Trivia: While his police-chief father wanted him to become a soccer player, Austrian-born actor Arnold Schwarzenegger opted instead for a bodybuilding career. Born July 30, 1947, in the small Austrian town of Graz, Schwarzenegger went on to win several European contests and international titles (including Mr. Olympia) and then came to the U.S. for body-building exhibitions, billing himself immodestly but fairly accurately as "The Austrian Oak." Though his thick Austrian accent and slow speech patterns led some to believe that the Austrian Oak was shy a few leaves, Schwarzenegger was, in fact, a highly motivated and intelligent young man. After graduating from the University of Wisconsin with a degree in business and economics, he invested his contest earnings in real estate and a mail-order bodybuilding equipment company.A millionaire before the age of 22, Schwarzenegger decided to try acting. Producers were impressed by his physique but not his mouthful of a last name, so it was as Arnold Strong that he made his film bow in the low-budget spoof Hercules in New York (1970, with a dubbed voice). He reverted to his own name for the 1976 film Stay Hungry, then achieved stardom as "himself" in the 1977 documentary Pumping Iron. In The Villain (1979), a cartoon-like Western parody, he played "Handsome Stranger," exhibiting a gift for understated comedy that would more or less go unexploited for many years thereafter. With Conan the Barbarian (1982) and its sequel, Conan the Destroyer (1984), the actor established himself as an action star, though his acting was backtracking into two-dimensionality (understandably, given the nature of the Conan role). As the murderous android title character in The Terminator (1984), Schwarzenegger became a bona fide box-office draw, and also established his trademark of coining repeatable catchphrases in his films: "I'll be back," in Terminator, "Consider this a divorce," in Total Recall (1990), and so on.As Danny De Vito's unlikely pacifistic sibling in Twins (1988), Schwarzenegger received the praise of critics who noted his "unsuspected" comic expertise (quite forgetting The Villain). In Kindergarten Cop (1991), Schwarzenegger played a hard-bitten police detective who found his true life's calling as a schoolteacher (his character was a cop only because it was expected of him by his policeman father, which could have paralleled his own life). Terminator 2: Judgment Day (1991), wherein Schwarzenegger exercised his star prerogative and insisted that the Terminator become a good guy, was the most expensive film ever made up to its time -- and one of the biggest moneymakers. The actor's subsequent action films were equally as costly; sometimes the expenditures paid off, while other times the result was immensely disappointing -- for the box-office disappointment Last Action Hero (1992), Schwarzenegger refreshingly took full responsibility, rather than blaming the failure on his production crew or studio as other "superstars" have been known to do.A rock-ribbed Republican despite his marriage to JFK's niece, Maria Shriver (with whom he has four children), Schwarzenegger was appointed by George Bush in 1990 as chairman of the President's Council of Physical Fitness and Sports, a job he took as seriously and with as much dedication as any of his films. A much-publicized investment in the showbiz eatery Planet Hollywood increased the coffers in Schwarzenegger's already bulging bank account. Schwarzenegger then added directing to his many accomplishments, piloting a few episodes of the cable-TV series Tales From the Crypt as well as a 1992 remake of the 1945 film Christmas in Connecticut.Schwarzenegger bounced back from the disastrous Last Action Hero with 1994's True Lies, which, despite its mile-wide streak of misogyny and its gaping plot and logic holes, was one of the major hits of that summer's movie season. Following the success of True Lies, Schwarzenegger went back to doing comedy with Junior, co-starring with Emma Thompson and his old Twins accomplice Danny De Vito. The film met with critically mixed results, although it fared decently at the box office. Undeterred, Schwarzenegger continued down the merry, if treacherous, path of alternating action with comedy with 1996's Eraser and Jingle All the Way, the latter of which proved to be both a critical bomb and a box-office disappointment. In a move that suggested he had realized that audiences wanted him back in the world of assorted weaponry and explosives, Schwarzenegger returned to the action realm with 1997's Batman & Robin, which unfortunately proved to be a huge critical disappointment, although, in the tradition of most Schwarzenegger action films, it did manage to gross well over 100 million dollars at the box office and over 130 million dollars more the world over.The turn of the century found Schwarzenegger's star losing some of its luster with a pair of millennial paranoia films, 1999's End of Days and 2000's The 6th Day. The former film -- in which a security consultant has to save the world from Satan -- was critically lambasted and, despite a powerful opening weekend, failed to recoup its cost in the States. The latter film -- a cloning parable which bore more than a passing resemblance to Total Recall -- received more positive notices, but took in less than half the receipts Days did just one year prior. Perhaps as a response to these failures, Schwarzenegger prepped three films reminiscent of former successes, all scheduled for release in 2001 and 2002: the terrorist action thriller Collateral Damage, True Lies 2, and the long-anticipated Terminator 3. Though Collateral Damage received a chilly reception at the box office and the development of True Lies 2 fell into question, longtime fans of the cigar-chomping strongman rejoiced when Arnold resumed his role as a seriously tough cyborg in Terminator 3. Though he made a cameo in director Frank Coraci's adaptation of Around the World in 80 Days, Arnold's most notable role of the new millenium was political -- Schwarzenegger replaced Gray Davis as governor of California in the highly controversial recall election of 2003.In 2010, Schwarzenegger played the character of Trench in The Expendables, an action thriller following a group of tough-as-nails mercinaries as they deal with the aftermath of a mission gone wrong, and reprised the role for The Expendables 2 in 2012.

