Trivia: See "Three Stooges"

Trivia: The "middle stooge" in the various incarnations of the Three Stooges, Larry Fine was most recognizable across his four decades in show business by his eccentric frizzed out hair. He occupied the awkward and often ill-defined position of "middle man," his presence necessary to give a gag body and a boost of action, and to keep it going to its conclusion. As an actor in the group's sketches, he was most often characterized as the wide-eyed nebbish, often nearly as surprised as any by-stander character by the physical comedy (and mayhem) taking place. His most memorable catch-phrases included "Moe, I didn't mean it" (usually followed by a slap from Moe), and "I'm a victim of circumstance" (which was used by Curly on occasion as well).And "victim of circumstance" might define his whole entre to the world of performing. He was born Louis Feinberg in Philadelphia, the son of a jeweler. One day while at his father's shop, an accident took place that resulted in his forearm being badly burned with aqua regia, the acid used to test the purity of gold. The doctor who treated him warned his parents that he would have to do something to strengthen the arm or he would lose it. That led to his taking up the violin, an instrument at which he became so proficient that the family considered sending him to Europe for advanced study, a plan that fell apart with the advent of the First World War He began playing the violin in vaudeville under the name Larry Fine, developing a routine in which he would play from a nearly sitting, knees-bent position, kicking his legs alternately. In 1925, he crossed paths with Moe Howard, who was already working, in tandem with his brother Shemp Howard as part of a comedy act with Ted Healy. He became part of the act and remained when Shemp left, to be replaced by another Howard brother, Curly (aka Jerome). The trio eventually left Healy's employ and struck out on their own as the Three Stooges. Over the course of 25 years and 190 short films at Columbia Pictures, they became one of the longest running movie comedy acts (if not always the most respected or beloved, especially by women) in history. Larry Fine's contribution was a mix of violin virtuosity (on display at various times across their history, from Punch Drunks, Disorder In The Court, and "Violent Is The Word For Curly" in the early/middle 1930s to Sweet And Hot in the late 1950s) and zany cluelessness, mixed with an occasional out-of-left-field ad-lib. Larry usually played the wide-eyed middle-stooge, but occasionally the plots of the trio's movies would allow him some variation on this characterization. In "Sweet And Hot," he plays a small-town boy who has made good as a stage producer, and whose intervention sets the plot (focused on characters played by Muriel Landers and Joe Besser) in motion; and in Rockin' In The Rockies, a full-length feature, as a result of a plot that split Moe Howard's character off from the trio, Larry plays the aggressive "head stooge," and is surprisingly good at it. But he was best known as the clueless middle stooge, often referred to by Moe as "porcupine" because of his hair-style. He kept on with the Stooges into the 1960s, but was forced to retire as his health -- damaged by a series of strokes -- deteriorated later in the decade. He passed away in 1975. He was so familiar, that in 1980, five years after his death, his name still turned up in popular culture. In episode two of the sitcom Bosom Buddies, when women's hotel manager Lucille Benson finds Tom Hanks' Kip Wilson in a female tenant's room, she pulls him by the ear down the hall, causing him to exclaim, "Who am I -- Larry Fine?" And in 1983, SCTV presented "Give 'Em Hell, Larry," a short bit (done as a TV promo spot) in which Joe Flaherty portrays James Whitmore (who had previously enjoyed major success playing President Harry Truman in the one-man show "Give 'Em Hell, Harry") performing the one-man show as Larry Fine -- it was among the funniest 60 seconds of television that season.

Trivia: Brooklyn-born comedian Shemp Howard was the oldest of five sons of a Lithuanian immigrant couple. Shemp was a prankish kid who used humor to obscure the fact that he lived in mortal fear of practically everything, from automobiles to oceans. It is fortunate that he chose show business as profession, since he proved time and again to be utterly incapable of succeeding in any other line of work. Following the lead of his younger brother Moe, Shemp went into vaudeville with a blackface act. In 1922, Shemp and Moe were hired as stooges for comedian Ted Healy; three years later, Larry Fine joined the act, which graduated from vaudeville to Broadway. Since Healy liked his stooges to look as ridiculous as possible, he insisted that they each adopt an eccentric hairstyle. Shemp chose to part his hair down the middle and slick it into place with vaseline, a style he'd retain for the rest of his career. Shemp struck out on his own in 1932. Throughout the '30s, he was starred or featured in dozens of Vitaphone 2-reel comedies, where his growly delivery of lines, his incessant adlibbing and his homely "kisser" never failed to elicit loud laughter. In 1940, he signed a contract with Universal pictures, appearing in such films as Hellzapoppin' (1941), Pittsburgh (1942) and Arabian Nights (1942). Shemp was invariably hilarious in these films -- too hilarious for the tastes of such comedians as W.C. Fields and Lou Costello, who insisted that many of Shemp's best bits be consigned to the cutting room floor. While headlining his own series of Columbia 2-reelers in 1946, Shemp was asked by his brother Moe and Larry Fine to rejoin their old act, which by now had gained fame as The Three Stooges. Shemp's replacement in the act, his kid brother Curly, had suffered a stroke, and a new "patsy" was required to act as the target of Moe's physical assaults. Shemp remained with the Three Stooges from 1946 thorugh 1955, appearing in two-reelers, stage presentations, TV guest spots, and one feature film (Gold Raiders [1951]). Shemp Howard died of a sudden heart attack at the age of 60; even after his death, Shemp "starred" in four Three Stooges comedies, courtesy of stock footage from earlier films and a stand-in by the name of Joe Palma.

