Lampoon comedy Pucked. In 2007 he appeared in the ill-fated Lindsay Lohan movie Georgia Rule. He came back for Saw: The Final Chapter in 2010. 2011 turned out to be a busy year for Elwes with parts in the comedy No Strings Attached, the Spielberg-directed The Adventures of Tintin, and the ensemble romantic comedy New Year's Eve.

Trivia: Standup comedians are famous for their neuroses, but Richard Lewis takes anxiety to a new level. On-stage, he energetically frets and overanalyses the most personal aspects of his life and wallows in his low self-esteem until the audience convulses with sympathetic laughter. He was born in Brooklyn, but raised in New Jersey. While attending Ohio State University as a marketing major, Lewis also studied communications. Upon graduation, he worked as the lead copywriter for an advertising agency. Four years into his career, he abandoned it to become a standup comedian, making his club debut in Greenwich Village in 1972. His first break came when he won a regular gig at Budd Friedman's the Improv comedy club and then debuted on The Tonight Show. Lewis became really well known in 1979 when he co-wrote and starred in Diary of a Young Comic, a show which gained him a cult following. Its success led him to become a television writer. In 1982, he made his first appearance on David Letterman's late-night talk show and from there embarked upon a three-year cross-country tour. Lewis had great success with his first cable TV special, I'm in Pain, in 1986. His second special, The Richard Lewis I'm Exhausted Concert, earned him a nomination for a Cable ACE award in 1988. Two years later his third special, I'm Doomed, was similarly nominated. He and Jamie Lee Curtis starred in the popular ABC sitcom Anything but Love from 1989 to 1992. In the early '90s, he took a break from standup. He launched his film career in 1988 with That's Adequate and continued to occasionally appear in supporting or character roles, notably in the independent film Drunks (1995) in which he won kudos for his dramatic portrayal of an alcoholic junkie. Lewis starred in a short-lived sitcom, Daddy Dearest (1993), and did not again try a television series until he and comic Kevin Nealon co-starred in Hiller and Diller in 1997. His 1995 standup routine "Magical Misery Tour" won considerable kudos and was the basis for a well-received 1996 cable special, shot live from the Bottom Line club in New York. Since 1987, Lewis was actively involved with HBO's annual Comic Relief benefits, large star-studded comedy shows in which all proceeds go toward helping the homeless.

Trivia: With his dark eyes and small frame, the classically trained British actor Roger Rees was perfectly cast as Nicholas Nickleby in the theatrical production of Dickens' novel. He performed this lead role with the Royal Shakespeare Company, earning him a Tony award, Olivier award, and an Emmy nomination for the televised version in the early '80s. He performed with the company since 1968, when he worked as a scenery painter. Perhaps he is most recognized for his role as Robin Colcord, Kirstie Alley's wealthy jet-set boyfriend on Cheers during the 1989 season. He also had a memorable role as Melvin, the Sheriff of Rotingham in Mel Brooks' Robin Hood: Men in Tights in 1993. Rees continued to work mainly in theater, but he also appeared in several TV movies and sitcoms. He put his crisp British pronunciation to work as a voice actor in several cartoons and books on tape. In 2002, he returned to films with a few featured roles, including Guillermo Kahlo in Julie Taymor's biography Frida. He also landed the starring role of Virginia farmer Nat Banks in the drama Crazy Like a Fox during the same year. Rees had a recurring role on The West Wing, playing the British Ambassador, and later had recurring roles on Grey's Anatomy, Warehouse 13 and Elementary. In 2012, he was nominated for a Tony award for directing Peter and the Starcatcher, and continued to work on the stage until his death. In 2015, he appeared in the musical The Visit, opposite Chita Rivera. He withdrew from the show, for health reasons, in May 2015; he passed away two months later.