Trivia: The daughter of Mark Miller, an actor best known for his starring role on the mid-1960s TV sitcom Please Don't Eat the Daisies, actress Penelope Ann Miller was born in California and raised in Texas. After a year of attending Menlo College, Miller dropped out to train with acting coach Herbert Berghof. Her first role of note was as ditsy ingenue Daisy in the Neil Simon Broadway comedy Biloxi Blues, a role she would later recreate in the film version. For her role in Our Town she was nominated for a Tony award in 1989. In 1987, the blonde, saucer-eyed actress made her film debut in the wacked-out comedy Adventures in Babysitting, after which she costarred with popular leading men ranging from Pee-Wee Herman (Big Top Pee-Wee) to a GOlden Globe nominated performance alongside Al Pacino in Carlito's Way. Some of Miller's best known film roles have included that of Marlon Brando's enigmatic daughter in The Freshman (1990), a brief turn as silent film actress Edna Purviance in Chaplin (1992), and the svelte 1930s pulp heroine Margot Lane in The Shadow (1994). As the 1990s progressed Miller alternated ever more frequently between television and film, tempering high profile roles in The Shadow (1994) and The Relic (1997) with more intimate small screen roles in mini-series The Last Don (1997) and as the titular character in the true-life television feature The Mary Kay Letorneau Story: All American Girl (2000). If her roles in the following years weren't as high profile as in the previous decade, solid performances in Along Came a Spider (2001) and Rudy: The Rudy Giuliani Story (2003) eventually led to a role in the popular but shortlived Norm Macdonald sitcom A Minute with Stan Hooper. Cast as the titular character's (Macdonald) city-slicker wife, the coupled opted to eschew the city for small town life to Newhart-like effect. Her gift for comedy more obvious than ever, Miller was subsequently cast in the made for television feature National Lampoon's Thanksgiving Family Reunion (2003).

