Trivia: Considered one of the best actors of his generation, Robert De Niro built a durable star career out of his formidable ability to disappear into a character. The son of artists, De Niro was raised in New York's Greenwich Village. The young man made his stage debut at age 10, playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro learned how to immerse himself in a character emotionally and physically. After laboring in off-off-Broadway productions in the early '60s, De Niro was cast alongside fellow novice Jill Clayburgh in film-school graduate Brian De Palma's The Wedding Party (1969). He followed this with small movies like Greetings, Hi, Mom!, Sam's Song, and Bloody Mama.De Niro's professional life took an auspicious turn, however, when he was re-introduced to former Little Italy acquaintance Martin Scorsese at a party in 1972. Sharing a love of movies as well as their neighborhood background, De Niro and Scorsese hit it off. De Niro was immediately interested when Scorsese asked him about appearing in his new film, Mean Streets, conceived as a grittier, more authentic portrait of the Mafia than The Godfather. De Niro's appearance in the film made waves with critics, as did his completely different performance as a dying simple-minded catcher in the quiet baseball drama Bang the Drum Slowly (1973). Francis Ford Coppola was impressed enough by Mean Streets to cast De Niro as the young Vito Corleone in the early 1900s portion of The Godfather Part II. Closely studying Brando's Oscar-winning performance as Don Corleone in The Godfather, and perfecting his accent for speaking his lines in subtitled Sicilian, De Niro was so effective as the lethally ambitious and lovingly paternal Corleone that he took home a Best Supporting Actor Oscar for the role.De Niro next headed to Europe to star in Bernardo Bertolucci's opus, 1900 (1976) before returning to the U.S. to collaborate with Scorsese on the far leaner (and meaner) production, Taxi Driver. After working for two weeks as a Manhattan cabbie and losing weight, De Niro transformed himself into disturbed "God's lonely man" Travis Bickle. One of the definitive films of the decade, Taxi Driver earned the Cannes Film Festival's top prize and several Oscar nominations, including Best Picture and De Niro's first nod for Best Actor. Controversy erupted about the film's violence, however, when would-be presidential assassin John W. Hinckley cited Taxi Driver as a formative influence in 1981.De Niro and Scorsese would reteam for the lavish musical New York, New York (1977), and though the film was a complete flop, De Niro quickly recovered with another risky and ambitious project, Michael Cimino's The Deer Hunter (1978). One of the first wave of Vietnam movies, The Deer Hunter starred De Niro as one of three Pennsylvania steel-town friends thrown into the war's inferno who emerged as profoundly changed men. Though the film provoked an uproar over its portrayal of Viet Cong violence as (literally) Russian roulette, The Deer Hunter won several Oscars.Returning to the realm of more personal violence, De Niro followed The Deer Hunter with his and Scorsese's masterpiece, Raging Bull, a tragic portrait of boxer [%Ray La Motta]. Along with his notorious 60-pound weight gain that rendered him unrecognizable as the middle-aged Jake, De Niro also trained so intensely for the outstanding fight scenes that La Motta himself stated that De Niro could have boxed professionally. Along with his physical dedication, De Niro won over critics with his ability to humanize La Motta without softening him. Raging Bull received eight Oscar nominations, including Best Picture.Though he was well suited to star in Sergio Leone's epic homage to gangster films, Once Upon a Time in America (1984), Leone's tough, transcendent