Trivia: If television and movie buffs with a keen eye suspect that they may have seen actress Amy Yasbeck somewhere before, it could be from her early roles on the long-running soap opera mainstay Days of Our Lives or a mid-'90s stint on Wings, but it's possible that Yasbeck's recognition factor reaches back even further into the pop culture public conscience. As a child, the pretty actress was featured on the box of the wildly popular Easy Bake Oven.Born and raised the daughter of a grocery store proprietor father and a homemaker in Cincinnati, OH, Yasbeck got her break in show business after moving to New York City, where she was discovered by an agent while working in a restaurant. Moving to Los Angeles shortly after she began auditioning for roles, the aspiring actress made her television debut on Love, American Style before taking a villainous turn as Olivia in Days of Our Lives. As her small-screen career began gaining momentum with roles in Dallas, Magnum P.I., and The Cosby Show, Yasbeck also appeared early on in such features as House II: The Second Story (1987), Pretty Woman, and Problem Child (both 1990), on the set of which she met future husband John Ritter. Her versatile ability to transform herself into a given character regardless of apparent physical disparities was later evidenced in Yasbeck's role as Maid Marian in Mel Brooks' zany parody Robin Hood: Men in Tights. Though her role description called for a buxom blond actress of British persuasion, the artifices of a wig, a phony accent, and some creative costume-stuffing won the actress the role while simultaneously winning the favor of director Brooks (who later cast Yasbeck opposite Wings co-star Steven Webber in Dracula: Dead and Loving It [1995]). Drifting between television (Alright, Already, I've Got a Secret) and film (Odd Couple II, Denial [both 1998]). Throughout the next decade she made regular guest appearances in various TV series including Just Shoot Me!, That's So Raven, and Hot in Cleveland.

Trivia: An irrepressible "Jill of All Trades," British actress Tracey Ullman is master of all of them. Winning an arts scholarship at age 12, Ullman worked as a professional dancer with a German ballet company before channelling her energies into musical comedy. For her work in the West End production Four in a Million, Ullman was honored with the London Theatre Critics' award as Most Promising New Actress of 1981. Two years later, she was presented with a British Academy Award for her efforts on BBC Television. While still in her early twenties, she headlined her own British comedy/variety TV series, Three of a Kind, and climbed the pop-music charts with her singles "You Broke My Heart in 17 Places" and "They Don't Know." After an inauspicious film debut in 1984's Give My Regards to Broad Street, Ullman ascended to film stardom in such productions as Plenty (1985), Jumpin' Jack Flash (1986), I Love You to Death (1990), Death Becomes Her (1992), and I'll Do Anything (1994). In 1987, she launched her American TV career with the Fox Network's weekly The Tracey Ullman Show, a superb showcase for her many offbeat characterizations, including mixed-up teen Francesca, selfish yuppie Sara Downey, repressed spinster Kay, and Goodallesque anthropologist Ceci Beckwith. The Tracey Ullman Show not only won the Fox Network its first Emmy nomination, but also spawned the popular cartoon series The Simpsons, which first took shape as a series of between-the-acts animated vignettes. While the show indeed served well to earn the wildly versatile actress a loyal stateside fanbase, it was her 1996 Emmy-winning HBO series Tracey Takes On... that truly allowed Ullman the chance to cut loose in front of the camera. A freewhelling comedy smorgasbord that allowed Ullman the opportunity to tackle a different topic each week, Tracey Takes On... continued to give testament to its star's remarkable knack for character play. Later branching out with roles in such popular television series' as Ally McBeal and Will and Grace, Ullman proved that she was as capable of livening up the material of others as she was of creating her own. Supporting roles in such features as Panic and Woody Allen's Small Time Crooks kept the energetic player busy on the big screen, and in 2004 she would take the lead as an uptight suburban mom transformed into a insatiable sex-addict by a head concussion in director John Waters' raunchy comedy A Dirty Shame. Voice work in The Cat That Looked LIke a King, Corpse Bride, and Kronk's New Groove found Ullman flexing her vocal chords to impressive effect in late-2004 and early-2005, and after taking a trip to the land of fairytales in the made for television production of Once Upon a Mattress, it was time to step into the role of the mischevous Mother Mature in director Amy Heckerling's 2007 romantic comedy I Could Never Be Your Woman. In 2008 she launched yet another comedy series, Tracey Ullman's State of the Union, and lent her vocal talents to the animated movie The Tale of Despereaux.