Trivia: Actor Vernon Dent launched his career in stock companies and as one-third of a singing cabaret trio. Silent comedian Hank Mann, impressed by Dent's girth (250 pounds) and comic know-how, helped Vernon enter films in 1919. Dent starred in a 2-reel series at the Pacific Film Company, then settled in at Mack Sennett studios as a supporting player, generally cast as a heavy. During his Sennett years, Dent was most often teamed with pasty-faced comedian Harry Langdon, who became his lifelong friend and co-worker. Remaining with Sennett until the producer closed down his studio in 1933, Dent moved to Educational Pictures, where he was afforded equal billing with Harry Langdon; and when Langdon moved to Columbia Pictures in 1934, Dent followed, remaining a mainstay of the Columbia 2-reel stock company until 1953. Here he was featured with such comic luminaries as Andy Clyde, Buster Keaton, Hugh Herbert, Vera Vague, and especially the Three Stooges. Among Dent's dozens of talkie feature-film credits were W.C. Fields' Million Dollar Legs (1932) and You're Telling Me (1934); in one of his rare feature starring roles, Dent played a boisterous, wife-beating sailor in the 1932 "B" Dragnet Patrol. Well-connected politically in the Los Angeles area, Dent supplemented his acting income by running the concession stand at Westlake Park. Vernon Dent retired in the mid-1950s, due to total blindness brought about by diabetes; the ever-upbeat actor was so well-adjusted to his handicap that many of Dent's close friends were unaware that he was blind.

Trivia: The older brother of actresses Etta and Hattie McDaniel, Sam McDaniel began his stage career as a clog dancer with a Denver minstrel show. Later on, he co-starred with his brother Otis in another minstrel troupe, this one managed by his father Henry. Sam and his sister Etta moved to Hollywood during the talkie revolution, securing the sort of bit roles usually reserved for black actors at that time. He earned his professional nickname "Deacon" when he appeared as the "Doleful Deacon" on The Optimistic Do-Nut Hour, a Los Angeles radio program. During this period, Sam encouraged his sister Hattie to come westward and give Hollywood a try; he even arranged Hattie's first radio and nightclub singing jobs. McDaniel continued playing minor movie roles doormen, porters, butlers, janitors while Hattie ascended to stardom, and an Academy Award, as "Mammy" in Gone with the Wind (1939). During the 1950s, McDaniel played a recurring role on TV's Amos 'N' Andy Show.

Trivia: Her pompous Grande Dame ego constantly deflated by having a pie hurled in her face, brunette American comedy actress Symona Boniface became for the Three Stooges what Margaret Dumont was for the Marx Brothers. Surprisingly, Boniface had been a noted stage actress and playwright before the 1929 stock market crash wiped her out financially. Moving to Hollywood, she toiled in anonymity doing bit parts and extra work until signing a stock contract with Columbia Pictures in 1935. A major addition to the studio's thriving short subject department, Boniface popped up in two-reelers all over the place but is today mostly associated with the Stooges, who regularly flattened her haughty demeanor. The quintessential Boniface characters were the snobbish Mrs. Van Bustle of Crash Goes the Hash (1944) and the conceited dowager Mrs. Smythe-Smythe in 1947's Half-Wits Holiday, the latter featuring her being furiously pelted with pies dropped from the ceiling. A talented but much overlooked part of the Stooges legacy, Symona Boniface died less than three years later at the Motion Picture Country House and Hospital in Woodland Hills, CA, but continued, eerily, to figure prominently in Stooges shorts through the middle of the decade due to the generous doses of stock footage added to keep mounting costs down.