Trivia: Although her earthy and somewhat plain appearance might have prevented her from landing the sort of glamorous parts Hollywood seems to reserve for A-list beauty queens, actress Pamela Reed still managed to maintain a healthy career with a series of winning supporting roles. A Washington native who spent the majority of her childhood in Maryland, Reed moved back to the Northwest for an opportunity to work on the Trans-Alaska Pipeline. There, she began to study drama at the University of Washington, where she stood out amongst her classmates due to her age (she was nearly 30 when she graduated and began seeking out roles in New York and L.A.). She later appeared off-Broadway in Curse of the Starving Class and impressed audiences with her performance in Aunt Dan and Lemonand her skillful interpretation of Shakespeare in All's Well That Ends Well. In 1978, Reed made her Broadway debut in a production of The November People. With a solid stage resumé, the actress moved to the screen in Walter Hill's 1980 Western The Long Riders. Reed could bring style and depth to even the most threadbare of roles, and in the years that followed, she made a name for herself by essaying key supporting parts in such films as Eyewitness (1981) and The Right Stuff (1983); though her characters rarely broke the mold of supportive wife/girlfriend, her performances were always graceful and believable. Reed took a turn toward the small screen with a role in the 1990 comedy series Grand, and alternated frequently between film and television for the remainder of the decade. From her scene-stealing turn alongside Arnold Schwarzenegger in Kindergarten Cop (1990) to her performance as a housewife with a history in the made-for-TV mystery Woman With a Past, Reed proved equally adept at both comedy and drama. Following a memorable role in Tim Robbins' 1992 political satire (and directorial debut) Bob Roberts, the actress returned to television in 1995 for the short-lived comedy series The Home Court. She built a sturdy fan base of Lifetime viewers with such made-for-cable features as The Man Next Door (1995), and continued to appear in such hit features as Bean (1997) and Why Do Fools Fall in Love (1998). Reed later starred in the 2000 blockbuster Proof of Life, and appeared in the small-screen drama Book of Days (2003) and Glory Days in 2004.

Trivia: While still a child, Linda Hunt decided to become an actress, and began taking drama lessons at age 13. As she was quite small (4'9") and not a great beauty, she also studied directing, in case she never landed any acting roles. Hunt majored in directing at the prestigious Goodman Theater School in Chicago, and went on to spend several years in New York, working as a stage manager, director, and occasionally as an actress; during some of that time she worked in alternative theater with companies such as La Mama and the Open Theater. Following years of getting bit parts and directing for a children's theater, Hunt finally started landing good roles and ultimately won two Obie awards and a Tony nomination. She debuted onscreen in Robert Altman's Popeye (1980), but it was her second film, The Year of Living Dangerously (1983), that made her internationally known; for her portrayal of a male Indonesian dwarf, she won a Best Supporting Actress Oscar. She followed that up with a part in David Lynch's infamous adaptation of the sci-fi classic Dune, and immediately segued into the part of a beloved saloon owner in Lawrence Kasdan's throwback western Silverado. She maintained a steady career appearing in various projects including She-Devil, Kindergarten Cop, Maverick and Stranger Than Fiction. Her distinctive voice led to steady gigs in animated films and as a narrator of documentary films.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: The daughter of a traveling salesman, actress Carroll Baker joined a dance company after one year of college, then worked as a magician's assistant. After a brief marriage to a furrier, she went to Hollywood to act, but was unable to get anything more than a bit role (in 1953's Easy to Love) and so left for New York. At first finding work only in commercials (plus a walk-on in the Broadway play Escapade), in 1954 she enrolled at the Actors Studio; there she met director Jack Garfein, whom she married the following year (they were divorced in 1969). After her appearance in a few TV dramas and Robert Anderson's play All Summer Long (1955), she was noticed by Warner scouts and subsequently cast in James Dean's vehicle Giant (1956). Her success continued that same year when her role as the thumb-sucking wife in Baby Doll (1956) earned her an Academy Award nomination for Best Actress. She also delivered an exemplary lead performance in director Irving Rapper's The Miracle (1959). With the success of Marilyn Monroe, Hollywood started looking for other Monroe "types" and producers began grooming Baker for the role, as is evident from her work in such films as The Carpetbaggers (1964); in 1965, she played the doomed title role in the film Harlow, another attempt to cast her in the Monroe mold. However, she never caught on with American audiences; in the late 60s, she moved to Italy and began appearing in Italian productions. In 1977 she made her London stage debut in W. Somerset Maugham's Rain, then made a few Hollywood and UK pictures in the late 70s and 80s, as well as putting in a "camp" appearance in Andy Warhol's Bad (1977) and a more straightlaced role as the mother of Dorothy Stratten in Star 80.