Trivia: American comic actor Mark Blankfield rose to popularity on the ABC TV sketch-comedy series Fridays (1980-1982). Though he essayed many characterizations on this series, Blankfield's best-received "persona" was his speed-freak pharmacist. In 1982, Blankfield played the title role (or roles) in the feature-film horror spoof Jekyll and Hyde...Together Again. Since that time, his film assignments have been secondary parts in films like The Incredible Shrinking Woman (1981) and Robin Hood: Men in Tights (1993). Mark Blankfield was also seen on a weekly basis in the TV sitcoms The Nutt House (1989, as Freddy) and Good and Evil (1991, as George).

Trivia: Like future co-stars Martin Lawrence, Eddie Murphy, and Norm MacDonald, Dave Chappelle entered the movie business via standup comedy. Born in Ohio and raised in Washington, D.C., Chappelle studied acting at D.C.'s Duke Ellington School of the Arts and honed his skills as a laid-back yet socially attuned comic in the city's clubs. After making his movie debut as one of the merry men in Mel Brooks' Robin Hood: Men in Tights (1993), Chappelle concentrated primarily on his comedy career and appeared regularly on late night and cable television. He returned to films with small yet key parts in two summer blockbusters: as a comic who helps spoil a date for Murphy's rotund scientist in The Nutty Professor (1996) and as a manic inmate aboard the hijacked convict plane in Con Air (1997). Hitting his movie stride in 1998, Chappelle co-wrote and starred in the prison/pothead caper Half Baked (1998), played a randy schemer in Woo (1998), and revealed that he could also play it (somewhat) straight as Tom Hanks' best friend in Nora Ephron's popular romantic comedy You've Got Mail (1998). Maintaining his dual professions, Chappelle turned a cameo role as Lawrence's former criminal partner into a full-fledged supporting turn in Blue Streak (1999), co-starred with MacDonald in the ill-received Screwed (2000), and returned to Washington, D.C., and HBO with his special Dave Chappelle: Killin' Them Softly (2000).Chappelle had better luck with his next film, the blaxploitation spoof Undercover Brother (2002). As the B.R.O.T.H.E.R.H.O.O.D.'s terminally paranoid agent Conspiracy Brother, Chappelle was a hilariously twitchy comic highlight in the hit-or-miss satire; Undercover Brother became a small hit amid the summer blockbusters. Chappelle's cutting humor could also be heard on TV that same season, with Chappelle lending his voice as a prank caller to Comedy Central's ribald puppet "reality" show Crank Yankers (2002). His characters on that show were a hit with audiences in search of a hearty laugh, and the following year Comedy Central gave the comedian his own series - the aptly titled Chappelle's Show. Perhaps one of the most controversial series - comedy or otherwise - to hit the airwaves in recent memory, Chappelle's Show offered searing social commentary while frequently pushing the boundaries of good taste. With sketch subjects including a blind black man who - not realizing his true race - heads the Ku Klux Klan and collaborators including former Sanford and Son writer Paul Mooney, the series frequently courted controversy much to the delight of its loyal legions of fans. 2005 marked the released of the comedian's brainchild, Dave Chappelle's Block Party, which documented a free, unpublicized, all-star hip-hop concert in the Clinton Hill neighborhood of Brooklyn, NY.