vision couldn't survive the studio's decision to hack 88 minutes out of the American release version. De Niro next took a breather from films to return to the stage, playing a drug dealer in the New York Public Theater production Cuba and His Teddy Bear. During his theater stint, De Palma made De Niro a movie offer he couldn't refuse when he asked him to play a small role in his film version of The Untouchables (1987). As the rotund, charismatic, bat-wielding Al Capone, De Niro was a memorable adversary for Kevin Costner's upstanding Elliot Ness, and The Untouchables became De Niro's first hit in almost a decade. De Niro followed The Untouchables with his first comedy success, Midnight Run (1988), costarring as a bounty hunter opposite Charles Grodin's bail-jumping accountant.Though he earned an Oscar nomination for his touching performance as a patient in Penny Marshall's popular drama Awakenings (1990), movie fans were perhaps more thrilled by De Niro's return to the Scorsese fold, playing cruelly duplicitous Irish mobster Jimmy "The Gent" opposite Ray Liotta's turncoat Henry Hill in the critically lauded Mafia film Goodfellas (1990). De Niro worked with Scorsese again in the thriller remake Cape Fear (1991), sporting a hillbilly accent and pumped-up physique. It was Scorsese and De Niro's biggest hit together and earned another Oscar nod for the star. De Niro subsequently costarred as a geeky cop in the Scorsese-produced Mad Dog and Glory (1993).De Niro also revealed that he had learned a great deal from his work with Scorsese with his own directorial debut, A Bronx Tale (1993). A well-observed story of a boy torn between his father and the local mob, A Bronx Tale earned praise, but De Niro was soon back to working with Scorsese, starring as Vegas kingpin Sam Rothstein in Casino (1995) -- based on the story of real-life handicapper Frank "Lefty" Rosenthal -- staged with Scorsese's customary visual brilliance and pairing De Niro with his Raging Bull brother and Goodfellas associate Joe Pesci.Appearing in as many as three films a year after 1990, De Niro was particularly praised for his polished reserve in Michael Mann's glossy policer Heat (1995), which offered the rare spectacle of De Niro and Pacino sharing the screen, if only in two scenes. After indifferently received turns in The Fan (1996), Sleepers (1996), and Cop Land (1997), De Niro stepped outside his comfort zone to play an amoral political strategist in Barry Levinson's sharp satire Wag the Dog (1997) and a dangerously dimwitted crook in Quentin Tarantino's laid-back crime story Jackie Brown (1997). De Niro was front and center -- and knee deep in self-parody -- in the comedy Analyze This (1999), aided and abetted by a nicely low-key Billy Crystal as his reluctant psychiatrist. De Niro would continue to lampoon his own tough-guy image in the sequel Analyze That, as well as the popular Meet the Parents franchise. As the decade wore on, De Niro took on roles that failed to live up to his acclaimed earlier work, such as with lukewarm thrillers like The Score, Godsend, Righteous Kill, and Hide and Seek. However, De Niro continued to work on his ambitious and long-planned next foray behind the camera, the acclaimed CIA drama The Good Shepherd.He continued to work steadily in a variety of projects including Stardust, What Just Happened, and Everybody's Fine. He became a Kennedy Center honoree in 2009. He reteamed with Ben Stiller for Little Fockers in 2010, and played a corrupt politician in Machete that same year. In 2011 he appeared opposite Bradley Cooper in the thriller Limitless, which seemingly laid the groundwork for their reteaming as father and son in the 2012 comedy Silver Linings Playbook. For his work in that movie, De Niro earned an Oscar nomination for Best Supporting Actor.