Trivia: At 18, Bronx-born blonde Cathy Moriarty had precisely no acting experience, which suited director Martin Scorsese just fine. Scorsese wanted a thoroughly natural, spontaneous actress to portray the bethumped Vickie La Motta, wife of volatile boxing champ Jake La Motta (Robert DeNiro), in the 1980 biopic Raging Bull. Moriarty won an Academy Award nomination for her fascinating portrayal of Vickie; alas, her next project was the much-maligned Neighbors (1981), which effectively killed her starring career before it had even begun. Her professional problems were exacerbated by a 1982 automobile accident. After back surgery and extensive emotional healing, Moriarty made a tentative film comeback in 1987. The film assignments began improving after 1990; she was terrific as a daytime-drama diva in Soapdish (1991), and even better as monotoned horror film star Ruth Corday in Matinee (1992). There have been a few setbacks during Moriarty's career renaissance (she was cut from the final print of Sean Penn's maiden directorial effect The Indian Runner), but there have been many more highs than lows, notably her winning the Cable ACE award for her work on a 1995 episode of Tales From the Crypt. Even if Cathy Moriarty never makes the uppermost ranks in stardom, she can always rely upon her trendy New York pizza parlor for a steady income.

Trivia: Character actor Richard Portnow has worked steadily in theater, feature films, and on television for many years. On stage, he has appeared both on and off Broadway, as well as in many regional productions, and at London's Royal Court Theatre. Portnow made his feature film debut with a bit part in Susan Seidleman's Desperately Seeking Susan (1985). On television, Portnow has guest starred on many series, including Seinfeld, NYPD Blue, and The Nanny.

Trivia: Making his screen debut at the age of three in Pet Cemetary (1989), juvenile actor Miko Hughes has gone on to appear in major Hollywood productions ranging from Kindergarten Cop (1990), Jack the Bear (1993), Apollo 13 (1996), and Spawn (1997). Hughes is also a veteran of television shows, was a guest on The Tonight Show, and has made guest appearances in such shows as Picket Fences, The Nanny, and Beverly Hills 90210. When not acting, Hughes actively participates in Native American ceremonies across the country as a dancer at powwows. He is half Chickasaw and in 1990 was the grand marshal of the Chickasaw Festival in Tishominso, OK.

Trivia: Is of Cuban and Colombian descent. Was raised in a bilingual home. Began career at age 5 in the film Kindergarten Cop (1990). In 2007, joined the cast of the ABC series October Road. Breakthrough film role came in the 2008 action flick Cloverfield. Provided the voice for the character Amata Almodovar in the 2008 video game Fallout 3. Appeared in the music video for Weezer's "(If You're Wondering If I Want You To) I Want You To."

Trivia: Though best known for his work as radio station bigwig Jimmy James on the television series NewsRadio, Stephen Root is one of the busier character actors at work today, and a familiar face to television and movie audiences. Born in Sarasota, FL, on November 17, 1951, Root received a degree in acting and broadcasting from the University of Florida, and after graduating passed an audition to join the touring company of the National Shakespeare Company. After three years with the NSC, Root settled in New York City, where he began working in off-Broadway theater, making his debut in a revival of Journey's End. His first Broadway role, in So Long on Lonely Street, was a bust at the box office, but the 1987 revival of All My Sons was a big hit which generated plenty of enthusiastic press for Root. 1988 saw Root making his motion-picture debut in the George Romero horror opus Monkey Shines, and over the next several years Root worked steadily in feature films, episodic television, and made-for-TV movies, scoring recurring roles on L.A. Law, Star Trek: The Next Generation, and Blossom; guest spots on Northern Exposure, Murphy Brown, and Quantum Leap; supporting parts in Ghost, Dave, and Robocop 3; and an acclaimed turn in A Woman Scorned: The Betty Broderick Story, as well as its sequel, Her Final Fury: Betty Broderick, The Last Chapter. In 1993, Root was cast as R.O. on the television series Harts of the West; the show only lasted a season, but his next role on a series would last a bit longer; cast as Jimmy on the sitcom NewsRadio in 1995, Root would last with the show for five seasons, until the show was canceled after a disappointing final season following the death of co-star Phil Hartman. During hiatus from NewsRadio and after the series ended, Root continued his busy schedule, making memorable appearances in feature films (including Office Space and O Brother, Where Art Thou?) and guesting on other shows. Root also began doing voice work, speaking for Buck Strickland and Bill Dauterive on the animated series King of the Hill and the Sheriff on Buzz Lightyear of Star Command.Root's small-screen voice-work would soon lead to his involvement in two popular big-screen animated features. In 2002's Ice Age, audiences could hear him along with Cedric the Entertainer as a pair of Rhinos. And the next year, Root lent his pipes to the blockbuster underwater adventure Finding Nemo. While his voice became more familiar to moviegoers, Root continued to become more of a presence in live-action films as well. Turning in no less than four supporting performances in high-profile films, Root spent 2004 reteaming with the Coen brothers for The Ladykillers, showing up in a prominent role in Kevin Smith's Jersey Girl, and costarring in the broad comedies Dodgeball: A True Underdog Story, Anchorman: The Legend of Ron Burgundy, Mad Money, and Leatherheads.He remained one of the most respected and in-demand character actors of his generation appearing in a variety of projects including Mad Money, The Soloist, Everything Must Go, Red State, Cedar Rapids, and J. Edgar. He also provided numerous voices for the Oscar-winning animated feature Rango.