Trivia: A major figure in American soul music, Isaac Hayes also enjoyed a long and memorable career as an actor and film composer. His score for the motion picture Shaft made him the first African-American to win an Academy Award for music, and was one of the first examples of a pop-based film score that developed a life of its own in the marketplace. Isaac Hayes was born in Covington, TN, on August 20, 1942. Born to a family of sharecroppers, Hayes was raised by his grandparents, and developed an interest in music early in life, joining the church choir at the age of five. By the time he was a teenager, Hayes had also learned how to play piano, organ, and saxophone, but he was forced to drop out of school after the family had moved to Memphis when his grandfather developed a disability. Hayes began performing with a variety of local R&B groups in Memphis, including the Teen Tones, Sir Calvin and His Swinging Cats, and Sir Isaac and the Doo-Dads, as well as working a variety of day jobs. In time, Hayes began attending night school, and received his high-school diploma at the age of 21.In 1962, Hayes cut his first record for a local label, and in 1964 he'd worked his way up to playing keyboards with the house band at Stax Records, just then establishing themselves as one of the South's premier soul music labels. At Stax, Hayes began writing songs with David Porter, and together they penned a long string of hits for Sam & Dave, including "Soul Man," "Hold On, I'm Coming," and "When Something Is Wrong With My Baby," as well as hits for Johnnie Taylor and Carla Thomas. Having established himself as a songwriter, Hayes began to step into the spotlight as a recording artist in 1967 with his first solo album, Presenting Isaac Hayes. While the album was reasonably well received, it was Hayes' second effort, Hot Buttered Soul, that established him as a unique talent in soul music, with its lush, lengthy, and languidly funky interpretations of such songs as "Walk on By" and "By the Time I Get to Phoenix" (the latter clocking in at an epic 18 minutes). Several more successful albums followed, and in 1970, Hayes was approached to write his first film score by, of all people, Norman Mailer; Mailer went through a brief fling as an experimental filmmaker, and he hired Hayes to provide music for his third cinéma vérité feature, Maidstone.In 1971, Hayes would write his second film score, which would make a much greater impact. Shaft, directed by famed photojournalist Gordon Parks, was a gritty tale of a tough private eye squaring off against both the cops and the mob in New York City, but with a primarily African-American cast, an unusual thing in 1971, and Hayes' score, which blended streetwise grooves with a brassy orchestral backing, became an instant sensation. Shaft's soundtrack album, as well as the single "Theme From Shaft," were major chart successes, and Hayes won an Academy Award for Best Musical Score.While Hayes was certainly proud of his achievements, at one point he'd shown an interest in playing the lead in Shaft as well as writing the music, and after displaying an estimable amount of screen charisma in several concert films (including Wattstax and Save the Children), he was cast alongside Fred Williamson and Lino Ventura in the Italian blaxploitation-style drama Uomini Duri (released in America as Three Tough Guys); Hayes also wrote music for the film. Later that same year, Hayes scored a solo starring role in Truck Turner, but just as his acting career began taking hold, the bottom began to fall out of the blaxploitation market, and Hayes went back to making music, not scoring another film role until Escape From New York in 1981.In the mid-'80s, Hayes returned to acting, and appeared in no fewer than 25 theatrical and television features between 1986 and 1996; most were low-budget genre fare, but several more notable films appeared on his resumé, including the blaxploitation parody/tribute I'm Gonna Git You Sucka!, Mel Brooks' Robin Hood: Men in Tights, Mario Van Peebles' African-American Western Posse, and Once Upon a Time...When We Were Colored, a evocative look at life in a small Southern town in the 1940s. Hayes' acting career got an unexpected boost in 1997, when he was asked to provide the voice of Chef on the animated television series South Park. Originally intended to appear in one episode, Chef went over so well that he became a regular character on the series, and remained with the show for nine years. Hayes also continued to land a number of higher profile film roles in films like Reindeer Games, the 2000 remake of Shaft, and the independent venture Hustle & Flow, for which he was nominated for a Screen Actors' Guild Award. When not busy with acting projects, Hayes continued to play concerts and record new material; he was also a literacy activist, a supporter of children's charities around the world, and operated a pair of successful restaurants in Chicago and Memphis. Hayes died on August 10, 2008.