Trivia: Actor, playwright, and screenwriter Chazz Palminteri is anything but an overnight success. For him, stardom was the result of nearly 20 years of relative obscurity as he worked his way from nightclubs to off-Broadway to small television roles. It was only after he penned his one-man 35-character autobiographical play A Bronx Tale that the then-36-year-old actor hit the big time. A big, burly Italian, he has since specialized in playing heavies and other bad guys. Born Calogero Lorenzo Palminteri, the son of a Bronx bus driver, he first dreamed of an acting career at age 13. Following high school, however, Palminteri became a singer and spent over a decade as a lounge crooner; he was also a member of a pop group. Though he made a decent living, Palminteri couldn't forget his initial aspiration and, in 1982, devoted himself full-time to acting. While attending acting classes and auditioning, Palminteri supported himself as a doorman and spent the next few years working off-Broadway in small roles. In 1988, he headed to Southern California to work as a bit-player on television, making his debut appearance on Hill Street Blues. After two years of playing relatively inconsequential parts, a frustrated Palminteri took matters into his own hands and, on five yellow legal pads, wrote the script for A Bronx Tale. The play debuted at the West Coast Ensemble theater to critical raves. He then took it to Playhouse 91 in New York, where it played to standing-room-only crowds for four months. One night, Robert DeNiro caught it and was greatly impressed by both Palminteri and his play. Shortly afterward, Palminteri was visited by Hollywood producers wanting to by the film rights. Cagily, he refused to sell unless he was guaranteed the lead. Four years later, with help from DeNiro, who would use it for his directorial debut and play a supporting role, Palminteri's wish came true. Released in 1993, A Bronx Tale received critical praise but did not catch on with audiences. Still, it was enough to jump-start Palminteri's film career and, in 1994, he co-starred in Woody Allen's Bullets Over Broadway as Cheech, a gangster thug with a love of the theater. Palminteri's portrayal of Cheech earned him an Oscar nomination for Best Supporting Actor. In 1996, another of Palminteri's plays, Faithful, the offbeat story of a strange relationship between a suicidal housewife and the thug her husband hires to kill her, became a film starring himself and Cher. A subsequent turn as the malevolent headmaster of a prestigious private school in the same year's Diabolique found Palminteri hanging up his gangster hat to turn in an especially menacing performance, with subsequent roles in Mulholland Falls, Analyze This, and Just Like Mona showing an actor who had perfected roles on both sides of the law and seemed to show little interest in branching out. Vocal performances in Lady and the Tramp II: Scamp's Adventure and the computer animated 2005 comedy Hoodwinked made impressive use of the screen heavy's distinctive voice, and gave the longtime screen actor a chance to have some fun without necessarily having the stress of being on camera. A rare voyage into weekly television followed when Palminteri served as boss to one of television's greatest detectives in the 2005 revival of Kojack (this time featuring actor Ving Rhames in the role of the lollipop -munching cop), with a subsequent role as a crooked cop in Wayne Kramer's hyper-stylized action entry Running Scared finding the actor remaining safely behind the badge. One of six co-recipients of a Special Jury Prize for Dramatic Ensemble Performance at the 2006 Sundance Film Festival for his participation in A Guide to Recognizing Your Saints, Palminteri cold next be seen as a diamond-hunting gangster searching for a most unusual thief in the Wayans brothers comedy Little Man (2006). Since then, Palminteri has divided his time between family life and his film career.