Trivia: A respected actress of the stage, screen, and television, Angela Bassett has been one of the few African-American actresses to break Hollywood's color boundary. She has specialized in playing strong women familiar with adversity and has worked in genres from "chick flick" (Waiting to Exhale) to sci-fi action (Strange Days) to biography (What's Love Got to Do with It?), the last of which featured her in a star-making performance as Tina Turner.Born in New York City on August 16, 1958, Bassett was raised in St. Petersburg, Florida by her mother. Growing up in a household where money was tight, she was taught determination and independence. These values were called into service after an eleventh grade Upward Bound trip to Washington, D.C., when Bassett saw James Earl Jones in a Kennedy Center production of Of Mice and Men. Deciding that acting was her calling, she became involved in a number of local productions in St. Petersburg. She continued to act at Yale University, where she earned a scholarship; after completing a B.A. in African-American studies, she also spent three years at the Yale School of Drama. One of Bassett's mentors at Yale was the drama school's dean, stage director Lloyd Richards, who was so impressed with her talent that he cast her in two of his productions, Ma Rainey's Black Bottom and Joe Turner's Come and Gone. Although she enjoyed relative success on the stage, Bassett, like other African-American actors, had a difficult time finding roles in television and film.In 1986, Bassett made her screen debut in the cult favorite F/X. Following supporting roles in Kindergarten Cop (1990) and John Sayles' City of Hope (1991), she had her first significant screen role in John Singleton's acclaimed Boyz 'N the Hood, playing a struggling single mother. Two years later, after playing the wife of civil rights leader Malcolm X in Spike Lee's biopic and the Jackson Family matriarch in the made-for-TV The Jacksons: An American Dream, Bassett had her screen breakthrough as Tina Turner in What's Love Got to Do with It?, a performance that earned her a Best Actress Oscar nomination and a Golden Globe. As her newfound status allowed her to expand her range of work, Bassett went on to star in a series of diverse films. In 1995, a foray into futuristic action in Strange Days was complemented by a lead in the successful women's ensemble drama Waiting to Exhale (based on the novel by Terry McMillan), in which Bassett starred alongside Whitney Houston, Lela Rochon, and Loretta Devine. In 1998, she starred as the title character in another McMillan adaptation, How Stella Got Her Groove Back, playing a divorcee whose discontent is ably assuaged by a hunky twenty-year-old (Taye Diggs). The following year, she had a supporting role in Music of the Heart and again tried her hand at action in Supernova, a sci-fi thriller. Starring in former Orson Welles collaborator and blacklisted director John Berry's critically panned swansong Boesman and Lena in 2000, Bassett (along with co-star Danny Glover) earned praise for their sensitive performances as a troubled South African couple striving to seek stability in the face of Apartheid.Her career continued to evolve with a part in The Score in 2001. The next year she executive produced and starred in a biopic about civil rights figure Rosa Parks. She was part of the large ensemble John Sayles brought together for Sunshine State, and co-starred opposite Bernie Mac in the sports comedy Mr. 3000. In 2006 she played the mother in the spelling bee drama Akeelah and the Bee, and she continued to land parts in big-budget blockbusters such as Green Lantern and This Means War.Since 1997, Bassett has been married to actor Courtney B. Vance, whom she had known since their days at Yale.