Trivia: Farce, satire, and parody come together with Vaudeville roots and manic energy to create the Mel Brooks style of comedy. Born Melvin Kaminsky to a Russian Jewish family in Brooklyn, NY, the writer/producer/director/actor was one of very few people to win an Oscar, Emmy, Grammy, and Tony award. After serving in the U.S. Army during World War II, he worked as a standup comic at resorts in the Catskills and started writing comedy. Along with Woody Allen, Neil Simon, and others, he wrote for Sid Caesar's Your Show of Shows, which later became Caesar's Hour. Teaming up with fellow staff writer Carl Reiner, he developed the award-winning "2000 Year Old Man" comedy skit, which led to several recordings, television appearances, and a 1998 Grammy. He and writer Buck Henry also created the spy-parody TV series Get Smart (1965-1970) starring Don Adams. During this time, he produced theater, married actress Anne Bancroft, and made his first film: an Oscar-winning animated short parody of modern art called The Critic. He then put together a screenplay based upon his experiences working with Broadway executives that led to his feature-length debut The Producers. He cast stage legend Zero Mostel in the lead role and got B-movie producer Joseph Levine to put up the funds, but the movie didn't get distributed until Peter Sellers saw it and encouraged its release. Brooks ended up winning an Oscar for Best Screenplay and, in 2000, adapted the film into a highly successful Broadway musical. By 1970, after the release of his next film The Twelve Chairs, Hollywood thought his work was "too Jewish." In 1974, Brooks made the marketable move toward parodies with the Western spoof Blazing Saddles, winning him a Writer's Guild award and introducing his stock actors Harvey Korman and Madeline Kahn. Finding his niche, he would continue to make parodies throughout his career by spoofing horror (Young Frankenstein), silent movies (Silent Movie), Hitchcock (High Anxiety), historical epics (History of the World -- Part I), and science fiction (Spaceballs). Working simultaneously as writer, director, and lead actor, Brooks started to generate negative press about his excessive style. In 1983, appearing opposite Bancroft, he concentrated on just acting for the remake of the Ernst Lubitch classic To Be or Not to Be. He continued working with his production company Brooksfilms during the '80s as an executive producer on projects as varied as The Fly, The Elephant Man, Solarbabies, and 84 Charing Cross Road (starring Bancroft). His brief stray into non-parody films in 1991 (Life Stinks) was universally dismissed, so he returned to form with Robin Hood: Men in Tights and Dracula: Dead and Loving It. Other than the occasional cameo or random appearance as voice talent, Brooks spent the late '90s winning awards and playing Uncle Phil on the NBC series Mad About You. In 2001, the Broadway musical version of The Producers (starring Nathan Lane and Matthew Broderick) led to a successful national tour and broke a new record by winning one Grammy and 12 Tony awards. The stage version would lead to a new big screen adaptation in 2005, creating a whole new generation of fans. Over the coming years, Brooks would lend his voice to Spaceballs: The Animated Series and Jakers! The Adventures of Piggley Winks.

Trivia: Doing for bald men what no amount of Minoxodil ever could, Patrick Stewart won international fame for his portrayal of Captain Jean-Luc Picard in the popular TV series Star Trek: The Next Generation. Before earning immortality for his ability to handle a phaser convincingly, Stewart was known as a stage actor of great talent in his native Britain, where he had been performing since he was a teenager.Born in Mirfield, Yorkshire, England on July 13, 1940, Stewart was performing in various drama groups by the age of twelve. After leaving school at fifteen, he went to work as a junior reporter for a local newspaper. He quit the job after being told by the paper's editor that he was spending too much time at the theatre and not enough on the newspaper and worked for a year as a furniture salesman to pay for drama school. He was accepted at the Bristol Old Vic Theatre School in 1957, and two years later made his professional stage debut in a production of Treasure Island. Stewart went on to enjoy a prolific and acclaimed stage career, joining the Royal Shakespeare Company in 1966 and remaining with it for the next twenty-seven years. He also began to work on the big and small screens, and in the early 1980s started popping up in a number of popular films like Excalibur (1981) and Dune (1984). In 1987, he was chosen to play Picard on Next Generation. Certain that he would be fired from the series, Stewart reportedly refused to unpack his bags for six weeks. Although more than one snarky observer spent the first year of the series making idiot jokes about Stewart's bald pate, the actor--and the show--proved to be a hit. Stewart stayed with Next Generation for seven seasons, and then reprised his role for a string of successful Star Trek films: 1994's Star Trek Generations, 1996's Star Trek: First Contact, 1998's Star Trek: Insurrection and 2002's Star Trek: Nemesis.In addition to his work with the Next Generation series and films, Stewart also continued to work on the stage and in various films. In 1995, he had a hilarious turn as a flamboyant, acid-tongued interior decorator in Jeffrey, while in 1997 he tried his hand at intrigue with a part in The Conspiracy Theory. The following year, he appeared on the small screen, giving a terrific portrayal of the obsessive Captain Ahab in Moby Dick. Though a new Star Trek film every few years may not have been quite enough to keep the legions of sci-fi addicts satisfied, Stewart scored brownie points among fans by taking an impressive turn as Professor Charles Xavier in X-Men (2000), X2: X-Men United (2003), and X-Men: The Last Stand (2006). On the stage, Stewart enjoyed acclaim for a number of productions, particularly a one-man production of A Christmas Carol, which he performed in numerous theatrical venues around the world, winning numerous awards for his portrayal. He also earned extensive praise for his portrayal of Prospero in the Broadway production of The Tempest in 1996. Interestingly, Stewart, though appreciative of his star status, has repeatedly bristled at the notion that his lack of hair is "sexy," à la Yul Brynner. In regards to his reluctant sex symbol status, he has stated that he would much rather be judged on the basis of his acting ability rather than his appearance.