Trivia: Actor Lillo Brancato Jr. found his niche in acting early on, playing the young Calogero Anello in Robert De Niro's A Bronx Tale in 1993. Born in Colombia in 1976, Brancato was adopted by Italian-Amerian parents when he was only months old, and grew up in Yonkers, NY -- an upbringing that would create his sense of heritage and cultural identity. Noticed by a talent scout who thought he looked like a young DeNiro, Brancato fell into an acting career at 17, appearing in a number of films and TV shows, most notably playing Matthew Bevilaqua on The Sopranos. The actor has also struggled with the law and was arrested in 2005 on suspicion of second-degree murder of a police officer.

Trivia: Is of Italian and Dominican descent.Was raised in The Bronx.Was discovered by Robert De Niro during the casting of one of his films.Practiced boxing briefly when he was a teenager.Is skilled at bowling.Is a fan of Star Wars.Is a fan of The Lord of the Rings books.

Trivia: Sang in her church choir since she was young.Her mother was her manager at the beginning of her career.Was inspired by her older sister to pursue a career as a singer and actress.Started her acting career in theater with her sister in a minor supporting role.Made her debut in film in the first film of Robert De Niro as a director.In 1997, she signed a record deal with Motown.

Trivia: Was discovered by iconic actor Robert De Niro in an open call for his directorial debut A Bronx Tale. Portrayed three different characters over a four year span in three different episodes of Law & Order. Appeared in Six Goubmas and a Wannabe at the Cap 21 Theatre in New York in 2001. Made her own directorial debut in 2011 with her short film Dante's World, which she also wrote, shot and produced. Paints and scuplts, and has shown her artwork at several exhibitions.

Trivia: A consummate character actor, Joe Pesci rose to success on the strength of a series of Martin Scorsese films which took full advantage of his gift for outlandishly menacing supporting performances. Born February 9, 1943, in Newark, NJ, Pesci was a child actor who began his radio career at the age of four. Broadway beckoned just a year later, and by 1953 he was a regular on the television variety program Star Time Kids. His acting career stalled during his teen years, however, and by the mid-'60s, he mounted a musical career under the name Joe Ritchie, recording an LP titled Little Joe Sure Can Sing and later playing guitar in the pop band Joey Dee & the Starliters. He also formed a vaudeville-style nightclub comedy act with Frank Vincent. Outside of 1961's Hey, Let's Twist!, Pesci did not appear in films prior to the little-seen 1975 feature The Death Collector; the film earned virtually no notice upon its release and he dropped out of acting, dejectedly returning to New York to run an Italian restaurant.While few people saw The Death Collector, one of those who did was actor Robert De Niro, who was so impressed by Pesci's performance that he brought the film to the attention of Scorsese, who cast Pesci in his 1980 masterpiece Raging Bull. The performance earned Pesci an Academy Award nomination in the Best Supporting Actor category, and he became one of the busiest character actors in the business, steadily appearing in films ranging from the 1983 Rodney Dangerfield comedy Easy Money to the 1984 Sergio Leone epic Once Upon a Time in America. After starring in a failed 1985 sitcom, Half Nelson, Pesci's onscreen visibility diminished, and over the next four years he appeared in only one film, 1987's Man on Fire. In 1989, however, he co-starred opposite Mel Gibson and Danny Glover in the hit Lethal Weapon 2, a performance which put his talent for comic relief to such fine use that he later reappeared in the third chapter of the franchise, issued in 1992.By that point, Pesci had already become a star; 1990 was his breakthrough year, as he appeared in the family comedy blockbuster Home Alone and Scorsese's brilliant GoodFellas, winning the Best Supporting Actor Oscar for his vivid portrayal of a psychotic mobster. While his first major starring role in 1991's The Super proved disastrous, he won good notices for his supporting turn in Oliver Stone's JFK and in 1992 starred in the hit courtroom comedy My Cousin Vinny. Later, following the disappointment of 1994's Jimmy Hollywood and With Honors, he reunited with Scorsese and De Niro for the 1995 epic Casino, essaying a variation on his GoodFellas character. However, a pair of poorly received 1997 comedies -- Eight Heads in a Duffel Bag and Gone Fishin' -- again called Pesci's capabilities as a lead actor into question. He found more success reprising his supporting role in Lethal Weapon 4, released in 1998. On the heels of his second outing with Mel Gibson and Danny Glover, however, the popular character actor disappeared from the big screen for nearly a decade. It took his old friend DeNiro to get him back in front of the camera for the CIA thriller The Good Shepherd (2006), with the four year gap between that film and Pesci's next film Love Ranch hinting that the aging screen veterean was in no hurry to jump back into the fray. But the window between films seemed to start shrinking when it was announced that Pesci would be returning to the world of crime cinema in director Geo Santini's 2012 gangster drama The Irishman.

Trivia: Parents are Italian immigrants. Originally aspired to become a baseball player. At the age of 16, landed his first acting job after attending an open casting call for Robert De Niro's directorial debut, A Bronx Tale. Is often cast to play policemen, including his portrayal of Thomas "Herc" Hauk in the critically-acclaimed series The Wire and his role as Ira Hornstock in Rosewood.