Trivia: Chi Muoi Lo began his professional acting career on television and got his first real break after his guest-starring role on In the Heat of the Night proved so popular that he became a recurring character. He also occasionally appeared on Northern Exposure and guest starred on such series as China Beach and Night Court. Chi starred in the acclaimed miniseries Vanishing Son. Born in Vietnam, but raised in Philadelphia (his parents fled their homeland to escape the war), he studied drama at San Francisco's American Conservatory Theater on a scholarship. Chi's feature film credits include Kindergarten Cop (1990), Buffy the Vampire Slayer (1992), and The Relic (1996).

Trivia: The tough, sinewy Asian-American character actor Galen Yuen played a number of bit parts in Hollywood action and martial arts films, from the early '90s onward. At least in the beginning, these constituted stock roles -- such as an appearance as a cleaning man in the 1990 Revealing Evidence: Stalking the Honolulu Strangler, a desk bookie in the same year's Jean-Claude Van Damme vehicle Lionheart, and a smuggler in the 1991 Van Damme starrer Double Impact. Yuen stepped behind the camera to helm a segment of the omnibus-style urban drama Riot in the Streets (1997), and received his highest billing up through that time with his role as Y.C. in maverick director Werner Herzog's Vietnam-era actioner Rescue Dawn.

Trivia: After an apprenticeship as a documentary cameraman, Manhattan-born cinematographer Michael Chapman became another of the many talented lensmen given a professional leg-up by legendary cinematographer Gordon Willis. Chapman was a camera operator on such well-regarded 1970s films as The Godfather (1972) and Jaws (1975); in 1973, he finally attained director of photography status on The Last Detail. Some of his best work in the '80s was in old-fashioned but highly stylish black-and-white: Raging Bull (1980) and Dead Men Don't Wear Plaid (1982). In 1983, Chapman gave directing a try with the laudable All the Right Moves; his next and (thus far) last directorial gig was the beautifully lensed but dramatically threadbare Clan of the Cave Bear (1986). Chapman subsequently returned almost solely to cinematography, lensing a number of popular Hollywood films that included Kindergarten Cop (1990) and Andrew Davis' successful The Fugitive (1993).

Trivia: The son of directors Ivan Reitman (Stripes, Ghostbusters) and Geneviève Robert (Casual Sex?), Jason Reitman initially essayed bit and supporting on-camera roles, typically in his father's projects -- such films as Ghostbusters (1984), Twins (1988), Kindergarten Cop (1990), and Dave (1993). Reitman took his directorial bow in 2005 with the acerbic satire Thank You for Smoking (2005), starring Aaron Eckhart -- a freewheeling adaptation of Christopher Buckley's tome about a crafty spin doctor for the tobacco lobby. That outing netted rave reviews from critics across the country. Reitman followed it up with Juno (2007), a comedy drama about an teenage girl (Ellen Page) forced to grow up very quickly when she must contend with an unplanned pregnancy after a tryst with a classmate (Michael Cera). The film opened to glowing reviews, and garnered a number of year-end accolades including a Best Director nomination by the Academy for Reitman's work on the project. Reitman's third feature, the comedy/drama Up in the Air starrring George Clooney, again earned glowing reviews, garnering Best Director and Best Screenplay nominations from both the Hollywood Foreign Press (where he won the Screenplay award) and the Academy, with nods from the Writers Guild and the Directors Guild as well. Reviews for Reitman's fourth film Young Adult (which found the director re-teaming with Juno screenwriter Diablo Cody), were a bit more mixed, and though the film wasn't bestowed any major awards, viewers capable of embracing its off-kilter tone were treated to a surprisingly mature drama about a disturbingly immature woman.