Trivia: With his trademark heavyset figure and attitude of manic glee, the genial Dom DeLuise rose to prominence as one of America's most beloved comedic character actors. Born Dominick DeLuise in Brooklyn in 1933, the future star attended the High School for the Performing Arts in Manhattan, then graduated from Tufts University in Boston. DeLuise wasted no time in making a beeline for television, and though early efforts were low-profiled, including a turn as Tinker the Toymaker on the daytime children's show Tinker's Workshop and the portrayal of a bumbling detective named Kenny Ketchum on The Shari Lewis Show, DeLuise's popularity spread, carrying him swiftly into other formats and venues. DeLuise initially graduated to primetime variety courtesy of The Garry Moore show, where he enjoyed recurring sketches as an inept magician named Dominick the Great. He then appeared on innumerable subsequent variety programs (often as a regular contributor) including The Glen Campbell Goodtime Hour, The Dean Martin Show, and The Flip Wilson Show. The comic made the leap into filmdom as early as the earnest Cold War thriller Fail-Safe (1964) (as an edgy flier), but drama didn't serve him well. He found a much stronger suit in comedy, initially courtesy of Mel Brooks, who cast him in films beginning with The Twelve Chairs (1970), as a shifty priest, Father Fyodor. Their collaborations extended to the 1976 Silent Movie (as studio man Dom Bell), the 1981 History of the World, Part I (as Emperor Nero), the 1986 Spaceballs (as the voice of Pizza the Hut), and the 1993 Robin Hood: Men in Tights (as the godfather-like Don Giovanni). The actor received additional screen exposure via friendships with Gene Wilder (in whose outings The Adventures of Sherlock Holmes' Smarter Brother and The World's Greatest Lover he co-starred) and Burt Reynolds, who -- in one of either's finest moments -- cast DeLuise as an around-the-bend asylum resident who tries to assist Reynolds' character with a suicide bid in the jet-black comedy The End (1978). Unfortunately, additional Reynolds collaborations didn't fare so well -- they included such schlocky vehicles as the Cannonball Run series -- but helped DeLuise maintain a familiar profile. He teamed with Mel Brooks' wife, Anne Bancroft, for a starring role in that actress' directorial debut, the comedy-drama Fatso (1980), but it earned mostly lukewarm reviews. In the meantime, DeLuise himself took the director's chair for the nutty caper comedy Hot Stuff, which gleaned a generally positive critical and public reception. As time rolled on, DeLuise unfortunately drifted into filmic material that suffered from serious lapses in quality and judgment, witness his performances as a porn lord in Bob Clark's wretched buddy farce Loose Cannons and convict Dr. Animal Cannibal Pizza in the horror send-up Silence of the Hams, both enormous box office flops. Taking critical and public reactions to these efforts as a cue, the comic accepted fewer and few assignments as the misfires happened and instead began to place a strong emphasis on his own cooking skills; the gifted chef authored two well-received cookbooks, the 1988 Eat This...It'll Make You Feel Better! and the 1997 Eat This Too!...It'll Also Make You Feel Better. DeLuise also published a series of books for children, such as the 1990 Charlie the Caterpillar and the 2007 The Pouch Potato. Dom DeLuise died in May 2009 at the age of 75. He was survived by his wife since 1965, actress Carol Arthur, and three sons, Peter, Michael, and David.

Trivia: Through eight decades, actor Dick Van Patten retained the cherubic, chipmunk-cheeked countenance of his child-star days. Born into a family of actors, Van Patten was seven when he made his Broadway bow, playing Melvyn Douglas' son in Tapestry in Gray; that same year, he first stepped before a radio microphone. He would ultimately appear in over 20 Broadway productions, including Thornton Wilder's The Skin of Our Teeth. His co-star in this endeavor was Tallulah Bankhead, who declared that "Dickie" was the only child actor she could tolerate because he could read The Racing Form. In 1941, Van Patten and his younger sister Joyce made their joint film debut in Reg'lar Fellers, repeating their roles from the radio version of the same property. He would not again appear in a film until 1968's Charly, by which time he had played eldest son Nels Hansen in the pioneering TV sitcom Mama had made a smooth transition to adult parts in the role of Mister Roberts' Ensign Pulver, and had co-starred in such New York stage presentations as The Tender Trap, Will Success Spoil Rock Hunter? and Don't Drink the Water. An avid tennis player, Van Patten met producer/director Mel Brooks on the courts; their personal relationship blossomed into a professional one, with Van Patten playing Friar Tuck in Brooks' 1975 TV series When Things Were Rotten and appearing in several of Brooks' theatrical features. From 1977 through 1981, Van Patten starred as Tom Bradford on the TV "dramedy" Eight is Enough. His other series-TV assignments include The Partners (1971), The New Dick Van Dyke Show (1973-74 season) and WIOU (1990). In addition to his sibling relationship with Joyce Van Patten, Dick Van Patten is the half-brother Timothy Van Patten and the father of James and Vincent Van Patten--actors all. Van Patten died in 2015, at age 86.

Trivia: American actor Robert Ridgely's first television job was the part of Kimbro in the 1962 wartime drama The Gallant Men. He later played a Ted Baxter-ish anchor man on Domestic Life (1984), and was earlier featured as an unctuous talent-show emcee in Jonathan Demme's Melvin and Howard (1979). Ridgely showed up in a brace of Mel Brooks films during the early '90s, including Life Stinks (1991) and Robin Hood: Men in Tights (1993), and was featured in Michael Keaton's Multiplicity and Tom Hanks' That Thing You Do! Although he was always busy in front of the cameras, the actor was best-known as one of show business' most prolific and versatile voice-over artists. Ridgely's extensive TV-cartoon resumé included the title roles in Flash Gordon: The Greatest Adventure of All (1979), Tarzan, Lord of the Jungle (1980), and Thundarr the Barbarian (1982) Ridgely made his final film appearances in Boogie Nights and Fire Down Below (both 1997). He died of cancer in 1997 at the age of 65.

Trivia: Roly-poly, handlebar-mustached comic actor Avery Schreiber attended Goodman Theatre before joining Chicago's Second City improv troupe. It was here that Schreiber formed a long-term partnership with comedian/producer/director Jack Burns. The team gained fame on the variety-show circuit of the 1960s with their largely improvised routines, the most affectionately remembered of which was their cross-talk "cab driver" bit ("Yeh!" "Huh?" "Yeh!", "Huh?" "Yeh!", "Huh?") In 1965, Schreiber was cast as car-loving, people-hating Captain Manzini on that quintessential bad sitcom My Mother The Car; in real life, the actor loved people but hated cars, and had to be taught to drive for the series. Schreiber subsequently co-starred with his old partner Jack Burns on the 1967 summer variety series Our Place, then soloed as a regular on Sammy Davis Jr's syndicated Sammy & Company (1975) and as Grandpa Quirk on the daytime cartoon--live action hybrid Wake, Rattle and Roll (1990). In films, Schreiber has surfaced in "funny foreigner" parts in such comedies as Don't Drink the Water (1969), The Last Remake of Beau Geste (1977; as the used camel salesman) and Robin Hood: Men in Tights (1994). Having made his Broadway debut with the rest of the Second City-zens, Schreiber has since been featured in several New York stage productions, notably Metamorphoses and Can-Can. In recent years, Avery Schreiber, his bushy 8-inch moustache intact, has hosted more than his share of late-night TV infomercials.

Trivia: The son of musical arranger Val McCann, rotund American comic actor Chuck McCann began working up laugh-getting routines while attending high school. A nightclub performer at 17, McCann made regular, well-received appearances on Steve Allen's various network programs even before he was twenty. In 1959 McCann launched a local Manhattan kid's show, Let's Have Fun, where he hosted Laurel and Hardy comedies and read the newspaper funnies -- with appropriately zany voices for such characters as Little Orphan Annie and Dick Tracy. His gift for mimickry was a godsend for the many novelty records and animated cartoons for which McCann provided voiceovers (he was still a cartoon regular into the '90s). As a film actor, McCann offered a brilliant, noncomic performance in 1968's Heart is a Lonely Hunter; and in collaboration with his friend Harry Hurwitz he co-wrote and starred in a marvelous pastiche of old movie clips and new routines titled The Projectionist (1971). Chuck McCann's greatest fame rests securely on his many appearances as Oliver Hardy (with such actors as Jim McGeorge and Larry Harmon in the Stan Laurel role) in TV commercials for everything from gasoline to pizza, and for his recurring appearances as the "Hi, guy" nosey neighbor in the Right Guard commercials of the '60s and '70s.

Trivia: Born in New Zealand, comic actor Clive Revill attended that country's Rongotai College, then made his first stage appearance in Auckland at age 20. After appearing on Broadway in the 1952 musical Mr. Pickwick, Revill spent three years with Britain's Ipswich Repertory. He was nominated for Tony Awards for his performances in Broadway's Irma La Douce and Oliver!; his later New York appearances included the starring roles of Sheridan Whiteside in Sherry, the 1972 musicalization of The Man Who Came to Dinner, and playwright/critic Max Beerbohm in The Incomparable Max. In films, Revill essayed "campy" characterizations in such 1960s projects as Modesty Blaise (1966), Fathom (1967) and The Private Life of Sherlock Holmes (1969); on television, he was brilliantly cast as Charlie Chaplin in the 1980 TV movie The Scarlet O'Hara Wars, and portrayed "black arts" purveyor Vector in the 1983 series Wizards and Warriors. Clive Revill's most recent credits include a cameo as the Sherwood Forest fire marshal in Mel Brooks' Robin Hood: Men in Tights, and the voice of Alfred the Butler on the Fox Television Network's Batman: The Animated Series (1992- ).

Trivia: Supporting actor Rudy DeLuca, who first appeared onscreen in the '70s, is also a director and comedy writer.

Trivia: Not to be confused with the Ronald Graham, who appeared in the 1939 Broadway production The Boys From Syracuse, actor/screenwriter Ronny Graham made his own New York theatrical debut in 1951. The white-maned, wide-grinning Graham gained prominence in the 1952 revue New Faces, for which he also contributed comedy material; when that production was committed to film in 1953, he was promoted from a mere ensemble player to star, carrying the grafted-on backstage plot line. A busy cabaret performer since 1950, Graham appeared in several one-man shows, and wrote, produced, directed, and/or co-starred in such popular attractions as the annual Upstairs at the Downstairs revue. He also wrote the lyrics and libretto for the Broadway "book" musical Bravo Giovanni. He was seen in dozens of TV commercials, most famously as Mr. Grime in a group of auto-service ads in the early '70s. He was a regular on the video variety series The New Bill Cosby Show (1972) and The Hudson Bros. Show (1974), as well as the sitcoms The Bob Crane Show (1975, as Ernest Busso) and Chico and the Man (1975-1978, as Rev. Bemis). He also wrote several episodes of M*A*S*H during the late '70s. Although he had a starring role in Peter Weir's Gallipoli in 1981, most of Graham's latter film appearances were in association with Mel Brooks, who'd been one of the staff writers for New Faces; among the Brooks endeavors in which Graham was featured (and sometimes made screenplay contributions) were History of the World -- Part One (1981), To Be or Not to Be (1982), Spaceballs (1989), Life Stinks (1991), and Robin Hood: Men in Tights (1993). Graham died in 1999 at the age of 79.

Trivia: Actor James Van Patten made his screen debut in Freaky Friday (1976). The son of actor Dick Van Patten, he went on to occasionally play leads in low-budget features and made-for-television films.

Trivia: Prior to acting, worked in carpentry, house painting and as a clerk in a frozen-yogurt shop. Grew up around dad's buddies Carl Reiner, Burt Reynolds, Mel Brooks and Anne Bancroft. One of his first roles was portraying the younger version of a character played by his father, Dom, in the 1983 TV-movie Happy. Had continuing roles on the NBC sitcoms 3rd Rock From the Sun and Jesse. Guest-starred in three versions of the CSI franchise. Brothers Michael, Peter, father Dom and he have all appeared in both seaQuest DSV and Stargate SG-1.